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MJF responds to Bret Hart's "who?" comments during our interview, says everything is Goldberg's fault. "Look, the guy had a seizure. He got kicked in the fucking head. He's old as fuck. Do I think it's Bill Goldberg's fault? Everything's Bill Goldberg's fault. Now, what I can tell you...

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Sean Ross Sapp of Fightful.com

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251,004 görüntüleme • 8 ay önce •via X (Twitter)

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When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune
0:28

When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune

Gangster Cinema Central

1,053,344 görüntüleme • 3 ay önce

Brett Goldstein reveals he almost turned down a dinner invite from Harrison Ford before casting him in Shrinking. "We were like, obviously we can’t get Harrison Ford. But someone like him would be great. Whereas Jason Segel, I actually don’t think there was an alternative. We had no backup plan." "But we sent the script to Ford's agent. His agent read it and liked it, and then sent it to him, and then he wanted to do it. It was fucking mad" "Ford called me, he said, 'Do you want to meet for dinner on Saturday?' But I had a stand-up gig, and I was like, 'I can't, I've got a gig.' Bill was like, 'Are you fucking mad? You cancel the gig, it's Harrison Ford.' I was like, 'I can't, 40 people have bought tickets.'" "I go to his apartment, he answers the door, and he looks like Indiana Jones. And he goes, 'Best script I’ve ever read.' And I go, 'Shrinking?'... I think he must be confused; he thinks I'm someone else." "I go, 'Do you want to be in it?' and he goes, 'Yeah.' I go, 'Is that business done?' and he goes, 'Looks like it.' And he went, 'Let's eat.'" "He's 80, and he's doing a new challenge. He's fucking funny, but he's never been considered a comedian. I realized this is exciting for him."
3:30

Brett Goldstein reveals he almost turned down a dinner invite from Harrison Ford before casting him in Shrinking. "We were like, obviously we can’t get Harrison Ford. But someone like him would be great. Whereas Jason Segel, I actually don’t think there was an alternative. We had no backup plan." "But we sent the script to Ford's agent. His agent read it and liked it, and then sent it to him, and then he wanted to do it. It was fucking mad" "Ford called me, he said, 'Do you want to meet for dinner on Saturday?' But I had a stand-up gig, and I was like, 'I can't, I've got a gig.' Bill was like, 'Are you fucking mad? You cancel the gig, it's Harrison Ford.' I was like, 'I can't, 40 people have bought tickets.'" "I go to his apartment, he answers the door, and he looks like Indiana Jones. And he goes, 'Best script I’ve ever read.' And I go, 'Shrinking?'... I think he must be confused; he thinks I'm someone else." "I go, 'Do you want to be in it?' and he goes, 'Yeah.' I go, 'Is that business done?' and he goes, 'Looks like it.' And he went, 'Let's eat.'" "He's 80, and he's doing a new challenge. He's fucking funny, but he's never been considered a comedian. I realized this is exciting for him."

Fibonacci 🥷

428,326 görüntüleme • 1 ay önce

Grandson comes over, we’re babysitting tonight. Nine year old Grandson says I’ve got 444 followers on Tik Tok in two months & shows me, I said WOW that’s fantastic. I said you going to be like Grand Dad, I said I’ve got followers also. He asks me what am I into? I said politics. He asks me do I know this Guy called Albanese? I said yeah! He asks me what do I think of him. I responded more importantly, what do you think of him? He responds with I hate him. I said why is that? He said because he banned me but. Got back on, I fucking hate him. I said, I don’t like him either. Then he goes for the kill and asks if I want to see all the videos he’s got of him. I said sure as long as I can video it to share with my followers. See below 🤣😆😆😂😂
0:52

Grandson comes over, we’re babysitting tonight. Nine year old Grandson says I’ve got 444 followers on Tik Tok in two months & shows me, I said WOW that’s fantastic. I said you going to be like Grand Dad, I said I’ve got followers also. He asks me what am I into? I said politics. He asks me do I know this Guy called Albanese? I said yeah! He asks me what do I think of him. I responded more importantly, what do you think of him? He responds with I hate him. I said why is that? He said because he banned me but. Got back on, I fucking hate him. I said, I don’t like him either. Then he goes for the kill and asks if I want to see all the videos he’s got of him. I said sure as long as I can video it to share with my followers. See below 🤣😆😆😂😂

LT Aust 🌸

44,633 görüntüleme • 6 ay önce

Sturm on Steeves who has 5 goals in the last 5 games: "I brought him up from the minors and I put him in more like a checking role and a fourth liner, and now look at him. So, good for him and again, he's a guy I trust. We'll see, it's tough to get him out of the lineup, I can tell you that." "He's very professional, even when he didn't like to go down. I remember he said, 'I will be back and I'm going to do everything I can to show you,' and that's what I like. And the way he said it, I believed it."
1:57

Sturm on Steeves who has 5 goals in the last 5 games: "I brought him up from the minors and I put him in more like a checking role and a fourth liner, and now look at him. So, good for him and again, he's a guy I trust. We'll see, it's tough to get him out of the lineup, I can tell you that." "He's very professional, even when he didn't like to go down. I remember he said, 'I will be back and I'm going to do everything I can to show you,' and that's what I like. And the way he said it, I believed it."

