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Kimi K3 built a browser-based 3D martial arts RPG featuring melee combat, quests, inventory, dynamic weather, and explorable interiors. It modeled the game environment in Blender with improved collisions and PBR retexturing, integrated and adapted open assets, and designed the complete gameplay experience. External assets used: G2 Monk.

Chetaslua

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Kimi K3 built a fully procedural browser-based 3D exploration game using Three.js WebGPU and GPU compute. It procedurally generated the environment, while using a 3D asset generation tool to create the rider and horse models, producing an expansive open world with forests, a log-cabin village, snowy mountains, and dynamic weather. External assets used: animated cowboy and horse models and terrain data.

Kimi K3 built a fully procedural browser-based 3D exploration game using Three.js WebGPU and GPU compute. It procedurally generated the environment, while using a 3D asset generation tool to create the rider and horse models, producing an expansive open world with forests, a log-cabin village, snowy mountains, and dynamic weather. External assets used: animated cowboy and horse models and terrain data.

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I gave Kimi K3 and Opus 5 the exact same prompt to build a car racing game. I expected Opus 5 to take the lead. Instead, Kimi K3 finished in ~25 min for ~$8.9, while Opus 5 took 19 min and cost $14. The biggest surprise wasn’t the speed or the price. Kimi K3 built the better game. Smoother controls, better physics, and a driving experience that felt ready from the start. Opus 5 looked cleaner visually but Kimi won where it actually mattered. Nearly half the cost and the better gameplay.

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I tested Kimi K3 vs Claude Opus 4.8 Same prompt, an armory bay with lighting, props, and detail. Top is Kimi K3, bottom is Opus 4.8. It's not even close. Kimi K3 built a full scene with textures, proper lighting, ammo crates, weapon racks, working detail everywhere. Opus 4.8 gave me a near empty room with a couple of floating tables. No doubt it beats Opus 4.8. Kimi K3 is Fable 5 level, and it's clearly better than GPT-5.6 Sol at 3D and games. An open weight model just matched the best closed models on the market. Let that sink in.

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We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.

We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.

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Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

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🚨 Qwen new checkpoint - kieran As usual it claims he is claude and made by anthropic but with tokenizer prompt , its clear - QWEN model Ignore website this is my test to know which model is which behind the scene , should i test it and compare with kimi k3 / opus 5 /sol 5.6

🚨 Qwen new checkpoint - kieran As usual it claims he is claude and made by anthropic but with tokenizer prompt , its clear - QWEN model Ignore website this is my test to know which model is which behind the scene , should i test it and compare with kimi k3 / opus 5 /sol 5.6

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GOOGLE HAS BEEN FAILING PRETTY BADLY TO PUT OUT A MODEL THAT CAN ACTUALLY HANG WITH THE BEST LATELY tested Gemini 3.8 Flash against Kimi K3 on the same Sticky Ball game Flash was insanely fast and used way fewer tokens, but the actual game was nowhere close. K3 had much better mechanics, movement, and overall game design Flash clearly has the speed and efficiency part down, but the gap in what it can actually build is pretty big

GOOGLE HAS BEEN FAILING PRETTY BADLY TO PUT OUT A MODEL THAT CAN ACTUALLY HANG WITH THE BEST LATELY tested Gemini 3.8 Flash against Kimi K3 on the same Sticky Ball game Flash was insanely fast and used way fewer tokens, but the actual game was nowhere close. K3 had much better mechanics, movement, and overall game design Flash clearly has the speed and efficiency part down, but the gap in what it can actually build is pretty big

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How to generate 3D miniature city models and animate them using Kling AI? This visual effect can be created with Kling O1, and then rotated in 3D using Image to Video. The image prompt used for generation is as follows: Present a clear, 45° top-down isometric miniature 3D cartoon scene of New York featuring its most iconic landmarks and architectural elements. Use soft, refined textures with realistic PBR materials and gentle, lifelike lighting and shadows. Integrate the current weather conditions directly into the city environment to create an immersive atmospheric mood.Use a clean, minimalistic composition with a soft, solid-colored background. At the top-center, place the title "New York" in large bold text in white. You can create different effects by changing the city name according to your needs.

