Загрузка видео...

Не удалось загрузить видео

На главную

🎸 Leap Motion Finger Tracking on Guitar ✨chacha's tips: - Leap Motion needs a clear view of the wrist + front of the forearm to track stably. Guitar neck blocks it, so “desktop mode” (sensor below, looking upward) is the most reliable setup. - Mount it directly on the...

chaorzzz's profile picture

chacha🎸

14,635 subscribers

42,604 просмотров • 2 месяцев назад •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

🐈‍⬛: The producer told me that instead of calling in a professional session player, they used the exact guitar recording I played. So, I ended up doing everything on this track—producing, writing the lyrics, and even playing the guitar. Since I composed it on guitar, the whole song—except for the verse—is filled with guitar parts, and every single one of them is 100% played by me. SO PROUD OF YOU JAY!!!! 😭👏🏻 #JAY #제이 #ジェイ #엔하이픈_제이 #ENHYPEN_JAY #ENHYPEN
1:31

🐈‍⬛: The producer told me that instead of calling in a professional session player, they used the exact guitar recording I played. So, I ended up doing everything on this track—producing, writing the lyrics, and even playing the guitar. Since I composed it on guitar, the whole song—except for the verse—is filled with guitar parts, and every single one of them is 100% played by me. SO PROUD OF YOU JAY!!!! 😭👏🏻 #JAY #제이 #ジェイ #엔하이픈_제이 #ENHYPEN_JAY #ENHYPEN

france🩵

33,466 просмотров • 1 год назад

Mark Knopfler of Dire Straits showing the finger-picking style guitar playing on a TV show in 2015. Knopfler has an amazing ability to play with fingers when he is compared to other guitar players. He plays many different scales and tunes on the guitar and all of them may require some other skills that he has to have. However, he does this with his talent on his finger tips. As he couldn't get an amplifier during his guitar learning process, he learnt how to play with fingers. He composed Sultans of Swing on an acoustic guitar that he had back in the day but he didn't record the song. Instead, he put aside the lyrics of the song and when he got an amplifier and fender strat, he re-played the song and then he recorded it.
4:12

Mark Knopfler of Dire Straits showing the finger-picking style guitar playing on a TV show in 2015. Knopfler has an amazing ability to play with fingers when he is compared to other guitar players. He plays many different scales and tunes on the guitar and all of them may require some other skills that he has to have. However, he does this with his talent on his finger tips. As he couldn't get an amplifier during his guitar learning process, he learnt how to play with fingers. He composed Sultans of Swing on an acoustic guitar that he had back in the day but he didn't record the song. Instead, he put aside the lyrics of the song and when he got an amplifier and fender strat, he re-played the song and then he recorded it.

Rock'n Roll of All

83,563 просмотров • 1 год назад

Synchronize Dual Hands for Physics-Based Dexterous Guitar Playing discuss: We present a novel approach to synthesize dexterous motions for physically simulated hands in tasks that require coordination between the control of two hands with high temporal precision. Instead of directly learning a joint policy to control two hands, our approach performs bimanual control through cooperative learning where each hand is treated as an individual agent. The individual policies for each hand are first trained separately, and then synchronized through latent space manipulation in a centralized environment to serve as a joint policy for two-hand control. By doing so, we avoid directly performing policy learning in the joint state-action space of two hands with higher dimensions, greatly improving the overall training efficiency. We demonstrate the effectiveness of our proposed approach in the challenging guitar-playing task. The virtual guitarist trained by our approach can synthesize motions from unstructured reference data of general guitar-playing practice motions, and accurately play diverse rhythms with complex chord pressing and string picking patterns based on the input guitar tabs that do not exist in the references. Along with this paper, we provide the motion capture data that we collected as the reference for policy training.
6:21

Synchronize Dual Hands for Physics-Based Dexterous Guitar Playing discuss: We present a novel approach to synthesize dexterous motions for physically simulated hands in tasks that require coordination between the control of two hands with high temporal precision. Instead of directly learning a joint policy to control two hands, our approach performs bimanual control through cooperative learning where each hand is treated as an individual agent. The individual policies for each hand are first trained separately, and then synchronized through latent space manipulation in a centralized environment to serve as a joint policy for two-hand control. By doing so, we avoid directly performing policy learning in the joint state-action space of two hands with higher dimensions, greatly improving the overall training efficiency. We demonstrate the effectiveness of our proposed approach in the challenging guitar-playing task. The virtual guitarist trained by our approach can synthesize motions from unstructured reference data of general guitar-playing practice motions, and accurately play diverse rhythms with complex chord pressing and string picking patterns based on the input guitar tabs that do not exist in the references. Along with this paper, we provide the motion capture data that we collected as the reference for policy training.

