Loading video...

Video Failed to Load

Go Home

MEET THE ANCIENT STONEWORK WE STILL CAN’T RECREATE Machu Picchu’s polygonal masonry isn’t just pretty, it’s earthquake-proof. Giant stones are cut so perfectly you can’t slip a credit card between them, with special “fuse stones” that break under pressure to save the wall. The blocks? Diorite, one of the...

MarioNawfal's profile picture

Mario Nawfal

3,667,299 subscribers

107,159 views • 1 year ago •via X (Twitter)

Science & TechnologyEducationArts
LIVE

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

More on this same corner of megalithic wall in Cuzco. There is a section just to the right of the corner blocks, where the stones have separated about an inch, revealing the amazing complex surfaces of both blocks, and how they fit each other perfectly. It is difficult to capture with a camera, but this short video shows it pretty well.
0:34

More on this same corner of megalithic wall in Cuzco. There is a section just to the right of the corner blocks, where the stones have separated about an inch, revealing the amazing complex surfaces of both blocks, and how they fit each other perfectly. It is difficult to capture with a camera, but this short video shows it pretty well.

Brothers of the Serpent Podcast

19,031 views • 1 year ago

I recorded this video at the Qorikancha, the Temple of the Sun, in the heart of Cusco, Peru, more than 11,000 feet above sea level. You are looking at large blocks of andesite, an exceptionally hard volcanic stone. Some of the masonry resembles giant LEGO pieces, incorporating complex male/female interlocking features that allowed neighbouring stones to physically interface with one another. What makes the construction even more remarkable is what isn’t there. There is no mortar, no cement, no conventional binding material holding these precision-formed blocks together. Instead, the stones were individually shaped so that adjoining surfaces met with remarkably tight tolerances. Across the ancient architectural landscape of Peru you will find walls where the joints between polygonal blocks are so fine that they appear as little more than hairline seams running between each stone. Whatever interpretation one places on the technology involved, the craftsmanship of the Qorikancha represents one of the most impressive surviving examples of precision stonework in the ancient Andes.
2:59

I recorded this video at the Qorikancha, the Temple of the Sun, in the heart of Cusco, Peru, more than 11,000 feet above sea level. You are looking at large blocks of andesite, an exceptionally hard volcanic stone. Some of the masonry resembles giant LEGO pieces, incorporating complex male/female interlocking features that allowed neighbouring stones to physically interface with one another. What makes the construction even more remarkable is what isn’t there. There is no mortar, no cement, no conventional binding material holding these precision-formed blocks together. Instead, the stones were individually shaped so that adjoining surfaces met with remarkably tight tolerances. Across the ancient architectural landscape of Peru you will find walls where the joints between polygonal blocks are so fine that they appear as little more than hairline seams running between each stone. Whatever interpretation one places on the technology involved, the craftsmanship of the Qorikancha represents one of the most impressive surviving examples of precision stonework in the ancient Andes.

Jay Anderson

99,720 views • 23 days ago

The Rolling Stones performing “The Last Time” on the Ed Sullivan Show. “The Last Time” was inspired by a 1955 gospel song called “This May Be The Last Time” by The Staple Singers. The Stones changed the song’s meaning, making it into a stern message to a girl. The Staples version had a more uplifting message and was much more spiritual. This decision angered many gospel fans who felt The Stones ripped it off since The Staple Singers never got any royalties from it. Since it is a traditional song (meaning no one owns the rights to it), many artists have recorded it, but The Stones was a very high-profile band that had success reworking songs by black artists into hits. Many people believe The Stones should have compensated The Staple Singers because it was based on their version of the song. In the 2003 book According to the Rolling Stones, Keith Richards wrote: “We didn’t find it difficult to write pop songs, but it was VERY difficult - and I think Mick will agree - to write one for the Stones. It seemed to us it took months and months and in the end we came up with The Last Time, which was basically re-adapting a traditional gospel song that the Staple Singers had sung, but luckily the song itself goes back into the mists of time. I think I was trying to learn it on the guitar just to get the chords, sitting there playing along with the record, no gigs, nothing else to do. At least we put our own stamp on it, as the Staple Singers had done, and as many other people have before and since: they’re still singing it in churches today. It gave us something to build on to create the first song that we felt we could decently present to the band to play... The Last Time was kind of a bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it. And once we had done that we were in the game. There was no mercy, because then we had to come up with the next one. We had entered a race without even knowing it.”
0:28

