Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

"LOVE LiFE" — a 5-minute AI animated short. An experimental workflow test built in collaboration with Agent One by Invideo. Here is a complete breakdown of how I brought this project from my original character design set to life, my experience directing Agent One, and why the human touch... show more

Victorior

13,784 subscribers

21,092 views • 2 months ago •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

I built a whole sci-fi anime series: Exile Protocol, directing it inside invideo Agent One. In this masterclass, you'll learn how I developed the visual style of Exile Protocol, how I use Agent One's context system to manage an entire world of characters and locations, and how I take a single scene from concept to final edit. From worldbuilding and character design to animation and post-production, this is a look at how I direct an original anime series - and where the craft decisions actually get made. Make sure to subscribe and check out the show!

I built a whole sci-fi anime series: Exile Protocol, directing it inside invideo Agent One. In this masterclass, you'll learn how I developed the visual style of Exile Protocol, how I use Agent One's context system to manage an entire world of characters and locations, and how I take a single scene from concept to final edit. From worldbuilding and character design to animation and post-production, this is a look at how I direct an original anime series - and where the craft decisions actually get made. Make sure to subscribe and check out the show!

S.A.V

47,471 views • 3 months ago

Day 12 of the InVideo Agent 2 launch. I had the chance to test the agent in real production. Here's a a walkthrough of how I’m building a short film with a treatment deck, an expert agent and infinite memory. Plus the Slate continuity trick I used when one 15-second generation wasn’t enough.

Day 12 of the InVideo Agent 2 launch. I had the chance to test the agent in real production. Here's a a walkthrough of how I’m building a short film with a treatment deck, an expert agent and infinite memory. Plus the Slate continuity trick I used when one 15-second generation wasn’t enough.

NΞXUS

38,980 views • 1 month ago

Invideo Agent Two Day 12. These 12 days were about what you'll make with it - so here's what I made. A full 11-minute Viking comedy episode built with Invideo Agent Two and Seedance 2.5. Two agents. One script. And a lot of fun. Here's the complete breakdown of how it happened. Stay till the end. That's not a suggestion. It's a warning.

Invideo Agent Two Day 12. These 12 days were about what you'll make with it - so here's what I made. A full 11-minute Viking comedy episode built with Invideo Agent Two and Seedance 2.5. Two agents. One script. And a lot of fun. Here's the complete breakdown of how it happened. Stay till the end. That's not a suggestion. It's a warning.

Raven Morgoth

19,070 views • 1 month ago

⚡️PREMIERE⚡️ Santiago: The Last Sail Today, July 21st marks Ernest Hemingway’s 127th birthday. On this day, we present a new vision of the ambitious project we released two years ago, when we set out to create an AI adaptation of Hemingway’s legendary novel, The Old Man and the Sea. Back in 2024, our goal was to build an ultra-realistic AI film inspired by one of the most iconic stories ever written. But at the time, despite ultra-rapid progress, many of the things were still beyond what AI could achieve. Today, through our creative partnership with Invideo - the story finally receives the visuals it deserves with the help of Agent One. We recreated the film entirely from scratch — every character, every scene, every location — rebuilding the project with Agent One into a comprehensive 10-minute short AI film. SANTIAGO: THE LAST SAIL Out now. *stay tuned for a detailed breakdown & tutorial on how we did this with Agent One*

⚡️PREMIERE⚡️ Santiago: The Last Sail Today, July 21st marks Ernest Hemingway’s 127th birthday. On this day, we present a new vision of the ambitious project we released two years ago, when we set out to create an AI adaptation of Hemingway’s legendary novel, The Old Man and the Sea. Back in 2024, our goal was to build an ultra-realistic AI film inspired by one of the most iconic stories ever written. But at the time, despite ultra-rapid progress, many of the things were still beyond what AI could achieve. Today, through our creative partnership with Invideo - the story finally receives the visuals it deserves with the help of Agent One. We recreated the film entirely from scratch — every character, every scene, every location — rebuilding the project with Agent One into a comprehensive 10-minute short AI film. SANTIAGO: THE LAST SAIL Out now. stay tuned for a detailed breakdown & tutorial on how we did this with Agent One

Digital da Vincis

28,130 views • 1 month ago

LOVE was made entirely inside invideo. Not with one agent. I built a multi-agent system — a director, and around it casting, locations, storyboard, then one agent per main scene, all working at the same time. In the breakdown I go through the things that struck me most: — Expert agents talking to each other — Infinite memory — Slate editor — And a Project Analyst at the end, interviewing every other agent on what to change next time There's a lot more to say. I'll take it one thing at a time in the next posts. Invideo Agent Two isn't just an agent. It's a collaborator you shape into what you need. Full breakdown ↓