AK

26,855 просмотров • 1 год назад

BONNIE LEVEL UP #22ndBonnieBDparty 🗣️: Happy birthday, Bonnie~! 🦊: (comes in holding a cake and guitar, singing happy birthday) 🗣️: (screaming) 🐰: What a surprise! What a surprise! 🐰: Is that a guitar?! 🐰: (crying) 🐰: Is that actually a fan in the guitar? 🐰: It (the cake) looks so tasty. 🐰: 😭 🐰: Did you put a fan in the guitar case? 🐰: (blows the candle on the cake) 🦊: Can you hold it for me? (leaves cake with a fan) 🦊: (hugs Bonnie) 🐰: That's too sweet 😭 🎤: Let's invite the two of them up on the stage! 🗣️: The cake! 🐰: The cake! 🦊: (goes back to get the cake) 🎤: They saw each other and forgot everything, they forgot to get the cake.
2:24

BONNIE LEVEL UP #22ndBonnieBDparty 🗣️: Happy birthday, Bonnie~! 🦊: (comes in holding a cake and guitar, singing happy birthday) 🗣️: (screaming) 🐰: What a surprise! What a surprise! 🐰: Is that a guitar?! 🐰: (crying) 🐰: Is that actually a fan in the guitar? 🐰: It (the cake) looks so tasty. 🐰: 😭 🐰: Did you put a fan in the guitar case? 🐰: (blows the candle on the cake) 🦊: Can you hold it for me? (leaves cake with a fan) 🦊: (hugs Bonnie) 🐰: That's too sweet 😭 🎤: Let's invite the two of them up on the stage! 🗣️: The cake! 🐰: The cake! 🦊: (goes back to get the cake) 🎤: They saw each other and forgot everything, they forgot to get the cake.

K-bab

27,245 просмотров • 6 месяцев назад

Some players impress you with speed. Derek Trucks makes you feel something. His slide playing has this rare quality — every note seems to carry weight. There’s no wasted motion, no showing off. Just pure tone, phrasing, and emotion. When he leans into a note, it feels like the guitar is speaking. In a time when a lot of modern guitar is about how many notes you can fit in a bar, Trucks reminds you that one well-placed note can still say more. Curious where you stand… Does Derek Trucks belong in the conversation for most soulful living guitarist?
1:24

Some players impress you with speed. Derek Trucks makes you feel something. His slide playing has this rare quality — every note seems to carry weight. There’s no wasted motion, no showing off. Just pure tone, phrasing, and emotion. When he leans into a note, it feels like the guitar is speaking. In a time when a lot of modern guitar is about how many notes you can fit in a bar, Trucks reminds you that one well-placed note can still say more. Curious where you stand… Does Derek Trucks belong in the conversation for most soulful living guitarist?

Roy Rogers Happy Trails Music Shop 

46,210 просмотров • 14 дней назад

Jeff Beck and Eric Clapton performing a classic and a masterpiece, 'Cause We've Ended As Lovers', live at Crossroads Guitar Festival, in 2004. It's always a pleasure to watch and listen Jeff Beck playing that guitar with the best of himself, touching to your heart with that whammy bar. Here's a few comments to describe this performance for you. I'm out of words. 'I'm going down a rabbit hole to let Beck's tunes soak into my cerebellum. I've listened to this song thousand of times and it's etched upon my mind forever, rest in peace Jeff Beck.' 'You can emulate just about ANY guitarist on the planet, if you have the skill and the hours to put in, but you can't emulate Jeff Beck. A totally unique voice on the guitar.' That's it.
6:21