The Rolling Stones performing “The Last Time” on the Ed Sullivan Show. “The Last Time” was inspired by a 1955 gospel song called “This May Be The Last Time” by The Staple Singers. The Stones changed the song’s meaning, making it into a stern message to a girl. The Staples version had a more uplifting message and was much more spiritual. This decision angered many gospel fans who felt The Stones ripped it off since The Staple Singers never got any royalties from it. Since it is a traditional song (meaning no one owns the rights to it), many artists have recorded it, but The Stones was a very high-profile band that had success reworking songs by black artists into hits. Many people believe The Stones should have compensated The Staple Singers because it was based on their version of the song. In the 2003 book According to the Rolling Stones, Keith Richards wrote: “We didn’t find it difficult to write pop songs, but it was VERY difficult - and I think Mick will agree - to write one for the Stones. It seemed to us it took months and months and in the end we came up with The Last Time, which was basically re-adapting a traditional gospel song that the Staple Singers had sung, but luckily the song itself goes back into the mists of time. I think I was trying to learn it on the guitar just to get the chords, sitting there playing along with the record, no gigs, nothing else to do. At least we put our own stamp on it, as the Staple Singers had done, and as many other people have before and since: they’re still singing it in churches today. It gave us something to build on to create the first song that we felt we could decently present to the band to play... The Last Time was kind of a bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it. And once we had done that we were in the game. There was no mercy, because then we had to come up with the next one. We had entered a race without even knowing it.”

🎸 Rock History 🎸

51,454 views • 6 months ago

A lot of politicians and media are still confused about the term monoculture. They’ve tried to claim it means no one will have any takeaway to choose from, what nonsense. It’s pretty simple. We want everyone, no matter colour, ethnicity or background, to be united under one flag and travelling towards the one goal: of a fair and equal Australia. Have a listen to this 2GB segment on the monoculture.
5:24

A lot of politicians and media are still confused about the term monoculture. They’ve tried to claim it means no one will have any takeaway to choose from, what nonsense. It’s pretty simple. We want everyone, no matter colour, ethnicity or background, to be united under one flag and travelling towards the one goal: of a fair and equal Australia. Have a listen to this 2GB segment on the monoculture.

Pauline Hanson 🇦🇺

195,887 views • 3 months ago

🎙️ Sion James on roster changes: "In those sorts of situations, it's really just more about locking in together, banding together tighter and tighter. It's crazy, it's definitely a shock to the system anytime the guys you play with get traded or move on..." "We love those guys, still talk to them, but the reality is that we play on the court with the guys we have here. It just makes it even more important that we really value all the moments we're together and love each other even more." (📹
0:35

🎙️ Sion James on roster changes: "In those sorts of situations, it's really just more about locking in together, banding together tighter and tighter. It's crazy, it's definitely a shock to the system anytime the guys you play with get traded or move on..." "We love those guys, still talk to them, but the reality is that we play on the court with the guys we have here. It just makes it even more important that we really value all the moments we're together and love each other even more." (📹

r/CharlotteHornets

26,368 views • 3 months ago

LeBron compares himself to the Rolling Stones: “In sports, there's always conversations, like, 'When is he going to retire? He needs to retire. He's this age. He's that age.’ But, why? Why are we trying to force people that are still doing what they do at a high level, why are we trying to force a narrative of it's time to retire? You look at guys like Bruce Springsteen and some of the greatest musicians, The Rolling Stones, they've been on tour for 50, 60 years! And no one is telling them, 'Hey, don't come to our city and do a tour.' So, if we still our dedicating ourselves to the craft, if we are still giving to the sport, if we're not disrespecting the game and we're giving everything that we have to the sport and we're still driving revenue as well, why not? Why can't I still play it if I still love it? So, I'm just trying to squeeze as much of the juice out of it as possible.”
0:58