Bridgette Proulx

81,903 görüntüleme • 9 ay önce

🚨Naval Ravikant on Elon Musk: "Elon is the real deal. There's a story I read about him that affected me. Bill Gates had just taken out a big short on Tesla and Elon said 'Why would you do that?' Bill said he spoke to his financial advisors and they said it made sense. Elon said 'What do you need money for? I thought you cared about climate, etc. What are you doing?' and then he walked away in disgust and never talked to Bill Gates after that. Elon's a purist, he means what he says. The money is a tool for him to do what he wants to do. I take him at face value. I really believe he intends to get to Mars, that's not a joke. And he means to get there within a defined window of time. I don't think that's an inspirational goal, I think he'll do whatever it takes. Elon doesn't want to go down in history as the electric car guy, or the 'I saved America' guy, he wants to go down as the guy who got humanity to the stars. I don't even think he even wants to be known as that, I think he actually just wants to do it because he wants to do it. The only way he gets to experience the science fiction world in his head is if he gets to the stars. I think the Government was just a thing that got in his way, and he needs to get it out of his way so he can go to the stars."
2:58

🚨Naval Ravikant on Elon Musk: "Elon is the real deal. There's a story I read about him that affected me. Bill Gates had just taken out a big short on Tesla and Elon said 'Why would you do that?' Bill said he spoke to his financial advisors and they said it made sense. Elon said 'What do you need money for? I thought you cared about climate, etc. What are you doing?' and then he walked away in disgust and never talked to Bill Gates after that. Elon's a purist, he means what he says. The money is a tool for him to do what he wants to do. I take him at face value. I really believe he intends to get to Mars, that's not a joke. And he means to get there within a defined window of time. I don't think that's an inspirational goal, I think he'll do whatever it takes. Elon doesn't want to go down in history as the electric car guy, or the 'I saved America' guy, he wants to go down as the guy who got humanity to the stars. I don't even think he even wants to be known as that, I think he actually just wants to do it because he wants to do it. The only way he gets to experience the science fiction world in his head is if he gets to the stars. I think the Government was just a thing that got in his way, and he needs to get it out of his way so he can go to the stars."

Autism Capital 🧩

1,205,043 görüntüleme • 1 yıl önce

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”
2:31

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

42,262 görüntüleme • 2 ay önce

Sam Altman on Elon Musk 🔊 “This is tremendously sad.. I grew up with Elon as like a mega hero. I thought what Elon was doing was absolutely incredible for the world. And I'm still, of course, I mean I HAVE DIFFERENT FEELINGS ABOUT HIM NOW, but I'm still glad he exists… And not just because, no I mean that genuinely, not just because I think his like companies are awesome, which I do think, but because… I think he like at a time when most of the world was not thinking very ambitiously, he pushed a lot of people, me included, to think much more ambitiously. And…….. I'm grateful is like the wrong kind of word,…but I'm like thankful. I'm positive about that. You know, we started OpenAI together and then at some point he like totally lost faith in OpenAI and decided to go his own way. And that's fine too, but I think of Elon as a builder and someone who like, you know….. known thing about Elon, he really cares about being the guy. But I think of him as someone that if he is not, that just competes in the market and in technology and whatever else and doesn't resort to lawfare and, you know, whatever the stated complaint is, what I believe is he's just like, he's a competitor and we're doing well. And that's sad to see.”
1:40

Sam Altman on Elon Musk 🔊 “This is tremendously sad.. I grew up with Elon as like a mega hero. I thought what Elon was doing was absolutely incredible for the world. And I'm still, of course, I mean I HAVE DIFFERENT FEELINGS ABOUT HIM NOW, but I'm still glad he exists… And not just because, no I mean that genuinely, not just because I think his like companies are awesome, which I do think, but because… I think he like at a time when most of the world was not thinking very ambitiously, he pushed a lot of people, me included, to think much more ambitiously. And…….. I'm grateful is like the wrong kind of word,…but I'm like thankful. I'm positive about that. You know, we started OpenAI together and then at some point he like totally lost faith in OpenAI and decided to go his own way. And that's fine too, but I think of Elon as a builder and someone who like, you know….. known thing about Elon, he really cares about being the guy. But I think of him as someone that if he is not, that just competes in the market and in technology and whatever else and doesn't resort to lawfare and, you know, whatever the stated complaint is, what I believe is he's just like, he's a competitor and we're doing well. And that's sad to see.”

NIK

388,967 görüntüleme • 1 yıl önce

Tom Hiddleston says he lies to people's faces about his identity and pretends to be a stranger who look like him "Sometimes I try. This is ridiculous, but sometimes I try...I'm at the gas station. I'm filling up the car and it's late, and the context is entirely normal" "I'll go and pay, get a snack and a bottle of water and the guy behind the counter will go 'Has anyone ever told you that you look just like Tom Hiddleston?' And I try and go yeah I get that all the time you're not the first person to say this." "and he goes "Am I not the first person to say that? Yeah People do say that and then eventually they're like but ARE you? And I go but no. But people say I do and it's a ridiculous game"
1:05

Tom Hiddleston says he lies to people's faces about his identity and pretends to be a stranger who look like him "Sometimes I try. This is ridiculous, but sometimes I try...I'm at the gas station. I'm filling up the car and it's late, and the context is entirely normal" "I'll go and pay, get a snack and a bottle of water and the guy behind the counter will go 'Has anyone ever told you that you look just like Tom Hiddleston?' And I try and go yeah I get that all the time you're not the first person to say this." "and he goes "Am I not the first person to say that? Yeah People do say that and then eventually they're like but ARE you? And I go but no. But people say I do and it's a ridiculous game"

