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Minimal design, maximum amenities. This 6 bedroom, 8 bathroom #midcenturymodern #BeverlyHills masterpiece was designed by the same famous architect who also designed Elvis & Priscilla Presley's marital home. If you're looking for a mid-century modern home, DM me! DRE# 02111883

67,562 views • 3 years ago •via X (Twitter)

6 Comments

Thomas Richmond 💙🎸🇺🇸🇺🇦's profile picture
Thomas Richmond 💙🎸🇺🇸🇺🇦3 years ago

Thanks Kendra

(Nikki) Nicole Mancinho-Schlogel's profile picture
(Nikki) Nicole Mancinho-Schlogel3 years ago

And now I have to put on dry pants. 🤣👏8 bathrooms is just enough, so…I’ll be in touch once this check clears.

mike ahuja's profile picture
mike ahuja3 years ago

Lovely house

Rob Renzelman's profile picture
Rob Renzelman3 years ago

❤️❤️❤️❤️❤️

Alan Semsar's profile picture
Alan Semsar3 years ago

I want one @KendraWilkinson

HenryDel's profile picture
HenryDel3 years ago

That is a nice place

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sir_wicknell.

152,574 views • 3 months ago

🔥Pharma insider who got RFK Jr to say—on record—that the Covid jabs constitute "mass murder" TORCHES MAHA as a "propaganda operation" "MAHA came from Calley and Casey Means, two propagandists" "[They] were very explicit that [MAHA's] going to be anything but vaccines" "they came from that [food] angle, with particularly designed propaganda policies... designed to subvert any possible reform of vaccines or... real drivers of chronic illness. And it was designed to basically tank Kennedy's platform" "[But] I'm not going to offer excuses for [RFK Jr] because the fish rots from the head. If this is where your movement is, whatever that is, that's the fault of Kennedy" "by the way, the Health Freedom Movement is not MAHA. MAHA is a political lobby group. MAHA is a fund to raise money, divert resources, divert attention, come up with excuses upon excuses upon excuses of who is holding Kennedy hostage and who is preventing him from doing what and how the secret plan is still unfolding. That's what MAHA is" This clip of retired pharma R&D executive Sasha Latypova (sashalatypova.substack.com "Due Diligence and Art") is taken from a discussion with Steve Kirsch (Steve Kirsch) posted to the VSRF (Vaccine Safety Research Foundation) Rumble channel on July 7, 2026. ----------------Partial transcription of clip--------------- Kirsch: "Do you think it's— what MAHA was doing, do you think what they were doing was productive or counterproductive?" Latypova: "Well, I was very clear from the start, from September 2024 when first MAHA policy was published in The Wall Street Journal, I was clear right from that point that MAHA was a political, propaganda operation. "And it was from the start designed for this particular purpose so that they, they, the propagandists like New York Times and many others, I have been recently reviewing blogs that are published by Center for Inquiry. Although they pretend these are independent blogs, but all the bloggers are related to the Center for Inquiry, where Richard Dawkins and Carl Sagan were on the board. "And so that's the group that issues propaganda policies like this. And MAHA didn't come from that. MAHA came from Calley and Casey Means, two propagandists tied to their father, Grady Means, who was a staffer for Nelson Rockefeller and who is a very well-known globalist, and his obsessions of food control. "And so they came from that angle, with particularly designed propaganda policies which was designed to subvert any possible reform of vaccines or actually real dangers, real drivers of chronic illness. And it was designed to basically tank Kennedy's platform. "Now I removed my trust and support from Kennedy a while back, based on his actions. So I'm not going to offer excuses for him because the fish rots from the head. If this is where your movement is, whatever that is, that's the fault of Kennedy. "Same as with Trump. If we see destruction of the economy and we see high prices, inflation, the wars, all of that, that's Trump. That's not Susie Wiles, that's not his advisors, that's nobody but them but these people. "In any case, I would like to say that from the very beginning I predicted that this would happen. That MAHA was a propaganda op designed for Hegelian dialectic, for attacks such as these, such as New York Times. They've written numerous articles like this. They just basically recirculate the same notion for the Center for Inquiry blogs. "They recirculate the same exact narrative, the same strawman arguments, the same ideas that, oh, the same coalition, oh, these MAHA infightings and constantly quoting me as a disgruntled MAHA, where I was always clear, I wasn't part of MAHA. I knew—it was transparent what was going on and how it was designed. "So I'm not at all surprised by this article. I've seen numerous versions of it. I was quoted in New York Times in one of these articles by Benjamin Mueller in May. And, yeah, this is how it's designed. This is designed to fail. "This is designed to say, Well, you know, Kennedy tried, but all these advisors and all these dividers and all these people who can't agree on things and can't march in lockstep. Well, you see, that's why he's not capable. This is how it always works. So here we are." Kirsch: "Okay, but, vaccine skepticism has been a core component of the MAHA movement, hasn't it?" Latypova: "No, because Calley and Casey Means were very explicit that it's going to be anything but vaccines. And by the way, Health Freedom Movement is not MAHA. MAHA is a political lobby group. MAHA is a fund to raise money, divert resources, divert attention, come up with excuses upon excuses upon excuses of who is holding Kennedy hostage and who is preventing him from doing what and how the secret plan is still unfolding. That's what MAHA is."