LeBron compares himself to the Rolling Stones: “In sports, there's always conversations, like, 'When is he going to retire? He needs to retire. He's this age. He's that age.’ But, why? Why are we trying to force people that are still doing what they do at a high level, why are we trying to force a narrative of it's time to retire? You look at guys like Bruce Springsteen and some of the greatest musicians, The Rolling Stones, they've been on tour for 50, 60 years! And no one is telling them, 'Hey, don't come to our city and do a tour.' So, if we still our dedicating ourselves to the craft, if we are still giving to the sport, if we're not disrespecting the game and we're giving everything that we have to the sport and we're still driving revenue as well, why not? Why can't I still play it if I still love it? So, I'm just trying to squeeze as much of the juice out of it as possible.”

Legion Hoops

372,077 views • 2 months ago

And you may find yourself… face to face with David Byrne, lead singer of Talking Heads. And you may find yourself, composing a caption to promote it on social media. And you may find yourself, wondering whether you are over-stretching your slightly lame concept for the caption. And you may tell yourself… My god, no it’s fine, no one reads these captions anyway. Letting the days go by… water flowing underground… Under the rocks and stones… Once in a podcast. You can find The Louis Theroux Podcast on Spotify!
1:30

And you may find yourself… face to face with David Byrne, lead singer of Talking Heads. And you may find yourself, composing a caption to promote it on social media. And you may find yourself, wondering whether you are over-stretching your slightly lame concept for the caption. And you may tell yourself… My god, no it’s fine, no one reads these captions anyway. Letting the days go by… water flowing underground… Under the rocks and stones… Once in a podcast. You can find The Louis Theroux Podcast on Spotify!

Louis Theroux

149,426 views • 11 months ago

Still can’t believe these little kittens were abandoned on our road… 😢 This happened a while back, but it still sticks with us. We came across 5 little abandoned kittens on the road we live on, and our hearts just sank. They were so tiny. We’re just really grateful we found them when we did.
1:00

Still can’t believe these little kittens were abandoned on our road… 😢 This happened a while back, but it still sticks with us. We came across 5 little abandoned kittens on the road we live on, and our hearts just sank. They were so tiny. We’re just really grateful we found them when we did.

We don't deserve cats 😺

39,647 views • 5 months ago

The question Ashton Forbes is working through is one that connects modern physics to one of the oldest unsolved problems in archaeology - how did ancient civilizations move stones of extraordinary mass with no evidence of the mechanical infrastructure that would make it possible today. The proposition he is exploring is that sound may be the answer. If physical reality is fundamentally wave-based, then sound - itself a wave phenomenon - could theoretically produce effects that resemble gravitational influence under the right conditions of frequency and resonance. The observation that stays with Randall is a simple and domestic one. An electric shaver set down on a countertop while still running began to move on its own - vibration translating directly into physical displacement across a flat surface. He noted it at the time and filed it away. Could vibrations move objects? Under the right circumstances, the answer appeared to be yes. Randall connects that observation to his broader research into resonance physics and ancient construction - arguing that a civilization without modern material manufacturing could still have identified and applied the principles of acoustic resonance to achieve effects that brute force and conventional tooling cannot replicate. The technology would have left no physical trace. Only the results would remain - and those results, Randall suggests, are exactly what we are still staring at in disbelief at sites around the world.
0:58

The question Ashton Forbes is working through is one that connects modern physics to one of the oldest unsolved problems in archaeology - how did ancient civilizations move stones of extraordinary mass with no evidence of the mechanical infrastructure that would make it possible today. The proposition he is exploring is that sound may be the answer. If physical reality is fundamentally wave-based, then sound - itself a wave phenomenon - could theoretically produce effects that resemble gravitational influence under the right conditions of frequency and resonance. The observation that stays with Randall is a simple and domestic one. An electric shaver set down on a countertop while still running began to move on its own - vibration translating directly into physical displacement across a flat surface. He noted it at the time and filed it away. Could vibrations move objects? Under the right circumstances, the answer appeared to be yes. Randall connects that observation to his broader research into resonance physics and ancient construction - arguing that a civilization without modern material manufacturing could still have identified and applied the principles of acoustic resonance to achieve effects that brute force and conventional tooling cannot replicate. The technology would have left no physical trace. Only the results would remain - and those results, Randall suggests, are exactly what we are still staring at in disbelief at sites around the world.