CreativeDude

52,804 görüntüleme • 11 gün önce

🚨 Full Remarks of President Trump on Elon Musk today: "I can't speak more highly about any individual. He's an incredible guy. He's a brilliant guy. He's a wonderful person. I've seen him with his family. I've seen him with a lot of his children. He's got a lot of children. He treats him good. He's He loves His children, but he's a brilliant guy, and he was a tremendous help, both in the campaign and in what he's done with DOGE. And you know what we're talking about, almost $200 million and rising fast, because many of the things that we were looking at are now being found out to be fact. It's terrible. I mean, the fraud, the waste, the abuse, the everything that's happened is just terrible. So I also know that he was treated very unfairly by the I guess he called the public, by some of the public, not by all of it. He makes an incredible car makes everything he does is good, but they took it out on Tesla, and I just thought it was so unfair, because he's trying to help the country, but he has helped the country. I also want him to make sure that he's going to be in great shape, and I know he is. I mean, he's going to be, he's going to do great he loves the country. He didn't need to do this. He did it, and I told him, I said, you know, whenever you're ready, I'd like to keep him for a long time, but whenever you're ready, he's an exceptional that when you see those rockets go up and come back and land in the same gantry, nobody else can do that, but this man. So he's just an incredible person, and he's a friend of mine, and he's a nice person too. He's a very nice person. He really helped the country. Saved us a lot of money. And I heard him say that he'll start easing which is always, he was always, at this time, going to ease out. And when he goes back to Tesla that will be taken care of, it was just, it's artificial. These were sick people that thought they were doing something. He really, he's a great patriot, and he should, really, it should be, it shouldn't be the way that should never have happened to him. And I will tell you right now, he makes a great product. He makes a great product. It's a great car. It's great everything. Starlink is great. What he does is good. He's doing medical things that are amazing. And we have to, at some point, let him go and do that."
2:31

🚨 Full Remarks of President Trump on Elon Musk today: "I can't speak more highly about any individual. He's an incredible guy. He's a brilliant guy. He's a wonderful person. I've seen him with his family. I've seen him with a lot of his children. He's got a lot of children. He treats him good. He's He loves His children, but he's a brilliant guy, and he was a tremendous help, both in the campaign and in what he's done with DOGE. And you know what we're talking about, almost $200 million and rising fast, because many of the things that we were looking at are now being found out to be fact. It's terrible. I mean, the fraud, the waste, the abuse, the everything that's happened is just terrible. So I also know that he was treated very unfairly by the I guess he called the public, by some of the public, not by all of it. He makes an incredible car makes everything he does is good, but they took it out on Tesla, and I just thought it was so unfair, because he's trying to help the country, but he has helped the country. I also want him to make sure that he's going to be in great shape, and I know he is. I mean, he's going to be, he's going to do great he loves the country. He didn't need to do this. He did it, and I told him, I said, you know, whenever you're ready, I'd like to keep him for a long time, but whenever you're ready, he's an exceptional that when you see those rockets go up and come back and land in the same gantry, nobody else can do that, but this man. So he's just an incredible person, and he's a friend of mine, and he's a nice person too. He's a very nice person. He really helped the country. Saved us a lot of money. And I heard him say that he'll start easing which is always, he was always, at this time, going to ease out. And when he goes back to Tesla that will be taken care of, it was just, it's artificial. These were sick people that thought they were doing something. He really, he's a great patriot, and he should, really, it should be, it shouldn't be the way that should never have happened to him. And I will tell you right now, he makes a great product. He makes a great product. It's a great car. It's great everything. Starlink is great. What he does is good. He's doing medical things that are amazing. And we have to, at some point, let him go and do that."

