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Made with my iPhone and a bit of imagination using #ai & using My prompt for this below: EDIT VIDEO 1. TOTAL LENGTH: EXACTLY 25.07 SECONDS. FINAL OUTPUT: EXACTLY 24 FPS. VIDEO 1 = ABSOLUTE MASTER FOOTAGE. VIDEO 1 AUDIO = ABSOLUTE MASTER AUDIO. @[garlic](25abf54f-7508-4ce8-9e67-776907b18e4d) = established baby pterodactyl... show more
18,440 просмотров • 9 дней назад •via X (Twitter)
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![Successfully generated this with Seedance 2.5—without any face-related moderation restrictions. The result is amazing! prompt： For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A continuous live-action first-person smartphone recording based entirely on . is the only visual reference for the adult female dancer's appearance, face, hairstyle, hair color, costume, body proportions, environment, room layout, wall, floor, lighting, color and initial spatial composition. Preserve the original visual identity and environment of . The camera closely reproduces the distinctive perspective of : a strong high-angle first-person smartphone POV looking substantially downward at the woman. The camera is clearly above her eye level. The top of her head, shoulders and upper body are visibly seen from above. Keep substantial ceiling visible in the upper part of the frame. Do not use an eye-level view, third-person view, orbiting camera or cuts. A single adult arm belonging to the camera operator enters naturally from the lower-right foreground. Show a connected forearm, wrist, palm and fingers. The hand is a moderate-size foreground element, not a giant object. Keep the hand primarily within the lower-right quadrant, occupying approximately 10–18% of the image area. The hand must never extend across the center, cover the woman's face or cover her torso. The woman remains the primary visual subject and the hand is only the foreground controller. Keep the woman physically close to the smartphone, approximately 1.0–1.2 meters away. Her full body occupies approximately 70–80% of the vertical frame. Do not pull the camera backward, do not place her deep in the room and do not progressively make her smaller. The foreground index finger directly controls the woman's dance movement. The woman does not independently freestyle. The hand is the visible movement cue and the woman's body immediately follows it. Maintain these exact control relationships throughout the entire video: UP → WOMAN RISES. DOWN → WOMAN LOWERS. LEFT → WOMAN MOVES LEFT. RIGHT → WOMAN MOVES RIGHT. For UP, the index finger moves clearly upward and the woman's body immediately rises. Her torso extends upward, her posture becomes taller, her arms naturally rise and her center of gravity moves upward. For DOWN, the index finger moves clearly downward and the woman's body immediately lowers. Her knees bend slightly, hips lower, center of gravity drops and torso lowers into a controlled dance position. For LEFT, the index finger moves toward screen-left and the woman's body immediately shifts and sways toward screen-left. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. For RIGHT, the index finger moves toward screen-right and the woman's body immediately shifts and sways toward screen-right. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. LEFT and RIGHT must not become tiny hip twitches. The woman's body must visibly move from side to side. Keep the horizontal movement simple so the connection between finger direction and body direction remains unmistakable. The hand gesture and corresponding body movement are tightly synchronized. The woman's movement begins as the corresponding finger gesture begins and develops within the same musical beat. No noticeable reaction delay, no one-beat delay, no anticipation and no independent movement. The dance is a confident, sexy viral short-form influencer dance: energetic rhythmic hip movement, controlled waist isolation, subtle torso waves, attractive shoulder movement, pronounced but tasteful hip accents, confident posture, playful facial expression, direct eye contact and natural hair movement. The dance should feel like a polished viral social-media dance challenge. Make the movement sexy, stylish, rhythmic and visually captivating while keeping it non-explicit. During LEFT and RIGHT movements, maintain the direct horizontal hand control while adding sensual hip accents. During UP and DOWN movements, maintain the direct vertical hand control while adding smooth waist and body movement. Never sacrifice hand-to-body control for complicated choreography. Use a fast modern viral dance rhythm with strong clear beats. Command sequence: UP → DOWN → LEFT → RIGHT → LEFT → RIGHT → UP → DOWN → LEFT → RIGHT. Each command produces one clearly visible corresponding body movement. Do not add