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Milton's evolution visualized through infrared & visible satellite, US-based radar network, and recon flight wind & surface pressure data. Its extremely rapid intensification, pinhole eye, and subsequent extratropical transition & Florida tornado outbreak can be seen here:

156,835 Aufrufe • vor 1 Jahr •via X (Twitter)

9 Kommentare

Profilbild von Nahel Belgherze
Nahel Belgherzevor 1 Jahr

Best dataviz I’ve seen in a while.

Profilbild von Michael Fischer
Michael Fischervor 1 Jahr

The visualization 🐐 strikes again! Amazing stuff!

Profilbild von big if true
big if truevor 1 Jahr

Maaaan we are very fortunate that thing got sheared apart on final approach. Impacts could’ve been generationally bad if not

Profilbild von Mike Lani (My Personal Weatherman)
Mike Lani (My Personal Weatherman)vor 1 Jahr

Thanks for putting this together! It's an amazing graphic!

Profilbild von HE'S_GOT_HILL
HE'S_GOT_HILLvor 1 Jahr

Hey Dr. Burg, where do you get your satellite data from? Do you use an API?

Profilbild von Lieutenant Dan
Lieutenant Danvor 1 Jahr

It was a baby storm

Profilbild von Reagan the Doodle
Reagan the Doodlevor 1 Jahr

@MichaelRLowry Wow. Just incredibly powerful !

Profilbild von cyanoacryさん@がんばらない
cyanoacryさん@がんばらないvor 1 Jahr

That's really cool! How do they get 24/7 eye pressure? -- is this from models or from satellite magic?

Profilbild von Aaron Kawczk
Aaron Kawczkvor 1 Jahr

@CameronJNixon Awesome collage! Adding the central pressure trace was a nice touch with the dips reflecting ERCs.

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Brian Roemmele

264,858 Aufrufe • vor 9 Monaten

Today, we’re thrilled to introduce GAIA, a modular creation engine for the AI age. At its core, GAIA is a multiplayer creation engine designed to bring democratized Generative AI abilities to everyone, hence its name. It abstracts away the complexities of leveraging open-source software, hardware requirements, and technical intricacies, allowing creators to focus solely on creating, together. GAIA has been instrumental in powering the imagination and creative works of our studio, significantly boosting productivity, collaboration, and creativity. It has saved our team thousands of man-days in production work, enabling us to dream bigger, bolder, and execute more swiftly. When used by experienced creators, GAIA, with its ever-growing toolsets built by core contributors, stands to be the best AI creative co-pilot for industry-specific production workflows—from gaming to fashion, and from personal consumption to real estate renderings. GAIA's self-reinforcing flywheel is poised to dramatically enhance the platform's capabilities in both the near and long term: The cost of GPUs and compute will continue to improve. Open-source AI models are becoming increasingly powerful over time, as seen by the evolution from Stable Diffusion 1 to Lightning, alongside other impressive OSS creations like AnimateDiff, LoRAs, and ControlNet. The architecture of AI workflows will become more fine-grained, allowing exponentially increasing control over final outputs. The data and connections that AI workflows can make, both in-app and out-of-app, will grow more sophisticated. GAIA already allows for the chaining of Generative Image AI recipes, grouping complex node-based programs into simple consumer-facing interfaces. Soon, with multi-modality workflows, creators will be able to leverage not only images but also text and sound to create even more complex workflows. Today is the least capable GAIA will ever be. It already provides superpowers unachievable by many creators who know how to harness them. We have an extremely exciting backlog of features lined up, starting with social features. Our mission as Ather Collective core contributors is to get GAIA into the hands of as many creators and businesses as possible. While we believe in e/acc, our north star for Ather Collective remains: Equitable, Accessible, Composable, and Collaborative. If you would like to be a part of the early access users of GAIA, please register using this link: Our team will open up capacity as soon as we are able to. There is only one way AI benefits humanity, and that’s through open AI. Let’s be a part of it. ✌🏻

