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Meet Al-Manat, the assassin dps! 🗡️Silent steps. Sharp blades. ⚡Cuts through the battlefield. 💀Gone before they can realize. #ConceptArt #GameDev #IndieGame

StormStriker EN | Indie PvP Dev

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30,080 views • 3 months ago •via X (Twitter)

Gaming #ConceptArt #GameDev #IndieGame

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⚡NEW: 🇮🇷 Iran Can Now Strike Anywhere in the World For the first time, the IRGC launched a long-range missile from a warship, which they claim allows them to strike any target around the world. The missile traveled 750 km in a test launch before hitting a target in the Iranian desert. "Through this new achievement, our range of influence and naval power have increased to any point required."

⚡NEW: 🇮🇷 Iran Can Now Strike Anywhere in the World For the first time, the IRGC launched a long-range missile from a warship, which they claim allows them to strike any target around the world. The missile traveled 750 km in a test launch before hitting a target in the Iranian desert. "Through this new achievement, our range of influence and naval power have increased to any point required."

Megatron

170,526 views • 2 years ago

I still can’t believe the entire outer body of the Cybercab is PLASTIC. I think this is the first production Tesla vehicle built this way. Tesla molds the COLOR directly into the panels using reaction injection molding. Far from a traditional paint shop. A process that can take hours with normal automotive paint can now take minutes. Tesla says this cuts manufacturing emissions for those parts by around 35% and eliminates the paint VOCs from the traditional process. And before anyone says, “But what about safety?” The plastic exterior is not the crash structure. The massive front and rear giga castings underneath are doing that job. I rode in the Cybercab myself. Trust me, it does NOT feel cheap at all. It actually makes you realize what Tesla is trying to do here. Fewer parts. Fewer manufacturing steps. No traditional paint shop. Faster production. Lower cost. The unboxed process… This is so much more than Tesla just using plastic to make a cheap car. Tesla is completely rethinking how you build millions of robotaxis.

I still can’t believe the entire outer body of the Cybercab is PLASTIC. I think this is the first production Tesla vehicle built this way. Tesla molds the COLOR directly into the panels using reaction injection molding. Far from a traditional paint shop. A process that can take hours with normal automotive paint can now take minutes. Tesla says this cuts manufacturing emissions for those parts by around 35% and eliminates the paint VOCs from the traditional process. And before anyone says, “But what about safety?” The plastic exterior is not the crash structure. The massive front and rear giga castings underneath are doing that job. I rode in the Cybercab myself. Trust me, it does NOT feel cheap at all. It actually makes you realize what Tesla is trying to do here. Fewer parts. Fewer manufacturing steps. No traditional paint shop. Faster production. Lower cost. The unboxed process… This is so much more than Tesla just using plastic to make a cheap car. Tesla is completely rethinking how you build millions of robotaxis.

Teslaconomics

1,852,169 views • 27 days ago

Today, I saw a many truck drivers driving with his window wide open under the burning sun. It wasn’t because he wanted to it was because the heat inside the truck was unbearable. He was risking his own safety just to feel a little breeze. That moment made me think… while most of us travel in air-conditioned comfort, these men spend endless hours on the road, through scorching heat, heavy rain, and freezing nights, just to make sure food reaches our tables, medicines reach hospitals, and goods reach every corner of the country. They are the silent heroes who keep our nation’s economy moving, yet many of them don’t receive the salary, dignity, or respect they truly deserve. The next time you see a truck driver on the road, don’t judge him or argue with him over small things. A little patience and respect can mean more than you realize. I also sincerely request the government to introduce a fair minimum salary standard and better working conditions for truck drivers, so they can live with the dignity they have earned through their hard work. Behind every truck on the highway is a person sacrificing comfort, time with family, and often even their own health to keep India moving 🙏🏻😇 PMO India Narendra Modi Nitin Gadkari

Today, I saw a many truck drivers driving with his window wide open under the burning sun. It wasn’t because he wanted to it was because the heat inside the truck was unbearable. He was risking his own safety just to feel a little breeze. That moment made me think… while most of us travel in air-conditioned comfort, these men spend endless hours on the road, through scorching heat, heavy rain, and freezing nights, just to make sure food reaches our tables, medicines reach hospitals, and goods reach every corner of the country. They are the silent heroes who keep our nation’s economy moving, yet many of them don’t receive the salary, dignity, or respect they truly deserve. The next time you see a truck driver on the road, don’t judge him or argue with him over small things. A little patience and respect can mean more than you realize. I also sincerely request the government to introduce a fair minimum salary standard and better working conditions for truck drivers, so they can live with the dignity they have earned through their hard work. Behind every truck on the highway is a person sacrificing comfort, time with family, and often even their own health to keep India moving 🙏🏻😇 PMO India Narendra Modi Nitin Gadkari

Eknoor Singh Bajwa

197,017 views • 3 months ago

BREAKING: The Georgia Court of Appeals just ruled to REJECT Fani Willis's motion to reinstate more charges against President Trump in her RICO case. Fani has already been disqualified from the case, and it's only a matter of time before everything else is dismissed, too. The charges now gone from the case were some of the most critical to her case. After Trump's lawyers filed a motion arguing that the lack of detail with some of the charges warranted dismissal, the trial judge agreed, and so did the Court of Appeals, who also found that “the indictment fails to include enough detail to sufficiently apprise the defendants of what they must be prepared to meet so that they can intelligently prepare their defenses.” Fani Willis's egotistical move to "Get Trump" backfired bigly. LOCK HER UP!!!