unrelated freestyle movements, spins, walking or complicated footwork. The index finger moves with strong, deliberate gestures. The wrist and forearm naturally follow the finger. Use short, clear upward, downward, leftward and rightward gestures. Do not use weak floating gestures. Keep the hand in the lower-right foreground and never allow it to dominate the center of the frame. Maintain one continuous handheld smartphone recording with subtle natural camera instability. Preserve the strong high-angle perspective and close composition throughout the entire shot. Do not zoom out, pull backward, lower the camera or lose either the hand or the woman's full body. At the end, use LEFT → RIGHT → UP. The woman performs a left body movement with a sensual hip accent, a right body movement with a sensual hip accent, then rises into a confident final dance pose. The hand remains in the lower-right foreground and does not move into the center. Hold the final pose briefly. overall_soundscape: Natural indoor room ambience, subtle foot movement, fabric movement and quiet smartphone handling sounds, preserving the acoustic character of . non_diegetic_music: A modern viral short-form dance track with strong punchy beats, crisp percussion and clear rhythmic accents. Each major beat provides a timing point for the hand gesture and its corresponding dance movement.](https://image.24vids.com/tw-2091504498527395869/amplify_video_thumb/2091503577781182464/img/qtAui0hMmY7Ki-MR.jpg)
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Successfully generated this with Seedance 2.5—without any face-related moderation restrictions. The result is amazing! prompt： For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A continuous live-action first-person smartphone recording based entirely on . is the only visual reference for the adult female dancer's appearance, face, hairstyle, hair color, costume, body proportions, environment, room layout, wall, floor, lighting, color and initial spatial composition. Preserve the original visual identity and environment of . The camera closely reproduces the distinctive perspective of : a strong high-angle first-person smartphone POV looking substantially downward at the woman. The camera is clearly above her eye level. The top of her head, shoulders and upper body are visibly seen from above. Keep substantial ceiling visible in the upper part of the frame. Do not use an eye-level view, third-person view, orbiting camera or cuts. A single adult arm belonging to the camera operator enters naturally from the lower-right foreground. Show a connected forearm, wrist, palm and fingers. The hand is a moderate-size foreground element, not a giant object. Keep the hand primarily within the lower-right quadrant, occupying approximately 10–18% of the image area. The hand must never extend across the center, cover the woman's face or cover her torso. The woman remains the primary visual subject and the hand is only the foreground controller. Keep the woman physically close to the smartphone, approximately 1.0–1.2 meters away. Her full body occupies approximately 70–80% of the vertical frame. Do not pull the camera backward, do not place her deep in the room and do not progressively make her smaller. The foreground index finger directly controls the woman's dance movement. The woman does not independently freestyle. The hand is the visible movement cue and the woman's body immediately follows it. Maintain these exact control relationships throughout the entire video: UP → WOMAN RISES. DOWN → WOMAN LOWERS. LEFT → WOMAN MOVES LEFT. RIGHT → WOMAN MOVES RIGHT. For UP, the index finger moves clearly upward and the woman's body immediately rises. Her torso extends upward, her posture becomes taller, her arms naturally rise and her center of gravity moves upward. For DOWN, the index finger moves clearly downward and the woman's body immediately lowers. Her knees bend slightly, hips lower, center of gravity drops and torso lowers into a controlled dance position. For LEFT, the index finger moves toward screen-left and the woman's body immediately shifts and sways toward screen-left. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. For RIGHT, the index finger moves toward screen-right and the woman's body immediately shifts and sways toward screen-right. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. LEFT and RIGHT must not become tiny hip twitches. The woman's body must visibly move from side to side. Keep the horizontal movement simple so the connection between finger direction and body direction remains unmistakable. The hand gesture and corresponding body movement are tightly synchronized. The woman's movement begins as the corresponding finger gesture begins and develops within the same musical beat. No noticeable reaction delay, no one-beat delay, no anticipation and no independent movement. The dance is a confident, sexy viral short-form influencer dance: energetic rhythmic hip movement, controlled waist isolation, subtle torso waves, attractive shoulder movement, pronounced but tasteful hip accents, confident posture, playful facial expression, direct eye contact and natural hair movement. The dance should feel like a polished viral social-media dance challenge. Make the movement sexy, stylish, rhythmic and visually captivating while keeping it non-explicit. During LEFT and RIGHT movements, maintain the direct horizontal hand control while adding sensual hip accents. During UP and DOWN movements, maintain the direct vertical hand control while adding smooth waist and body movement. Never sacrifice hand-to-body control for complicated choreography. Use a fast modern viral dance rhythm with strong clear beats. Command sequence: UP → DOWN → LEFT → RIGHT → LEFT → RIGHT → UP → DOWN → LEFT → RIGHT. Each command produces one clearly visible corresponding body movement. Do not add unrelated freestyle movements, spins, walking or complicated footwork. The index finger moves with strong, deliberate gestures. The wrist and forearm naturally follow the finger. Use short, clear upward, downward, leftward and rightward gestures. Do not use weak floating gestures. Keep the hand in the lower-right foreground and never allow it to dominate the center of the frame. Maintain one continuous handheld smartphone recording with subtle natural camera instability. Preserve the strong high-angle perspective and close composition throughout the entire shot. Do not zoom out, pull backward, lower the camera or lose either the hand or the woman's full body. At the end, use LEFT → RIGHT → UP. The woman performs a left body movement with a sensual hip accent, a right body movement with a sensual hip accent, then rises into a confident final dance pose. The hand remains in the lower-right foreground and does not move into the center. Hold the final pose briefly. overall_soundscape: Natural indoor room ambience, subtle foot movement, fabric movement and quiet smartphone handling sounds, preserving the acoustic character of . non_diegetic_music: A modern viral short-form dance track with strong punchy beats, crisp percussion and clear rhythmic accents. Each major beat provides a timing point for the hand gesture and its corresponding dance movement.
underwood
245,132 просмотров • 1 месяц назад
![Seedance 2.0 on FlovaAI =================== Prompt: [Reference Identity Lock] Image 1 is ONLY the main female protagonist. Her face, hairstyle, body type, and outfit must match Image 1 exactly and stay consistent for the entire video. Image 2 is ONLY a uniform reference. All four opponents wear the school uniform shown in Image 2. Never swap, merge, duplicate, or blend identities. The protagonist's identity comes ONLY from Image 1. The four opponents have NO reference images. They are defined by the text descriptions below. The four opponents must not resemble the protagonist, and they must not resemble each other. All five characters must remain clearly distinct and recognizable until the end. [Priority Order] 1. Preserve the protagonist's identity from Image 1. 2. Keep the four opponents visually distinct from her and from each other. 3. Maintain one continuous shot with no cuts. 4. Keep the classroom layout spatially consistent. 5. Make the action fast but readable and physically connected. 6. Keep the tone as a Korean school action drama, stylish but grounded. Korean school action drama classroom fight scene — 15 seconds, ONE CONTINUOUS SHOT, NO CUTS. A single uninterrupted handheld shot. No cuts, no scene transitions, no montage. The camera should feel handheld, with micro-jitters, slight rolling shutter, and raw unstable realism. The camera must physically travel through the same classroom space. Every transition must be motivated by camera movement, not editing. Whip pans are allowed, but they must not hide a cut. Do not teleport the camera or characters. The classroom layout and character positions must remain spatially consistent. Audio: No music. Only realistic school and classroom ambient sounds: old fluorescent light hum, distant hallway noise, ceiling fan, shoes scraping the floor, desks dragging, chair legs screeching, cloth friction, dull body impacts, and breathing that gradually becomes heavier. Breathing continues throughout the scene and keeps building. Lighting: Late afternoon in a Korean high school classroom. Mixed cool fluorescent light and warm sunlight through the windows. Dust floating in the sunlight. Soft fan shadows moving across desks and school uniforms. Main character: The Korean female high school student from Image 1, age 17–18. Cold, emotionless, calm, and intimidating. She barely speaks and does not scream during the