Jeff Beck and Eric Clapton performing a classic and a masterpiece, 'Cause We've Ended As Lovers', live at Crossroads Guitar Festival, in 2004. It's always a pleasure to watch and listen Jeff Beck playing that guitar with the best of himself, touching to your heart with that whammy bar. Here's a few comments to describe this performance for you. I'm out of words. 'I'm going down a rabbit hole to let Beck's tunes soak into my cerebellum. I've listened to this song thousand of times and it's etched upon my mind forever, rest in peace Jeff Beck.' 'You can emulate just about ANY guitarist on the planet, if you have the skill and the hours to put in, but you can't emulate Jeff Beck. A totally unique voice on the guitar.' That's it.

Rock'n Roll of All

64,174 просмотров • 1 год назад

Origins of Whole Lotta Love, Jimmy Page came up with the guitar riff for "Whole Lotta Love" in the summer of 1968, on his houseboat on the River Thames at Pangbourne, Berkshire, England. However, John Paul Jones stated that it probably was developed from a live improvisation during performances of Dazed and Confused. Page denied that the song originated onstage and that he had the riff and the rest took it from there. The chugging riff sounds like twin guitars because Page is playing two guitar strings in unison, while bending one of them to slightly change the pitch. At the same time, John Paul Jones is using the same technique on bass guitar, doubling the guitar part in a lower octave. Page recorded his part while playing through a solid-state amplifier. During the two day mix of the Led Zeppelin II album, audio engineer Eddie Kramer discovered what he thought was some magnetic tape bleedthrough on Plant's vocals on the "Whole Lotta Love" track, which could not be removed, so he put some echo on it, and Page liked the sound. Page also employed a backwards echo production technique. Years later, engineer J. J. Blair analyzed the multi-track tape and found that the second guitar track contained traces of an earlier vocal track by Plant caused by microphonic induction of the guitar pickup. This thin-sounding vocal preceded the main vocal track in a manner similar to bleedthrough. It was released as a single in 1969 in several countries; as with other Led Zeppelin songs, no single was released in the United Kingdom. In the United States, it became their first hit and was certified gold. Parts of the song's lyrics were adapted from Willie Dixon's "You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases. Led Zeppelin performing 'Whole Lotta Love' live at The Royal Albert Hall, in 1970.
6:17

Origins of Whole Lotta Love, Jimmy Page came up with the guitar riff for "Whole Lotta Love" in the summer of 1968, on his houseboat on the River Thames at Pangbourne, Berkshire, England. However, John Paul Jones stated that it probably was developed from a live improvisation during performances of Dazed and Confused. Page denied that the song originated onstage and that he had the riff and the rest took it from there. The chugging riff sounds like twin guitars because Page is playing two guitar strings in unison, while bending one of them to slightly change the pitch. At the same time, John Paul Jones is using the same technique on bass guitar, doubling the guitar part in a lower octave. Page recorded his part while playing through a solid-state amplifier. During the two day mix of the Led Zeppelin II album, audio engineer Eddie Kramer discovered what he thought was some magnetic tape bleedthrough on Plant's vocals on the "Whole Lotta Love" track, which could not be removed, so he put some echo on it, and Page liked the sound. Page also employed a backwards echo production technique. Years later, engineer J. J. Blair analyzed the multi-track tape and found that the second guitar track contained traces of an earlier vocal track by Plant caused by microphonic induction of the guitar pickup. This thin-sounding vocal preceded the main vocal track in a manner similar to bleedthrough. It was released as a single in 1969 in several countries; as with other Led Zeppelin songs, no single was released in the United Kingdom. In the United States, it became their first hit and was certified gold. Parts of the song's lyrics were adapted from Willie Dixon's "You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases. Led Zeppelin performing 'Whole Lotta Love' live at The Royal Albert Hall, in 1970.