Sense Receptor

24,858 views • 2 months ago

consistency ≠ uniformity: for those who haven't lived through this era – we used to have beautiful, precision interfaces. now they're replaced by a design language that originated from the Apple Watch, with icons that only fit in squircles. but that's not even the point. the point is we used to design the whole stack – the technology, the concepts, the interfaces. when designers only care about superficial consistency, platforms lose their uniqueness. apple used to design systems. skeuomorphism wasn't just about leather textures – it was about teaching people new mental models. the trash can empties because you understand what a trash can does. aqua's lickable buttons and sheets had depth because the OS had layers you could understand. the old apple designed the whole stack – from metal to pixels to concepts. teams weren't just shipping features in the same box, they were building coherent platforms each with opinions about what computing should feel like for the medium. liquid glass is fine on a phone. but on macOS it's unusable – lack of precision, visual noise everywhere. this is what happens when UI language designed for fingers bleed into macOS. we went from interfaces designed for a 27" cinema display with a precise cursor to interfaces designed for a 1.5" screen you tap with one finger. the Mac is for creation and precision work. it needs information density. it needs chrome you can grab. it needs UI that gets out of your way but gives you power when you need it. instead we got padding and whitespace and translucent blurs optimized for touch targets nobody's touching. the squircle icon mandate is a symptom. when you force every icon into the same shape, you're saying "brand consistency" matters more than "each app icon needs to communicate its function instantly." we traded clarity for uniformity. we traded precise design for cross-platform sameness. consistency means your system has coherent rules within itself. uniformity means everything looks the same regardless of context. the hardware team still gets it – that macbook pro + M-series chips, chef's kiss. but software design feels like it's chasing fat fingers instead of remembering what people do on a Mac.

Ryo Lu

718,616 views • 9 months ago

Mother calls out school over kicking daughter out for late coming A Nigerian mother has taken to social media to express her outrage at a Lagos-based school for sending her daughter home due to late arrival. In the now-viral video, the woman, whose daughter was identified as Favour, claimed that her daughter was sent home from school because she arrived late. She further alleged that when she contacted the principal to protest against the school's decision, she was met with insults and disrespect, stating that the action would have put her daughter in danger. According to the mother, she had no choice but to visit the school in person, also got kicked out as well. She said, "Good morning, guys so I met the principal, they just kicked me out of the school building, and now they are saying I can't make a video. "Favour came to school by 8:30 today, and they threw her out of school. They don't know if I'm at home or not. Not for any reason because she came late; if I were the one who drove favour to school, by 8:30, I'm definitely sure they would not throw her out of school. "If she came with the school bus, sometimes the bus gets to school by 10; they will definitely not throw her out of the school. "I called the principal on the phone immediately after Favour got home because I was shocked because I was about to leave the house, and this man started insulting me on the phone and cutting the phone off. "I have to come physically, and he is doing the same thing." Credit: Instagram// EstherSmileTv

Vanguard Newspapers

81,168 views • 2 years ago