fight. She remains composed from beginning to end. Her movements are efficient, explosive, and precise. Even if her frame is not large, she dominates through speed, timing, and accuracy. Main outfit: Exactly the outfit shown in Image 1. Do not change its colors, design, or details. Her jacket or outer layer is either removed and hanging on a chair, or worn in a slightly messy way. The action must be non-sexualized and combat-focused. Fabric movement, dust, sweat, wrinkles, and impact response should feel realistic. Opponent rules: Four Korean female high school students, all wearing the Hanlim Multi Art School uniform shown in Image 2. They have no reference images. Define them strictly by these descriptions and keep each one consistent: Opponent A: short black bob with straight bangs, medium build, round face. Opponent B: long straight hair tied in a high ponytail, tall and lean, sharp jawline. Opponent C: shoulder-length hair with side-swept bangs, slim build, narrow face. Opponent D: long wavy hair worn loose, slightly stocky and broad-shouldered. A, B, C, and D must each keep clearly different faces, hairstyles, body shapes, and silhouettes. They must not resemble the protagonist, and they must not resemble each other. No face duplication, no face merging, no identity confusion. Environment: An empty classroom at Hanlim Multi Art School, a Korean performing arts high school in Seoul. Green chalkboard, chalk tray, worn wooden desks, plastic chairs, classroom clock, class schedule poster, discipline/life-guidance posters, cleaning tools, blinds or curtains, wall study materials, and a slightly scuffed floor. Desks and chairs should react naturally to impacts, sliding, shaking, and collapsing when hit. Camera framing rules: Even during kicks, framing should stay around chest-level or eye-level. No low-angle shots under the skirt. Do not focus on legs, thighs, underwear, or fetish-like details. All action framing must prioritize faces, upper-body motion, impact, and spatial choreography. Continuous action and camera choreography: From 0 to 15 seconds, the fight continues without any cuts. The action should be stylish but readable, and every movement must be physically connected. 0–3s: The camera starts behind the protagonist at a slightly low handheld angle, drifting left through the classroom aisle. Opponent A grabs the protagonist's shoulder roughly and says in Korean: "야, 너 지금 뭐 하자는 거야?" The protagonist silently turns and lands one hard straight punch to A's face. At impact, use a very brief 15% slow motion: cheek ripple, dust particles, deep thud. A falls sideways into a desk. The camera dips slightly from the shock, then whip-pans right without cutting. 3–6s: Opponent B charges in from the right. The protagonist steps forward instead of retreating. A short body shot to the stomach. Immediate uppercut to the chin. Without pausing, she drives forward into a flying knee to B's chest. B is thrown backward across or into a desk. The camera follows the forward motion low, then rebounds upward with the impact. 6–9s: Opponent D attacks with two fast punches. The protagonist deflects both strikes with her arms, then flows into a turning backfist to D's face. As D staggers, she continues the same rotation into a spinning back elbow that lands hard on D's jaw or temple. D crashes sideways into two or three desks. The camera arcs around her shoulder and jitters slightly at each impact. No cuts. 9–12s: Opponent C rushes in from the chalkboard side. The protagonist clearly grabs C's collar with her left hand. C's face must be fully visible from the front and clearly different from the protagonist. The protagonist lands one short, hard punch to C's face, then immediately throws a powerful high kick or flying high kick into C's chest. The force sends C backward into the green chalkboard. The protagonist remains in the foreground and never touches the board. The protagonist's face should be side-profile or partially obscured. C's face should be clearly visible from the front at the moment of impact. Their faces must never overlap in frame. Use a very brief 20% slow motion at the chalkboard impact: chalk dust bursts outward, and C slides down the board. The camera pushes up with the impact, then tilts down as C slides. 12–15s: Through the chalk dust, the camera hard-pans right. D makes one final charge. The protagonist sidesteps and lands a tight uppercut to D's chin, followed immediately by a cross. D crashes into a row of desks, causing a chain reaction of collapsing desks and chairs. The camera drifts forward slowly. The protagonist adjusts her loose tie or ribbon and brushes chalk dust off her shoulder. Her expression stays cold and serious. She walks past the camera and exits the frame. Dust floats in the sunlight. Natural ending. =================== Made with Flova #FlovaAI #FlovaCPP](https://image.24vids.com/tw-2078057124350005603/amplify_video_thumb/2078049254845952000/img/syZwn5uGQkEHH5vr.jpg)
