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Let me share my current Seedance 2 workflow You can also copy this base template to your Claude and teach him to prompt on Seedance 2 [CINEMATIC SETUP] [Film stock / lens / aperture / camera behavior]. [Color grade]. [Lighting source]. [Atmosphere]. [Audio: sound FX only / no music]....

54,931 views • 4 months ago •via X (Twitter)

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i built a way to make full ai films with seedance 2.5 + higgsfield without shooting a single frame in real life you start with a screenplay, a treatment, or even just an idea and it gives you an actual production plan: scenes, shots, character references, locations, dialogue, b-roll, sound, captions, everything you need to turn it into a finished film this was supposed to stay internal but f*ck it, i’m sharing the whole workflow here’s how it works: the script gets broken down scene by scene, then every scene gets turned into a proper shot list with prompts that account for character continuity, wardrobe, lighting, locations, camera movement, pacing, and what needs to happen before and after that shot those prompts get run through seedance 2.5, using reference assets and longer generations to keep the film feeling like one world instead of a thousand random ai clips stitched together then the footage gets assembled with voice, sound design, music, dialogue, captions, and transitions into an actual watchable film the whole system is built to take you from script to a finished film seedance 2.5 is coming soon on higgsfield, but i’m sharing the full breakdown before it so you can be prepared: the script-to-scene system that turns a screenplay into a real production plan seedance 2.5 prompt setup for cinematic shots and consistent characters the reference-asset workflow for keeping faces, wardrobe, locations, and visual style locked in the editing, voice, sound, and caption workflow that turns generated clips into a finished movie RT + reply “FILM” and (i’ll send it over must follow so i can dm)

Sulfur

47,302 views • 5 days ago

📖THE SEEDANCE 2.0 PROMPT FORMAT THAT NOBODY IS USING BUT EVERYONE SHOULD Most people use Seedance 2.0 wrong. They type a normal prompt and wonder why the result looks generic. The difference between these two visuals isn't a better idea — it's a better prompt format. Normal prompt gives you a good result. JSON prompt gives you a cinematic one. Here's why it works: A normal prompt describes what you want. A JSON prompt tells Seedance exactly how to build the scene — camera movement, lighting angle, atmosphere, texture, depth, timing. You're not asking for a video. You're engineering one. The crystal dolphin jumping above an ancient courtyard with floating jellyfish — same concept, two completely different outputs. The JSON version has golden hour, dramatic clouds, volumetric light, and a sense of scale the normal prompt never reached. The glowing lotus fountain — same story. Normal prompt gives you a clean render. JSON gives you a full cinematic frame with layered depth, warm lantern light, and a composition that looks like it belongs in a feature film. The workflow that produces this: • Step 1 — Write your scene idea in plain language first •Step 2 — Ask Claude to convert it into a structured JSON prompt with fields for: subject, environment, camera, lighting, mood, motion, color grade • Step 3 — Paste the JSON into Seedance 2.0 • Step 4 — Take the best clip into Premiere Pro for final color correction and sound design The tools are free or cheap. The knowledge of how to prompt is what separates the results. This is the gap most creators never close. 📥 BACK TOMORROW. There will be new life hacks 🔖 The full guide is pinned below. Save it before you need it.