Randall Carlson

24,461 views • 6 months ago

😳 They Moved a 300-Ton Stone Without Machines… and It’s Still Standing After 3,500 Years Deep in the heart of ancient Egypt stands a place so enormous and mysterious that even modern visitors struggle to believe it was built thousands of years ago. This is the legendary Karnak Temple — one of the largest religious temple complexes ever created on Earth. For over 2,000 years, generation after generation of pharaohs kept expanding Karnak, filling it with gigantic columns, sacred lakes, hidden chambers, towering statues, and massive stone monuments dedicated to the gods. Walking through it today feels less like visiting ruins… and more like entering another world frozen in time. But among all its wonders, one monument leaves people completely speechless. Hidden inside the temple stands the incredible Obelisk of Pharaoh Thutmose I — a giant stone carved more than 3,500 years ago that still seems almost impossible. Cut from a SINGLE piece of red granite, this enormous obelisk rises nearly 72 feet into the sky and weighs more than 300 tons. No steel cranes. No trucks. No modern machines. Just ancient human hands. And that is where the mystery begins. How did workers carve such a perfect monument from solid stone? How did they transport something this massive across long distances in the brutal Egyptian heat? And even more unbelievable… how did they raise it perfectly upright with astonishing precision? Even today, experts still debate the exact methods used. Imagine standing in Karnak thousands of years ago as the sunlight struck the polished granite, making the obelisk glow like fire during sacred ceremonies. To the ancient Egyptians, obelisks were not just decorations. They were symbols of divine power — giant stone connections between the heavens and Earth itself. The surface is still covered with ancient inscriptions whispering stories from a civilization long gone. Empires have risen and collapsed. Wars have destroyed kingdoms. Entire civilizations disappeared into dust. Yet this giant stone still stands. That is what makes Karnak so hauntingly fascinating. These ruins are not simply old stones abandoned in the desert. They are proof that ancient civilizations possessed knowledge, engineering, and determination far beyond what many people imagine. And standing beneath this towering obelisk today, one question still echoes through the minds of visitors from around the world: What else did the ancient Egyptians know… that we have forgotten? 👁️
0:29

😳 They Moved a 300-Ton Stone Without Machines… and It’s Still Standing After 3,500 Years Deep in the heart of ancient Egypt stands a place so enormous and mysterious that even modern visitors struggle to believe it was built thousands of years ago. This is the legendary Karnak Temple — one of the largest religious temple complexes ever created on Earth. For over 2,000 years, generation after generation of pharaohs kept expanding Karnak, filling it with gigantic columns, sacred lakes, hidden chambers, towering statues, and massive stone monuments dedicated to the gods. Walking through it today feels less like visiting ruins… and more like entering another world frozen in time. But among all its wonders, one monument leaves people completely speechless. Hidden inside the temple stands the incredible Obelisk of Pharaoh Thutmose I — a giant stone carved more than 3,500 years ago that still seems almost impossible. Cut from a SINGLE piece of red granite, this enormous obelisk rises nearly 72 feet into the sky and weighs more than 300 tons. No steel cranes. No trucks. No modern machines. Just ancient human hands. And that is where the mystery begins. How did workers carve such a perfect monument from solid stone? How did they transport something this massive across long distances in the brutal Egyptian heat? And even more unbelievable… how did they raise it perfectly upright with astonishing precision? Even today, experts still debate the exact methods used. Imagine standing in Karnak thousands of years ago as the sunlight struck the polished granite, making the obelisk glow like fire during sacred ceremonies. To the ancient Egyptians, obelisks were not just decorations. They were symbols of divine power — giant stone connections between the heavens and Earth itself. The surface is still covered with ancient inscriptions whispering stories from a civilization long gone. Empires have risen and collapsed. Wars have destroyed kingdoms. Entire civilizations disappeared into dust. Yet this giant stone still stands. That is what makes Karnak so hauntingly fascinating. These ruins are not simply old stones abandoned in the desert. They are proof that ancient civilizations possessed knowledge, engineering, and determination far beyond what many people imagine. And standing beneath this towering obelisk today, one question still echoes through the minds of visitors from around the world: What else did the ancient Egyptians know… that we have forgotten? 👁️