![this model is so f*cking good for animations less hallucinations than gemini and it takes like 20 seconds to generate full clip + 1 min video costs only like ~$7 prompt that i used: Create a 15-second cinematic 3D animated product advertisement for supportive shoe insoles. Use a polished, high-end stylized 3D animation aesthetic with expressive but natural characters, soft cinematic lighting, realistic materials, believable anatomy, and subtle facial expressions. The scene takes place in a modern apartment hallway in the early morning. Warm sunlight enters through a large window, creating soft golden reflections on the wooden floor. A few pairs of shoes are scattered near the entrance, with a small bench and coat rack in the background. A completely different male character appears: a slim-to-average build man in his early 30s with short slightly messy brown hair, light stubble, casual gray hoodie, dark joggers, and white sneakers. He should look like an ordinary everyday person, not a fitness model. Preserve his face, hairstyle, clothing, body proportions, and overall appearance consistently throughout the entire animation. The advertisement should feel like a natural short-form social media ad, with the character speaking directly and casually rather than acting like a professional commercial presenter. [0–3 seconds] Begin with a medium-wide cinematic shot. The man walks into the apartment after spending several hours on his feet. He takes two steps, suddenly slows down, and looks uncomfortable. He takes off one sneaker and sits on the bench, rubbing the bottom of his foot with a slightly frustrated expression. He looks toward the camera and says naturally: "Man, my feet used to kill me after a long day." His delivery should feel conversational and believable, with natural lip movement and subtle facial animation. [3–7 seconds] Cut to a closer shot as he picks up the original factory insole from inside his sneaker and looks at it skeptically. He says: "Then I realized it wasn't even my shoes." He pulls the old insole out and places it beside the shoe. The camera gently pushes closer as he reaches for a new supportive shoe insole lying on the bench. Make the insole clearly visible and easy to understand as the hero product, with realistic cushioning, ergonomic shape, and premium material details. [7–11 seconds] Show him placing the new insole inside his sneaker. Use a smooth close-up of his hands fitting the insole naturally into the shoe. Show the insole sitting correctly inside the shoe with believable proportions and physical interaction. He puts the sneaker back on, stands up, and takes several comfortable steps across the hallway. His posture immediately looks more relaxed. He smiles slightly and says: "These made such a difference." Keep the acting subtle and realistic. Do not make the effect exaggerated or magical. [11–15 seconds] Move into a slightly closer cinematic shot as he walks confidently toward the apartment door, then turns back toward the camera. He briefly lifts one foot, showing the sneaker, and says with a relaxed smile: "Honestly, I wish I'd tried them sooner." Finish with a clean product-focused composition: the pair of supportive insoles is visible on the bench next to the sneakers while the man walks naturally into the background. Hold the final frame for a moment. Camera: Smooth cinematic dolly movement, subtle handheld-style realism, natural perspective, gentle push-ins, no rapid camera movement, no dramatic orbiting, no abrupt zooms. Lighting: Warm morning sunlight mixed with soft ambient indoor light. Cinematic shadows, realistic reflections, soft highlights on the product, premium commercial look. Audio: Natural male voice dialogue, subtle apartment ambience, quiet footsteps on wooden floor, soft fabric movement, shoe sounds, and minimal understated background music. Voice: Young adult male, friendly, slightly casual, conversational delivery. No exaggerated commercial voiceover. Lip synchronization must be accurate to every spoken word. Product: The shoe insoles must remain physically consistent throughout the scene. They should look like premium supportive orthopedic-style insoles designed for everyday comfort. Show their shape and cushioning clearly without adding logos, text, or branding unless explicitly provided. Maintain: Realistic anatomy, stable facial identity, accurate hands and fingers, correct foot placement, natural walking mechanics, believable shoe deformation, physically accurate interaction between hands, shoes, and insoles, consistent lighting, consistent character proportions, and smooth temporal continuity. Avoid: Extra characters, unrelated locations, duplicated limbs, distorted hands, floating objects, sliding feet, broken anatomy, sudden costume changes, exaggerated reactions, magical transformations, unrealistic product effects, subtitles, captions, text, logos, watermarks, or cuts to unrelated scenes.](https://image.24vids.com/tw-2095265700902232138/amplify_video_thumb/2095265475228041216/img/guClaoZiFZ2hLBji.jpg)