Zentrix⌚️

136,152 views • 1 month ago

POV: You don't need a film crew to make a World Cup commercial anymore. From a simple idea to a cinematic football story—powered entirely by AI. Made with Kling 3.0 on Pollo AI Prompt: PART 1 (0:00–0:15) | 16:9 | Cut Scenes 0:00–0:03 | Wide Living Room Camera: Slow handheld dolly-in. TV visible behind Jessy. Action: Jessy lounges watching Argentina vs Brazil, tosses popcorn at the TV after a bad pass. Dialogue: Jessy: "Come on!" Audio: Stadium crowd, commentator, room ambience. 0:03–0:06 | Over-the-Shoulder Camera: Medium OTS toward the TV. Action: The player stops, looks directly at Jessy, smiles. She grabs the remote. Dialogue: Jessy: "Wait... me?" Audio: Crowd softens, remote click. 0:06–0:10 | TV Exit Camera: Medium-wide tracking shot. Action: TV ripples like water as the player steps into the living room. Jessy freezes. Dialogue: Player: "Nice place." Audio: Water ripple, boots on floor, TV commentary. 0:10–0:15 | Couch Camera: Medium two-shot. Action: Jessy quietly sits back as the player casually joins her on the couch. Dialogue: Jessy: "...Okay." Audio: Stadium ambience. Cut. PART 2 (0:15–0:30) | Cut Scenes 0:15–0:18 | Watching Together Camera: Medium two-shot. Action: They watch the match in silence. Dialogue: Player: "Brazil's shaky." Jessy: "Yeah..." Audio: TV crowd and commentary. 0:18–0:21 | Realization Camera: Alternating close-ups. Dialogue: Jessy: "You're playing." Player: "Break time." Audio: Stadium crowd building. 0:21–0:25 | Goal Celebration Camera: Handheld whip-pan. Action: Argentina scores. The player jumps up, sending popcorn everywhere. Dialogue: Player: "GOAL!... Oops." Jessy: "Seriously?" Audio: Massive crowd roar, popcorn scattering. 0:25–0:30 | Hallway Camera: Follow, then slow pullback to wide. Action: The player heads toward the hallway. Jessy watches the TV—his position on the pitch is empty. Dialogue: Player: "Bathroom?" Jessy: "Second left." Jessy (to herself): "...Sure." Audio: Boots clicking, TV commentary, fade to black. #PolloAI #BringTheWorldCupHome #WorldCup2026

Jessica Collins

43,567 views • 1 month ago

Nobody's talking about the Claude trick that fixes every Seedance 2.0 video mistake. A cinematic action scene, an animated sequence, a product ad, and a dialogue scene are completely different types of content. Different camera language, different pacing, different reference logic. Most people try to force all of it through one universal prompt. The fix turns out to be simpler than expected: Claude Skills. It's not some secret hack. It's a file of instructions you load into Claude for one specific type of task. Once it's loaded, Claude stops acting like a general assistant and starts thinking like an expert in that one niche — with its own set of rules for that scene type. Here's what that looks like in practice: ▪ Cinematic skill — generates real camera language: dolly moves, crane shots, rack focus, shot discipline across multiple cuts. Test: a medieval battle between two armies, 15 seconds, dark fantasy. Result — three shots with the shot logic of an actual film, not just "epic battle" typed as text. ▪ Animation skill — locks in style and physics before a single shot is built. One test: a rain-soaked shonen fight in the style of Tokyo Revengers. Another: a quiet Ghibli-style farm scene. Same skill, completely different visual output — because the style gets fixed at the very top of the prompt. ▪ Product ad skill — keeps the product front and center in every shot: clean hero framing, commercial lighting, a full product description built from the reference image before any shots are generated. ▪ Dialogue skill — this is where most people fall apart. Lip sync, emotional direction, shot structure, and audio cues all have to work together. Test: an interrogation scene with a fourth-wall break — and the moment landed exactly as written, down to the pause and tone. The core idea is simple: instead of writing a prompt from scratch every time and hoping for the best, you build one skill per content type — and Claude asks the right setup questions (genre, tone, shot count, camera energy) before generating a fully structured Seedance 2.0 prompt. One prompt template for everything is exactly why 90% of AI videos look the same. This 13-minute video is free, and it's more useful than a $500 course. YouTube: "Skai Generated" - Thank you for sharing this invaluable material with us.

