Загрузка видео...

Не удалось загрузить видео

На главную

🕸#Live3D #Live2D #Live2DWIP🕸 Currently testing a pseudo‑3D long hair template in Live2D! Just toss your ArtMesh into a Warp Deformer, and boom, the physics magically still works ☝🤓

Live2Doll's profile picture

📐Hephaestus📏Live2D匠人魂

4,553 subscribers

13,313 просмотров • 6 месяцев назад •via X (Twitter)

#Live3D#Live2D#Live2DWIP
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

🌪️#Live3D #Live2D #Live2DWIP🌪️ Here’s a curious little hack… Even if a Warp Deformer is configured as a Live3D form, as long as the geometry isn’t too complex you can treat that Warp Deformer as a pseudo-3D volume, and let hair cards swing inside it. In the clip, I’m nesting a sway-physics Deformer inside a 3D Warp Deformer, which itself sits inside a Z-bend Warp Deformer. The result is a Live3D hair strand that both sways and curls with its own physics.
0:30

🌪️#Live3D #Live2D #Live2DWIP🌪️ Here’s a curious little hack… Even if a Warp Deformer is configured as a Live3D form, as long as the geometry isn’t too complex you can treat that Warp Deformer as a pseudo-3D volume, and let hair cards swing inside it. In the clip, I’m nesting a sway-physics Deformer inside a 3D Warp Deformer, which itself sits inside a Z-bend Warp Deformer. The result is a Live3D hair strand that both sways and curls with its own physics.

📐Hephaestus📏Live2D匠人魂

36,324 просмотров • 11 месяцев назад

🛡#Live3D #Live2D #Live2DWIP🛡 Collaborating with Moshie Studio ✦ Live2D & Stream Assets , I built this pseudo-3D hand entirely in Live2D It supports full 360° X-axis rotation, finger grasping, and a fake outline effect. So in a way… this is a pseudo-2D inside pseudo-3D inside 2D ☝🤓
0:39

🛡#Live3D #Live2D #Live2DWIP🛡 Collaborating with Moshie Studio ✦ Live2D & Stream Assets , I built this pseudo-3D hand entirely in Live2D It supports full 360° X-axis rotation, finger grasping, and a fake outline effect. So in a way… this is a pseudo-2D inside pseudo-3D inside 2D ☝🤓

📐Hephaestus📏Live2D匠人魂

97,216 просмотров • 8 месяцев назад

finally figured out a way to make a halo out of pseudo 3d objects in live2D ٩(^ᗜ^ )و ´- works best with simple objects ദ്ദി(ᵔᗜᵔ) #Live2D #Live2DWIP
0:23

finally figured out a way to make a halo out of pseudo 3d objects in live2D ٩(^ᗜ^ )و ´- works best with simple objects ദ്ദി(ᵔᗜᵔ) #Live2D #Live2DWIP

sumireno | Live2D comms open!

110,966 просмотров • 1 год назад

🕹️#Live3D #Live2D #Live2DWIP🕹️ I designed a Physics Pendulum system in Live3D that can control full-body Parameters. You can move just the head or the hips with XYZ Angles, or switch between standing, sitting, raising hands... All without interfering with each other.
0:56

🕹️#Live3D #Live2D #Live2DWIP🕹️ I designed a Physics Pendulum system in Live3D that can control full-body Parameters. You can move just the head or the hips with XYZ Angles, or switch between standing, sitting, raising hands... All without interfering with each other.

📐Hephaestus📏Live2D匠人魂

26,027 просмотров • 1 год назад

🩻#Live2D #Live2DWIP🩻 In Live2D, I created a 3D human body by combining 29 Warp deformers (excluding symmetrical limbs). In this design, I have already streamlined the number of deformers and used a unified perspective to assemble the various parts.
0:59

🩻#Live2D #Live2DWIP🩻 In Live2D, I created a 3D human body by combining 29 Warp deformers (excluding symmetrical limbs). In this design, I have already streamlined the number of deformers and used a unified perspective to assemble the various parts.

