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Leaflet durability remains a major challenge for transcatheter heart valves. Bench studies suggest balloon-expandable TAVI valves often show pinwheeling, linked to reduced durability. The DurAVR system (Anteris Technologies) uses a short-frame, biomimetic leaflet design to minimize pinwheeling and improve haemodynamics.
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![🧵🚨 MAJOR BREAKING: Exposing “Professor” Jiang Xueqin as a U.S.-linked anti-China regime-change operative — a Sinophobic dissident weaponizing religious manipulation and sabotage from “inside” Beijing. This is not speculation. It’s straight from his own words, leaked history, and the exact playbook the U.S. DoD and regime-change think tanks (NED, Freedom House, Hudson Institute, USCIRF) have run for decades against China. Jiang poses as a neutral “predictive historian” on YouTube, but his track record screams ex-NED-adjacent activist, now dropping black-pill rhetoric designed to spark domestic unrest via education/religion. My research connects every dot. Jiang isn’t “pro-China” — he’s the controlled opposition seeding a color revolution by framing the CCP as an “evil religion” destroying Chinese souls. Millions of views on his channel = algorithmic boost for the narrative. This is textbook regime-change ops turned inward. 🔥🎙️🔥I will simply show what he talks about, and how it aligns perfectly with the U.S. Department of Defense’s (DoD) anti China strategy. How his tactics mirror the same DoD Sinophobic playbook to justify containment, sanctions, tech wars, and proxy unrest I will show how Jiang’s predictive history functions as a cover for religious propaganda and positions him to be weaponized the same way the Falun Gong, Uyghur Muslims, Tibetan Buddhists, underground Christians are portrayed as“persecuted spiritual resistance.” Instead of religion he teaches “eschatology,” instead of prophecy he teaches “predictive history.” This isn’t geo political analysis — it’s cultural demolition to incite youth revolt! 🔎Leaked clip from 14 years ago show him pushing education “reform” as an existential battle against the “unconscionable” system. This is straight from the regime-change manual: frame the CCP as the enemy of the people’s soul. 🚨Here are just a few anti-China statements Jiang has made: 1. “China’s state-sponsored media [is] what enables the corruption and tyranny that’s decaying the nation’s soul.” (2017 CNN) 2. “The Chinese government uses the media as its mouthpiece, perpetuating whatever lies are necessary to keep its tyrannical hold on society.” 3. China’s education system is “unconscionable.” 4. “Most kids in China have no freedom or happiness and the vast majority will develop depression by fourteen and commit suicide.” 5. The education system is an “insane evil religion.” 6. “We have combined Communism and Capitalism to create the worst possible society.” 7. Chinese bureaucrats derive power from a “monopoly over literacy” that stifles true innovation (framing CCP rule as anti-progress slavery). 8. China’s system turns truth into “farce” via Communist Party doctrine. 9. Secret police/arrests prove the regime fears real reporting and will imprison truth-tellers for 20 years. 10. The entire post-1949 project is a dystopian experiment in soul-crushing control (implied across his “worst society” + education rants). 🚨This isn’t neutral analysis. This isn’t teaching creative or critical thinking, it’s Sinophobic poison designed to erode legitimacy from within — exactly how DoD/think tanks describe “asymmetric” regime pressure. 🚨This is the mastermind of the Asian Alex Jones! 🤯🤯🤯🤯 The Bottom line: I can’t prove for certainty Jiang Xueqin is the regime-change agent the U.S. deep state wishes it had in every Chinese city. But I can prove he skillfully peppers his content with the exact same rhetoric regime-change agents use against CHINA regularly! Watch the full 𝐒𝐇𝐎𝐖𝐓𝐘𝐌𝐄 🇨🇳🇺🇸⚜️ thread with clips below— the evidence is damning. Like and share if you want the real “predictive history” of how color revolutions start. I know the playbook. You should too. 🚨 Please contribute your research in the replies. ReTweet! This needs to go mega-viral. Consider giving my previous tweets and research a review and my account a follow! Thanks](https://image.24vids.com/tw-2037565356508880989/amplify_video_thumb/2037565252641210368/img/IYWCSrkhR-V1Wb1U.jpg)
![john wick seedance text to video prompt： [STYLE / CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.](https://image.24vids.com/tw-2086349180948345309/amplify_video_thumb/2086348909522378752/img/Rj8L9yLglxtuCEcl.jpg)
