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Michael Pollan explained his entire writing process to me in 70 minutes. Afterwards, he said: "Man, I just gave you a whole semester's worth of lessons in a single conversation." Timestamps: 0:48 Does coffee make you more creative? 3:37 Do drugs make you creative? 10:45 How psychedelics shape your...

339,467 görüntüleme • 2 ay önce •via X (Twitter)

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Fareed Zakaria is one of the world's leading journalists. Maybe you've seen him on CNN. Maybe you've read his books. Or maybe you've read his articles in the Washington Post. This conversation is a university-level seminar in the craft of writing, which builds upon the thousands of articles Fareed's written over his career. It's a guidepost for anybody who wants to write non-fiction. How do you develop expertise? How should you structure your days? What kinds of deadlines should you set? We also talked about how The Great Gatsby shaped his perspective on America, when to rely on anecdotes vs. data, and the skills that'll remain scarce as AI breaks through the Turing Test and becomes a hyper-competent writer. The through-line of Fareed's work is a philosophy of purposeful practice: watching all his TV performances to see how he can improve, reading great writing to absorb what excellence looks like, and using the deadlines of TV and newspaper columns to write consistently. Timestamps: 2:50 Building a writing routine 6:57 Does Fareed use AI? 11:07 The skill AI can't replicate 12:23 What makes for a good take? 14:10 Writing for TV vs. newspapers 22:18 Fareed's writing routine 31:34 Lessons from reading fiction 39:30 Building a unique point of view 59:33 Rapid fire: books, articles + TV 1:05:26 Fareed's best writing lessons I've shared the full conversation with Fareed Zakaria below. If you'd rather watch the full episode on YouTube or listen to the episode on Apple / Spotify, check out the reply tweets. Enjoy!

David Perell

191,503 görüntüleme • 6 ay önce

Anne Lamott is the queen of writing teachers. Ask 100 writers for their favorite book about the craft, and her book, Bird by Bird, will top the list. Everybody who's tried to make a work of art knows how loud the inner critic can be. When struggle comes, most people try harder. But Anne says: "The point is not to try harder; it's to resist life less." Improving as a writer is about becoming more aware and paying closer attention to what's already around you, and this conversation is about how to do that. It centers around her famous writing advice: “Bird by bird, buddy. Just take it bird by bird.” Timestamps: 0:39 Bird by Bird 2:17 Why writer's block isn't real 3:36 The problem with trying harder 9:06 Every book has three drafts 14:24 Learning to observe the world 15:58 Facing your inner critic 27:59 "Help, thanks, wow" 31:16 You get three pages 35:51 Revenge = fuel 38:26 Anne's #1 writing prompt 48:53 Finding writing ideas 54:57 Writing lessons from movies 1:02:08 The ABDCE storytelling formula 1:05:37 What makes for a good ending? 1:10:57 Dealing with criticism 1:16:28 Writing to be fully alive I've shared the full conversation with Anne Lamott below. If you'd prefer to watch it, I've published it on YouTube, and you also can listen to it on Apple / Spotify. I've shared those links in the reply tweets. This is one of those bucket list interviews I've wanted to do ever since I started How I Write, and I hope you enjoy our conversation.

David Perell

160,666 görüntüleme • 3 ay önce

Yann Martel is the author of Life of Pi, which won the Man Booker Prize and was adapted into an Oscar-winning film. When I asked him about writing with AI, he said: "Why would you do that? That's like hiring somebody to have sex for you." We talked about why he knows how his book is going to end, what books can do that movies can't, why animals work so well as characters, and what great endings have in common. Timestamps: 0:28 The envelope method 5:34 Writing good scenes 11:43 Why animals are good characters 19:31 How to hook readers 32:52 Breaking the rules of writing 37:19 Should you write with AI? 44:55 Genre fiction vs. literary fiction 48:56 When should you read reviews? 52:38 Writing lessons from plays 54:59 Beware of describing characters 57:54 Facts don't make for good stories 1:02:40 What makes for a good ending? 1:08:20 Artists can't be indifferent — — Highlights: 1) Commas function like a drummer in a band, providing the rhythm for the sentence. 2) What makes for a good ending? "You want the reader to behold something at the end of a story, yet not have everything fully resolved. The ending should still glow with a degree of mystery, wonder, and invite pondering." 3) Beware of describing people in writing: "Words are terrible at description. If you emphasize a character's nose, you suddenly imagine an enormous nose. If you imagine a little scar, you envision a great cut. It becomes a caricature." 4) Why animals work well as characters in fiction: People aren't cynical about animals. They don't hold the same prejudices about giraffes or rhinoceroses as they will about people from Texas, France, India, or Muslims. We're full of prejudices that simplify our lives but are also very cruel and distort reality. 5) How much should you plan a piece of writing? Yann says it's like travel. It's worth doing research and making reservations, but it's the discoveries you make along the way that give the trip life. I've shared the full conversation with Yann Martel below. If you'd rather watch it on YouTube, or listen on Apple / Spotify, check out the reply tweets. Enjoy!

David Perell

54,651 görüntüleme • 3 ay önce