📐Hephaestus📏Live2D匠人魂

23,183 просмотров • 1 год назад

Here’s the physics group I used for the hair, and about keeping long hair fixed when rotating on the Z axis — it’s actually just manually adjusting the long hair so it stays aligned to its original position. VTuber:@/Deucel11 Artist:@/YuYe_OwO #Live2DWIP #Live2D
1:02

Here’s the physics group I used for the hair, and about keeping long hair fixed when rotating on the Z axis — it’s actually just manually adjusting the long hair so it stays aligned to its original position. VTuber:@/Deucel11 Artist:@/YuYe_OwO #Live2DWIP #Live2D

Anreal@Live2D Study File for Sale

18,956 просмотров • 10 месяцев назад

👔#Live3D #Live2D #Live2DWIP👔 I finished the clothing template for Live3D and added some deformation features that let it freely switch between: skirt → top long sleeves → short sleeves. Putting clothes on means the model has finally taken a step from being just a base body toward becoming a character. So I gave her black underwear to keep things safe from indecency, lol.
0:42

👔#Live3D #Live2D #Live2DWIP👔 I finished the clothing template for Live3D and added some deformation features that let it freely switch between: skirt → top long sleeves → short sleeves. Putting clothes on means the model has finally taken a step from being just a base body toward becoming a character. So I gave her black underwear to keep things safe from indecency, lol.

📐Hephaestus📏Live2D匠人魂

31,188 просмотров • 11 месяцев назад

I'm so obsessed with how the hair turned out ;-; Cooking the parallax and physics fried my brain a bit but it was so worth!! #Live2DWIP #LIVE2D
0:30

I'm so obsessed with how the hair turned out ;-; Cooking the parallax and physics fried my brain a bit but it was so worth!! #Live2DWIP #LIVE2D

Bella 🐻‍❄️ྀིྀི | べゆみ

37,992 просмотров • 1 год назад

🔱 #Live3D #Live2D #HandTracking 🔱 This is the highest-spec hand-tracking model I’m currently capable of creating. The model was created based on the Live2D-based 2D Pseudo-3D concept, and for the first time, it incorporates techniques such as colored linework, rim lighting, and independent finger outlines. These new techniques allow the model to achieve a pseudo-3D effect while faithfully preserving the artist’s original art style. Please check out the video for more details✨
0:41

🔱 #Live3D #Live2D #HandTracking 🔱 This is the highest-spec hand-tracking model I’m currently capable of creating. The model was created based on the Live2D-based 2D Pseudo-3D concept, and for the first time, it incorporates techniques such as colored linework, rim lighting, and independent finger outlines. These new techniques allow the model to achieve a pseudo-3D effect while faithfully preserving the artist’s original art style. Please check out the video for more details✨

📐Hephaestus📏Live2D匠人魂

79,289 просмотров • 2 месяцев назад

🎉My Live2D study file will be released on Friday, June 6 at 7pm ET ! Can’t wait! ⚠️Important note: my study files include not only Live2D files and tutorials, but also a 3D head angle reference (with fox ear) available for purchase! The 3D head file will be included as a free bonus in the full-body package during the first week of sale! 🎁 === File Contains === • Head (all angles + physics) • Eye physics + facial feature linkages • Face & hair physics • Basic mouth shapes + VBridger mouth & audio capture + physics • Chest (all angles rigging + physics) • Leaning motion • Arm physics • Advanced hip physics • Ear physics + angle + facial linkages • Sheep/Cat/Fox/Elf ears • VBridger+Vtube Studio config files • Advanced Rigging Guide (instructional file) • Bonus 3D head reference (first week) #Live2D #Vtuber #Live2DWIP
3:49