Rock'n Roll of All

73,864 просмотров • 10 месяцев назад

Origins of Whole Lotta Love, Jimmy Page came up with the guitar riff for "Whole Lotta Love" in the summer of 1968, on his houseboat on the River Thames at Pangbourne, Berkshire, England. However, John Paul Jones stated that it probably was developed from a live improvisation during performances of Dazed and Confused. Page denied that the song originated onstage and that he had the riff and the rest took it from there. The chugging riff sounds like twin guitars because Page is playing two guitar strings in unison, while bending one of them to slightly change the pitch. At the same time, John Paul Jones is using the same technique on bass guitar, doubling the guitar part in a lower octave. Page recorded his part while playing through a solid-state amplifier. During the two day mix of the Led Zeppelin II album, audio engineer Eddie Kramer discovered what he thought was some magnetic tape bleedthrough on Plant's vocals on the "Whole Lotta Love" track, which could not be removed, so he put some echo on it, and Page liked the sound. Page also employed a backwards echo production technique. Years later, engineer J. J. Blair analyzed the multi-track tape and found that the second guitar track contained traces of an earlier vocal track by Plant caused by microphonic induction of the guitar pickup. This thin-sounding vocal preceded the main vocal track in a manner similar to bleedthrough. It was released as a single in 1969 in several countries; as with other Led Zeppelin songs, no single was released in the United Kingdom. In the United States, it became their first hit and was certified gold. Parts of the song's lyrics were adapted from Willie Dixon's "You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases. Led Zeppelin performing 'Whole Lotta Love' live at The Royal Albert Hall, in 1970.
6:12

Origins of Whole Lotta Love, Jimmy Page came up with the guitar riff for "Whole Lotta Love" in the summer of 1968, on his houseboat on the River Thames at Pangbourne, Berkshire, England. However, John Paul Jones stated that it probably was developed from a live improvisation during performances of Dazed and Confused. Page denied that the song originated onstage and that he had the riff and the rest took it from there. The chugging riff sounds like twin guitars because Page is playing two guitar strings in unison, while bending one of them to slightly change the pitch. At the same time, John Paul Jones is using the same technique on bass guitar, doubling the guitar part in a lower octave. Page recorded his part while playing through a solid-state amplifier. During the two day mix of the Led Zeppelin II album, audio engineer Eddie Kramer discovered what he thought was some magnetic tape bleedthrough on Plant's vocals on the "Whole Lotta Love" track, which could not be removed, so he put some echo on it, and Page liked the sound. Page also employed a backwards echo production technique. Years later, engineer J. J. Blair analyzed the multi-track tape and found that the second guitar track contained traces of an earlier vocal track by Plant caused by microphonic induction of the guitar pickup. This thin-sounding vocal preceded the main vocal track in a manner similar to bleedthrough. It was released as a single in 1969 in several countries; as with other Led Zeppelin songs, no single was released in the United Kingdom. In the United States, it became their first hit and was certified gold. Parts of the song's lyrics were adapted from Willie Dixon's "You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases. Led Zeppelin performing 'Whole Lotta Love' live at The Royal Albert Hall, in 1970.

Rock'n Roll of All

97,907 просмотров • 9 месяцев назад

Open-source robot arm meets hand tracking [📍GitHub below] It is designed with an industrial mindset but built as a 3D-printed desktop system. PAROL6 paired with a LEAP Motion controller is a nice example of how accessible robot teleoperation has become. • Hand motion is streamed to the robot at 100 Hz via UDP • A pneumatic gripper is controlled by simple fist open and close gestures • The entire robot stack is open source, from mechanics to control software Combine that with low-latency hand tracking and you get a very practical platform for learning manipulation, teleoperation, and human-robot interfaces. This kind of setup is great for experimentation, teleop, data collection, and teaching robots by demonstration All without proprietary hardware or locked software. Credit to SourceRobotics 📍Code: —— Weekly robotics and AI insights. Subscribe free:
0:35

Open-source robot arm meets hand tracking [📍GitHub below] It is designed with an industrial mindset but built as a 3D-printed desktop system. PAROL6 paired with a LEAP Motion controller is a nice example of how accessible robot teleoperation has become. • Hand motion is streamed to the robot at 100 Hz via UDP • A pneumatic gripper is controlled by simple fist open and close gestures • The entire robot stack is open source, from mechanics to control software Combine that with low-latency hand tracking and you get a very practical platform for learning manipulation, teleoperation, and human-robot interfaces. This kind of setup is great for experimentation, teleop, data collection, and teaching robots by demonstration All without proprietary hardware or locked software. Credit to SourceRobotics 📍Code: —— Weekly robotics and AI insights. Subscribe free:

Ilir Aliu

32,025 просмотров • 7 месяцев назад

“I wrote ‘Waiting For A Girl Like You’ when I’d become a bit more sophisticated in my [guitar] playing. It was one of those times when you’re just a vehicle for a song to pass through you…It was a very emotional song.” - Mick Jones This Live in Germany 1981 version of the track is now available to stream on ‘FOREIGNER 4 DELUXE.’
0:36

“I wrote ‘Waiting For A Girl Like You’ when I’d become a bit more sophisticated in my [guitar] playing. It was one of those times when you’re just a vehicle for a song to pass through you…It was a very emotional song.” - Mick Jones This Live in Germany 1981 version of the track is now available to stream on ‘FOREIGNER 4 DELUXE.’

Foreigner

52,344 просмотров • 11 месяцев назад

🌙 Chopin: Nocturne Op. 9 No. 2 — but on guitar. Performed by Vera Danilina, this version transforms one of Chopin’s most iconic piano works into something unexpectedly intimate. Originally written in the 1830s, the piece is all about a singing melody, delicate rubato, and subtle emotion. On piano, it flows effortlessly. On guitar? Every note has to be shaped, sustained, and breathed into life. 🎸 Vera Danilina creates a true cantabile line on an instrument that naturally fades. The melody feels closer, softer—almost like a whisper. The familiar becomes something new: less grand, more personal. Which version moves you more—the original piano or this intimate guitar interpretation? 🎧
4:43

🌙 Chopin: Nocturne Op. 9 No. 2 — but on guitar. Performed by Vera Danilina, this version transforms one of Chopin’s most iconic piano works into something unexpectedly intimate. Originally written in the 1830s, the piece is all about a singing melody, delicate rubato, and subtle emotion. On piano, it flows effortlessly. On guitar? Every note has to be shaped, sustained, and breathed into life. 🎸 Vera Danilina creates a true cantabile line on an instrument that naturally fades. The melody feels closer, softer—almost like a whisper. The familiar becomes something new: less grand, more personal. Which version moves you more—the original piano or this intimate guitar interpretation? 🎧

🎶𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 ✨

15,851 просмотров • 4 месяцев назад

Friends! Today we are sharing a very personal moment with you. Our Nanny is poorly, and we all want her to feel better so the Little One and the Teenage One performed for her to cheer her up. The LO is playing the guitar and the TO is singing. We all enjoyed it. The sound quality isn’t great because it’s a live performance but the important thing is that it made Nanny feel better ❤️❤️❤️ *please share #catsofX
1:36

Friends! Today we are sharing a very personal moment with you. Our Nanny is poorly, and we all want her to feel better so the Little One and the Teenage One performed for her to cheer her up. The LO is playing the guitar and the TO is singing. We all enjoyed it. The sound quality isn’t great because it’s a live performance but the important thing is that it made Nanny feel better ❤️❤️❤️ *please share #catsofX

Malcolm & Baby Dog

25,211 просмотров • 1 год назад

🆚Can you notice the difference? Here's something you might not know behind the scenes: I'm not as perfect as the videos make me seem. The finger animations you see have all been cleaned up. I have to painstakingly pull out each finger that sinks into the fretboard, frame by frame. Depending on the song, this process can take me up to 10 hours, So, this is why I’m so low-output😭. I've tried automation, like using scripts to keep fingertips from going beyond the fretboard plane, but the results weren't satisfactory, manual correction still looks better. This is the cost of using Leap Motion for the left hand, it’s more flexible, but the larger range of motion also causes these clipping issues. After cleanup, the fingers no longer clip, but they can look a bit stiff. So, I’m searching for a more accurate and efficient solution. I’m considering trying Rokoko’s mocap gloves, but—but—they’re so expensive! 😭
0:25