LOVE was made entirely inside invideo. Not with one agent. I built a multi-agent system — a director, and around it casting, locations, storyboard, then one agent per main scene, all working at the same time. In the breakdown I go through the things that struck me most: — Expert agents talking to each other — Infinite memory — Slate editor — And a Project Analyst at the end, interviewing every other agent on what to change next time There's a lot more to say. I'll take it one thing at a time in the next posts. Invideo Agent Two isn't just an agent. It's a collaborator you shape into what you need. Full breakdown ↓

Marco "Shikoba" Riccetti

14,813 views • 1 month ago

I made a gritty monster-hunter short film called NIGHT PROWL. A key shot was directed entirely from my phone - mid-travel, no laptop, no super PC. just my phone and Invideo Agent One. A breakdown of how i directed it 🧵

I made a gritty monster-hunter short film called NIGHT PROWL. A key shot was directed entirely from my phone - mid-travel, no laptop, no super PC. just my phone and Invideo Agent One. A breakdown of how i directed it 🧵

Shara I Ai Video Creator

15,729 views • 3 months ago

Stop prompting, start directing. This entire episode was directed on invideo Agent One. No prompts. Just creative decisions. Coming very soon: a step-by-step breakdown of every direction, every decision, and every back-and-forth we did with Agent One to make this episode.

Stop prompting, start directing. This entire episode was directed on invideo Agent One. No prompts. Just creative decisions. Coming very soon: a step-by-step breakdown of every direction, every decision, and every back-and-forth we did with Agent One to make this episode.

Invideo

21,978 views • 4 months ago

We made a Stephen Chow-style AI short film on Agent One. 1 director. 5 days. $1,800 in total. If you're a serious creative, this is how you should be directing in 2026 The full step-by-step breakdown in the video and the thread.

We made a Stephen Chow-style AI short film on Agent One. 1 director. 5 days. $1,800 in total. If you're a serious creative, this is how you should be directing in 2026 The full step-by-step breakdown in the video and the thread.

Invideo

11,413 views • 3 months ago

I wanted to see how far Agent Two in Invideo could really go on a serious filmmaking project. So I gave it a challenge: Build a 2+ minute found-footage horror sequence with recurring characters, claustrophobic cave environments, rising tension, consistent visual rules, and a real narrative arc. Not random clips. A complete project. I worked hand in hand with Agent Two from the script and character references, to a custom playbook, Seedance 2.5 generations, continuity fixes, and the final edit in Slate. The result is PRE-ECHO. And honestly… this workflow is kind of insane. 📌 Bookmark this thread — I’m breaking down the entire process below 👇

I wanted to see how far Agent Two in Invideo could really go on a serious filmmaking project. So I gave it a challenge: Build a 2+ minute found-footage horror sequence with recurring characters, claustrophobic cave environments, rising tension, consistent visual rules, and a real narrative arc. Not random clips. A complete project. I worked hand in hand with Agent Two from the script and character references, to a custom playbook, Seedance 2.5 generations, continuity fixes, and the final edit in Slate. The result is PRE-ECHO. And honestly… this workflow is kind of insane. 📌 Bookmark this thread — I’m breaking down the entire process below 👇

Pierrick Chevallier | IA

105,865 views • 1 month ago

New short film created with Seedance 2 on Invideo using Agent One. Lately, I've been exploring this type of organic world where characters don't fight their environment — they learn how to interact with it. For this project, I used Agent One. My advice remains the same: start by building your world, characters, creatures, and story. Once those foundations are in place, Agent One becomes a powerful tool for expanding the worldbuilding, organizing research, generating shots, creating animations, editing sequences, and much more. If you'd like to try it, the link is below 👇

New short film created with Seedance 2 on Invideo using Agent One. Lately, I've been exploring this type of organic world where characters don't fight their environment — they learn how to interact with it. For this project, I used Agent One. My advice remains the same: start by building your world, characters, creatures, and story. Once those foundations are in place, Agent One becomes a powerful tool for expanding the worldbuilding, organizing research, generating shots, creating animations, editing sequences, and much more. If you'd like to try it, the link is below 👇

Anima

11,776 views • 2 months ago

this is the world's first design agent I uploaded a photo of Gal Gadot, a Coach bag & dress, this new Lovart AI agent generated a complete 15s ad all by itself storyboard, video, voice, music and even edit.. 5 examples(logo, poster, 3D character design):

el.cine

185,733 views • 1 year ago

AI filmmaking just reached another level. I created UNBELIEVER, an almost 4-minute cinematic trailer, with Agent Two by Invideo at the center of the entire production. Not just generating clips. I’m talking script → characters → world → consistency → sequences → edit → music. This one pushed my workflow HARD. Watch the result first. Then I’ll show you exactly how I made it 👇