🎉My Live2D study file will be released on Friday, June 6 at 7pm ET ! Can’t wait! ⚠️Important note: my study files include not only Live2D files and tutorials, but also a 3D head angle reference (with fox ear) available for purchase! The 3D head file will be included as a free bonus in the full-body package during the first week of sale! 🎁 === File Contains === • Head (all angles + physics) • Eye physics + facial feature linkages • Face & hair physics • Basic mouth shapes + VBridger mouth & audio capture + physics • Chest (all angles rigging + physics) • Leaning motion • Arm physics • Advanced hip physics • Ear physics + angle + facial linkages • Sheep/Cat/Fox/Elf ears • VBridger+Vtube Studio config files • Advanced Rigging Guide (instructional file) • Bonus 3D head reference (first week) #Live2D #Vtuber #Live2DWIP

Anreal@Live2D Study File for Sale

121,280 просмотров • 1 год назад

🗑 #Live3D #Live2D #Live2DWIP 🗑 When building a Live2D-based 2D Pseudo-3D model, the way the ArtMesh vertices are connected can also have a noticeable impact on the deformation result. Using this arm twist as an example, whether the ArtMesh edge / diagonal flow leans left or right becomes a key factor in whether jagged edges appear after twisting. When raising an arm, the human arm joint can almost only perform a 180° twist with the thumb facing toward the body. So I chose to make all the edges flow to the right, in order to improve the smoothness of the arm after twisting. This does mean that when performing a 180° twist with the thumb facing toward the camera, jagged edges will appear along the arm. But since human arms rarely rotate that way in normal use, I think this is a reasonable trade-off based on the actual use case. On the other hand, the subdivision density of the Warp Deformer also affects the twisting result. For a 180° twist, the subdivision should ideally be 18 or higher. For a 90° twist, the subdivision should ideally be 9 or higher. If you force the deformation beyond its limit, it will twist into something like thorns.😈
0:55

🗑 #Live3D #Live2D #Live2DWIP 🗑 When building a Live2D-based 2D Pseudo-3D model, the way the ArtMesh vertices are connected can also have a noticeable impact on the deformation result. Using this arm twist as an example, whether the ArtMesh edge / diagonal flow leans left or right becomes a key factor in whether jagged edges appear after twisting. When raising an arm, the human arm joint can almost only perform a 180° twist with the thumb facing toward the body. So I chose to make all the edges flow to the right, in order to improve the smoothness of the arm after twisting. This does mean that when performing a 180° twist with the thumb facing toward the camera, jagged edges will appear along the arm. But since human arms rarely rotate that way in normal use, I think this is a reasonable trade-off based on the actual use case. On the other hand, the subdivision density of the Warp Deformer also affects the twisting result. For a 180° twist, the subdivision should ideally be 18 or higher. For a 90° twist, the subdivision should ideally be 9 or higher. If you force the deformation beyond its limit, it will twist into something like thorns.😈

📐Hephaestus📏Live2D匠人魂

11,144 просмотров • 1 месяц назад

The lightweight customizable model production is currently in the final stage and is being tested! Let's take a look at how many hairstyles are available to match in this preview! illust:Annimiao_VArtist🔶COMMS CLOSED rigger:me #Live2D #Live2DWIP #Live2DShowcase #CustomizableVtuber
1:08

The lightweight customizable model production is currently in the final stage and is being tested! Let's take a look at how many hairstyles are available to match in this preview! illust:Annimiao_VArtist🔶COMMS CLOSED rigger:me #Live2D #Live2DWIP #Live2DShowcase #CustomizableVtuber