How to generate 3D miniature city models and animate them using Kling AI? This visual effect can be created with Kling O1, and then rotated in 3D using Image to Video. The image prompt used for generation is as follows: Present a clear, 45° top-down isometric miniature 3D cartoon scene of New York featuring its most iconic landmarks and architectural elements. Use soft, refined textures with realistic PBR materials and gentle, lifelike lighting and shadows. Integrate the current weather conditions directly into the city environment to create an immersive atmospheric mood.Use a clean, minimalistic composition with a soft, solid-colored background. At the top-center, place the title "New York" in large bold text in white. You can create different effects by changing the city name according to your needs.

Kling AI

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$180,000 VOLVO SEMI TRUCK. EVERY WIRE AND PIPE IN THE CAB AND ENGINE BAY MAPPED IN ADVANCE. BUILT BY TYPING SENTENCES INSTEAD OF PLACING THEM BY HAND. A cab and engine bay this dense needed its wiring, cooling lines, and air and brake lines modeled and checked for clashes before a physical prototype could be built. The design team connected Kimi K3 to their CAD software through MCP, then had it read photos of the cab and engine bay alongside plain English descriptions of each system and build the model directly instead of placing every line by hand. Old process: 2 engineers, 3 weeks, around $19,000. New process: 1 engineer reviewing and refining the AI's output, 5 days, roughly $3,500 combined, engineer's time plus AI compute. Routing clashes caught this way cost a few hundred dollars to fix. The same clash caught after a physical prototype is already built costs 10 to 100 times more. See the article below for a smaller example of the Kimi K3 + Blender MCP workflow.

$180,000 VOLVO SEMI TRUCK. EVERY WIRE AND PIPE IN THE CAB AND ENGINE BAY MAPPED IN ADVANCE. BUILT BY TYPING SENTENCES INSTEAD OF PLACING THEM BY HAND. A cab and engine bay this dense needed its wiring, cooling lines, and air and brake lines modeled and checked for clashes before a physical prototype could be built. The design team connected Kimi K3 to their CAD software through MCP, then had it read photos of the cab and engine bay alongside plain English descriptions of each system and build the model directly instead of placing every line by hand. Old process: 2 engineers, 3 weeks, around $19,000. New process: 1 engineer reviewing and refining the AI's output, 5 days, roughly $3,500 combined, engineer's time plus AI compute. Routing clashes caught this way cost a few hundred dollars to fix. The same clash caught after a physical prototype is already built costs 10 to 100 times more. See the article below for a smaller example of the Kimi K3 + Blender MCP workflow.

Solvaix

65,085 görüntüleme • 1 ay önce

Dark wings Fierce combat One unstoppable heroine. Made with Seedance 2.0 Prompt: A fast-paced, high-octane dark fantasy action scene set in a rainy, moonlit gothic courtyard at night. A young female anime-style heroine wearing a dark school uniform jacket and plaid skirt with massive black feather wings flips through the air, landing dynamically on wet asphalt. She engages in intense martial arts melee combat against dark, hooded figures wearing glowing white masks. Dynamic camera angles, cinematic lighting, flying black feathers, sword strikes, fluid martial arts choreography, dramatic full moon in a stormy sky, photorealistic 8K render, cinematic action film quality.

Dark wings Fierce combat One unstoppable heroine. Made with Seedance 2.0 Prompt: A fast-paced, high-octane dark fantasy action scene set in a rainy, moonlit gothic courtyard at night. A young female anime-style heroine wearing a dark school uniform jacket and plaid skirt with massive black feather wings flips through the air, landing dynamically on wet asphalt. She engages in intense martial arts melee combat against dark, hooded figures wearing glowing white masks. Dynamic camera angles, cinematic lighting, flying black feathers, sword strikes, fluid martial arts choreography, dramatic full moon in a stormy sky, photorealistic 8K render, cinematic action film quality.

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