BREAKING: The Georgia Court of Appeals just ruled to REJECT Fani Willis's motion to reinstate more charges against President Trump in her RICO case. Fani has already been disqualified from the case, and it's only a matter of time before everything else is dismissed, too. The charges now gone from the case were some of the most critical to her case. After Trump's lawyers filed a motion arguing that the lack of detail with some of the charges warranted dismissal, the trial judge agreed, and so did the Court of Appeals, who also found that “the indictment fails to include enough detail to sufficiently apprise the defendants of what they must be prepared to meet so that they can intelligently prepare their defenses.” Fani Willis's egotistical move to "Get Trump" backfired bigly. LOCK HER UP!!!

George

1,501,386 views • 1 year ago

What kind of sick & dangerous game is Meghan Markle playing? Shares a video of herself putting her feet up while going by the tunnel where Diana, Princess of Wales died in Paris Make sure she is photographed wearing the same brand & style watch Diana, Princess of Wales was gifted by Dodi Al Fayed before they died How long until Meghan makes Harry drive through the tunnel with her or even worse.. drives him to end it all so she can forever be “the widow Duchess of Sussex”

MeghansMole©️

36,895 views • 11 months ago

Massive performance improvement. This is a bit more of technical post, but man do I love this stuff! Units navigate the map using a 'Navigation Mesh'. Before, I was using one giant nav mesh that spanned the entire map. The more objects that were placed (especially on a large map such as this 'RadarAttack' map designed by Syphotic | Steel Command), the larger the 'lag' would be after placement. You can see here that there is a massive frame drop and the navmesh doesnt update for almost 5 seconds. Now, there are a ton of tiny navmeshes that connect to one another, and together they cover the whole map. Now, when an object is placed, the navmesh will update instantly, because it no longer needs to parse through every object on the map (potentially thousands!!!). It only needs to parse through the objects that exist in the mini navmesh that the object was placed in (probably only 1-5 objects now!). Performance XP Boost +100! Charles Horwood You might appreciate this one :) #Rts #RTSGame #IndieGame

Massive performance improvement. This is a bit more of technical post, but man do I love this stuff! Units navigate the map using a 'Navigation Mesh'. Before, I was using one giant nav mesh that spanned the entire map. The more objects that were placed (especially on a large map such as this 'RadarAttack' map designed by Syphotic | Steel Command), the larger the 'lag' would be after placement. You can see here that there is a massive frame drop and the navmesh doesnt update for almost 5 seconds. Now, there are a ton of tiny navmeshes that connect to one another, and together they cover the whole map. Now, when an object is placed, the navmesh will update instantly, because it no longer needs to parse through every object on the map (potentially thousands!!!). It only needs to parse through the objects that exist in the mini navmesh that the object was placed in (probably only 1-5 objects now!). Performance XP Boost +100! Charles Horwood You might appreciate this one :) #Rts #RTSGame #IndieGame

Smitty | Steel Command

60,072 views • 9 months ago

Everyone falls in love with the queen first. Speed, reach, spectacle, violence made elegant. She is what dazzles the crowd. She is what wins battles. She is what makes observers confuse motion with meaning. But the red line of reality is simple and merciless: the game does not end when the queen dies. the game ends only when the king is gone. That rule is not technical. It is metaphysical. As Friedrich Nietzsche warned, “There are many who are clever, but few who are wise.” Cleverness moves fast. Wisdom survives. Power expands. Order endures. The queen is power. The king is continuity. Nietzsche, through Thus Spoke Zarathustra, makes this brutally clear when he writes, “He who cannot obey himself will be commanded.” The king is the one who obeys himself first. The queen obeys the mission. When the mission replaces the center, collapse becomes inevitable. History repeats this lesson with mathematical cruelty. Empires did not fall because they lacked strength. They fell because they lost balance. “What destroys a man is not his enemies,” Nietzsche reminds us, “but his lack of purpose.” Purpose lives in the king. The queen merely executes it. This is why brilliance without sovereignty becomes destructive. This is why unchecked power consumes its own foundation. This is why balance matters more than domination. Even antiquity understood this better than modern systems obsessed with optics. Cyrus the Great ruled with expansion, yes, but never at the cost of the axis. He conquered lands without dissolving legitimacy. He won wars without killing continuity. His empire did not fear the loss of any single force because the center remained intact. The queen may win you the battlefield. The king keeps the civilization alive. Another Nietzsche line cuts straight through illusion: “Chaos in oneself is needed to give birth to a dancing star.” But he never said chaos should rule. Chaos is fuel. Order is command. The star still orbits something. A system that worships queens burns bright and dies young. A system that protects the king outlives centuries. This is not a rejection of power. It is its refinement. The highest form of strength is not aggression but survivability. The highest form of leadership is not movement but permanence. The dark truth is this: you can sacrifice brilliance and recover. You can lose speed and adapt. You can even lose battles and rebuild. But once the king falls, the game does not pause, it ends. And the positive note, cold and absolute, is this: those who understand this never need to fear chaos. They protect the center. They move power deliberately. They let queens shine without letting them rule. That is how games are not only won, but allowed to continue.