Zentrix⌚️

45,250 views • 18 days ago

Just tried Seedance 2.5 on Pollo AI and pushed it into a 30-second cinematic sequence. 🎬 Loved how smooth the motion and camera work can feel when the scene is properly directed. Seedance 2.5 is currently 50% OFF on Pollo AI for a limited time. Prompt; 30-sec cinematic London grappling sequence. Ultra-photorealistic live-action Hollywood cinematography, realistic physics, natural lighting, detailed London environments, cinematic depth of field, 35mm/50mm look, 4K. A beautiful young adult White American woman, mid-20s, long blonde hair, athletic build, natural face. She is an ordinary woman using experimental wrist-mounted grappling devices, not a superhero. No mask, cape, emblem or superhero costume. She wears the same fitted black athletic crop top with subtle piping, black high-waisted athletic shorts, white sneakers and minimal jewelry throughout. Camera: One continuous third-person tracking shot. Camera always remains outside her, never first-person, handheld or smartphone. Keep her clearly visible and maintain smooth physically motivated movement. No cuts or perspective changes. 0:00–0:05: Golden-hour London apartment overlooking the skyline. She sits safely on the balcony ledge, looks toward camera and says, “Okay… let’s see if this works.” Camera slowly moves toward her. 0:05–0:09: She steps over the railing and descends naturally. Camera follows backward in a wide full-body shot. 0:09–0:13: Her right wrist device activates with a subtle orange light. Cable shoots to a believable rooftop anchor, visibly attaches and becomes taut, converting her fall into a realistic swing. 0:13–0:18: Camera tracks beside her as she swings between buildings. River Thames and London skyline below, with buses, black cabs and traffic. She releases the cable and activates her left wrist. 0:18–0:22: Second cable attaches to a rooftop. She swings again as the camera smoothly arcs around her while keeping her full body visible. 0:22–0:26: She lands naturally on a rooftop, runs three steps, reaches the edge, pauses briefly, then leaps toward the next building. 0:26–0:30: She fires a final cable and makes a huge smooth swing above London. Camera pulls backward and upward, revealing Tower Bridge, London Eye, The Shard, Westminster, Thames and the city at sunset. She releases and briefly glides forward before becoming a small silhouette. Fade to black. Maintain exact character, outfit, devices and environment continuity. Realistic gravity, momentum, cable tension, wind, hair and clothing physics. No teleportation, impossible movement, distorted hands, duplicated limbs, warped buildings, disappearing cables, changing clothes, excessive VFX or background morphing. Keep it subtle.

Jack

15,639 views • 2 days ago

A peaceful evening in Paris turns into chaos. One ordinary man answers an extraordinary call. The guardian awakens. created on GPT image and seedance 2.0 on TapNow Prompt: Style: Ultra-realistic cinematic superhero film, Hollywood blockbuster quality, fast-paced editing, dynamic camera movement, realistic physics, dramatic lighting, 4K HDR, vibrant Paris atmosphere, high energy, seamless transitions. 0:00–0:03 Camera: FPV drone dives through the Paris skyline before rapidly descending toward a lively plaza near the Eiffel Tower. Fast whip-pan between musicians, cafés, tourists taking photos, street performers, and children chasing pigeons. Action: The city feels vibrant and alive. Warm golden-hour sunlight reflects off the buildings. Fireworks begin in the distance as a city festival fills the streets. Audio: Lively crowd chatter, street music, laughter. 0:03–0:06 camera: Sudden handheld shake followed by a dramatic low-angle shot of a museum entrance. Action: A powerful blue energy blast erupts, shattering the glass doors. Smoke pours out as a masked thief bursts into the street holding a glowing blue crystal. Police rush forward but are knocked back by a pulse of energy. The thief leaps effortlessly onto nearby rooftops. Audio: Explosion, glass shattering, screams, alarms. Thief (laughing): "Catch me if you can!" 0:06–0:09 Camera: Match cut to Caden exiting a nearby café with an iced coffee. Medium tracking shot follows him as confused crowds rush past in the opposite direction. Action: He notices the chaos. His silver ring suddenly glows with brilliant blue energy. Extreme close-up: Intricate symbols appear on the ring, rotating as pulses of light spread across his hand. AI Voice (from the ring): "Guardian Protocol activated." Caden (smirking): "Seriously? Right now?" 0:09–0:12 Camera: Dynamic 360° orbit around Caden. Action: He twists the ring. Blue energy erupts around him in swirling ribbons. A sleek black superhero suit with glowing blue accents materializes piece by piece—boots, gloves, armored jacket, utility belt, and a streamlined black eye mask. The transformation ends with a burst of energy as his long coat flutters dramatically. Audio: Rising orchestral music mixed with electronic pulses. Caden: "Let's do this." Style: Same cinematic style, high-speed action, smooth speed ramps, realistic VFX. 0:12-0:15 Camera: Low-angle tracking shot sprinting alongside Caden as he races through crowded Paris streets. Speed ramps emphasize his agility. Action: He vaults over café tables, slides across a car hood, and jumps onto a moving delivery truck without losing speed. Audio: Heavy footsteps, traffic, intense cinematic score. Caden (grinning): "You're not getting away that easily!" 0:15–0:18 Camera: FPV-style rooftop chase. The camera flies just behind Caden as he leaps between rooftops. Action: The thief glances back with a confident smile while clutching the glowing crystal. Chimneys, rooftops, and Paris landmarks blur past at high speed. Thief: "You'll have to be faster than that!" 0:18–0:25 Camera: Wide shot of the Eiffel Tower followed by a dramatic side-tracking shot. Action: The thief launches from one steel beam toward another. Caden follows without hesitation. Mid-air, they collide briefly. The crystal slips from the thief's hand and spins toward the ground. Audio: Wind rushing, metal clashing, music building to a climax. Camera: Extreme slow-motion close-up. Action: Caden dives through the air and catches the glowing crystal inches before it hits the ground. The thief disappears into a cloud of dark smoke. Suddenly, cracks spread across the crystal as bright blue energy leaks out. Camera: Slow push-in on Caden's face as the light reflects in his eyes. Caden (whispering): "This... wasn't just a theft." Final Frame: The crystal emits a blinding flash. CUT TO BLACK. Text on screen: "To Be Continued..." 🎬