DogeDesigner

1,128,626 görüntüleme • 1 yıl önce

“one of us” director stefan van de graaff describes kit connor’s talent, humility, and grounded personality: zach randles-friedman: “is there anything that surprised you about kit connor, that whenever you were working with him that you were just like you hadn't, you didn't expect that?” stefan van de graaff: “yeah, this is insane. when we cast kit, it was a week and a half before we filmed, and the film is very dialogue heavy and it's written in free verse, so everything is, it's almost like pseudo kind of faux shakespearean, very performative language by design. and he stepped into this role where he's basically in every single scene and he's basically talking the entire movie.” zach: “yeah.” stefan: “he, i don't recall him missing a line.” zach: “wow.” stefan: “i don't know how he did it. i was just telling people at a, at a screener, a private screener the other night, it was like a superhuman, it was like witnessing a miracle. i don't know how he did it. he would go and he would memorize the next five pages of material the night before and he would come and he wouldn't miss a line. and that's just like, it's not normal, especially not normal for a, a script like this. so that was one thing is that he is insanely gifted. it's not just like he's one of those guys that gets, you know, yes, he's like incredibly handsome and charismatic and all those things, and there's a lot of those that kind of crawl through the ranks on, you know, on the merit of being beautiful. he is not that—or he's also that, let's say. he is also just incredibly talented in a way that i'm like, i, i, i don't know how you did that. he's also a lot taller than you might think.” zach: “how tall is he?” stefan: “he's over six feet.” zach: “oh, i did not, i thought he was like 5’8.” stefan: “no, no, no, he's, he's 6 foot, 6’1 probably. i'm 6’2 and he's, he's, he's not a small guy.” zach: “wow, that does surprise me actually, because he looks so short on tv.” stefan: “yeah, you watch heartstopper and he looks like, i think he just looks small and whatever. he's not, he's and, and then obviously he's gotten very, he's lifted a lot for a number of roles and stuff, and so like, he's big, like he's, he's a, yeah. he's a big guy and is also just incredibly, he is also real people. he is just like, you'll, he has no pretentiousness about him, just humble as can be. he's from like a small kind of borough of london. and he's just, he's just a remarkable person, really calm, really just like even-keeled, steady guy. i don't, i don't think that there's a person who, if they met him, that they couldn't like kit. i think that he's, he's just one of those types of people that you're just like, that's, that's a great person.” zach: “i love it that he's not, i love it that the fame didn't go to his head because i, there's a couple of people that just made it really big and one of them, i think it, i see them how they're acting now with like paparazzi and stuff, and i think that the fame has gone to their head, the way that they're acting now, and it's, it makes me kind of sad.” stefan: “i don't think that will ever happen with kit because i think that he will hide himself before that starts to happen. like he would sooner disappear and like act in one movie every couple of years and you're like, “where did that guy go?” than he would ever start to let that go—i would be shocked if he ever went that way, from what i know of him.” zach: “well he's been out, he's been there long enough, though if that was going to happen, i think it would have happened already too, because he's famous enough.” stefan: “absolutely.” zach: “yeah.” stefan: “and he's so young that it's like, my brain like wasn't fully formed at his age, and so for him to be behaving the way that he is as young as he is, i'm like, ok, well, it, in 10 years from now, you're not going to be any more susceptible to giving into the ego than he is today. so i think that he is like, yeah, he's a, he's a sure bet if, if, if you're gambling on what actor is going to be around for a long time and is going to have just like a really prolific career of incredible pieces of work, i—and i feel like i can say this because it was no genius on my part or anything that got him, we got really lucky to get him—and so i feel like i can comfortably say like almost as like a, as a fly on the wall in the room with him, just being very fortunate to work with him, that like he's, he's going to go really, really far and he deserves every little bit of success.” 🔗:
4:34

“one of us” director stefan van de graaff describes kit connor’s talent, humility, and grounded personality: zach randles-friedman: “is there anything that surprised you about kit connor, that whenever you were working with him that you were just like you hadn't, you didn't expect that?” stefan van de graaff: “yeah, this is insane. when we cast kit, it was a week and a half before we filmed, and the film is very dialogue heavy and it's written in free verse, so everything is, it's almost like pseudo kind of faux shakespearean, very performative language by design. and he stepped into this role where he's basically in every single scene and he's basically talking the entire movie.” zach: “yeah.” stefan: “he, i don't recall him missing a line.” zach: “wow.” stefan: “i don't know how he did it. i was just telling people at a, at a screener, a private screener the other night, it was like a superhuman, it was like witnessing a miracle. i don't know how he did it. he would go and he would memorize the next five pages of material the night before and he would come and he wouldn't miss a line. and that's just like, it's not normal, especially not normal for a, a script like this. so that was one thing is that he is insanely gifted. it's not just like he's one of those guys that gets, you know, yes, he's like incredibly handsome and charismatic and all those things, and there's a lot of those that kind of crawl through the ranks on, you know, on the merit of being beautiful. he is not that—or he's also that, let's say. he is also just incredibly talented in a way that i'm like, i, i, i don't know how you did that. he's also a lot taller than you might think.” zach: “how tall is he?” stefan: “he's over six feet.” zach: “oh, i did not, i thought he was like 5’8.” stefan: “no, no, no, he's, he's 6 foot, 6’1 probably. i'm 6’2 and he's, he's, he's not a small guy.” zach: “wow, that does surprise me actually, because he looks so short on tv.” stefan: “yeah, you watch heartstopper and he looks like, i think he just looks small and whatever. he's not, he's and, and then obviously he's gotten very, he's lifted a lot for a number of roles and stuff, and so like, he's big, like he's, he's a, yeah. he's a big guy and is also just incredibly, he is also real people. he is just like, you'll, he has no pretentiousness about him, just humble as can be. he's from like a small kind of borough of london. and he's just, he's just a remarkable person, really calm, really just like even-keeled, steady guy. i don't, i don't think that there's a person who, if they met him, that they couldn't like kit. i think that he's, he's just one of those types of people that you're just like, that's, that's a great person.” zach: “i love it that he's not, i love it that the fame didn't go to his head because i, there's a couple of people that just made it really big and one of them, i think it, i see them how they're acting now with like paparazzi and stuff, and i think that the fame has gone to their head, the way that they're acting now, and it's, it makes me kind of sad.” stefan: “i don't think that will ever happen with kit because i think that he will hide himself before that starts to happen. like he would sooner disappear and like act in one movie every couple of years and you're like, “where did that guy go?” than he would ever start to let that go—i would be shocked if he ever went that way, from what i know of him.” zach: “well he's been out, he's been there long enough, though if that was going to happen, i think it would have happened already too, because he's famous enough.” stefan: “absolutely.” zach: “yeah.” stefan: “and he's so young that it's like, my brain like wasn't fully formed at his age, and so for him to be behaving the way that he is as young as he is, i'm like, ok, well, it, in 10 years from now, you're not going to be any more susceptible to giving into the ego than he is today. so i think that he is like, yeah, he's a, he's a sure bet if, if, if you're gambling on what actor is going to be around for a long time and is going to have just like a really prolific career of incredible pieces of work, i—and i feel like i can say this because it was no genius on my part or anything that got him, we got really lucky to get him—and so i feel like i can comfortably say like almost as like a, as a fly on the wall in the room with him, just being very fortunate to work with him, that like he's, he's going to go really, really far and he deserves every little bit of success.” 🔗:

kit connor updates

27,628 görüntüleme • 4 ay önce

.Naval: There was a story that I read about Elon Musk that really affected me, which was when he was talking to Bill Gates, and Bill Gates had just taken out some huge short on Tesla. It was like a billion dollar short or something. And, Elon was like, “Why would you do that? Why would you short Tesla?” And Bill goes, “Well, you know, I talked to my financial advisors and I looked at the math and there’s no way it’s overvalued. And so I’m going to make money on the short.” And Elon goes, “What do you care about making money? I thought you were into electric cars and climate change and saving the world. What are you doing trying to save a few bucks and betting against Tesla?”. And he just walked away in disgust. And I think he never talked to Bill Gates after that. And that’s when I realized, like, Elon’s a purist. He means what he says. The money is a tool for him to get what he’s trying to do. And so I take him at face value, which is the crazy thing, because a lot of people who set these audacious goals to inspire people, you kind of know they don’t really mean it. Elon, I take at face value. So I really do think he intends to get to Mars. I don’t think he’s joking about that. And I think he means to get there within a defined window of time. And I don’t think it’s just like an inspirational, faraway goal. I think he’s very, very concretely going to do whatever it takes. Because Elon doesn’t want to go down in history as the electric car guy or even the guy who saved America guy. He wants to go down as a guy who got humanity to the stars. Again, I’ll give him more credit than that. I don’t even think he wants to go down as the “I got humanity to the stars” guy. He’s just like, “I want to get to the stars, and so I have to make it happen in this lifetime. The only way that I get to experience the science fiction world in my head is if I get to the stars.” And so that’s so inspirational. I think that drives everything. So I think the government was just a thing that got in his way.
1:42

.Naval: There was a story that I read about Elon Musk that really affected me, which was when he was talking to Bill Gates, and Bill Gates had just taken out some huge short on Tesla. It was like a billion dollar short or something. And, Elon was like, “Why would you do that? Why would you short Tesla?” And Bill goes, “Well, you know, I talked to my financial advisors and I looked at the math and there’s no way it’s overvalued. And so I’m going to make money on the short.” And Elon goes, “What do you care about making money? I thought you were into electric cars and climate change and saving the world. What are you doing trying to save a few bucks and betting against Tesla?”. And he just walked away in disgust. And I think he never talked to Bill Gates after that. And that’s when I realized, like, Elon’s a purist. He means what he says. The money is a tool for him to get what he’s trying to do. And so I take him at face value, which is the crazy thing, because a lot of people who set these audacious goals to inspire people, you kind of know they don’t really mean it. Elon, I take at face value. So I really do think he intends to get to Mars. I don’t think he’s joking about that. And I think he means to get there within a defined window of time. And I don’t think it’s just like an inspirational, faraway goal. I think he’s very, very concretely going to do whatever it takes. Because Elon doesn’t want to go down in history as the electric car guy or even the guy who saved America guy. He wants to go down as a guy who got humanity to the stars. Again, I’ll give him more credit than that. I don’t even think he wants to go down as the “I got humanity to the stars” guy. He’s just like, “I want to get to the stars, and so I have to make it happen in this lifetime. The only way that I get to experience the science fiction world in my head is if I get to the stars.” And so that’s so inspirational. I think that drives everything. So I think the government was just a thing that got in his way.

Arjun Khemani

2,736,454 görüntüleme • 1 yıl önce

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”
5:57

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

89,214 görüntüleme • 1 ay önce

Anthony Starr says the worst note he's ever received from a director was getting no note at all Host: "What's the worst note a director has ever given you?" "It wasn't quite a note, there's a director in New Zealand Mark Beasley who's lovely, I love him but he's one of those people, those directors who had a big beard" "We worked Outrageous together and he comes across as very gruff and dark but he's not he's a big softie, he's really talented, he's a really great director" "He stood by the monitors stroking his beard and he looked at me after a take, didn't say anything just looked and he walked up to me and I was standing there I was young as well, I was much younger and a lot less secure than I am now" "He looked at me, stroked his beard and he went 'no don't worry' and I was like 'are you kidding, what were you gonna say' and then he's like 'okay let's go again' and I was like 'what were you going to say' and he goes 'it doesn't matter'" Host: "It's worse than anything you could possibly said" "I think he just did it to mess with me, to dislodge me out of any route, I don't know why he did it. I'm overthinking it now even, but that was it"
1:17

Anthony Starr says the worst note he's ever received from a director was getting no note at all Host: "What's the worst note a director has ever given you?" "It wasn't quite a note, there's a director in New Zealand Mark Beasley who's lovely, I love him but he's one of those people, those directors who had a big beard" "We worked Outrageous together and he comes across as very gruff and dark but he's not he's a big softie, he's really talented, he's a really great director" "He stood by the monitors stroking his beard and he looked at me after a take, didn't say anything just looked and he walked up to me and I was standing there I was young as well, I was much younger and a lot less secure than I am now" "He looked at me, stroked his beard and he went 'no don't worry' and I was like 'are you kidding, what were you gonna say' and then he's like 'okay let's go again' and I was like 'what were you going to say' and he goes 'it doesn't matter'" Host: "It's worse than anything you could possibly said" "I think he just did it to mess with me, to dislodge me out of any route, I don't know why he did it. I'm overthinking it now even, but that was it"

le.hl

504,460 görüntüleme • 19 gün önce

.Caio Borralho on Nassourdine Imavov turning down a fight against him: "I said yes right away. I didn't even give any time to talk with my team. We were waiting for him to respond and then I heard that he said no, that he doesn't want to fight... That I need to face a top 5 guy first, but he's a top 5 guy. It doesn't make sense what he's saying. I just think that he knows that's the hardest fight for him in the division, and he doesn't want to take the risk."
2:45