Everyone falls in love with the queen first. Speed, reach, spectacle, violence made elegant. She is what dazzles the crowd. She is what wins battles. She is what makes observers confuse motion with meaning. But the red line of reality is simple and merciless: the game does not end when the queen dies. the game ends only when the king is gone. That rule is not technical. It is metaphysical. As Friedrich Nietzsche warned, “There are many who are clever, but few who are wise.” Cleverness moves fast. Wisdom survives. Power expands. Order endures. The queen is power. The king is continuity. Nietzsche, through Thus Spoke Zarathustra, makes this brutally clear when he writes, “He who cannot obey himself will be commanded.” The king is the one who obeys himself first. The queen obeys the mission. When the mission replaces the center, collapse becomes inevitable. History repeats this lesson with mathematical cruelty. Empires did not fall because they lacked strength. They fell because they lost balance. “What destroys a man is not his enemies,” Nietzsche reminds us, “but his lack of purpose.” Purpose lives in the king. The queen merely executes it. This is why brilliance without sovereignty becomes destructive. This is why unchecked power consumes its own foundation. This is why balance matters more than domination. Even antiquity understood this better than modern systems obsessed with optics. Cyrus the Great ruled with expansion, yes, but never at the cost of the axis. He conquered lands without dissolving legitimacy. He won wars without killing continuity. His empire did not fear the loss of any single force because the center remained intact. The queen may win you the battlefield. The king keeps the civilization alive. Another Nietzsche line cuts straight through illusion: “Chaos in oneself is needed to give birth to a dancing star.” But he never said chaos should rule. Chaos is fuel. Order is command. The star still orbits something. A system that worships queens burns bright and dies young. A system that protects the king outlives centuries. This is not a rejection of power. It is its refinement. The highest form of strength is not aggression but survivability. The highest form of leadership is not movement but permanence. The dark truth is this: you can sacrifice brilliance and recover. You can lose speed and adapt. You can even lose battles and rebuild. But once the king falls, the game does not pause, it ends. And the positive note, cold and absolute, is this: those who understand this never need to fear chaos. They protect the center. They move power deliberately. They let queens shine without letting them rule. That is how games are not only won, but allowed to continue.

kian

41,342 views • 8 months ago

WE EXISTED BEFORE OUR BODIES WERE FORMED… Can you remember who you truly are? Before the first breath tore through the lungs, before bone remembered gravity and blood learned the rhythm of time, you were already here. You were not born into this world. This world was born around you. You were a pulse in the unmanifest, a knowing without a name, a flame that needed no wick. You moved through the great silence as light moves through water—formless, sovereign, whole. The stars were not above you; they were the glittering edges of your own remembrance. The dark was not empty; it was the velvet of your original home. Then came the descent. Not a fall. A choosing. Spirit folded itself into flesh like a secret being hidden inside a letter. Infinity consented to a heartbeat. Eternity agreed to wear a name. And in that sacred compression, most of us forgot. We woke inside the costume and believed the costume was the self. We called the garment “I.” We mistook the vessel for the voyager. But the memory never died. It only slept. It stirs in the strange familiarity of certain nights, when the sky feels closer than the ceiling. It flickers when you meet a stranger and something in you whispers, I have known you longer than this life. It rises in the sudden ache that has no earthly reason—the homesickness for a place you cannot point to on any map. That ache is not depression. It is recognition. You are not a body that grew a soul. You are a soul that consented to wear a body for a little while. The body is the temple. You are the Presence that entered it. Can you remember? Not with the mind that catalogs dates and names, but with the older intelligence that lives behind the eyes, the one that still knows how to speak in symbols, in silence, in sudden tears that feel like coming home. Close your eyes. Go back before the first cry. Before the first wound. Before the first story you were told about who you are. There. In that vast, unnameable stillness— you are still there. Waiting. Watching. Remembering. You have never been only this. You have always been more. And the moment you remember, the body itself becomes luminous. The flesh is no longer a prison. It becomes the altar upon which the infinite agrees, once more, to dance. You existed before this form. You will exist after it. And even now, beneath the noise of this brief incarnation, you are still that original fire. Remember.