![深藏不漏的本地视频生成大师 Gary 用黑白深度+精准分镜提示词复刻了陶阿狗君的创意换装视频 我用 Minimax H3 + gary的黑白深度，微调了一下提示词，就用新的模特复现了 复刻的具体步骤： 1. 准备好模特的人物三视图 2. 生成四个场景下的人物参考图，可以用 gpt image 2.5 换人 3. 稍微调整提示词里对原来模特的特征锁定，按照新模特重写 4. 用新的提示词 + 参考图片 + 黑白深度视频交给 Minimax H3 生成 微调后的提示词👇 defines Rei's opening outfit only: a fitted black satin mini dress with thin spaghetti straps, a lace-trimmed V-neckline, a small front bow with trailing ribbons, off-the-shoulder lace ruffle sleeves, a ruched bodice, a ruffled lace hem, bare legs and black pointed-toe stiletto pumps. Preserve the dress's silhouette, materials and front/back construction as shown. Use this outfit for the white-studio opening only; do not reproduce the character-sheet layout. defines her Paris outfit, front-facing presentation pose, drink, sunglasses, city map and UI. defines her Rome outfit, front/three-quarter presentation pose, props, city map and UI. defines her Cairo outfit, presentation pose, shopping bags, city map and UI. defines her Sydney outfit, front-facing finishing pose, city map and UI. is an unmodified slightly turned standard face crop from the original Rei character card. It is the highest-priority facial identity reference for ALL outfits: preserve its eye shape and spacing, eyelids, nose, lips and natural proportions without beautification. Pictures 2–5 supply new city outfits and environments, never a substitute face. This is the same adult woman in different clothes throughout the entire video. is a black-and-white relative-depth reference for body movement, camera pullback and chronological timing only. Depth brightness represents distance, not skin color or face detail. Render natural full color using the pictures. A featureless face in the depth map must not become the back of Rei's head. Use the scene pictures to resolve which way her face and chest point after each turn. Generate ONE continuous 12-second vertical video. The timed Shot labels below are successive phases of this one output, not instructions to insert camera cuts. Keep the reference timeline at its original speed. Do not compress the opening to make room for the cities. Only Rei rotates during transformation; the camera must not orbit her. A back view is a brief passing orientation during a spin, never a held destination pose. Each completed transformation reveals her face and the FRONT of the new outfit, as in its corresponding picture. Change clothing, handheld props, city map and city-name UI together; do not change only the background while leaving the previous outfit. Shot 1 [0.00–2.50 seconds]: White studio and opening black sailor uniform from . Rei looks at the phone held in front of her chest. Follow the opening camera pullback in . Her torso remains generally facing the camera; allow the original small phone and head gestures. This interval contains no full-body spin, no location pin yet, no city background and no wardrobe change. Shot 2 [2.50–3.15 seconds]: The red location pin appears above Rei. This event ONLY adds the pin. She continues looking at her phone in the white studio, still wearing the opening black sailor uniform. The pin does not trigger a spin or a scene change. Do not begin the transformation here. Shot 3 [3.15–4.05 seconds]: Follow the small preparatory side pivot in , then return toward the camera-facing starting orientation while holding the phone. This is the preparatory movement, not the rapid transformation spin. Retain the opening black sailor uniform, white background and red pin throughout this interval. No Paris map or summer outfit before 4.05 seconds. Shot 4 [4.05–6.00 seconds]: At 4.05 seconds begin the rapid transformation rotation following . Pass continuously through the side and back orientations without pausing. Around 4.25 seconds, during this rotation, change together into the Paris outfit, drink, sunglasses, map and navigation UI from . By 4.50 seconds complete the rotation and reveal Rei FACING THE CAMERA, with her face and the front of her navy-and-ivory striped top visible. From 4.50 to 6.00 seconds remain in this front/three-quarter FRONT presentation, with the drink and sunglasses gesture from . The cream full-length trousers, striped top and red neck scarf replace the opening black sailor uniform completely. No back-facing hold, no phone, no opening black sailor uniform during the Paris presentation. The top search bar and bottom location card both read 巴黎. Shot 5 [6.00–8.00 seconds]: Begin the next reference turn at 6.00 seconds. Around 6.25 seconds change