.Caio Borralho on Nassourdine Imavov turning down a fight against him: "I said yes right away. I didn't even give any time to talk with my team. We were waiting for him to respond and then I heard that he said no, that he doesn't want to fight... That I need to face a top 5 guy first, but he's a top 5 guy. It doesn't make sense what he's saying. I just think that he knows that's the hardest fight for him in the division, and he doesn't want to take the risk."

Ariel Helwani

89,478 görüntüleme • 1 yıl önce

Jimmy Dore: "I'm sure Bill Gates has money in that, and then he also manipulates the media. So people don't know any of that. And he's the biggest private farmland owner now, and he's always pushing people to eat fake meat because he's invested in fake meat." "I mean, the guy's a megalomaniac, right? And people think he's an altruistic guy doing philanthropy, but somebody coined the term, it's philanthrocapitalism." "Every place you look where Bill Gates says he's trying to help people, he's invested in it. And he's got, as soon, you know, he invested $50 billion in Pfizer before COVID, and then he cashed out, and I think he made like 500, he got a big return." "He made 500 million, right? And so as soon as he cashed out, he started shitting on the vaccine. He started saying, yeah, well, you know, we didn't, it doesn't, it's not infection blocking. There's lots of problems with it." "It doesn't, it's not long lasting, doesn't have durability. It's, and we know, we didn't know that at the time the COVID virus had a low fatality rate, and it's kind of like the flu, and it only affects old people. That's what he said after he cashed out." "And then he said, but the new thing is, is nasal vaccines, where you spray it in, and that's got, those are really good. And I looked up, he's, of course, he's invested in the company making those nasal vaccines. And people look at Bill Gates, who, by the way, doesn't even have a college degree." "Not only is he not a doctor or a virologist, that's what people tell, oh, Joe Rogan and you, you're not a doctor. Yeah, neither is Bill, at least I graduated college. Bill Gates didn't." "I just can't get over how people think, because the news says he's a good guy and he wears a crew neck sweater. You know, when the devil comes, he's not gonna have horns, and he's gonna have a crew neck sweater and glasses."
1:52

Jimmy Dore: "I'm sure Bill Gates has money in that, and then he also manipulates the media. So people don't know any of that. And he's the biggest private farmland owner now, and he's always pushing people to eat fake meat because he's invested in fake meat." "I mean, the guy's a megalomaniac, right? And people think he's an altruistic guy doing philanthropy, but somebody coined the term, it's philanthrocapitalism." "Every place you look where Bill Gates says he's trying to help people, he's invested in it. And he's got, as soon, you know, he invested $50 billion in Pfizer before COVID, and then he cashed out, and I think he made like 500, he got a big return." "He made 500 million, right? And so as soon as he cashed out, he started shitting on the vaccine. He started saying, yeah, well, you know, we didn't, it doesn't, it's not infection blocking. There's lots of problems with it." "It doesn't, it's not long lasting, doesn't have durability. It's, and we know, we didn't know that at the time the COVID virus had a low fatality rate, and it's kind of like the flu, and it only affects old people. That's what he said after he cashed out." "And then he said, but the new thing is, is nasal vaccines, where you spray it in, and that's got, those are really good. And I looked up, he's, of course, he's invested in the company making those nasal vaccines. And people look at Bill Gates, who, by the way, doesn't even have a college degree." "Not only is he not a doctor or a virologist, that's what people tell, oh, Joe Rogan and you, you're not a doctor. Yeah, neither is Bill, at least I graduated college. Bill Gates didn't." "I just can't get over how people think, because the news says he's a good guy and he wears a crew neck sweater. You know, when the devil comes, he's not gonna have horns, and he's gonna have a crew neck sweater and glasses."