WE EXISTED BEFORE OUR BODIES WERE FORMED… Can you remember who you truly are? Before the first breath tore through the lungs, before bone remembered gravity and blood learned the rhythm of time, you were already here. You were not born into this world. This world was born around you. You were a pulse in the unmanifest, a knowing without a name, a flame that needed no wick. You moved through the great silence as light moves through water—formless, sovereign, whole. The stars were not above you; they were the glittering edges of your own remembrance. The dark was not empty; it was the velvet of your original home. Then came the descent. Not a fall. A choosing. Spirit folded itself into flesh like a secret being hidden inside a letter. Infinity consented to a heartbeat. Eternity agreed to wear a name. And in that sacred compression, most of us forgot. We woke inside the costume and believed the costume was the self. We called the garment “I.” We mistook the vessel for the voyager. But the memory never died. It only slept. It stirs in the strange familiarity of certain nights, when the sky feels closer than the ceiling. It flickers when you meet a stranger and something in you whispers, I have known you longer than this life. It rises in the sudden ache that has no earthly reason—the homesickness for a place you cannot point to on any map. That ache is not depression. It is recognition. You are not a body that grew a soul. You are a soul that consented to wear a body for a little while. The body is the temple. You are the Presence that entered it. Can you remember? Not with the mind that catalogs dates and names, but with the older intelligence that lives behind the eyes, the one that still knows how to speak in symbols, in silence, in sudden tears that feel like coming home. Close your eyes. Go back before the first cry. Before the first wound. Before the first story you were told about who you are. There. In that vast, unnameable stillness— you are still there. Waiting. Watching. Remembering. You have never been only this. You have always been more. And the moment you remember, the body itself becomes luminous. The flesh is no longer a prison. It becomes the altar upon which the infinite agrees, once more, to dance. You existed before this form. You will exist after it. And even now, beneath the noise of this brief incarnation, you are still that original fire. Remember.

🧬Maxpein🧬

10,848 views • 14 days ago

$SOMETHING PUNCHED A HOLE THROUGH FROZEN LAKE 10,000 likes. 29 comments. Filmed from a helicopter door over an ice sheet. Something drops, the ice opens in a small red-lit circle, cracks race outward, and a column of water blows straight up through the hole the cracks are what sells this, and they are the one part that is hard to fake: → they radiate from the impact point in a spoke pattern, which is what brittle sheets actually do under a point load → the spacing is irregular. real fractures branch unevenly because the ice is not uniform, and evenly spaced cracks read as decoration immediately → they propagate outward over time rather than appearing at once. fracture has a speed, and showing it is what makes the eye accept it → secondary cracks split off the main ones at sharp angles instead of curving, which is correct for ice and wrong for glass or mud → and the plume comes after the fracture, not with it. pressure needs the hole before it can use it that ordering is the whole trick. a convincing destruction shot is not about how the damage looks, it is about the sequence the damage arrives in, and sequence is the thing a still image can never carry which is why this category of clip keeps outperforming much more elaborate work. no character, no dialogue, no continuity to protect. one event, shown from cause to consequence, in the correct order the useful takeaway for anything you make: find the shot where the physics does the storytelling, and get out of its way. the viewer is not evaluating the render, they are checking whether the world behaved ten thousand likes on twenty-nine comments says nobody argued with it, which for this kind of clip is the result you want if you want to test a single-event idea before building anything around it, image-to-video off one still is the cheapest way in. Picsart runs it from a phone the hole is the easy part. the order the cracks arrived in is what convinced you$

SOMETHING PUNCHED A HOLE THROUGH FROZEN LAKE 10,000 likes. 29 comments. Filmed from a helicopter door over an ice sheet. Something drops, the ice opens in a small red-lit circle, cracks race outward, and a column of water blows straight up through the hole the cracks are what sells this, and they are the one part that is hard to fake: → they radiate from the impact point in a spoke pattern, which is what brittle sheets actually do under a point load → the spacing is irregular. real fractures branch unevenly because the ice is not uniform, and evenly spaced cracks read as decoration immediately → they propagate outward over time rather than appearing at once. fracture has a speed, and showing it is what makes the eye accept it → secondary cracks split off the main ones at sharp angles instead of curving, which is correct for ice and wrong for glass or mud → and the plume comes after the fracture, not with it. pressure needs the hole before it can use it that ordering is the whole trick. a convincing destruction shot is not about how the damage looks, it is about the sequence the damage arrives in, and sequence is the thing a still image can never carry which is why this category of clip keeps outperforming much more elaborate work. no character, no dialogue, no continuity to protect. one event, shown from cause to consequence, in the correct order the useful takeaway for anything you make: find the shot where the physics does the storytelling, and get out of its way. the viewer is not evaluating the render, they are checking whether the world behaved ten thousand likes on twenty-nine comments says nobody argued with it, which for this kind of clip is the result you want if you want to test a single-event idea before building anything around it, image-to-video off one still is the cheapest way in. Picsart runs it from a phone the hole is the easy part. the order the cracks arrived in is what convinced you