outfit, props, city and UI to Rome from . Complete the turn by 6.55 seconds into a front/three-quarter FRONT view showing Rei's face, sage-green midi dress with brown belt. Until 8.00 seconds use the Rome pose with the paper guide and warm Trajan column and Roman Forum map. Both city labels read 罗马. Back-facing frames occur only while the turn is in progress; no stopped back view after the turn. Shot 6 [8.00–10.00 seconds]: Begin the next reference turn at 8.00 seconds. Around 8.25 seconds change together to the ivory linen shirt, beige full-length trousers, ochre scarf, shopping bags, Cairo map and UI from . By 8.55 seconds reveal her face and the front of the ivory linen shirt. Hold the front/three-quarter presentation with natural small movements until 10.00 seconds. Both city labels read 开罗. Keep the Cairo outfit and map together; do not introduce previous clothes or Sydney early. Shot 7 [10.00–12.00 seconds]: Begin the final reference turn at 10.00 seconds. Around 10.25 seconds replace the Cairo clothes and shopping bags, city and labels with the Sydney sky-blue overshirt, white T-shirt, navy knee-length shorts and white sneakers, Sydney Tower map and UI from . By 10.55 seconds face the camera with the white T-shirt beneath the sky-blue overshirt visible, hands raised and one leg bent backward as in . Keep this front-facing Sydney presentation with subtle natural movement through 12.00 seconds. Both city labels read 悉尼. No additional spin, destination or wardrobe change after this final reveal. Keep Rei's facial identity, natural body proportions, hair and bangs throughout. Clothing changes must not alter her face, age, body shape, hair color or hair length. Do not reproduce character-sheet panels, extra people, face closeups or depth-map gray colors. Do not reproduce the blank faces in Picture 1's full-body clothing views; Rei must have her normal face whenever her face is visible. Keep the city UI style consistent; update both location labels at each city change. No generated speech or music. The angle in Picture 6 describes identity only, NOT a fixed head pose. Face direction, expression, head tilt, hand gestures and full body movement follow Video 1, with each completed city presentation matching its corresponding scene picture. In Paris the sunglasses are opaque black and fully cover both eyes and eye sockets. Keep the sunglasses on throughout the Paris presentation. At the Rome transformation, switch to the accessories shown in Picture 3.](https://image.24vids.com/tw-2101904919540429295/amplify_video_thumb/2101901822952976384/img/enwE2APiSSfU8iWS.jpg)
![Seedance 2.5 vs. FLUX 3 The arguments about AI being slop are DONE! Prompt: SEOUL SUMMER DAY — VIDEO PROMPT A 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a young Korean man. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed. ═══════════════════════════════════ MAIN SUBJECT ═══════════════════════════════════ - The same young Korean man in his early 20s throughout the entire video. - Naturally handsome, realistic skin texture, minimal styling, relaxed expression, slightly tired but peaceful eyes. - Naturally messy medium-length dark hair with a few strands falling over his forehead; very subtle stubble. - Wears: loose washed-black T-shirt, relaxed olive-beige trousers, worn white sneakers, simple silver wristwatch. - CONSISTENCY LOCK: face, identity, body proportions, hairstyle, clothing, watch, and overall appearance remain completely consistent from beginning to end. ═══════════════════════════════════ LOCATION ═══════════════════════════════════ - A quiet older residential neighborhood in Seoul, warm summer afternoon. - Narrow concrete alleys, low-rise homes, rooftop terraces, external staircases, potted plants, laundry lines, parked bicycles, utility poles, overhead wires, mature trees, concrete walls, small residential courtyards, distant city sounds. - Authentic and lived-in. - NO crowds, tourist attractions, advertisements, recognizable brands, or commercial activity. ═══════════════════════════════════ CAMERA / VISUAL STYLE ═══════════════════════════════════ - Authentic casual personal-video footage captured with an older consumer digital camera. - Handheld, operated by a friend walking nearby. - Natural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, natural compression. - The camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus. - NO stabilization, gimbal movement, drone shots, cinematic choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography. - Feels like someone simply decided to record his friend during an ordinary day. ═══════════════════════════════════ TIMELINE ═══════════════════════════════════ [00:00–00:05] MORNING ROOFTOP - He sits casually on a small rooftop beside an old plastic chair; a cold bottled drink rests beside him. - He looks quietly across the