TIN | Sipher Odyssey & Ather Labs

14,204 Aufrufe • vor 2 Jahren

Summer Holiday Photos Place the UAE-Backed Rapid Support Militia Leader in the Emirates as Atrocities Continue Across Sudan A series of photographs circulated on Sudanese social media this month that, at first glance, appeared entirely ordinary. A spacious courtyard at dusk, a customised Mercedes parked on a quiet street, and an older man sitting on a pale sofa with a child on his lap. They could easily have been photographs from any family summer holiday, far removed from the war, famine and mass graves that have come to define Sudan’s landscape. The older man in the photographs, however, is Mohamed Hamdan Dagalo, better known as Hemedti, commander of the UAE-backed Rapid Support Militia, the paramilitary force commonly associated with the Janjaweed. In January 2025, the United States sanctioned Hemedti by name as it formally determined that members of the Rapid Support Militia and allied militias had committed genocide in Darfur. The decision came after nearly two years of war in which atrocities attributed to the militia had spread across large parts of Sudan. In El Geneina, Human Rights Watch documented an ethnic cleansing campaign against the Masalit that included mass killings, rape, looting and forced displacement, among the most horrific episodes of violence since the war began. In Khartoum, the militia controlled large areas of the capital for months. Civilian homes and buildings were turned into military positions and detention facilities. As the Sudanese army advanced and retook areas previously held by the militia, detention sites, graves and bodies began to emerge, alongside testimony from survivors describing torture, starvation, humiliation and detention in brutal conditions. The period of militia control over large parts of Khartoum, Omdurman and Bahri was also marked by widespread looting of homes and property, the occupation of civilian residences, and repeated accounts of rape and sexual violence. The same devastation then spread into Gezira State after the militia entered the region in December 2023. Towns and villages were subjected to killings, looting and attacks, forcing hundreds of thousands of people to flee. Many of them had already escaped Khartoum and had gone to Gezira in search of safety. In June 2024, Wad Al-Noura became the site of one of the militia’s most notorious massacres in the state. Months later, a wave of attacks swept through villages in eastern Gezira, with Al-Sireha among the communities subjected to large-scale killings. The violence extended across dozens of villages and towns amid reports of killings, looting, arson, sexual violence and forced displacement. The pattern repeated itself across different parts of Sudan: the militia entered civilian communities, killings and looting followed, homes were occupied, people were detained, sexual violence was reported, and entire populations were forced to abandon their towns and villages. El Fasher became one of the bloodiest chapters in that trajectory. After a prolonged siege, the city fell to the Rapid Support Militia. United Nations investigators documented the killing of more than 6,000 people during the first three days, while the fate of an estimated 150,000 residents remained unknown. The UN Independent International Fact-Finding Mission for Sudan subsequently concluded that the violations committed there bore hallmarks of genocide. As the geographical scale of these atrocities expanded and the war continued year after year, another question became central to international investigations: where was the militia obtaining the weapons, financing and supplies that allowed it to sustain its military capabilities? The Rapid Support Militia continued fighting on multiple fronts, acquiring weapons, ammunition, vehicles and drones while also deploying foreign fighters in a war stretching from Darfur to Khartoum, Gezira, Kordofan and El Fasher. From the early months of the conflict, evidence began accumulating around the UAE’s role in the supply network supporting the militia. In a report dated January 15, 2024, the UN Panel of Experts on Sudan said information it had gathered concerning the transfer of weapons and ammunition to the Rapid Support Militia through Amdjarass airport in eastern Chad was “credible.” In July 2024, The Guardian published an investigation into Emirati passports and documents discovered among equipment linked to the militia in Sudan. In September, The New York Times investigated UAE activity in Amdjarass and allegations that the humanitarian operation there was running alongside a pipeline supplying weapons and other support to the militia. The following month, The Washington Post published an investigation based on weapons captured by the Sudanese army, together with US assessments and reports, linking equipment and ammunition found in the hands of the Rapid Support Militia to the UAE. In November 2024, Amnesty International identified the French-made Galix defence system installed on