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Michael Jordan admits to Steph Curry that while he isn't actually "scared" of anyone.👀😨 "I'm not scared of anybody I mean but uh Ian Poulter... if I'm at any of his matches or walking down he finds me after he makes a good putt and it's like man I...

756,112 views • 21 days ago •via X (Twitter)

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Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

42,262 views • 25 days ago

ZELENSKYY ON HIS CONVERSATION WITH ABRAMOVICH: Ceasefire is the biggest compromise from our side to your side. ZELENSKYY: Abramovich, so he came to Kyiv,bI think that he said: "I have message direct to you, and I want to get message, and take message from you, and to give it to Putin." But he said that it has to be silently, without any kind of, public messages. I said, "Look, it's your choice. Okay, for us it doesn't matter, public or un-public." But it's always with Russians such way. If they say something has to be between us, it's mean that tomorrow not only we will know about it. But it's not a secret. He came, and he wanted to give me the message that they want to to understand what we are ready to do. I said: "The question is not about us. You are fighting against us on our territory." And I said to him about Donbas, it was the key message. And I said: "No, we will not leave, and we will not go out from our territory. No, we will not give you a victory such way. And you will not get it." And we spoke about any kind of compromises. I said that all the compromises after ceasefire. Ceasefire is the biggest compromise from our side to your side. JOURNALIST: So is he a go-between now? Between you and Vladimir Putin, he's going back and forth? ZELENSKYY: I don't know. When he got message from me, he said he will go directly to Putin. I said: "Okay, I'm ready to meet, not in Moscow, not in Belarus, and not in Minsk," and it's understandable why. I said, "You can choose any time from tomorrow. You can choose any day, any format. We can choose with President Trump. I'm sure that he will be ready to come, and we can do it with Europeans. I'm sure that everybody want to help, or we can choose the way bilateral, just bilateral meeting."

Kateryna Lisunova

25,494 views • 1 month ago

MJF responds to Bret Hart's "who?" comments during our interview, says everything is Goldberg's fault. "Look, the guy had a seizure. He got kicked in the fucking head. He's old as fuck. Do I think it's Bill Goldberg's fault? Everything's Bill Goldberg's fault. Now, what I can tell you is a real story. Which makes it all the more funny that he said it, too. Now granted, Bret, much like me, is a troll. Do I think he actually doesn't know who I am? Of course he fucking knows who I am. But one of my favorite things about that day is after I absolutely roasted him and ripped him a new asshole, he goes walking up the stage to get to the back. He fell because of Bill Goldberg, not because of Bret, because of Bill. Then I then try to search and find him to make sure he's okay. I do. I say, ‘Are you okay, sir?’ and he looks at me and he goes, ‘Your promo.’ I go, ‘Yeah?’ He goes, ‘You're real good.’ I go, ‘Yeah,’ and he goes, ‘You remind me of a guy I really fucking hated back in the day. I think anyone that's watching this could put two and two together. I'll give you a hint, it's not Bill Goldberg. But yeah, do I blame him for it? No, he's just fucking trolling, dude." MJF went on to disagree with Bret Hart's negative comments about Sheamus' punches. "Look, if anyone who knows me and my Twitter knows that me and Sheamus actually had a tête-à-tête. Now, did I fucking also verbally assassinate him? Yes, that's what I do. But I'm not gonna sit here and pretend that Sheamus doesn't have great punches. That's what he's known for."

Sean Ross Sapp of Fightful.com

251,004 views • 7 months ago

“one of us” director stefan van de graaff describes kit connor’s talent, humility, and grounded personality: zach randles-friedman: “is there anything that surprised you about kit connor, that whenever you were working with him that you were just like you hadn't, you didn't expect that?” stefan van de graaff: “yeah, this is insane. when we cast kit, it was a week and a half before we filmed, and the film is very dialogue heavy and it's written in free verse, so everything is, it's almost like pseudo kind of faux shakespearean, very performative language by design. and he stepped into this role where he's basically in every single scene and he's basically talking the entire movie.” zach: “yeah.” stefan: “he, i don't recall him missing a line.” zach: “wow.” stefan: “i don't know how he did it. i was just telling people at a, at a screener, a private screener the other night, it was like a superhuman, it was like witnessing a miracle. i don't know how he did it. he would go and he would memorize the next five pages of material the night before and he would come and he wouldn't miss a line. and that's just like, it's not normal, especially not normal for a, a script like this. so that was one thing is that he is insanely gifted. it's not just like he's one of those guys that gets, you know, yes, he's like incredibly handsome and charismatic and all those things, and there's a lot of those that kind of crawl through the ranks on, you know, on the merit of being beautiful. he is not that—or he's also that, let's say. he is also just incredibly talented in a way that i'm like, i, i, i don't know how you did that. he's also a lot taller than you might think.” zach: “how tall is he?” stefan: “he's over six feet.” zach: “oh, i did not, i thought he was like 5’8.” stefan: “no, no, no, he's, he's 6 foot, 6’1 probably. i'm 6’2 and he's, he's, he's not a small guy.” zach: “wow, that does surprise me actually, because he looks so short on tv.” stefan: “yeah, you watch heartstopper and he looks like, i think he just looks small and whatever. he's not, he's and, and then obviously he's gotten very, he's lifted a lot for a number of roles and stuff, and so like, he's big, like he's, he's a, yeah. he's a big guy and is also just incredibly, he is also real people. he is just like, you'll, he has no pretentiousness about him, just humble as can be. he's from like a small kind of borough of london. and he's just, he's just a remarkable person, really calm, really just like even-keeled, steady guy. i don't, i don't think that there's a person who, if they met him, that they couldn't like kit. i think that he's, he's just one of those types of people that you're just like, that's, that's a great person.” zach: “i love it that he's not, i love it that the fame didn't go to his head because i, there's a couple of people that just made it really big and one of them, i think it, i see them how they're acting now with like paparazzi and stuff, and i think that the fame has gone to their head, the way that they're acting now, and it's, it makes me kind of sad.” stefan: “i don't think that will ever happen with kit because i think that he will hide himself before that starts to happen. like he would sooner disappear and like act in one movie every couple of years and you're like, “where did that guy go?” than he would ever start to let that go—i would be shocked if he ever went that way, from what i know of him.” zach: “well he's been out, he's been there long enough, though if that was going to happen, i think it would have happened already too, because he's famous enough.” stefan: “absolutely.” zach: “yeah.” stefan: “and he's so young that it's like, my brain like wasn't fully formed at his age, and so for him to be behaving the way that he is as young as he is, i'm like, ok, well, it, in 10 years from now, you're not going to be any more susceptible to giving into the ego than he is today. so i think that he is like, yeah, he's a, he's a sure bet if, if, if you're gambling on what actor is going to be around for a long time and is going to have just like a really prolific career of incredible pieces of work, i—and i feel like i can say this because it was no genius on my part or anything that got him, we got really lucky to get him—and so i feel like i can comfortably say like almost as like a, as a fly on the wall in the room with him, just being very fortunate to work with him, that like he's, he's going to go really, really far and he deserves every little bit of success.” 🔗:

kit connor updates

26,996 views • 2 months ago