sopersone

4,355,499 views • 6 days ago

Weekly Outfit Showcase📺 prompt 👇 Referencing the face, hair, and body proportions of image_1 Standalone_pink_dress_woman_img — a young Asian woman with long dark brown-black hair worn loose, delicate facial features, slim figure — as the consistent lead character throughout all 5 segments. Fixed camera, vertical 9:16 mid-long shot facing a European-style building entrance: dark green vintage double wooden doors, grey stone wall facade, two stone steps leading to a sidewalk, warm golden afternoon sunlight raking diagonally across the scene, golden-hour color grading, photorealistic handheld smartphone aesthetic. Shot 1 [00:00–00:02.5] — Monday: Hard cut open. The woman walks out through the green double doors wearing a white bandeau tube top and low-rise ripped denim micro shorts, white strappy heeled sandals, a chain mini bag on one shoulder. She descends the two stone steps and takes two to three confident strides toward camera along the sunlit sidewalk, waistline fully exposed in warm light, glancing sideways with a relaxed smile. White sans-serif caption "Monday" centered on screen. Shot 2 [00:02.5–00:05] — Tuesday: Hard cut. Same woman, same face and black hair, now wearing a black deep-V satin slip mini dress with thin spaghetti straps and strappy heeled sandals. Satin fabric catches flowing highlights in the afternoon sun. She steps out from the doorway, descends the steps, raises one hand to sweep her long hair back as she walks toward camera, hemline swaying with each stride. Caption hard-cuts to white sans-serif "Tuesday". Shot 3 [00:05–00:07] — Wednesday: Hard cut. Same woman now in a white halter-neck tie-front crop top (fully open bare back) and black high-waist micro pleated mini skirt with thigh-high socks. She exits the door talking on a phone held to her ear, walks down the steps, then pivots to reveal her entire bare back to camera before continuing forward. Caption hard-cuts to "Wednesday". Shot 4 [00:07–00:09.5] — Thursday: Hard cut. Same woman in a beige open-knit crochet halter maxi dress with diamond-shaped side cutouts at the waist and a high thigh slit on both sides, Roman lace-up flat sandals. She strolls out the door, glances back over her shoulder toward the building, the slit opening and closing rhythmically with each stride as she walks toward camera. Caption hard-cuts to "Thursday". Shot 5 [00:09.5–00:12] — Friday: Hard cut. Same woman in a red structured strapless tube mini dress with side waist cutout and a small side slit, red pointed-toe stiletto heels, dark sunglasses perched on nose, holding an iced Americano cup in her right hand. She walks confidently out the door and directly toward the lens, getting closer until she fills the lower frame, then raises her free hand to remove the sunglasses, looks straight into camera, raises one eyebrow and breaks into a bright smile. Caption hard-cuts to "Friday". Frame freezes on her smiling face. Audio: upbeat syncopated background BGM at low volume throughout; sharp high-heel clicks on stone pavement synced to footsteps; a crisp single "click" sound effect on each hard cut between outfits. No dialogue.

Weekly Outfit Showcase📺 prompt 👇 Referencing the face, hair, and body proportions of image_1 Standalone_pink_dress_woman_img — a young Asian woman with long dark brown-black hair worn loose, delicate facial features, slim figure — as the consistent lead character throughout all 5 segments. Fixed camera, vertical 9:16 mid-long shot facing a European-style building entrance: dark green vintage double wooden doors, grey stone wall facade, two stone steps leading to a sidewalk, warm golden afternoon sunlight raking diagonally across the scene, golden-hour color grading, photorealistic handheld smartphone aesthetic. Shot 1 [00:00–00:02.5] — Monday: Hard cut open. The woman walks out through the green double doors wearing a white bandeau tube top and low-rise ripped denim micro shorts, white strappy heeled sandals, a chain mini bag on one shoulder. She descends the two stone steps and takes two to three confident strides toward camera along the sunlit sidewalk, waistline fully exposed in warm light, glancing sideways with a relaxed smile. White sans-serif caption "Monday" centered on screen. Shot 2 [00:02.5–00:05] — Tuesday: Hard cut. Same woman, same face and black hair, now wearing a black deep-V satin slip mini dress with thin spaghetti straps and strappy heeled sandals. Satin fabric catches flowing highlights in the afternoon sun. She steps out from the doorway, descends the steps, raises one hand to sweep her long hair back as she walks toward camera, hemline swaying with each stride. Caption hard-cuts to white sans-serif "Tuesday". Shot 3 [00:05–00:07] — Wednesday: Hard cut. Same woman now in a white halter-neck tie-front crop top (fully open bare back) and black high-waist micro pleated mini skirt with thigh-high socks. She exits the door talking on a phone held to her ear, walks down the steps, then pivots to reveal her entire bare back to camera before continuing forward. Caption hard-cuts to "Wednesday". Shot 4 [00:07–00:09.5] — Thursday: Hard cut. Same woman in a beige open-knit crochet halter maxi dress with diamond-shaped side cutouts at the waist and a high thigh slit on both sides, Roman lace-up flat sandals. She strolls out the door, glances back over her shoulder toward the building, the slit opening and closing rhythmically with each stride as she walks toward camera. Caption hard-cuts to "Thursday". Shot 5 [00:09.5–00:12] — Friday: Hard cut. Same woman in a red structured strapless tube mini dress with side waist cutout and a small side slit, red pointed-toe stiletto heels, dark sunglasses perched on nose, holding an iced Americano cup in her right hand. She walks confidently out the door and directly toward the lens, getting closer until she fills the lower frame, then raises her free hand to remove the sunglasses, looks straight into camera, raises one eyebrow and breaks into a bright smile. Caption hard-cuts to "Friday". Frame freezes on her smiling face. Audio: upbeat syncopated background BGM at low volume throughout; sharp high-heel clicks on stone pavement synced to footsteps; a crisp single "click" sound effect on each hard cut between outfits. No dialogue.