🆚Can you notice the difference? Here's something you might not know behind the scenes: I'm not as perfect as the videos make me seem. The finger animations you see have all been cleaned up. I have to painstakingly pull out each finger that sinks into the fretboard, frame by frame. Depending on the song, this process can take me up to 10 hours, So, this is why I’m so low-output😭. I've tried automation, like using scripts to keep fingertips from going beyond the fretboard plane, but the results weren't satisfactory, manual correction still looks better. This is the cost of using Leap Motion for the left hand, it’s more flexible, but the larger range of motion also causes these clipping issues. After cleanup, the fingers no longer clip, but they can look a bit stiff. So, I’m searching for a more accurate and efficient solution. I’m considering trying Rokoko’s mocap gloves, but—but—they’re so expensive! 😭

chacha

39,233 просмотров • 1 год назад

NEW KILLER STAR REALITY TOUR LIVE HD UPGRADE “I got a better way...” As you know from other recent related posts, the shows on 22nd and 23rd of November 2003 at The Point in Dublin were recorded for A Reality Tour for both audio and DVD, and today’s video is New Killer Star. In a 2010 interview with Mark Adams about the release, Bowie talked about that famous white Supro guitar he played in this video and throughout the tour... + - + - + - + - + - + - + - + - + - + - + - + - + MA: You were pictured on the front of the A Reality Tour DVD, and on tour posters, playing a white Supro Dual Tone fitted with a Bigsby vibrato. What’s the story behind the guitar for those that haven’t heard it before, and did it actually make it onto the Reality album? DB: It was played on the Reality album. It was the same cheap brand and model used by Link Ray on the tune ‘Rumble’, one of the greatest rock instrumentals ever. Adding a Bigsby to the guitar was sacrilege but that’s how I roll, dude. + - + - + - + - + - + - + - + - + - + - + - + - + Watch New Killer Star in full here: #ICGEAAlbumFocusARealityTour #BowieARealityTour #BowieNewKillerStar
0:50

NEW KILLER STAR REALITY TOUR LIVE HD UPGRADE “I got a better way...” As you know from other recent related posts, the shows on 22nd and 23rd of November 2003 at The Point in Dublin were recorded for A Reality Tour for both audio and DVD, and today’s video is New Killer Star. In a 2010 interview with Mark Adams about the release, Bowie talked about that famous white Supro guitar he played in this video and throughout the tour... + - + - + - + - + - + - + - + - + - + - + - + - + MA: You were pictured on the front of the A Reality Tour DVD, and on tour posters, playing a white Supro Dual Tone fitted with a Bigsby vibrato. What’s the story behind the guitar for those that haven’t heard it before, and did it actually make it onto the Reality album? DB: It was played on the Reality album. It was the same cheap brand and model used by Link Ray on the tune ‘Rumble’, one of the greatest rock instrumentals ever. Adding a Bigsby to the guitar was sacrilege but that’s how I roll, dude. + - + - + - + - + - + - + - + - + - + - + - + - + Watch New Killer Star in full here: #ICGEAAlbumFocusARealityTour #BowieARealityTour #BowieNewKillerStar

David Bowie Official

18,004 просмотров • 10 месяцев назад

The "I Wanna Play My Guitar" music video, directed by ZZ Satriani, is out! Joe: "This is such a cool video of Steve, Glenn, me and the boys rockin’ a fun song, looking all chill and natural. I don’t know how director ZZ Satriani did it but this video makes the song more fun to listen to! “The next time someone asks you, What do you feel like doing?”, you can scream, 'I wanna play my guitar!’" Steve: "This song depicts all that Joe and I used to think about as teenagers. All of the things we loved about pounding rock and roll and the glorious guitar, It is an absolute phenom for us to be able to present to you now our teenage aspirations in this song." 🎥 Watch it now at 🤘🎸 🎶 Stream song: Steve Vai Glenn Hughes KennyAronoff Marco Mendoza Peter Thorn earMUSIC #SATCHVAI
0:20