UAE-manufactured Nimr Ajban armoured vehicles used by the militia. Flight data then revealed another dimension of the supply network. In December 2024, Reuters tracked at least 86 flights from the UAE to Amdjarass since the war began. A significant number were operated by companies previously linked in UN reporting to arms-transfer operations in the region. Researcher Justin Lynch also contributed to tracking and analysing flight and supply networks connecting these routes to the Rapid Support Militia. By early 2025, the issue had reached the level of official scrutiny in Washington. On January 24, Senator Chris Van Hollen and Representative Sara Jacobs said that, based on a briefing from the Biden administration and other reporting, they had confirmed that the UAE was continuing to provide weapons to the militia despite earlier assurances to Washington that it would stop. Over the following months, further evidence emerged from weapons stockpiles and supply convoys themselves. In April 2025, an investigation by France 24’s Observers team traced Bulgarian-made mortar rounds found in Darfur to a transaction involving an Emirati buyer, with the UAE Armed Forces listed in documentation as the end user. On April 29, Reuters, in an investigation involving journalist Reade Levinson, reported that the UN Panel of Experts was examining how Bulgarian ammunition officially exported to the UAE had ended up in a Rapid Support Militia supply convoy in Darfur. Bulgaria said it had never authorised the ammunition to be re-exported to Sudan. In May 2025, Amnesty International identified Chinese-made GB50A guided bombs and AH-4 155mm howitzers in the possession of the Rapid Support Militia. The organisation concluded that the weapons were “almost certainly” re-exported to Sudan by the UAE. As the investigations widened, a broader network emerged involving mercenaries, financing, companies and regional logistics. Beginning in 2024, Colombian investigative outlet La Silla Vacía exposed details of the recruitment of former Colombian soldiers to fight alongside the Rapid Support Militia. Subsequent investigations traced the networks used to recruit and transport these fighters, with UAE-based companies and routes repeatedly appearing in the reporting. Bellingcat has also investigated weapons and supply routes associated with the militia, while a joint investigation by Lighthouse Reports and its partners uncovered training camps, sites used to prepare weapons and vehicles, and supply convoys in eastern Libya connected to the Rapid Support Militia, along with Colombian mercenaries operating within the same network. On the financial side, The Sentry documented networks involving companies, gold trading, financing and property linked to senior Rapid Support Militia figures, including businesses and activities operating from within the UAE. These findings added a financial and commercial dimension to the military and logistical picture. In October 2025, The Wall Street Journal reported that US intelligence agencies had detected an increase in the flow of Emirati weapons to the militia, including drones, light and heavy weapons, vehicles, artillery, mortars and ammunition. The UAE continues to deny providing military support to the Rapid Support Militia. Over the course of the war, however, a substantial body of reporting and investigation has accumulated from the UN Panel of Experts, US assessments and sources, The New York Times, The Washington Post, The Wall Street Journal, The Guardian, Reuters, France 24, Amnesty International, Human Rights Watch, Lighthouse Reports, Bellingcat and The Sentry. These are multiple, independent sources using different investigative methods. Flight records, export documentation, weapons and ammunition analysis, corporate and property records, satellite imagery and testimony from people on the ground have each exposed different parts of a support network that helped sustain the militia’s war. Alongside the evidence concerning weapons, financing and logistics, direct indications of Hemedti’s own presence inside the UAE also emerged during the conflict. In June 2025, The New York Times reported, citing US officials, that Hemedti had stayed at a protected residence in Abu Dhabi, where he recorded video addresses to his supporters in Sudan. The Sentry also documented his personal ownership of three apartments in Dubai, close to Al Minhad military airbase. The photographs that surfaced this month add another dimension to those reports. Hemedti appears once again inside the UAE, this time in quiet family photographs, while the war led by his militia continues in Sudan and the consequences of its atrocities stretch from El Geneina to Khartoum, Gezira and El Fasher. The information is there. The investigations have been published. The evidence continues to accumulate. The question becomes more urgent with every new investigation: how much more evidence does the world need before it acts? #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAESponsorsTerrorism

Sudanese Echo

127,679 Aufrufe • vor 22 Tagen

Mysterious glowing orbs 'coming from mothership' off Florida coast spark fears of another drone invasion | Ellyn LaPointe, Daily Mail Mysterious glowing orbs have been spotted flying off the coast of Florida - months after New Jersey was invaded by drones. Residents of Daytona Beach have described the unidentified objects rising directly from the ocean and flying over the surface of the water. One extremely viral video from March 17 at around 10pm captured what appeared to be a large object moving toward land, and the flare of light surrounding it gradually dissipating to reveal the shape of an aircraft. While many have dismissed it as simply a passenger plane, locals have shared similar videos online claiming the objects moved in unconventional ways. One particularly extraordinary theory has surfaced on social media, where locals say a 'group of whistleblowers' claiming to be 'military personnel and sailors' told them the US Navy discovered a 'huge' underwater mothership that they believe is producing the orbs. 'Apparently whatever this thing is has sent numerous pulses of energy out, and apparently knocked out power to a couple of the ships,' one TikTok user explained. 'This thing is appearing on radar and then disappearing off of radar,' he added. There have also been eyewitness reports of US Navy vessels patrolling near Daytona Beach amid the orb sightings, with many speculating that they are there to observe or respond to the bizarre activity. These reports are unverified. But after thousands of unidentified drones were reported throughout the US just a few months ago, Floridians are concerned that the activity appears to have started up again in their state. The Florida orb phenomenon gained widespread attention when TikTok user 'CocoSongz' shared a video of a bright orb flying over the ocean off the coast of Daytona Beach around 10pm ET on March 17. In the video, eyewitnesses can be heard exclaiming that the object 'came out of the ocean' and that several more objects were flying around it, though they cannot be seen in the footage. 'Y'all we got real alien activity going on,' one eyewitness said. While multiple eyewitnesses have said that they saw the orbs rising straight out of the water, no footage of them doing so has surfaced. CocoSongz later posted several more videos of Unidentified Aerial Phenomena (UAP) flying over the ocean, but they have since been removed from her TikTok page. The original video has been shared widely on social media, and similar footage began to surface from other sources as well. TikTok user 'djlovelyy' posted a video of a bright orb flying near the moon off the coast of Miami Beach on the evening of March 18. The orb gradually fades and then disappears from view. From November to December 2024, thousands of 'car-sized' drones were reported flying or hovering over residential communities, military bases and other locations across several regions of the US. The phenomenon began in New Jersey, with the first drone sighting occurring over Picatinny Arsenal in Morris County on November 13. The activity soon spread across the state and then the region, with reports surfacing in New York, Pennsylvania, Connecticut and many other states. The phenomenon eventually swept across the country. Drone reports emerged in several regions and over more military bases, sparking widespread panic. On December 3, the Federal Bureau of Investigation (FBI) launched an investigation into the activity. But by mid-December, they determined that most of the sightings could be explained by normal aerial activities. 'We have no evidence at this time that the reported drone sightings pose a national security or public safety threat or have a foreign nexus,' the FBI and Department of Homeland Security (DHS) said in a joint statement issued on December 12. But many state officials and concerned citizens were not satisfied, and continued to report sightings and pressure the Federal government for answers through January. Now, orbs spotted in Florida have raised concerns once again, as no one has been able to determine exactly what these objects are or where they are coming from. But it is possible that these strange lights have a mundane explanation. Orbs in photos or videos are typically created by light shining through dust particles or water droplets that reflect the light and cause it to flare. When flying over the ocean at night, an aircraft's headlights can give it an orb-like appearance as the light shines through fog or mist. As for whether the origin of these aircraft is foreign, or even extraterrestrial, there is currently no solid evidence to suggest this is the case. Read more:

Owen Gregorian

43,785 Aufrufe • vor 1 Jahr

"Have you seen any evidence of DIRECTED ENERGY WEAPONS use, here on American soil?" "There are several instances of individuals being hit in what appears to be both sonic energy and forms of rapidly pulsed microwave energy, domestically. Some cases in Florida, some cases in the Delaware, Maryland, DC area, and some cases on the West Coast as well." - Dr. James Giordano Dr. James Giordano is head of the Center for Strategic Deterrence and Weapons of Mass Destruction Studies, Institute for National Strategic Studies (INSS), National Defense University. Dr. Giordano is internationally recognized for his research on the use of neurocognitive sciences and technology in military and intelligence operations, has connections to DARPA, the Pentagon, etc. Let's go a little deeper on this tech and help you understand how advanced this tech is and what other forms are out there... This will focus more on the individual non-lethal tech. but is probably the most dangerous. There is also laser type weapons that can shoot done drones and all types of disrupting technology that was mentioned during the Maduro raid in Venezuela. There are many types of weapons in use. Artificial Telepathic, Neurotechnology, Mind Controller and Wireless Direct Energy Weapons, satellites, microwaves that put voices in your head, secret patents for remote brain control, and psychotronic torture used on civilians. Governments and agencies, primarily U.S., CIA, DARPA, Pentagon, DoD, also NATO, Soviet/Russian programs, and others, have developed and secretly deploy "mind weapons" psychotronic, directed-energy technologies against unwitting civilians, "Targeted Individuals" or TIs. Spy agencies, military, research institutes, and defense companies develop and deploy these technologies as weapons of mass destruction, espionage, and electronic warfare. These weapons are used for non-consensual experimentation, harassment, torture, isolation, and population control. There are lethal and non-lethal. Attacks occur in phases. First surveillance, satellites like Echelon, then directed-energy assaults causing physical pain, psychological destruction, induced voices/sounds, and behavior change. Victims are systematically discredited by labeling them mentally ill, schizophrenia, etc. Historical roots trace back in MKULTRA, Bluebird-era programs, Korean War "brainwashing" fears, Soviet Lida device, and microwave attacks on the US Embassy in Moscow. Super Artificial Intelligence Computer / Super Computer (satellite-based). A powerful non-contact weapon, radiation weapon, and weapon of mass destruction. Wireless Remote Neural Monitoring / Deep Tech Scanner, reads brain waves, sees inside the body, organs, veins, nervous system, without implants, uploads brain data to the satellite AI in seconds. Artificial / Synthetic Telepathy and brain-machine interface research, DARPA-funded university projects using EEG/MEG to decode thoughts. There's two types: - Active method: victim hears voices, like aliens, gods, or dead people, 24/7, causing fear, confusion, and mental breakdown. - Silent method: inaudible, hypnotic, "most dangerous," plays with the mind without the victim realizing. Voice to Skull (V2K) / Microwave Hearing, induces sounds/voices directly in the brain via microwaves. Wireless Direct Energy Weapons (DEWs), microwave, sonic (ultrasound/infrasound), scalar waves that damage organs, nerves, eyes, hearing, or electronics without physical contact. Bio Electro Magnetic Weapon and Psychotronic, Hypnotic Technology, controls neurons, brain waves, and behavior from a distance. Many of the patents and research programs can be found for this technology are real and public, non-lethal weapons, brain-computer interfaces, EM effects on the body/brain have legitimate scientific and military history. The most important aspects to this tech that you should understand is that: - No implants or chips needed, many devices work via waves, frequencies, radiation, and beams. - Can hack electronics, jam networks, disable vehicles/planes, damage appliances. - Range: several miles with "no limit." Here is a list of some patents you can look up yourself: - US 3,951,134: Remotely monitoring and altering brain waves. - US 6,011,991 A - DE 10 253 433 A1 - US 5,159,703 A: Silent Subliminal Presentation System, induces messages without audible sound. - US 4,717,343: Method of changing a person's behavior. - US 4,686,685: Altering regions of the Earth's atmosphere/ionosphere/magnetosphere, HAARP-related. There is much more to learn and understand, but know that this is very real and can do things to people that would almost be considered magic until you understand how it really works.

The SCIF

65,162 Aufrufe • vor 2 Monaten

🚨CONQUERED - ANOTHER U.S. CITY HAS FALLEN TO ISLAM! They are renaming our streets - and our country! In Bridgeview, Illinois, a city I have long warned is being completely taken over by jihadis, the community gathered at 87th Street and Harlem Avenue for the official unveiling of 'Little Palestine Way' along Harlem Avenue and 'Wadea Al-Fayoume Way.' This wasn’t some organic grassroots moment. It was the culmination of years of organized Islamic and Marxist efforts: legislation pushed through the Illinois House and Senate, HJR0046, designating a major stretch of road in one of America’s largest Palestinian enclaves as an official “Little Palestine Way. For years I have documented how communists and their ideological allies rewrite history by changing street names, tearing down monuments, and erasing the identity of the nations they target. They did it in every country they infiltrated. Now the same tactic is being used here - but with an Islamic twist. This is not random. This is coordinated. The Muslim Brotherhood’s “The Project” - the 1982 strategic document exposed years ago - laid out the plan clearly: gradual Islamization of the West through infiltration of institutions, creation of enclaves, dawah, and parallel societies. The Palestinian cause was always central to that strategy, a unifying banner to radicalize Muslims, recruit Western leftists, and pressure governments. Today we are watching the convergence in real time. Marxist groups and Islamic networks are running parallel operations with the same goal: to undermine the Constitution, erode our culture, and capture our children and institutions. They target schools, local governments, churches, and law enforcement. They change the names on our streets. They turn neighborhoods into ideological strongholds. Bridgeview is just one more data point in a national pattern. 🚨And right in the middle of it sits American Muslims for Palestine (AMP). AMP leader and terror-tied radical Nida Sahouri took to the stage to show her Palestinian/Jihadi pride and essentially boast about the Islamic takeover. Notice she says she JUST came from "Palestine"..... AMP has deep ties to the old Hamas-support network in America. AMP emerged after the Holy Land Foundation and Islamic Association of Palestine were shut down or exposed. Many of its leaders, board members, and speakers came directly from those groups, the same networks convicted or designated for providing material support to Hamas. AMP pushes the same propaganda, the same “resistance” rhetoric, the same conferences, and the same fundraising ecosystem. They spend most of their days whining about Jews and fighting to make America, Gaza.... They are not some mainstream civil rights group. It is part of the infrastructure built to advance the Brotherhood’s agenda on American soil. This is how they do it: • They build enclaves. • They get politicians to rename streets and pass symbolic resolutions. • They use the Palestinian cause to glue together Marxists, Muslims, and useful idiots. • They scream “Islamophobia” or “racism” the moment anyone notices. • And when the signs don’t go up on their timeline, they accuse everyone else of interference while the real subversion continues. We are not watching isolated cultural events. We are watching a civilizational replacement operation in slow motion, one street sign, one school board, one city council at a time. Bridgeview is a warning. So is every other place where these networks have embedded themselves. The same forces that spent decades changing names and rewriting history in communist countries are now doing it here, allied with an ideology that is fundamentally incompatible with Western civilization. I have been saying this for fifteen years. The evidence keeps piling up, and our Republican government is doing NOTHING to stop this takeover. It is time to stop pretending this is normal. It is time to call it what it is. They are not just changing street names. They are changing the country. They are making America Islamic.... And they will not stop until we stop them.

