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liv ullmann talking about how it’s work with ingmar bergman

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Denis Villeneuve on the two filmmakers who inspired him the most: "There’s two filmmakers that are massive sources of inspiration for me: Ingmar Bergman and Steven Spielberg, for different reasons. Ingmar was one of the big artistic shocks in my life. He has always been a massive influence on my work even if what I'm doing is very far away*. Spielberg because, from the beginning, I was inspired by his genius as a film director.” ("Denis Villeneuve Talks Influence Of Ingmar Bergman & Steven Spielberg, Admiration For Christopher Nolan", Kevin Jagernauth, The Playlist, 2017) * The second sentence about Bergman is not from the article mentioned. I saw this from a video interview a few years ago & saved it in my drafts. I don't remember the exact interview. P.S: Remembering one of the greatest Filmmakers of all time, Ingmar Bergman on his 108th birthday! Clip from: Autumn Sonata (1978) Director: Ingmar Bergman Actors: Ingrid Bergman, Liv Ullmann
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Denis Villeneuve on the two filmmakers who inspired him the most: "There’s two filmmakers that are massive sources of inspiration for me: Ingmar Bergman and Steven Spielberg, for different reasons. Ingmar was one of the big artistic shocks in my life. He has always been a massive influence on my work even if what I'm doing is very far away*. Spielberg because, from the beginning, I was inspired by his genius as a film director.” ("Denis Villeneuve Talks Influence Of Ingmar Bergman & Steven Spielberg, Admiration For Christopher Nolan", Kevin Jagernauth, The Playlist, 2017) * The second sentence about Bergman is not from the article mentioned. I saw this from a video interview a few years ago & saved it in my drafts. I don't remember the exact interview. P.S: Remembering one of the greatest Filmmakers of all time, Ingmar Bergman on his 108th birthday! Clip from: Autumn Sonata (1978) Director: Ingmar Bergman Actors: Ingrid Bergman, Liv Ullmann

DepressedBergman

30,771 views • 2 months ago

Liv Ullmann fue la máxima musa y colaboradora esencial de Ingmar Bergman. Su rostro y talento dieron vida a los complejos dilemas psicológicos y emocionales del cineasta sueco en diez películas clave como Persona, Gritos y susurros y Secretos de un matrimonio. #InMemoriam
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Liv Ullmann fue la máxima musa y colaboradora esencial de Ingmar Bergman. Su rostro y talento dieron vida a los complejos dilemas psicológicos y emocionales del cineasta sueco en diez películas clave como Persona, Gritos y susurros y Secretos de un matrimonio. #InMemoriam

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Summer with Monika (1953) Director: Ingmar Bergman
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Summer with Monika (1953) Director: Ingmar Bergman

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The Seventh Seal (1957, Bergman) "Max von Sydow is iconic in cinema. There's no doubt about it. He changed the face of cinema with his portrayals, going back to Ingmar Bergman." --- Martin Scorsese
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The Seventh Seal (1957, Bergman) "Max von Sydow is iconic in cinema. There's no doubt about it. He changed the face of cinema with his portrayals, going back to Ingmar Bergman." --- Martin Scorsese

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"I find it hard to imagine traces of Godard in my work, because I dislike his works immensely." --- Ingmar Bergman.
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"I find it hard to imagine traces of Godard in my work, because I dislike his works immensely." --- Ingmar Bergman.

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i can’t believe the academy voters watched this autumn sonata (1978) scene and didn’t nominate liv ullmann? it gets even more insane because wdym ingrid bergman didn’t get another academy award for this performance.
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i can’t believe the academy voters watched this autumn sonata (1978) scene and didn’t nominate liv ullmann? it gets even more insane because wdym ingrid bergman didn’t get another academy award for this performance.

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Which is your favourite 'fourth wall break' scene in movies? I'll begin: Summer with Monika (1953) Director: Ingmar Bergman
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Which is your favourite 'fourth wall break' scene in movies? I'll begin: Summer with Monika (1953) Director: Ingmar Bergman

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Persona (1966, Bergman) "I don't think that a director should make easy films either for himself or for his audience. He should try to lead his audience a little farther with each succeeding film. It's good for the public to work a little." --- Ingmar Bergman
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Persona (1966, Bergman) "I don't think that a director should make easy films either for himself or for his audience. He should try to lead his audience a little farther with each succeeding film. It's good for the public to work a little." --- Ingmar Bergman

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Cries & Whispers (1972, Bergman) “Ingmar Bergman has spent 10 years in clinics, you know. Between each film, Bergman lies down like a corpse—and then he makes a beautiful picture in which the woman is filled with anxiety.” --- Agnès Varda
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Cries & Whispers (1972, Bergman) “Ingmar Bergman has spent 10 years in clinics, you know. Between each film, Bergman lies down like a corpse—and then he makes a beautiful picture in which the woman is filled with anxiety.” --- Agnès Varda