AI filmmaking just reached another level. I created UNBELIEVER, an almost 4-minute cinematic trailer, with Agent Two by Invideo at the center of the entire production. Not just generating clips. I’m talking script → characters → world → consistency → sequences → edit → music. This one pushed my workflow HARD. Watch the result first. Then I’ll show you exactly how I made it 👇

Pierrick Chevallier | IA

63,564 views • 24 days ago

This is a powerful combination: 1) Directing an AI agent to generate characters, locations and all the angles I need for my dialogue shots 2) Using human actors to drive the performance of my characters The agent handles the technical side and I can focus on performance:

This is a powerful combination: 1) Directing an AI agent to generate characters, locations and all the angles I need for my dialogue shots 2) Using human actors to drive the performance of my characters The agent handles the technical side and I can focus on performance:

Halim Alrasihi

51,221 views • 6 months ago

Kling MCP Tutorial: Create Cinematic AI Performances in Minutes Learn how to use Kling MCP to build a complete creative workflow in your favourite agent — from character creation and emotion design to batch video generation. Your next story starts here.

Kling MCP Tutorial: Create Cinematic AI Performances in Minutes Learn how to use Kling MCP to build a complete creative workflow in your favourite agent — from character creation and emotion design to batch video generation. Your next story starts here.

Kling AI

1,365,651 views • 1 month ago

The lead engineer at Anthropic who replaced 300 people with one agent and makes $2.2M - came to Stanford to share how: 03:20 - how she fired 300 people and replaced them with one agent 11:34 - how an agent replaces an entire department and works 10x faster 29:47 - $2.2M a year from one agent - the full system from scratch after watching I replaced my team with one agent - and saved $20k in the first month. Save & watch - the article below shows how one agent replaces the Anthropic team and generates $2.2M a year.

The lead engineer at Anthropic who replaced 300 people with one agent and makes $2.2M - came to Stanford to share how: 03:20 - how she fired 300 people and replaced them with one agent 11:34 - how an agent replaces an entire department and works 10x faster 29:47 - $2.2M a year from one agent - the full system from scratch after watching I replaced my team with one agent - and saved $20k in the first month. Save & watch - the article below shows how one agent replaces the Anthropic team and generates $2.2M a year.

Noisy

84,711 views • 1 month ago

Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.

Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.

Santiago

51,527 views • 1 year ago

The biggest problem with AI clothing ads today is fabric consistency. Most workflows can’t hold the fabric consistent through multiple environmental and human interactions - like sunlight, wind, touch, and motion. So we built a workflow inside Agent One that holds 100% fabric consistency throughout the ad. The full step-by-step workflow along with the cost and time breakdown in the video and the thread.

The biggest problem with AI clothing ads today is fabric consistency. Most workflows can’t hold the fabric consistent through multiple environmental and human interactions - like sunlight, wind, touch, and motion. So we built a workflow inside Agent One that holds 100% fabric consistency throughout the ad. The full step-by-step workflow along with the cost and time breakdown in the video and the thread.

Invideo

44,744 views • 3 months ago

This is actually insane I built an AI Agent that researches and writes HOURS of content by itself I literally have my own AI employee In this video, I'll show you how to easily set it up. No technical experience required (Trust me, you want to bookmark this)

This is actually insane I built an AI Agent that researches and writes HOURS of content by itself I literally have my own AI employee In this video, I'll show you how to easily set it up. No technical experience required (Trust me, you want to bookmark this)

Julian Goldie SEO

10,812 views • 1 year ago

AI video is moving beyond prompts and Flova’s all-in-one, agent native workflow makes that shift feel real. I wasn’t expecting the Agent to handle this much of the production. I used Seedance 2.5 inside Flova to create this fragrance commercial and the workflow turned out to be just as impressive as the final result. Here’s a step by step breakdown of the entire process 👇

AI video is moving beyond prompts and Flova’s all-in-one, agent native workflow makes that shift feel real. I wasn’t expecting the Agent to handle this much of the production. I used Seedance 2.5 inside Flova to create this fragrance commercial and the workflow turned out to be just as impressive as the final result. Here’s a step by step breakdown of the entire process 👇

Ege

11,935 views • 25 days ago

here’s a demo of some new AI apps i made: • life in polaroid • ai therapist • ai travel planner • id photo editor all built and designed by my agent in ryOS – the future is ai that makes software with ai

here’s a demo of some new AI apps i made: • life in polaroid • ai therapist • ai travel planner • id photo editor all built and designed by my agent in ryOS – the future is ai that makes software with ai

Ryo Lu

42,961 views • 10 months ago