The "I Wanna Play My Guitar" music video, directed by ZZ Satriani, is out! Joe: "This is such a cool video of Steve, Glenn, me and the boys rockin’ a fun song, looking all chill and natural. I don’t know how director ZZ Satriani did it but this video makes the song more fun to listen to! “The next time someone asks you, What do you feel like doing?”, you can scream, 'I wanna play my guitar!’" Steve: "This song depicts all that Joe and I used to think about as teenagers. All of the things we loved about pounding rock and roll and the glorious guitar, It is an absolute phenom for us to be able to present to you now our teenage aspirations in this song." 🎥 Watch it now at 🤘🎸 🎶 Stream song: Steve Vai Glenn Hughes KennyAronoff Marco Mendoza Peter Thorn earMUSIC #SATCHVAI

Joe Satriani

26,879 просмотров • 1 год назад

Dawson Sutton didn't smash the guitar in Victory Lane, but he had some very nice things to say about Kyle Busch. Said Kyle was one of his favorites growing up and part of the reason he got started in racing. Called him an "amazing race car driver and a great human" and admitted it's been hard to race with all that on his mind. He thinks it's cool someone shouted to smash the guitar, but he won't do that right now. "Tomorrow night, I'll think about it. But at the same time, my first NASCAR win, that's something that I'm looking forward to right now. If it does happen, we'll see what happens. But overall, I'm just praying for the whole Busch family. It's really sad." Given the choice between Busch celebrations (and how controversial the guitar smash was back then), you might see Dawson opt for a bow instead. "I think a bow would be a lot better."
3:29

Dawson Sutton didn't smash the guitar in Victory Lane, but he had some very nice things to say about Kyle Busch. Said Kyle was one of his favorites growing up and part of the reason he got started in racing. Called him an "amazing race car driver and a great human" and admitted it's been hard to race with all that on his mind. He thinks it's cool someone shouted to smash the guitar, but he won't do that right now. "Tomorrow night, I'll think about it. But at the same time, my first NASCAR win, that's something that I'm looking forward to right now. If it does happen, we'll see what happens. But overall, I'm just praying for the whole Busch family. It's really sad." Given the choice between Busch celebrations (and how controversial the guitar smash was back then), you might see Dawson opt for a bow instead. "I think a bow would be a lot better."

Steven Taranto

49,051 просмотров • 2 месяцев назад

‘More Than This’ came right at the end [of the UP album recording] and I’d started a thing with guitar samples. I was mucking around with guitars and Daniel Lanois left his beautiful Telecaster here. I can’t play guitar to save my life but I can make noises on it. I’d always liked it and in fact it was actually driving through the Italian Alps, again it is one of these scenic detours, and I found this old cassette which had this stuff on it where I’d been playing around with a different groove and that started all to make sense to me at that point. - pg More Than This was released as a single on 30 December 2002. Performance filmed in the Big Room at Real World Studios earlier that same year.
0:52

‘More Than This’ came right at the end [of the UP album recording] and I’d started a thing with guitar samples. I was mucking around with guitars and Daniel Lanois left his beautiful Telecaster here. I can’t play guitar to save my life but I can make noises on it. I’d always liked it and in fact it was actually driving through the Italian Alps, again it is one of these scenic detours, and I found this old cassette which had this stuff on it where I’d been playing around with a different groove and that started all to make sense to me at that point. - pg More Than This was released as a single on 30 December 2002. Performance filmed in the Big Room at Real World Studios earlier that same year.

Peter Gabriel

47,098 просмотров • 1 год назад

I’ve heard a whole lot of guitar solo covers of Lynyrd Skynyrd’s “Free Bird” over the years, and I mean a whole lot. Bar bands, bedroom pickers, YouTube shredders, you name it. Some were good, some were… well, bless their hearts for trying. But this one right here! This is hands down the best I’ve ever heard 🎶💛 That opening stretch where the tempo picks up and the guitar just starts climbing, most folks try to muscle through it, but this player let it breathe. You could feel every note, every bend, every bit of that signature Southern fire that made the original so unforgettable 💛
2:20

I’ve heard a whole lot of guitar solo covers of Lynyrd Skynyrd’s “Free Bird” over the years, and I mean a whole lot. Bar bands, bedroom pickers, YouTube shredders, you name it. Some were good, some were… well, bless their hearts for trying. But this one right here! This is hands down the best I’ve ever heard 🎶💛 That opening stretch where the tempo picks up and the guitar just starts climbing, most folks try to muscle through it, but this player let it breathe. You could feel every note, every bend, every bit of that signature Southern fire that made the original so unforgettable 💛