Amy Mek

1,200,768 Aufrufe • vor 1 Monat

This is a compilation of videos regarding the human Biosphere and how it can be hacked, how they are actively doing it, and how they are using it against us. It is fascinating to me, especially when it gets into the Pineal Gland and the creation of Melatonin. I used to sleep with my phone under my pillow when I met my ex. That was a new habit and when new difficulties with sleeping really began. The radiation IS the source of most of these issues. It is 2 hours long and I did not sit through all of it just yet. I attempted to last night and skipped around the video, but everywhere I stopped was a gold mine of information. The cluster of frequencies constantly being interpreted by our senses are being taken advantage of, we are wireless vessels. We are literally machines operating wirelessly. Turn everything off and let your body heal. Our bodies are much more powerful than we think, but they have been intentionally weakening it for a very long time. You don't have disorders, you have devices attacking your natural functions and preventing them from operating optimally, or at all. Supply your body with what it needs, and protect it from intruders you cannot see. Here is a synopsis of the compilation: "Grab your note pads and popcorn then come join us as we explore the intriguing realm of this undisclosed new technology (Neuro, Nano, Graphene, and more), which has been documented and confirmed by military doctors at esteemed institutions like West Point. This eye-opening presentation takes you behind the scenes, uncovering the rapid advancements often overlooked by mainstream media. Discover how the boundaries between the human body and the internet of things are becoming increasingly blurred. We delve into mind-boggling concepts such as your biofield, which connects your physical and energetic existence, and its potential integration into a global network of interconnected devices. Prepare to be amazed as we reveal the collaboration between DARPA, Google, Elon Musk's ventures, and other pioneering entities working tirelessly to unlock the full potential of neuro and nano technologies. Immerse yourself in the mind-bending possibilities, from enhancing cognitive abilities and implanting remarkable real-time data interfaces to forging new pathways for human-machine symbiosis with possible implication of control via "Human Hacking". Includes clips from: Dr Carrie Madej, Dr Hoffe, Dr James Giordano, (Evil) Bill Gates, Stew Peters, Died Suddenly, Pete Santilli, Molly Moo, and more"