Rikou

13,141 просмотров • 6 месяцев назад

🧱 #Live3D #Live2D #HandTracking 🧱 I spent some time refining the way I use Warp Deformers to create lateral physics-based swinging motion in Live2D. With a new production concept, I tried to achieve the highest possible level of mathematical precision. At the core are two fundamental swinging structures, which I can mix in different proportions to create different qualities of motion. The first is parallel swinging. Both sides of the Warp Deformer remain perfectly parallel throughout the motion, making it look somewhat like a sheet of paper or a tassel. The second is bending swinging. The angle between the two sides of the Warp Deformer changes as it moves, making it look more like a flexible tube or a tail. （0:12）Interestingly, when I layer the first and second structures together, the bottom forms an X-shaped pattern as it swings. It looks a little like a spine or some kind of mechanical structure. （0:23）The third structure is an equal blend of the first and second. Its characteristics are much more neutral, combining the qualities of both. （0:35）The fourth and fifth structures are created by smoothly blending the first structure into the center of the second, and the second into the center of the first, respectively. This makes them appear softer and more flexible, somewhat like a piece of fabric. （0:28）Interestingly, when I blend the fourth and fifth structures equally, the result is exactly identical to the third structure. This also demonstrates that, despite their apparent complexity, the two are actually perfect mirror images of each other. Every physics-based motion shown here uses a two-segment pendulum structure, with a swinging range of ±90°. In theory, when curled to its limit, it can bend upward into a perfect semicircle. To most people, this may look as boring as a brick. But to me, this is exactly where the romance of Live2D physics lies. Does anyone else feel the same way?
0:59

🧱 #Live3D #Live2D #HandTracking 🧱 I spent some time refining the way I use Warp Deformers to create lateral physics-based swinging motion in Live2D. With a new production concept, I tried to achieve the highest possible level of mathematical precision. At the core are two fundamental swinging structures, which I can mix in different proportions to create different qualities of motion. The first is parallel swinging. Both sides of the Warp Deformer remain perfectly parallel throughout the motion, making it look somewhat like a sheet of paper or a tassel. The second is bending swinging. The angle between the two sides of the Warp Deformer changes as it moves, making it look more like a flexible tube or a tail. （0:12）Interestingly, when I layer the first and second structures together, the bottom forms an X-shaped pattern as it swings. It looks a little like a spine or some kind of mechanical structure. （0:23）The third structure is an equal blend of the first and second. Its characteristics are much more neutral, combining the qualities of both. （0:35）The fourth and fifth structures are created by smoothly blending the first structure into the center of the second, and the second into the center of the first, respectively. This makes them appear softer and more flexible, somewhat like a piece of fabric. （0:28）Interestingly, when I blend the fourth and fifth structures equally, the result is exactly identical to the third structure. This also demonstrates that, despite their apparent complexity, the two are actually perfect mirror images of each other. Every physics-based motion shown here uses a two-segment pendulum structure, with a swinging range of ±90°. In theory, when curled to its limit, it can bend upward into a perfect semicircle. To most people, this may look as boring as a brick. But to me, this is exactly where the romance of Live2D physics lies. Does anyone else feel the same way?

📐Hephaestus📏Live2D匠人魂

19,362 просмотров • 16 дней назад

🌚 #Live3D #Live2D #HandTracking 🌝 I’d like to talk specifically about a method for creating camouflage pseudo-outlines within the Live2D-based 2D Pseudo-3D concept. At first glance, the visual effect of this technique may look rather subtle. But when it comes to faithfully preserving an illustrator’s art style, it becomes an essential technical detail. This is especially important for illustrators who care deeply about the color details of their linework. With this technique, they can still take control of the pseudo-outline colors even within Live3D. Creating this kind of camouflage pseudo-outline is not difficult. All it requires is for the illustrator to provide one additional special set of assets. It looks like a shadow duplicate of the original hands, except painted with camouflage-like colors. During pseudo-3D rotation, each camouflage-colored area of the shadow duplicate cleverly corresponds to the outline color of the same part. It may be a little hard to imagine from words alone, so please take a look at the video! I hope this special production technique can also bring some inspiration to everyone. 😇
0:29

🌚 #Live3D #Live2D #HandTracking 🌝 I’d like to talk specifically about a method for creating camouflage pseudo-outlines within the Live2D-based 2D Pseudo-3D concept. At first glance, the visual effect of this technique may look rather subtle. But when it comes to faithfully preserving an illustrator’s art style, it becomes an essential technical detail. This is especially important for illustrators who care deeply about the color details of their linework. With this technique, they can still take control of the pseudo-outline colors even within Live3D. Creating this kind of camouflage pseudo-outline is not difficult. All it requires is for the illustrator to provide one additional special set of assets. It looks like a shadow duplicate of the original hands, except painted with camouflage-like colors. During pseudo-3D rotation, each camouflage-colored area of the shadow duplicate cleverly corresponds to the outline color of the same part. It may be a little hard to imagine from words alone, so please take a look at the video! I hope this special production technique can also bring some inspiration to everyone. 😇