John

35,699 views • 2 months ago

U.S. Patent 6,506,148 is titled "Nervous System Manipulation by Electromagnetic Fields from Monitors.” It describes a method for influencing a human subject's nervous system through the use of electromagnetic fields emitted by devices like computer monitors and television sets. 📡📺💻 The inventor, Hendricus G. Loos, suggests that pulsing the images on these displays at specific frequencies can trigger physical responses through sensory resonance. ⚠️ These subtle pulses can be integrated directly into video content or layered over an existing signal to interact with a viewer's skin. 📹📱⚡ Remarkably, the technology is designed to function even when the visual fluctuations are subliminal, meaning they are too faint for the user to see or consciously perceive. 👀 Ultimately, the system aims to remotely manipulate human bodies by using everyday hardware as a transmission device for electromagnetic stimulation. And the scariest part? This patent has been public since 2003. So why is this important to understand? Your nervous system runs the show. 🧠⚡ It controls your immune system, hormones, digestion, detox, and sleep. Every healing response starts there. If you’re stuck in stress mode, your body stays in survival and cannot repair. 🚨 Healing isn’t just chemical. It’s electrical. ⚡🧬 You can eat clean and take supplements, but if your nervous system is overloaded, healing slows down. That alone should make us more mindful about nervous system health. Excess screen time, stress, artificial light, and constant stimulation can disrupt sleep, mood, and physiology. 😴📱🌙 Instead of fear: 📵 Limit screens before bed 🌙 Use blue-light filters ☀️ Prioritize sunlight, grounding, and sleep 💧 Support detox pathways 🛡️ Strengthen your biology 🧠 Awareness matters. Discernment matters more. Don’t let screen time hijack your nervous system. Blessings and truth, Dr. Edward Group, DC #NervousSystemHealth #EMFAwareness #DigitalDetox #BioelectricBody #HealthResilience #Grounding #SleepHealth #HolisticLiving #DrEdwardGroup

U.S. Patent 6,506,148 is titled "Nervous System Manipulation by Electromagnetic Fields from Monitors.” It describes a method for influencing a human subject's nervous system through the use of electromagnetic fields emitted by devices like computer monitors and television sets. 📡📺💻 The inventor, Hendricus G. Loos, suggests that pulsing the images on these displays at specific frequencies can trigger physical responses through sensory resonance. ⚠️ These subtle pulses can be integrated directly into video content or layered over an existing signal to interact with a viewer's skin. 📹📱⚡ Remarkably, the technology is designed to function even when the visual fluctuations are subliminal, meaning they are too faint for the user to see or consciously perceive. 👀 Ultimately, the system aims to remotely manipulate human bodies by using everyday hardware as a transmission device for electromagnetic stimulation. And the scariest part? This patent has been public since 2003. So why is this important to understand? Your nervous system runs the show. 🧠⚡ It controls your immune system, hormones, digestion, detox, and sleep. Every healing response starts there. If you’re stuck in stress mode, your body stays in survival and cannot repair. 🚨 Healing isn’t just chemical. It’s electrical. ⚡🧬 You can eat clean and take supplements, but if your nervous system is overloaded, healing slows down. That alone should make us more mindful about nervous system health. Excess screen time, stress, artificial light, and constant stimulation can disrupt sleep, mood, and physiology. 😴📱🌙 Instead of fear: 📵 Limit screens before bed 🌙 Use blue-light filters ☀️ Prioritize sunlight, grounding, and sleep 💧 Support detox pathways 🛡️ Strengthen your biology 🧠 Awareness matters. Discernment matters more. Don’t let screen time hijack your nervous system. Blessings and truth, Dr. Edward Group, DC #NervousSystemHealth #EMFAwareness #DigitalDetox #BioelectricBody #HealthResilience #Grounding #SleepHealth #HolisticLiving #DrEdwardGroup

Dr. Edward Group, DC

70,577 views • 7 months ago

Before, I saw Sana and Jihyo looking tired and even massaging their legs. But today, it is heartbreaking and painfully obvious that Sana is not okay at all. This is so painful to watch, and it has seriously gone too far seeing them in such poor condition. I don’t care if people disagree with my tweet. I cannot stay silent anymore. Watching the members suffer one by one like this is breaking my heart, and JYP’s handling of their health is deeply disappointing. I am especially disappointed in JYP. In my opinion, JYP made a huge mistake when Dahyun was sick. They did not even take her to the doctor for an X-ray. Dahyun had to endure the pain for almost a month and still perform. Even in Incheon, she had to walk to the parking lot while limping, without any ankle support or a wheelchair. Before that, Jeongyeon and Chaeyoung were sick and had to miss the tour. We even had to watch Jihyo perform while she was sick, sitting on a chair on stage. That was painful to see. Then Mina had to be absent today because of health issues, and now we can clearly see that Sana is also not in good condition. Watching this happen again and again is exhausting and heartbreaking. How many times do we have to see the members suffer before their health is truly taken seriously? I know concerts and schedules are decided together by the members and the agency. But why does it feel like the girls’ health is always the last thing being considered? Can’t the agency do better and put their health first, just once? The girls are the kind of idols who truly love meeting fans. They will keep showing up even when they are unwell, as long as they can still stand. That is exactly what scares me the most. That is why JYP must take better care of them. Please, I’m begging make the girls’ health the top priority above anything else. TWICE JYPnation TWICE_JAPAN #TWICE_THISISFOR_WORLD_TOUR #JYPProtectTWICE

