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🚨 Leonardo DiCaprio almost walked away from a scene in Django Unchained because he couldn’t say the “N” word. “The subject matter, the N-word… Leo had a hard time saying the N-word,” Jamie Foxx said. “We’re doing a read, and Leo says, ‘And then he’s… hey man, hey guys,...

15,856 views • 4 months ago •via X (Twitter)

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E: Did you say that Yaşar’s daughter is sick? N: Yes, why? What happened? E: Nothing. We just talked a bit, shared some troubles. N: You? You talked things out with the man who threatened me with you, Eşref? E: I wanted to talk a bit before teaching him a lesson. E: He said he had a daughter. He also said he wouldn’t do anything wrong to Ms. Nisan. N: And? E: That’s all. You don’t need to know the rest. N: He called me too. And I told him what a terrible father he is. E: When did this happen? N: What does it matter, Eşref? Why did you call me? Was it because of this? E: No. I just wanted to call. E: When the man said, “You’ll understand when you have a daughter,” I got curious. I was trying to understand what he meant. N: Why did you say something like that? E: We had to take a car trip today. N: Eşref, you didn’t do anything to the man, right? He has a daughter. E: Nisan, I didn’t do anything to him. If something happened after I left, then it’s fate. E: When he started talking about being a father…I tried to understand what he meant. That’s why I called. N:And you called me. E: I have only one love in this life, Nisan.And that is you. Is it something like that? N: I don’t know. I really don’t know. They say when you have a child, you feel very different. That feeling isn’t like anything else. E: You used to say you wanted to start a family. Can you see yourself? What kind of mother would you be? N: Then who are you pregnant by? E: Don’t be ridiculous Nisan. That’s not even a question. N: A girl or a boy? E: A girl. Let her be like you. D: Ms. Nisan, if you’re ready, shall we begin? N: Who is that? N: Eşref! #EşrefRüya #EşSan
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E: Did you say that Yaşar’s daughter is sick? N: Yes, why? What happened? E: Nothing. We just talked a bit, shared some troubles. N: You? You talked things out with the man who threatened me with you, Eşref? E: I wanted to talk a bit before teaching him a lesson. E: He said he had a daughter. He also said he wouldn’t do anything wrong to Ms. Nisan. N: And? E: That’s all. You don’t need to know the rest. N: He called me too. And I told him what a terrible father he is. E: When did this happen? N: What does it matter, Eşref? Why did you call me? Was it because of this? E: No. I just wanted to call. E: When the man said, “You’ll understand when you have a daughter,” I got curious. I was trying to understand what he meant. N: Why did you say something like that? E: We had to take a car trip today. N: Eşref, you didn’t do anything to the man, right? He has a daughter. E: Nisan, I didn’t do anything to him. If something happened after I left, then it’s fate. E: When he started talking about being a father…I tried to understand what he meant. That’s why I called. N:And you called me. E: I have only one love in this life, Nisan.And that is you. Is it something like that? N: I don’t know. I really don’t know. They say when you have a child, you feel very different. That feeling isn’t like anything else. E: You used to say you wanted to start a family. Can you see yourself? What kind of mother would you be? N: Then who are you pregnant by? E: Don’t be ridiculous Nisan. That’s not even a question. N: A girl or a boy? E: A girl. Let her be like you. D: Ms. Nisan, if you’re ready, shall we begin? N: Who is that? N: Eşref! #EşrefRüya #EşSan

𝖀𝖓𝖐𝖓𝖔𝖜𝖓

30,772 views • 3 months ago

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

40,766 views • 22 days ago

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

86,772 views • 5 days ago