Unearthed 🏺

11,672 views • 4 months ago

For decades you guys we been dealing with this! Y’all so scared to lose your Guns! Seriously that’s the real reason we can’t fix this. Talk to people who own a gun and see. That is the fear not that their kid could die or their love ones can die not that. Losing their right to carry a gun is the bigger fear! WHAT THE ACTUAL FUCK IS WRONG WITH US!! It seems to me we still in the “they can’t do that or that can’t happen” phase BUT IT IS HAPPENING WAKE UP! You will have to explain to the next generation why it’s so fucked up now. We can be the ones to change this. But we are PUSSYS! We are so scared of change that we don’t realize that change don’t give a fuck about our fear. It’s gonna happen with or without you. But we have the chance now to work with change to make it better. If not get ready for the fuckedupness(yea I made a word) that’s about to occur! Not one of you, NOT ONE OF US, can say “how did this happen” we know we let it happen! GET OUT OF YOUR OWN SHIT AND PARTICIPATE YOU LIVE HERE TOOO!! UGHHHHH! #sosickofus
3:41

For decades you guys we been dealing with this! Y’all so scared to lose your Guns! Seriously that’s the real reason we can’t fix this. Talk to people who own a gun and see. That is the fear not that their kid could die or their love ones can die not that. Losing their right to carry a gun is the bigger fear! WHAT THE ACTUAL FUCK IS WRONG WITH US!! It seems to me we still in the “they can’t do that or that can’t happen” phase BUT IT IS HAPPENING WAKE UP! You will have to explain to the next generation why it’s so fucked up now. We can be the ones to change this. But we are PUSSYS! We are so scared of change that we don’t realize that change don’t give a fuck about our fear. It’s gonna happen with or without you. But we have the chance now to work with change to make it better. If not get ready for the fuckedupness(yea I made a word) that’s about to occur! Not one of you, NOT ONE OF US, can say “how did this happen” we know we let it happen! GET OUT OF YOUR OWN SHIT AND PARTICIPATE YOU LIVE HERE TOOO!! UGHHHHH! #sosickofus

Leslie Jones 🦋

217,765 views • 2 years ago

It is officially just over 1 WEEK to the Unsubscribe Live Tour! Who’s coming?! And which shows? San Antonio & Orlando - we’re coming to you first! Then it’s on to Des Moines & Chicago! We still have a limited number of tickets left for these first shows so come hang out and have a great time with the best community (drink) We can’t wait to meet you!
0:28

It is officially just over 1 WEEK to the Unsubscribe Live Tour! Who’s coming?! And which shows? San Antonio & Orlando - we’re coming to you first! Then it’s on to Des Moines & Chicago! We still have a limited number of tickets left for these first shows so come hang out and have a great time with the best community (drink) We can’t wait to meet you!

UnsubscribePodcast

66,668 views • 1 year ago

Mikel Arteta on how he handles transfer speculation with his players: "Very simple. Whatever you read, if you have a question, come and knock on my door and I will tell you whether it is true or not. If we put now the catalogue on all these walls about all the players that we wanted in the last three months, I think we need the whole building to put it on. So I think they know that there's so much speculation with a lot of players. "If ever they feel the doubt of what we think of them and if we're going to recruit a player, I tell them straight away. Normally I do it - so, 'we're going to sign somebody in their position', and normally tell them that these are the plans and these are the reasons why we have the plans. 'We still believe the same in you, but the competition is going to increase.' I prefer to do it that way."
0:49

Mikel Arteta on how he handles transfer speculation with his players: "Very simple. Whatever you read, if you have a question, come and knock on my door and I will tell you whether it is true or not. If we put now the catalogue on all these walls about all the players that we wanted in the last three months, I think we need the whole building to put it on. So I think they know that there's so much speculation with a lot of players. "If ever they feel the doubt of what we think of them and if we're going to recruit a player, I tell them straight away. Normally I do it - so, 'we're going to sign somebody in their position', and normally tell them that these are the plans and these are the reasons why we have the plans. 'We still believe the same in you, but the competition is going to increase.' I prefer to do it that way."

