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Long before Tool became known for sprawling, progressive epics, "Sober" announced a band with a sound unlike anything else in heavy music. Driven by Justin Chancellor's predecessor Paul D'Amour's brooding bassline, Adam Jones' crushing guitar work and Maynard James Keenan's haunting vocal, the song became the breakthrough that introduced... show more

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Here’s a fun fact: Tool’s performance of “Sober” at the Reading Festival on August 27, 1993, is captured in what is widely regarded as the only existing professional multi-camera TV broadcast (pro-shot) footage of the band from their early Undertow era. This rare clip shows a very young Maynard James Keenan (in his signature eccentric style—often described as wearing a pink onesie or similar quirky outfit for that set) delivering the song with the raw, intense energy that helped put Tool on the map internationally. It’s become a fan-favorite archival gem, frequently shared and remastered online because almost no other high-quality live footage exists from Tool in 1993. The setlist that day included “Sober” right in the middle, sandwiched between tracks like “Undertow” and “Opiate.”

Here’s a fun fact: Tool’s performance of “Sober” at the Reading Festival on August 27, 1993, is captured in what is widely regarded as the only existing professional multi-camera TV broadcast (pro-shot) footage of the band from their early Undertow era. This rare clip shows a very young Maynard James Keenan (in his signature eccentric style—often described as wearing a pink onesie or similar quirky outfit for that set) delivering the song with the raw, intense energy that helped put Tool on the map internationally. It’s become a fan-favorite archival gem, frequently shared and remastered online because almost no other high-quality live footage exists from Tool in 1993. The setlist that day included “Sober” right in the middle, sandwiched between tracks like “Undertow” and “Opiate.”

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Few songs had a greater impact on British rock in the 1980s than "She Sells Sanctuary." Blending Billy Duffy's shimmering guitar work with Ian Astbury's commanding vocal, it became The Cult's breakthrough hit and remains the band's defining anthem. Their performance at the Tibetan Freedom Concert in 1999 showed the song had lost none of its power, uniting a huge festival crowd behind one of alternative rock's most enduring classics.

Few songs had a greater impact on British rock in the 1980s than "She Sells Sanctuary." Blending Billy Duffy's shimmering guitar work with Ian Astbury's commanding vocal, it became The Cult's breakthrough hit and remains the band's defining anthem. Their performance at the Tibetan Freedom Concert in 1999 showed the song had lost none of its power, uniting a huge festival crowd behind one of alternative rock's most enduring classics.

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Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.

Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.

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Built around a hypnotic bassline and an atmosphere that became central to The Cure's identity, "A Forest" was the song that helped establish the band's darker musical direction. Their appearance at Belgium's Rock Werchter Festival in July 1981 came during the Faith era, with the group emerging as one of the most distinctive acts of the post punk generation.

Built around a hypnotic bassline and an atmosphere that became central to The Cure's identity, "A Forest" was the song that helped establish the band's darker musical direction. Their appearance at Belgium's Rock Werchter Festival in July 1981 came during the Faith era, with the group emerging as one of the most distinctive acts of the post punk generation.

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Back before TV became a tool for the left.

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In 1987, before TOOL, Maynard James Keenan was in C.A.D. - Children of the Anachronistic Dynasty. Here they are playing ‘Burn About Out’, a proto, early version of TOOL’s ‘Sober’. The Grand Rapids GRTV Public Access crew were in for a preview treat that day!!

In 1987, before TOOL, Maynard James Keenan was in C.A.D. - Children of the Anachronistic Dynasty. Here they are playing ‘Burn About Out’, a proto, early version of TOOL’s ‘Sober’. The Grand Rapids GRTV Public Access crew were in for a preview treat that day!!

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"No Ordinary Love" is an iconic song by the English band Sade, released in September 1992 as the first single from their fourth studio album, Love Deluxe. The song is known for its soul sound, downtempo, and distinctive guitar riff, and became one of the band's biggest hits, winning a Grammy in 1994. Meaning of the Song The lyrics address a deep and intense love that is not fully reciprocated, resulting in suffering and persistence on the part of the narrator. The phrase "This is no ordinary love" emphasizes the uniqueness and pain of this feeling.

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Originally written during the band's earliest years, "Love in a Void" captured the stark, unconventional sound that helped set Siouxsie and the Banshees apart from many of their punk contemporaries. Built around John McKay's distinctive guitar work and Siouxsie's commanding vocal, the song reflected the band's rapid evolution into one of the most influential acts to emerge from the late 1970s post punk scene.

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Sandstorm by Cast was performed on The White Room in 1996 at a time when the band were firmly established in the Britpop landscape. Released from their debut album All Change, the song showcased their melodic style and became one of their signature tracks. The performance captured their live energy and helped reinforce their reputation as one of the standout British guitar bands of the mid nineties.

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Bursting out with its off-kilter bassline on stage in 1993, The Breeders delivered “Cannonball” with a raw, indie edge, a track from Last Splash from 1993 that became their defining hit.

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In 1974, Redbone became the first Native American rock group to reach the top 5 of the Billboard Hot 100 chart with their hit “Come and Get Your Love.”⁠ ⁠ The band used to begin their televised performances of the song with a traditional “Hail” song and dance, in order to proudly assert their Indigenous identity before a wide audience.⁠

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