Mofobian

45,727 Aufrufe • vor 2 Jahren

Whitewashing Genocide: A Prominent Media Figure of the UAE-Backed Rapid Support Militia (Janjaweed) Directs a Propaganda Campaign to Cover Up the Massacres in El Fasher A newly circulated video shows Maysara Bob, one of the main media figures of the UAE-backed Rapid Support Militia (Janjaweed) abroad, personally directing a propaganda campaign to whitewash the massacres in El Fasher. He appears like a film director orchestrating fabricated scenes and scripted lies designed to sanitize the image of the killers. In the footage, Bob issues detailed instructions to media teams under the militia’s control on how to stage fake footage and testimonies aimed at deceiving international audiences and exporting a pre-packaged narrative that absolves the perpetrators while vilifying the Sudanese Armed Forces. The goal is clear: not to reduce local outrage, but to reshape global perception and influence foreign parliaments and audiences. In the video, Bob warns his teams not to film detainees in civilian clothing because it "could be used against them," referring to them in racist terms as "Al-Falangayat" (a slur meaning "slaves"). He then orders that they be dressed in military uniforms (khaki) and insists that the crews should always carry some of these uniforms with them for use when needed. He then addresses a man called Wad Mallah, one of the militia’s media operatives currently in El Fasher, instructing him to train civilians on what to say in front of the camera and to repeat prewritten lines such as: "The movements were using us as human shields," "They forced children to load ammunition," and "My daughter was raped and kidnapped by the movement and army men." He promises to personally deliver these videos to foreign audiences to use for political pressure and propaganda. This is not random misinformation but an organized operation to falsify testimonies and conceal evidence, a deliberate effort to whitewash genocide and turn victims into tools of propaganda to justify crimes and minimize accountability. Images have also surfaced showing a Sky News Arabia crew in El Fasher, a channel partially owned and managed by Emirati authorities closely linked to Abu Dhabi’s leadership. This raises serious concerns about its role in the orchestrated media campaign, producing restricted interviews and scripted footage intended to broadcast a manipulated narrative to foreign audiences. It is worth noting that a recent report by the Yale Humanitarian Research Lab (Yale HRL) revealed conclusive evidence through satellite imagery showing the presence of mass graves, signs of recent digging and burning, and organized attempts to conceal burial sites using bulldozers. These findings align with survivor testimonies and verified videos from the same area, confirming frantic efforts to erase the truth and cover up the traces of the crime. Yet the very emergence of this evidence proves that the truth cannot be hidden; the sun cannot be covered with a sieve. What happened in El Fasher is too vast, too horrific, to be buried beneath propaganda or polished by scripted lies. The blood is visible even from space, captured by satellites that stand as silent witnesses to the crimes below. No camera, no staged scene, no foreign media machine can erase it. The truth is raw, haunting, and unmistakable, and no amount of whitewash can dull its crimson stain. #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAESponsorsTerrorism

Sudanese Echo

29,410 Aufrufe • vor 10 Monaten

Masquerade now hangs in The Toledo Museum of Art. But unlike a painting, Masquerade holds within itself: a gathering of people in the network and systems to connect us. The piece is not "A" piece. It is every Mask, every dot, every observation made and, through a new layer, every one yet to be made. I feel both stupidly lucky and genuinely honored to bring everyone who has given energy to Luci out of the network and into a place that has honored my work and the work of so many other artists I deeply admire with immense and precise care. This absurd world of masks and monkeys I love so much because of what has been shared between people through it has had my love compound through the care of people. To help to protect and preserve a story bigger than my own, not unlike what has taken place atop its surface. Much as the systems of participation echoed the systems of its creation, so too does its curation and cultivation by others help it grow. Masquerade now hangs in a museum, but it hangs alongside a cadre of digital art's giants in an exhibition titled “Infinite Images,” which sits centered inside a museum filled with the giants of art history itself. For this to happen requires a lattice frequency of care: not as a feeling, but as something intensely actionable. Care—demonstrated through sacrifice and skin in the game. It pours out of the dark blue diamond walls and the work atop them and into our orange room; it bleeds from every installation, overflowing from each and every artist, and the space between each of us within. Care is revealed through a curator who helped me understand my own work more but also learn what connects me backwards to the shoulders I stand on. Julia Kaganskiy 🇺🇦 found and presented our systems not as separate worlds, but as part of one system of life—all while bringing into life of a higher order: her first child. Care extended through a director, Adam Levine, who pushed for something quite radical and got his hands dirty to allow this show to even exist. The Museum and the people who keep its engine moving treated our new as sacred as their old. They did so not to onboard, but to remain. A portal that lifts up a movement happening in the network by seeing the need to connect our nodes rather than relegate or shut the gate behind. Doing this required the patronage of Alan Howard, channeled through the cataloging brilliance of Martina Negro, and the willingness of high‑order patronage to become a cooperative network rather than an adversarial one. In that cooperation is where Masquerade’s place in the exhibition came through Kanbas. A throughline drawn between the roles of our ecosystem. Of what can be built between us if we see each other as one ecosystem, both different and essential. An exhibition filled with cutting‑edge technology and masterful presentation does not exist with only artists or curators or museums; it is enabled through a network of generous patronage and curiosity. Kanbas helped me take what began as the orange room with a digital confessional that is Rachel and I’s studio in New York, that last year became The Monument Game boat‑dock exhibition in Venice, Italy through the genius of ScriptedFantasy and support of Ryan Zurrer, and evolve it to sit in a Museum in a way that does not just exhibit the work, but educates and invites people to come closer who may not know any of this even exists. Rather than just house the singular work, Kanbas and Amanda cared to share the network of 613 Masks and the people who wear them with it. Care came through my team who built Masquerade with me in Nifty Gateway Studio. Chrisly, Ashlin, Bob, Nirali, Tara, and all who pitched in make our interface and systems accessible to a whole new audience; to build infrastructure and enable thousands of people who have never touched the blockchain to create a wallet just by leaving an Observation atop the Masquerade is more than a feature: it is spreading the network rather than closing its gates. I feel so lucky to have such a tremendous team of people to think not as a marketplace, but as stewards to present what we have been building well and improve it with time and circumstance. This patronage enabled artistry within artistry to thrive, through a masterful exhibition design led by Richard The, technology and fabrication partners through TCI in Greg and Anthony, Jack with projections, and fabricators through Bednark. With me is my brilliant engineer, Alex Borre, who has broken apart all of this alongside me and helped me grow as an artist. By my side has been joeyL.eth, the eternal vibe check of taste, restraint, and precision - the finest eye and mind I know, and the relentless, perpetual support of El Barba Roja blue check who championed and willed this exhibition into existence more than anyone. No matter how much “this is how we build” has looped and human‑centipeded in on itself through cynical interpretations, in this case, it truly is, and his hands are all over not just my contribution, but many others in this show, as well as in the exhibition’s foundation itself. But in the end: care has been given in the highest order by my wife Rachel Spratt who has done what all new great mothers do and given life through tremendous exertion. We did not take a break after Masquerade, because it just immediately became Masquerade IRL. She has given to me, given to our daughter Syla, given to our tribe of Masks and Skulls, to this exhibition: everything. What is left after one gives all away, no matter how sweetly, can be a hollowing of self or, if met well before a break, a shedding of self. To sit in this beautiful room together, within an exhibition this magnificent, inside a building this rich with history and love of humanity, and have so much care be put in to match hers by this network around us on and offline, I got to sit in pride because I knew this very real moment for me, that began so alone and has become quite collective, would simply, unequivocally, never even come close to existing without her. So much of my life has been defined by solitude. I was not expecting having my work presented like this to move me so much. I thought it would be more of a feather in the cap or rather beautiful box to check. But it isn't that at all. It's connection to others. I fell in love with the artists' work that sits alongside my own. I saw Dmitri Cherniak's Ringers I’ve seen a thousand times, but saw them again in a way my daughter could visualize her own curiosity about the world—decisions in how these were shared served a higher purpose: to communicate. I saw Casey REAS as someone not just as a pioneer, but as someone more real—who, like my wife, cut part of himself out and set it aside to see what others could create. I saw Operator not as slick performers of the code, but as arbiters of freedom. I saw invitations to see the humanity in code in dozens of directions, and gratitude to sit even close to any of it. Talent. Sweat. Blood. Skin in the game. The artists pushed. The fabricators pushed. The docents pushed. Not one of us is like the other and no template was ever to be made to try to force otherwise. On September 12th, I will be inviting every holder of Luci: Masks, Players, Council, to come out to a small town in Ohio and leave a bit of themselves behind and get a very deep look into the world I am trying to build in the process. More on that very soon, but should you be able to come, know that there is much to care about beyond what I’ve built within this exhibition—and I hope you will fall in love with the rest of these infinite worlds as I have. We all know we aren't supposed to touch the paintings in a museum. But my daughter Syla touched the illuminated lightbox of Masquerade that she unknowingly stars in at the center of, and I smiled. Because she's not touching a world of divine objects susceptible to fingerprints and pretense; she's touching a display. A front‑end stand‑in representation for the network of humanity underneath. A place where light, code, instructions, a design that rhymes across all things has formed a very unlikely but very real gathering of strangers over the last few years to create together. I feel lucky for her to grow up surrounded by people who create and who care.

Sam Spratt

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