Connor Humm

179,646 views • 1 month ago

“We were defrauded out of money that we did not take out, and then are expected to pay incredible amount of interest on top of that.” These people have no clue how a loan works so they expect you, the taxpayer, to pay it back for them. This is ridiculously stupid even for them.
1:05

“We were defrauded out of money that we did not take out, and then are expected to pay incredible amount of interest on top of that.” These people have no clue how a loan works so they expect you, the taxpayer, to pay it back for them. This is ridiculously stupid even for them.

One Bad Dude

359,070 views • 9 months ago

Cheryl Reeve on the physicality the Dream and Valkyries played with “We have to toughen up, and we have to exploit the physicality, we aren’t exploiting it. We are being guarded in a way that should be illegal, but we are not putting the referees in a position that they see it. So you can’t fade away, you have to have a power, way about you right? You got to go with force wherever you are going. If you’re able to do that, you’re able to play against physicality and have success. So these two games were good for us for sure.”
0:34

Cheryl Reeve on the physicality the Dream and Valkyries played with “We have to toughen up, and we have to exploit the physicality, we aren’t exploiting it. We are being guarded in a way that should be illegal, but we are not putting the referees in a position that they see it. So you can’t fade away, you have to have a power, way about you right? You got to go with force wherever you are going. If you’re able to do that, you’re able to play against physicality and have success. So these two games were good for us for sure.”

Andrew Dukowitz

411,169 views • 1 month ago

If flat earthers are so stupid and the idea of living on a flat earth is so absurd and archaic, why did CNN think it necessary to do a hit piece on #flatearth, calling them “NAZIS” and “FRINGE OF THE FRINGE” cult members? And why does YouTube put that video at the top of a flat earth search? It’s a pretty safe bet that if CNN is using that kind of language to describe individuals who simply believe that we live on a flat, motionless plane, then there is definitely truth in the message that the “fringe of the fringe” are sharing with people. They are nothing but clowns. 🤡
2:11

If flat earthers are so stupid and the idea of living on a flat earth is so absurd and archaic, why did CNN think it necessary to do a hit piece on #flatearth, calling them “NAZIS” and “FRINGE OF THE FRINGE” cult members? And why does YouTube put that video at the top of a flat earth search? It’s a pretty safe bet that if CNN is using that kind of language to describe individuals who simply believe that we live on a flat, motionless plane, then there is definitely truth in the message that the “fringe of the fringe” are sharing with people. They are nothing but clowns. 🤡

Flat Earth Zone

65,123 views • 3 years ago

🚨 PEOPLE ARE FREAKING OUT AFTER LEARNING HOW TO “BREAK THE MATRIX” WITH A PENNY A simple TikTok claim is melting brains right now: stick a penny to the wall, fully believe it will stay… and it does. One skeptical Gen Xer tried it expecting pure nonsense. The penny stuck. Then the dime. Then quarters, nickels, a guitar pick, a spoon, even a poker chip. No rubbing, no moisture, no tricks... just place it and believe. That original penny stays hanging on the wall for over an hour. Gravity, the one thing most people thought they could still count on, suddenly feels optional. People are half-joking that if Morpheus shows up at the door they’re taking the red pill immediately. Is this just static and coincidence… or did the internet just teach millions of people how to glitch the simulation?
1:43

🚨 PEOPLE ARE FREAKING OUT AFTER LEARNING HOW TO “BREAK THE MATRIX” WITH A PENNY A simple TikTok claim is melting brains right now: stick a penny to the wall, fully believe it will stay… and it does. One skeptical Gen Xer tried it expecting pure nonsense. The penny stuck. Then the dime. Then quarters, nickels, a guitar pick, a spoon, even a poker chip. No rubbing, no moisture, no tricks... just place it and believe. That original penny stays hanging on the wall for over an hour. Gravity, the one thing most people thought they could still count on, suddenly feels optional. People are half-joking that if Morpheus shows up at the door they’re taking the red pill immediately. Is this just static and coincidence… or did the internet just teach millions of people how to glitch the simulation?

HustleBitch

714,133 views • 1 month ago