Camus

34,739 görüntüleme • 11 ay önce

At one point John Travolta was going to play Manny in Scarface, but they went with unknown actor Steven Bauer because they wanted someone who was actually Cuban. At the time, Bauer was a struggling actor being pigeonholed into becoming a soap star. He explains… "I left Hollywood because I wasn't getting really good roles, I was getting stupid roles in television, and I was like, "Fuck, I gotta get in." And I met Stella Adler, the great teacher, and she said, "Come to New York, darling, study with me. "You have to become an actor." So I went to New York. So I'm in New York for like a year, and at the end of the year, I'm starving - my agents in Hollywood think I'm absolutely nuts, and they're like, "You've gotta come home, or at least go in for a soap opera in New York, you have the right type, blah blah blah" And I'm like, "No, no, I'm not doing that." And they're like, "But you're gonna starve." And I go, "I'll deliver furniture." - So I was delivering furniture. And then on my last day, finally they come in, "We have a meeting for you. An audition for a TV movie, and maybe for another independent feature." And I go, "Okay." "So we'll get you the airfare and come home." - I go, "Okay, I'm coming home." So I'm in New York on that last day, and my manager calls me, she goes, "Wait, before you go to the airport. They're casting a movie with Al Pacino, it's called Scarface, and it's a remake of an old movie. And the second lead is a tall, handsome Cuban boy, who's fun, and that's you - It's to play his best friend." And I go, "Yeah, what shot do I have with that!?" And they go, "No, they want someone new. They want someone new." - So I go uptown… She (the casting agent) opens the door - and she goes, "Come in, come in, come in, come in. Sit down, tell me who you are. Tell me what you've done. Tell me what you're working on - You've done theater? - “Yeah”, and television? “Yes." “You speak Spanish?" - I go, "I'm Cuban." And she goes, "You're really Cuban!?" And I go, "Yeah." And she goes…“Hang on a second…" (Imitating phone dial) - Regular phone, no cell phones - “Yeah, yeah. Brian, I found your guy. Right in front on me! "I found Manny, I found Manny. I swear to God, you got to see him. Can you see him?...okay, I'll send him over” - click. She goes "Go down to - the Village on Fifth and Eighth Street. And go see Brian De Palma… I got in a cab, and there was so much traffic that I had to get out of the cab and run the rest of the way to the Village. Because I was stuck in traffic! And I was running out of money! I had no money left! So I run to meet him, and he opens the door, and he's very lackadaisical. He's very aloof, Brian. And he's like, "Mm….yeah, you look…yeah, I can see it…are you really Cuban?" I go, "Yeah, I'm really Cuban." "Can you really speak Spanish?" I go, "Yes!" And he goes... "Wait, I'm gonna call Marty Bregman. He's the producer. He's in LA." He calls Marty... "Marty, I have this kid. He's perfect…yes, he's Cuban…." He gets up and he goes, "Okay, go to LA. Go see Marty Bregman tomorrow. Go to his office. He'll give you a script, learn it, and in two weeks we'll fly you back here for auditions."…And I was like, "Fly me back? I didn't have enough, I couldn't pay my airfare…" And then I get home, and I tell my agents, and they say, "John Travolta's playing Manny." And I said, "Wait, John Travolta's playing Manny?" "Yeah." And I go, "No, no, no, no. They're telling me I have a good shot at it." And they go, "You're an idiot. And you believe everything you hear." …And they were fired, obviously (laughing). They work on Wall Street now… That’s really how it happened. I met Bregman, and Bregman said, "You're gonna do Scarface." Just like that in his office - And I said, "But, but, how do you know?" - he goes, "You're really Cuban, right?" And he goes, - "I don't want a star. I don't want a superstar. I don't want another star. I don't want a prima donna. I don't want any of that. You're gonna do Scarface.”
0:31

At one point John Travolta was going to play Manny in Scarface, but they went with unknown actor Steven Bauer because they wanted someone who was actually Cuban. At the time, Bauer was a struggling actor being pigeonholed into becoming a soap star. He explains… "I left Hollywood because I wasn't getting really good roles, I was getting stupid roles in television, and I was like, "Fuck, I gotta get in." And I met Stella Adler, the great teacher, and she said, "Come to New York, darling, study with me. "You have to become an actor." So I went to New York. So I'm in New York for like a year, and at the end of the year, I'm starving - my agents in Hollywood think I'm absolutely nuts, and they're like, "You've gotta come home, or at least go in for a soap opera in New York, you have the right type, blah blah blah" And I'm like, "No, no, I'm not doing that." And they're like, "But you're gonna starve." And I go, "I'll deliver furniture." - So I was delivering furniture. And then on my last day, finally they come in, "We have a meeting for you. An audition for a TV movie, and maybe for another independent feature." And I go, "Okay." "So we'll get you the airfare and come home." - I go, "Okay, I'm coming home." So I'm in New York on that last day, and my manager calls me, she goes, "Wait, before you go to the airport. They're casting a movie with Al Pacino, it's called Scarface, and it's a remake of an old movie. And the second lead is a tall, handsome Cuban boy, who's fun, and that's you - It's to play his best friend." And I go, "Yeah, what shot do I have with that!?" And they go, "No, they want someone new. They want someone new." - So I go uptown… She (the casting agent) opens the door - and she goes, "Come in, come in, come in, come in. Sit down, tell me who you are. Tell me what you've done. Tell me what you're working on - You've done theater? - “Yeah”, and television? “Yes." “You speak Spanish?" - I go, "I'm Cuban." And she goes, "You're really Cuban!?" And I go, "Yeah." And she goes…“Hang on a second…" (Imitating phone dial) - Regular phone, no cell phones - “Yeah, yeah. Brian, I found your guy. Right in front on me! "I found Manny, I found Manny. I swear to God, you got to see him. Can you see him?...okay, I'll send him over” - click. She goes "Go down to - the Village on Fifth and Eighth Street. And go see Brian De Palma… I got in a cab, and there was so much traffic that I had to get out of the cab and run the rest of the way to the Village. Because I was stuck in traffic! And I was running out of money! I had no money left! So I run to meet him, and he opens the door, and he's very lackadaisical. He's very aloof, Brian. And he's like, "Mm….yeah, you look…yeah, I can see it…are you really Cuban?" I go, "Yeah, I'm really Cuban." "Can you really speak Spanish?" I go, "Yes!" And he goes... "Wait, I'm gonna call Marty Bregman. He's the producer. He's in LA." He calls Marty... "Marty, I have this kid. He's perfect…yes, he's Cuban…." He gets up and he goes, "Okay, go to LA. Go see Marty Bregman tomorrow. Go to his office. He'll give you a script, learn it, and in two weeks we'll fly you back here for auditions."…And I was like, "Fly me back? I didn't have enough, I couldn't pay my airfare…" And then I get home, and I tell my agents, and they say, "John Travolta's playing Manny." And I said, "Wait, John Travolta's playing Manny?" "Yeah." And I go, "No, no, no, no. They're telling me I have a good shot at it." And they go, "You're an idiot. And you believe everything you hear." …And they were fired, obviously (laughing). They work on Wall Street now… That’s really how it happened. I met Bregman, and Bregman said, "You're gonna do Scarface." Just like that in his office - And I said, "But, but, how do you know?" - he goes, "You're really Cuban, right?" And he goes, - "I don't want a star. I don't want a superstar. I don't want another star. I don't want a prima donna. I don't want any of that. You're gonna do Scarface.”