Before, I saw Sana and Jihyo looking tired and even massaging their legs. But today, it is heartbreaking and painfully obvious that Sana is not okay at all. This is so painful to watch, and it has seriously gone too far seeing them in such poor condition. I don’t care if people disagree with my tweet. I cannot stay silent anymore. Watching the members suffer one by one like this is breaking my heart, and JYP’s handling of their health is deeply disappointing. I am especially disappointed in JYP. In my opinion, JYP made a huge mistake when Dahyun was sick. They did not even take her to the doctor for an X-ray. Dahyun had to endure the pain for almost a month and still perform. Even in Incheon, she had to walk to the parking lot while limping, without any ankle support or a wheelchair. Before that, Jeongyeon and Chaeyoung were sick and had to miss the tour. We even had to watch Jihyo perform while she was sick, sitting on a chair on stage. That was painful to see. Then Mina had to be absent today because of health issues, and now we can clearly see that Sana is also not in good condition. Watching this happen again and again is exhausting and heartbreaking. How many times do we have to see the members suffer before their health is truly taken seriously? I know concerts and schedules are decided together by the members and the agency. But why does it feel like the girls’ health is always the last thing being considered? Can’t the agency do better and put their health first, just once? The girls are the kind of idols who truly love meeting fans. They will keep showing up even when they are unwell, as long as they can still stand. That is exactly what scares me the most. That is why JYP must take better care of them. Please, I’m begging make the girls’ health the top priority above anything else. TWICE JYPnation TWICE_JAPAN #TWICE_THISISFOR_WORLD_TOUR #JYPProtectTWICE

puteri🍉

127,521 views • 7 months ago

A BRITISH SOLDIER SPEAKS FOR MILLIONS “I sacrificed my life to secure this country's freedom and its freedom of speech — and now you arrest people for words while turning a blind eye to crimes committed by invaders. You are a disgrace to your uniform and you are an insult to mine.” A moment like this cuts through everything. When a serving soldier—in full uniform—has to remind the police what this nation stands for, it proves just how far we’ve fallen. Britain’s armed forces understand sacrifice, duty, and loyalty to the people. They also see betrayal when it's unfolding right in front of them. This is not about politics. This is about truth, honour, and the survival of the nation our soldiers pledged their lives to defend. History will look back on these days, and those who stayed silent will not be remembered kindly. This is AI but I can tell you it represents the feelings of the majority of soldiers I’ve talked to you in the UK.

A BRITISH SOLDIER SPEAKS FOR MILLIONS “I sacrificed my life to secure this country's freedom and its freedom of speech — and now you arrest people for words while turning a blind eye to crimes committed by invaders. You are a disgrace to your uniform and you are an insult to mine.” A moment like this cuts through everything. When a serving soldier—in full uniform—has to remind the police what this nation stands for, it proves just how far we’ve fallen. Britain’s armed forces understand sacrifice, duty, and loyalty to the people. They also see betrayal when it's unfolding right in front of them. This is not about politics. This is about truth, honour, and the survival of the nation our soldiers pledged their lives to defend. History will look back on these days, and those who stayed silent will not be remembered kindly. This is AI but I can tell you it represents the feelings of the majority of soldiers I’ve talked to you in the UK.

Alex Jones

321,890 views • 2 days ago

Meet Elham, the female Hamas terrorist who recruited Palestinian suicide bombers and planned terror attacks against civilians in Israel. During an interview from prison, she explained that the goal of Hamas is not only to fight Israel, but also to spread Islam throughout the world through Jihad (Islam's holy war). This rare documentary film also shows several Palestinian suicide terrorists who were caught and imprisoned by Israeli security forces, moments before they massacred innocent Jews. During these Interviews, they all explained that the religion of Islam was their main motivation to blow themselves up and kill Jews. As you can see in the full documentary, they insisted that Allah (God of Islam) wants his worshipers to sacrifice their own souls and kill Jews as additional human sacrifices. They believe that every suicide bomber who killed non-Muslims end up in paradise with 72 virgins. Link to the full documentary film ״PALESTINIAN JIHAD״: Please follow the filmmaker here on X (formerly Twitter): Pierre Rehov Unfortunately over the past week, X (formerly Twitter) has drastically limited the reach of my account. So please if you see this post let me know by writing "I saw" in the comments below and also please consider retweeting this thread.

Meet Elham, the female Hamas terrorist who recruited Palestinian suicide bombers and planned terror attacks against civilians in Israel. During an interview from prison, she explained that the goal of Hamas is not only to fight Israel, but also to spread Islam throughout the world through Jihad (Islam's holy war). This rare documentary film also shows several Palestinian suicide terrorists who were caught and imprisoned by Israeli security forces, moments before they massacred innocent Jews. During these Interviews, they all explained that the religion of Islam was their main motivation to blow themselves up and kill Jews. As you can see in the full documentary, they insisted that Allah (God of Islam) wants his worshipers to sacrifice their own souls and kill Jews as additional human sacrifices. They believe that every suicide bomber who killed non-Muslims end up in paradise with 72 virgins. Link to the full documentary film ״PALESTINIAN JIHAD״: Please follow the filmmaker here on X (formerly Twitter): Pierre Rehov Unfortunately over the past week, X (formerly Twitter) has drastically limited the reach of my account. So please if you see this post let me know by writing "I saw" in the comments below and also please consider retweeting this thread.