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36,945 views • 1 year ago

On this day, 63 years ago, one of the greatest films of all time & my favourite Ingmar Bergman movie, "Winter Light" (1963) was released in Sweden. Here is a sad but interesting trivia about the making of the movie: Ingmar Bergman felt Gunnar Björnstrand was too happy to play the lead character in "Winter Light" (1963) & Bergman thought it didn't fit the character. So, Bergman asked his doctor friend to tell Gunnar Björnstrand that he was suffering from a serious disease. Gunnar was then put on medication & became depressed for real as Bergman would have intended. [Source: "Bergman: A Year in a Life (2018)"]
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On this day, 63 years ago, one of the greatest films of all time & my favourite Ingmar Bergman movie, "Winter Light" (1963) was released in Sweden. Here is a sad but interesting trivia about the making of the movie: Ingmar Bergman felt Gunnar Björnstrand was too happy to play the lead character in "Winter Light" (1963) & Bergman thought it didn't fit the character. So, Bergman asked his doctor friend to tell Gunnar Björnstrand that he was suffering from a serious disease. Gunnar was then put on medication & became depressed for real as Bergman would have intended. [Source: "Bergman: A Year in a Life (2018)"]

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52,718 views • 7 months ago

On this day, 19 years ago, we lost two of the greatest filmmakers of all time- Ingmar Bergman & Michelangelo Antonioni. Ingmar Bergman on Michelangelo Antonioni: "Antonioni has done two masterpieces, you don't have to bother with the rest. One is 'Blow-Up' (1966), which I've seen many times, & the other is 'La Notte' (1961), also a wonderful film, although that's mostly because of the young Jeanne Moreau." Michelangelo Antonioni on Ingmar Bergman: "Ingmar Bergman is a long way from me, but I admire him. He, too, concentrates a great deal on individuals; & although the individual is what interests him most, we are very far apart. His individuals are very different from mine-but he's a great director." Clips from: La Notte (1961) & Persona (1966)
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On this day, 19 years ago, we lost two of the greatest filmmakers of all time- Ingmar Bergman & Michelangelo Antonioni. Ingmar Bergman on Michelangelo Antonioni: "Antonioni has done two masterpieces, you don't have to bother with the rest. One is 'Blow-Up' (1966), which I've seen many times, & the other is 'La Notte' (1961), also a wonderful film, although that's mostly because of the young Jeanne Moreau." Michelangelo Antonioni on Ingmar Bergman: "Ingmar Bergman is a long way from me, but I admire him. He, too, concentrates a great deal on individuals; & although the individual is what interests him most, we are very far apart. His individuals are very different from mine-but he's a great director." Clips from: La Notte (1961) & Persona (1966)

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"I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." --- Ingmar Bergman Full Excerpt: "Technically, what was interesting about 'Summer With Monika' (1953)—besides being made by a little unit and a silent camera and dubbed—was that I’d lost my regular editor, Oscar Rosander, and was given another who was incompetent. Oscar Rosander had been magnificent. When you have a good editor you take it easy and let him help you. But now, suddenly, I was without one, and had to do my own editing. I was obliged to learn how to edit; why one made just this cut or that; changed shots at just this or that particular point. Instructive. I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." ('Bergman on Bergman', interviews with Ingmar Bergman by Stig Bjorkman Torsten Manns Jonas Sima, 1973)
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"I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." --- Ingmar Bergman Full Excerpt: "Technically, what was interesting about 'Summer With Monika' (1953)—besides being made by a little unit and a silent camera and dubbed—was that I’d lost my regular editor, Oscar Rosander, and was given another who was incompetent. Oscar Rosander had been magnificent. When you have a good editor you take it easy and let him help you. But now, suddenly, I was without one, and had to do my own editing. I was obliged to learn how to edit; why one made just this cut or that; changed shots at just this or that particular point. Instructive. I don’t suppose there’s much more to say about 'Summer With Monika' (1953), except that it’s close to my heart and one of my films I’m always happy to see again." ('Bergman on Bergman', interviews with Ingmar Bergman by Stig Bjorkman Torsten Manns Jonas Sima, 1973)

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liv talking about the serena joy song !
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liv talking about the serena joy song !

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Liv Ullmann on how she felt after reading the screenplay of Ingmar Bergman's 'Face to Face' (1976): "I realized when I first got the part that it was an extraordinary tour-de-force for an actress—if I could do it. But there were difficulties with it as well, besides being difficult to act. It’s not a lovable part. So I was at the same time afraid that even if I did it right, people wouldn’t like it. You don’t like to see your own close friend have these dreams; why would you like to see somebody you don’t even know? It’s not beautiful, it’s ugly. It’s everything inside us we don’t think about." (Liv Ullmann's interview with Virgina Wright Wexman, 1976) On this day, 50 years ago, 'Face to Face' (1976) was released in the USA.
1:27

Liv Ullmann on how she felt after reading the screenplay of Ingmar Bergman's 'Face to Face' (1976): "I realized when I first got the part that it was an extraordinary tour-de-force for an actress—if I could do it. But there were difficulties with it as well, besides being difficult to act. It’s not a lovable part. So I was at the same time afraid that even if I did it right, people wouldn’t like it. You don’t like to see your own close friend have these dreams; why would you like to see somebody you don’t even know? It’s not beautiful, it’s ugly. It’s everything inside us we don’t think about." (Liv Ullmann's interview with Virgina Wright Wexman, 1976) On this day, 50 years ago, 'Face to Face' (1976) was released in the USA.

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StudBudz talking to Liv about her hard launch 😭
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StudBudz talking to Liv about her hard launch 😭

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