📐Hephaestus📏Live2D匠人魂

20,695 просмотров • 2 месяцев назад

A YouTube comment asked me: "Why do you use many warp deformers even though you use blendshapes? Why not just use one deformer for all parameters?" I'm not great with words to explain so instead here is a video why I recommend using individual warp deformers for each parameters when skinning! Note: - You can use normal parameters when skinning, it's just that I prefer using blendshapes because you can control it better if I ever want to add animations to it - Using only one warp deformer causes the mesh to expand and shrink when all the skinning parameters are moving left and right. Making the swaying of the mash very unnatural #Live2D
0:50

A YouTube comment asked me: "Why do you use many warp deformers even though you use blendshapes? Why not just use one deformer for all parameters?" I'm not great with words to explain so instead here is a video why I recommend using individual warp deformers for each parameters when skinning! Note: - You can use normal parameters when skinning, it's just that I prefer using blendshapes because you can control it better if I ever want to add animations to it - Using only one warp deformer causes the mesh to expand and shrink when all the skinning parameters are moving left and right. Making the swaying of the mash very unnatural #Live2D

waomeo Ch. ワオメオ🍊| Commission Open

39,089 просмотров • 3 месяцев назад

🟠Live2D Tutorial: Bouncy Vtuber up-and-down hair jiggles. Simple 3-steps will instantly upgrade Vtuber hair! First, set up the entire hair Bounce. This parameter handles the main up and down bounce. Second, add the middle parts of the hair's deformation. This creates soft and fluid lag motions. Finally, use a Blendshape to add micro-motion to the very tips. Additionally, open the physics setting and assign these parameters! Here are the input parameter, output parameter, and pendulum settings! More Live2D tutorials in my channel🔽🔽
0:24

🟠Live2D Tutorial: Bouncy Vtuber up-and-down hair jiggles. Simple 3-steps will instantly upgrade Vtuber hair! First, set up the entire hair Bounce. This parameter handles the main up and down bounce. Second, add the middle parts of the hair's deformation. This creates soft and fluid lag motions. Finally, use a Blendshape to add micro-motion to the very tips. Additionally, open the physics setting and assign these parameters! Here are the input parameter, output parameter, and pendulum settings! More Live2D tutorials in my channel🔽🔽

Ninta(ニンタ) Art&Live2D (Vgen comm)

13,461 просмотров • 1 месяц назад

Tested out nizima LIVE's 2.4 update that's compatible with a Live2D 5.3 beta model. My model's still unrigged but it uses the offscreen drawing, alpha blend, and color blend features. You can also sandwich your model in Live2D items which fixes the problem in nizima LIVE 2.3!!
0:28

Tested out nizima LIVE's 2.4 update that's compatible with a Live2D 5.3 beta model. My model's still unrigged but it uses the offscreen drawing, alpha blend, and color blend features. You can also sandwich your model in Live2D items which fixes the problem in nizima LIVE 2.3!!

🌌Soulty | Live2D Modeller

21,930 просмотров • 10 месяцев назад

Someone just built a tool that turns any object image into a fully coded, animation-ready 3d model in your browser. just drop a photo and it sculpts the object in pure Three.js code, animation-ready with pivots, physics anchors, and PBR materials. 100% free.
0:20

Someone just built a tool that turns any object image into a fully coded, animation-ready 3d model in your browser. just drop a photo and it sculpts the object in pure Three.js code, animation-ready with pivots, physics anchors, and PBR materials. 100% free.

Superman

37,025 просмотров • 29 дней назад

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️
0:38

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

Ninta(ニンタ) Art&Live2D (Vgen comm)

81,143 просмотров • 8 месяцев назад