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🛡#Live3D #Live2D #Live2DWIP🛡 Collaborating with Moshie Studio ✦ Live2D & Stream Assets , I built this pseudo-3D hand entirely in Live2D It supports full 360° X-axis rotation, finger grasping, and a fake outline effect. So in a way… this is a pseudo-2D inside pseudo-3D inside 2D ☝🤓

📐Hephaestus📏Live2D匠人魂

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97,216 views • 7 months ago •via X (Twitter)

Arts Science & Technology #Live3D #Live2D #Live2DWIP

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🕸#Live3D #Live2D #Live2DWIP🕸 Currently testing a pseudo‑3D long hair template in Live2D! Just toss your ArtMesh into a Warp Deformer, and boom, the physics magically still works ☝🤓

🕸#Live3D #Live2D #Live2DWIP🕸 Currently testing a pseudo‑3D long hair template in Live2D! Just toss your ArtMesh into a Warp Deformer, and boom, the physics magically still works ☝🤓

📐Hephaestus📏Live2D匠人魂

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🪬 #Live3D #Live2D #Live2DWIP 🪬 Testing finger articulation... Left: randomized auto motion Right: real-time camera tracking I wonder how many Vtubers would consider adding this kind of pseudo-3D hand to their Live2D model 🧐?

🪬 #Live3D #Live2D #Live2DWIP 🪬 Testing finger articulation... Left: randomized auto motion Right: real-time camera tracking I wonder how many Vtubers would consider adding this kind of pseudo-3D hand to their Live2D model 🧐?

📐Hephaestus📏Live2D匠人魂

36,652 views • 6 months ago

finally figured out a way to make a halo out of pseudo 3d objects in live2D ٩(^ᗜ^ )و ´- works best with simple objects ദ്ദി(ᵔᗜᵔ) #Live2D #Live2DWIP

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📐Hephaestus📏Live2D匠人魂

79,289 views • 2 months ago

🌚 #Live3D #Live2D #HandTracking 🌝 I’d like to talk specifically about a method for creating camouflage pseudo-outlines within the Live2D-based 2D Pseudo-3D concept. At first glance, the visual effect of this technique may look rather subtle. But when it comes to faithfully preserving an illustrator’s art style, it becomes an essential technical detail. This is especially important for illustrators who care deeply about the color details of their linework. With this technique, they can still take control of the pseudo-outline colors even within Live3D. Creating this kind of camouflage pseudo-outline is not difficult. All it requires is for the illustrator to provide one additional special set of assets. It looks like a shadow duplicate of the original hands, except painted with camouflage-like colors. During pseudo-3D rotation, each camouflage-colored area of the shadow duplicate cleverly corresponds to the outline color of the same part. It may be a little hard to imagine from words alone, so please take a look at the video! I hope this special production technique can also bring some inspiration to everyone. 😇

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📐Hephaestus📏Live2D匠人魂

20,695 views • 1 month ago

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📐Hephaestus📏Live2D匠人魂

36,324 views • 10 months ago

🔮 Seamless looped animation in Live2D I did this with a Repeat in each parameter. I made a seamless animation using Rotation and highlight copying. I also rigged each finger separately and made the animation so that it turned out to be a smooth movement #Live2D #Live2dCommissions #Live2DWIP #Vtuber #vtubercommissions

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Maffi 💫 Live2D Mama

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📐Hephaestus📏Live2D匠人魂

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Arthur Dreamur 🇻🇪 Live2D COMMISIONS OPEN

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📐Hephaestus📏Live2D匠人魂

10,984 views • 1 year ago

🗑 #Live3D #Live2D #Live2DWIP 🗑 When building a Live2D-based 2D Pseudo-3D model, the way the ArtMesh vertices are connected can also have a noticeable impact on the deformation result. Using this arm twist as an example, whether the ArtMesh edge / diagonal flow leans left or right becomes a key factor in whether jagged edges appear after twisting. When raising an arm, the human arm joint can almost only perform a 180° twist with the thumb facing toward the body. So I chose to make all the edges flow to the right, in order to improve the smoothness of the arm after twisting. This does mean that when performing a 180° twist with the thumb facing toward the camera, jagged edges will appear along the arm. But since human arms rarely rotate that way in normal use, I think this is a reasonable trade-off based on the actual use case. On the other hand, the subdivision density of the Warp Deformer also affects the twisting result. For a 180° twist, the subdivision should ideally be 18 or higher. For a 90° twist, the subdivision should ideally be 9 or higher. If you force the deformation beyond its limit, it will twist into something like thorns.😈

🗑 #Live3D #Live2D #Live2DWIP 🗑 When building a Live2D-based 2D Pseudo-3D model, the way the ArtMesh vertices are connected can also have a noticeable impact on the deformation result. Using this arm twist as an example, whether the ArtMesh edge / diagonal flow leans left or right becomes a key factor in whether jagged edges appear after twisting. When raising an arm, the human arm joint can almost only perform a 180° twist with the thumb facing toward the body. So I chose to make all the edges flow to the right, in order to improve the smoothness of the arm after twisting. This does mean that when performing a 180° twist with the thumb facing toward the camera, jagged edges will appear along the arm. But since human arms rarely rotate that way in normal use, I think this is a reasonable trade-off based on the actual use case. On the other hand, the subdivision density of the Warp Deformer also affects the twisting result. For a 180° twist, the subdivision should ideally be 18 or higher. For a 90° twist, the subdivision should ideally be 9 or higher. If you force the deformation beyond its limit, it will twist into something like thorns.😈

📐Hephaestus📏Live2D匠人魂

11,144 views • 1 month ago

I'm one step closer to creating a Live2D body physics animation system for 3D vtubers!! 🩵 Sorry if there's mistakes, I'm learning this as I go! I'm not a Live2D rigger and I actually don't know how they do it in Cubism, I'm kind of guessing and doing my own thing

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