neighborhood while the wind moves his hair and T-shirt. - He takes a sip, notices something in the distance, and smiles faintly. - He briefly notices the camera and gives a subtle nod before looking away. - The camera takes a moment to find focus on his face. [00:05–00:10] WALKING THROUGH THE ALLEY - He gets up and walks downstairs into the neighborhood. - He walks casually through a narrow concrete alley, hands in pockets. - He passes parked bicycles, potted plants, laundry hanging from balconies, old residential walls. - The camera follows several steps behind him. - He occasionally looks back toward the camera but never deliberately poses. - Footsteps stay naturally synchronized with his movement. [00:10–00:14] SMALL EVERYDAY MOMENT - He notices an old basketball resting near a wall. - He picks it up, casually bounces it twice, then takes a simple shot toward a nearby hoop. The shot misses. - He laughs quietly, shakes his head, and leaves the ball where he found it. - The camera briefly loses focus during the movement and recovers naturally. - No exaggerated athletic movement. [00:14–00:19] LOCAL SHOP - He walks to a tiny neighborhood shop and buys a cold drink. - He exchanges a few natural words with the shopkeeper; the conversation is not clearly audible. - He steps outside, opens the bottle, takes a drink, and leans casually against the wall. - He watches bicycles and pedestrians passing in the distance. - The camera remains handheld and slightly imperfect. [00:19–00:23] SUMMER RAIN - A sudden summer shower begins. He looks toward the sky with mild surprise. - Instead of running for shelter, he smiles and slowly walks into the rain. - The rain becomes heavier. His hair becomes wet and falls naturally across his forehead. - He eventually starts running down the alley, laughing genuinely. - He briefly spins around while running, then continues toward a covered walkway. - His clothes become visibly damp. - Maintain realistic rain interaction: wet fabric, wet hair, reflections, foot contact with the ground. [00:23–00:27] QUIET MOMENT - He reaches the covered walkway and catches his breath. Rain falls heavily behind him. - He wipes water from his forehead and looks quietly toward the street. - For a moment, everything becomes still. - He notices the camera again and gives a small genuine smile — not a posed expression. [00:27–00:30] WALKING AWAY - The rain becomes lighter. He walks away down the wet residential lane. - The camera follows from behind. Reflections shimmer across the concrete. - He turns his head once, gives a tiny wave toward the camera, smiles, and continues walking. - The camera remains pointed toward the empty street for a brief moment. - At approximately 00:29, the recording abruptly cuts to black mid-motion. No fade-out. ════════════════════════════════════ PHYSICAL REALISM ════════════════════════════════════ - Believable real-world physics throughout: hands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects behave naturally. - NO extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations. - The bottle remains a separate physical object and never intersects with his face. - The basketball behaves naturally and remains where it lands. - Parked bicycles and background objects remain stationary unless physically moved. - His feet remain properly connected to the ground while walking and running. - Environment and subject stay consistent between shots. ═══════════════════════════════════ AUDIO ═══════════════════════════════════ - Natural environmental audio only: footsteps on concrete, distant traffic, birds, leaves in the wind, bicycles, faint neighborhood conversations, shop sounds, bottle opening, basketball bouncing, rain hitting concrete, water dripping from rooftops, subtle camera-handling noise. - NO music, narration, soundtrack, or artificial sound effects. - No spoken dialogue is necessary. ═══════════════════════════════════ FINAL FEEL ═══════════════════════════════════ - A forgotten personal recording of an ordinary summer day. - NOT a commercial, fashion film, music video, or professional cinematic production. - Emotional appeal comes from small human moments: sitting alone, wandering familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, walking home. - Tone: quiet, masculine, youthful, nostalgic, slightly melancholic, warm, spontaneous, deeply human. - Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic environmental details, and the feeling that the camera happened to be there.](https://image.24vids.com/tw-2091834613043761397/amplify_video_thumb/2091833500441735168/img/S84P6GNAqNdDA9Mu.jpg)
![john wick seedance text to video prompt： [STYLE / CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.](https://image.24vids.com/tw-2086349180948345309/amplify_video_thumb/2086348909522378752/img/Rj8L9yLglxtuCEcl.jpg)