Liza Rosen

186,818 views • 2 years ago

Mint a Bear for free now on Robinhood at and claim your spot before they’re gone. Each Bear brings exclusive benefits, including an $MNTD airdrop, a chance to win a Mystery Box with prizes like MAYC and other NFTs, and the ability to activate with $MNTD for ongoing rewards. When you play on MINT, the same Season 1 XP feeds one leaderboard, but the pace varies by game type. Slots offer fast, high volume XP gains with thousands of options for quick spins. Originals like Plinko, Mines, and Blackjack provide a quieter, more focused experience where you can easily track your bets, results, and XP together. Live tables such as blackjack and roulette move slower but often come with higher XP multipliers. Check the Rewards tab to see current boosts, as they can change. Ultimately, XP earned through any game type shapes your Season 1 leaderboard rank. MintABear holders get extra perks: they receive $MNTD tokens that can level up their NFT, increasing its reward value. In short, how you earn XP might differ, but the leaderboard and rewards all revolve around that same Season 1 XP metric.

Mint a Bear for free now on Robinhood at and claim your spot before they’re gone. Each Bear brings exclusive benefits, including an $MNTD airdrop, a chance to win a Mystery Box with prizes like MAYC and other NFTs, and the ability to activate with $MNTD for ongoing rewards. When you play on MINT, the same Season 1 XP feeds one leaderboard, but the pace varies by game type. Slots offer fast, high volume XP gains with thousands of options for quick spins. Originals like Plinko, Mines, and Blackjack provide a quieter, more focused experience where you can easily track your bets, results, and XP together. Live tables such as blackjack and roulette move slower but often come with higher XP multipliers. Check the Rewards tab to see current boosts, as they can change. Ultimately, XP earned through any game type shapes your Season 1 leaderboard rank. MintABear holders get extra perks: they receive $MNTD tokens that can level up their NFT, increasing its reward value. In short, how you earn XP might differ, but the leaderboard and rewards all revolve around that same Season 1 XP metric.

Sayed Naymul Islam

16,838 views • 2 days ago

"You're going to lose business," my neighbor warned, staring at the baby in my arms like he was a mistake. I had flour on my hands and Danny pressed against my chest, warm and quiet. Orders were stacking up. The ovens were full. My cousin had just given birth—and just as quickly, she walked away. "They say I can't raise a child with Down syndrome," she told me. I didn't argue. I brought him home. The bakery kept running. I learned to knead dough with one hand and rock him with the other. I opened before sunrise, baked through the morning rush, and let him nap in a basket behind the register. Sometimes he giggled at the sound of the bell on the door. Sometimes he cried while I frosted cakes. We figured it out together. Some people stared. A few complained. But many stayed. They watched him grow up between sacks of flour and warm trays of bread. His first steps were on the tile floor near the ovens. His first words floated over the hum of mixers. He learned customers' names before he learned to read. He memorized recipes the way other kids memorized cartoons. The bakery wasn't just where he grew up. It was where he belonged. Fifty years later, my hands ache before the morning rush. I move slower now. I can't carry the business the way I once did. But Danny can. He runs the ovens. He greets every customer by name. He remembers who likes extra icing, who needs their bread sliced thin, who just lost a spouse and needs a kind word with their coffee. People walk in and ask, "Is Danny baking today?" And if he is, they smile. "If Danny's baking, I'll wait," they say. "He makes it better." They were wrong all those years ago. This bakery didn't survive despite Danny. It survived because of him. ♥️

"You're going to lose business," my neighbor warned, staring at the baby in my arms like he was a mistake. I had flour on my hands and Danny pressed against my chest, warm and quiet. Orders were stacking up. The ovens were full. My cousin had just given birth—and just as quickly, she walked away. "They say I can't raise a child with Down syndrome," she told me. I didn't argue. I brought him home. The bakery kept running. I learned to knead dough with one hand and rock him with the other. I opened before sunrise, baked through the morning rush, and let him nap in a basket behind the register. Sometimes he giggled at the sound of the bell on the door. Sometimes he cried while I frosted cakes. We figured it out together. Some people stared. A few complained. But many stayed. They watched him grow up between sacks of flour and warm trays of bread. His first steps were on the tile floor near the ovens. His first words floated over the hum of mixers. He learned customers' names before he learned to read. He memorized recipes the way other kids memorized cartoons. The bakery wasn't just where he grew up. It was where he belonged. Fifty years later, my hands ache before the morning rush. I move slower now. I can't carry the business the way I once did. But Danny can. He runs the ovens. He greets every customer by name. He remembers who likes extra icing, who needs their bread sliced thin, who just lost a spouse and needs a kind word with their coffee. People walk in and ask, "Is Danny baking today?" And if he is, they smile. "If Danny's baking, I'll wait," they say. "He makes it better." They were wrong all those years ago. This bakery didn't survive despite Danny. It survived because of him. ♥️

G-MA & G-PA

217,562 views • 7 months ago