G-MA & G-PA

643,241 просмотров • 12 дней назад

Rick Rubin on why "less is more" is harder than it sounds: "If you're stacking a lot of things on top of each other, each one of those things becomes less important. So if you have 10 things, each one of them is one-tenth as important as one by itself." That's why reducing is harder than building. Rick explains: "If you're making something and you want the least amount involved, those things have to be really critically curated because they're doing the work of everything and nothing is hidden." Then he gives the example that makes the whole idea land... Guitars. "A lot of recordings are made where a guitarist plays and then they double it and triple it and they create this wall of guitars. And when there's a wall of guitars, you hear guitar, but you don't hear someone playing guitar. You just hear guitar. It becomes more generic." The alternative is the version most producers won't commit to: "When one person plays it and you can hear their fingers on the strings, it's got more personality, it's more human. And I tend to look for those things where the singular essence shows through." The lesson sits underneath almost everything Rick has made. Stacking is safer. Doubling and tripling hides the player, smooths the edges, and lets you avoid choosing. But it also strips out the thing that makes the work feel like it came from a specific human being. The personality lives in the parts you can hear fingers on, the parts that weren't covered up. Less is more, but only if you're willing to do the harder work of curating ruthlessly enough that every remaining element earns its place.
1:17

Rick Rubin on why "less is more" is harder than it sounds: "If you're stacking a lot of things on top of each other, each one of those things becomes less important. So if you have 10 things, each one of them is one-tenth as important as one by itself." That's why reducing is harder than building. Rick explains: "If you're making something and you want the least amount involved, those things have to be really critically curated because they're doing the work of everything and nothing is hidden." Then he gives the example that makes the whole idea land... Guitars. "A lot of recordings are made where a guitarist plays and then they double it and triple it and they create this wall of guitars. And when there's a wall of guitars, you hear guitar, but you don't hear someone playing guitar. You just hear guitar. It becomes more generic." The alternative is the version most producers won't commit to: "When one person plays it and you can hear their fingers on the strings, it's got more personality, it's more human. And I tend to look for those things where the singular essence shows through." The lesson sits underneath almost everything Rick has made. Stacking is safer. Doubling and tripling hides the player, smooths the edges, and lets you avoid choosing. But it also strips out the thing that makes the work feel like it came from a specific human being. The personality lives in the parts you can hear fingers on, the parts that weren't covered up. Less is more, but only if you're willing to do the harder work of curating ruthlessly enough that every remaining element earns its place.

Founder Mode

42,199 просмотров • 3 месяцев назад

How each Xdinary Heroes member ended up doing music for their career—a thread. Junhan: i actually used to be really bad at talking. even when i was in school, i'd just stay at home, and i didn’t really hang out with friends either. so, i really didn't know how to talk to people. 🎙️ you barely talked? Junhan: i seriously didn't talk at all. then somehow, I ended up coming across music, and i found it was actually easier for me to compose music through the guitar. i do it because it's fun. i do it because it's comfortable and fun for me. 🎙️ you started speaking through your guitar Junhan: that's how it started 🎙️ but you speak well now~ Junhan: that's right. it's thank to the members~ i've learned a lot because of the members. yes, thank you my members 🎙️now, you don't just speak through your guitar. you talk directly now
0:56

How each Xdinary Heroes member ended up doing music for their career—a thread. Junhan: i actually used to be really bad at talking. even when i was in school, i'd just stay at home, and i didn’t really hang out with friends either. so, i really didn't know how to talk to people. 🎙️ you barely talked? Junhan: i seriously didn't talk at all. then somehow, I ended up coming across music, and i found it was actually easier for me to compose music through the guitar. i do it because it's fun. i do it because it's comfortable and fun for me. 🎙️ you started speaking through your guitar Junhan: that's how it started 🎙️ but you speak well now~ Junhan: that's right. it's thank to the members~ i've learned a lot because of the members. yes, thank you my members 🎙️now, you don't just speak through your guitar. you talk directly now

ten 🪐

48,611 просмотров • 1 год назад