Caden Flux

22,055 views • 29 days ago

With the release of Kling AI 2.6, I was eager to put it up against one of its arch-rivals….Google Flow Veo 3.1. I ran four separate tests. First, I tested their ability to generate consistent and stable action shots. Second, I tested camera movement in a crowded scene. Third, I tested their ability to generate consistent facial details and emotion. Fourth, I wanted to see how well they can generated an interaction between two characters. Prompt 1: camera tracking shot, wide-shot. The camera tracks above as two nights ride on horses through a forest. The horses a galloping fast. The camera is tracking the knights from above. Prompt 2: Slow camera push in on a man eating Ramen at a Ramen house in Japan. The alley street is busy with people. Prompt 3: Close-up shot of a man on a sailboat. The man has a scared look on his face. After a short pause, the man says, "I'm gonna need a bigger boat” Prompt 4: Static camera. A man picks up a cookie from a plate and takes a bite. His dog looks up at him; eagerly wanting a bite of the cookie. The man turns, looks at the dog, and says, "no cookies for you mister” Verdict🏆: To be honest, I was surprised by Kling 2.6. While Veo 3.1 outperformed Kling 2.6 in the close-up shot test, it slightly underperformed in every other test. In the Veo 3.1 outputs, objects would randomly appear and camera movements were abrupt or didn’t adhere to the prompt. Don’t get me wrong, Kling 2.6 definitely had its flaws (its audio was quieter and often mismatched the prompt). That said, I was impressed with Kling 2.6 more than I imagined I would be. Although a somewhat small lead, I would give Kling 2.6 the slight advantage for this round of tests.

Curious Refuge

24,695 views • 8 months ago

Seedance 2.0 is allowing us to enter a new era of music video creation. Here is how I created HONEY. It was a quick test to see how well this workflow holds up. 🐝 1 - Write your song and generate the music with Suno 5.5. 2 - Use an image generator of your choice. For HONEY I combined both Grok Imagine for aesthetics and Nano Banana Pro for refined editing. 3 - In Capcut I import my audio and just save out a blank video video containing the audio. This step is important because this video file containing audio will now be used with Seedance 2.0 as a video reference with Omni. This allows the AI to apply automatic and realistic lipsync and movement to the music, it's extremely powerful! 4 - Once I have a both my image and video with audio as reference, I use Seedance 2.0 Omni and upload my starting image and then the video reference with the audio. 5 - From here I'm simply prompting like normal, specifying what's happening in my scene with detailed instructions, mentioning multi shots and camera angle changes and then specifying that the person is singing along to the song. I type out the lyrics that are present to have better lipsync accuracy. 6 - Once I have generated a video and like the result, I do video to video, so i upload that video that just got generated and type "The scene continues" and prompt new actions to take place. This allows you to expand on a narrative. These new shots can be used as B-ROLL and since I uploaded my video as reference I have full consistency of everything it saw in the video. This is also extremely powerful. 7 - This is actually the most difficult part. Edit in Capcut. This is where you need to understand pacing and shot selection from all the scenes you generated to bring it all together. You must be strategic with the editing. Goodluck! I'll probably record a video tutorial at some point as it's easier to see what is being done.

Travis Davids

19,236 views • 3 months ago