Gangster Cinema Central

1,801,775 görüntüleme • 3 ay önce

Maye Musk Maye Musk on Elon Musk: He does things to do good ---- “He doesn't do things to challenge, he does things to do good. So everything he does is to do good. For example, the Zip2, door-to-door directions. And I said, 'That's great.' Because I had big maps, I had to use them when I went anywhere. And then we did PayPal, and he said, 'You'll be able to send money by email.' And I said, 'Well, that's crazy.' And then it worked out fine. And then he went on to Tesla, electric cars. And then he found that the gas industry hated him, of course. And then the other car companies actually supported him, and then they hated him. And so every headline was negative. And now we found out that in the last few years, the government has been paying hundreds of millions of dollars to the media if they will trash Elon every day. And they do. And then once that, Reuters was paid that amount. Once they do that, then the New York Times, CNN, BBC, they can quote Reuters and trash him. And I don't know how he copes with it. It makes me furious. But the point is, people are buying Teslas. Loving it. I get upset, but he's just saying, 'You know, there are people that are not happy about electric cars.' And then, of course, when he said he's going to start doing rockets, and I thought, oh, that's cute. I mean, really? Rockets? And now it's like a rocket. Twice a week he's launching rockets. And then there's satellites that he wanted to do. He said it will save people in forests, or on top of hills, or in the middle of the ocean who are stuck. It will save their lives. And now he's supplying Cybertrucks with Starlinks at the fires in Los Angeles. So he sees the future. He sees where there's a need, and he goes against everybody else. So if you see there's somewhere that you can do better, just get out there and work on it, and you've got social media to help you.”
2:06

Maye Musk Maye Musk on Elon Musk: He does things to do good ---- “He doesn't do things to challenge, he does things to do good. So everything he does is to do good. For example, the Zip2, door-to-door directions. And I said, 'That's great.' Because I had big maps, I had to use them when I went anywhere. And then we did PayPal, and he said, 'You'll be able to send money by email.' And I said, 'Well, that's crazy.' And then it worked out fine. And then he went on to Tesla, electric cars. And then he found that the gas industry hated him, of course. And then the other car companies actually supported him, and then they hated him. And so every headline was negative. And now we found out that in the last few years, the government has been paying hundreds of millions of dollars to the media if they will trash Elon every day. And they do. And then once that, Reuters was paid that amount. Once they do that, then the New York Times, CNN, BBC, they can quote Reuters and trash him. And I don't know how he copes with it. It makes me furious. But the point is, people are buying Teslas. Loving it. I get upset, but he's just saying, 'You know, there are people that are not happy about electric cars.' And then, of course, when he said he's going to start doing rockets, and I thought, oh, that's cute. I mean, really? Rockets? And now it's like a rocket. Twice a week he's launching rockets. And then there's satellites that he wanted to do. He said it will save people in forests, or on top of hills, or in the middle of the ocean who are stuck. It will save their lives. And now he's supplying Cybertrucks with Starlinks at the fires in Los Angeles. So he sees the future. He sees where there's a need, and he goes against everybody else. So if you see there's somewhere that you can do better, just get out there and work on it, and you've got social media to help you.”

Beanie👾

20,084 görüntüleme • 8 ay önce

Is Kapil Dev right about Mohammad Azharuddin?? Agree or disagree 🤔 "I like to know Azharuddin what he did for the country, that is important. What story goes along... If his conscience allowed, it's okay. But to me, I think he was the finest cricketer during that period. What happened behind that nobody knows, but making an allegation like that... how can you pick somebody who has a red dot? 90% of politicians have a red dot, why do you sit with them? I think it's sad. People do get into a time when your weak moment comes and you make a mistake. I don't know he made a mistake or not, but what he did for the country, that's what I like to remember. Take the positive side of his, not the negative."
0:54

Is Kapil Dev right about Mohammad Azharuddin?? Agree or disagree 🤔 "I like to know Azharuddin what he did for the country, that is important. What story goes along... If his conscience allowed, it's okay. But to me, I think he was the finest cricketer during that period. What happened behind that nobody knows, but making an allegation like that... how can you pick somebody who has a red dot? 90% of politicians have a red dot, why do you sit with them? I think it's sad. People do get into a time when your weak moment comes and you make a mistake. I don't know he made a mistake or not, but what he did for the country, that's what I like to remember. Take the positive side of his, not the negative."

Buntyy Bagga

125,897 görüntüleme • 9 gün önce