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Murder Drones: Boozy Uzi, with voices! Part 15: Pages 59-63 Original Comic by Toyslasher "YOU TIED THEM?!?!?!" I almost died laughing. Also new V voice actor wawa Credits in pinned post #comic #comicdub #murderdrones #nuzi #nuzicanon #boozyuzi #nsfw #NSFWvoiceacting

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💜⚡MurDubz Voices⚡💜 (NSFW)

2,361 subscribers

33,129 次观看 • 1 年前 •via X (Twitter)

NSFW#comic#comicdub#murderdrones#nuzi#nuzicanon#boozyuzi#nsfw#NSFWvoiceacting
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Here's my first series of Anime created by Generative AI. Vidu 2.0 is a groundbreaking advancement for storytelling in the Anime style. #vidu @Viduforhuman Hi everyone 😊 😉 Here's my first AI-created Anime series. The name of my anime is Kuro & Yuki. I won't spoil the story for you, but it begins with these two boys locked up in what appears to be a highly secure institute/prison. Yuki has reached the age where he has awakened his power. While wandering the corridors of the institute, he meets Kuro, a boy with autism. It's a fleeting encounter as they end up being separated. As the story unfolds, you'll understand who they really are and why they are locked up. I don't plan on making episode 2 yet, even though I've grown attached to my characters' story. I'll continue the story only if a lot of people are interested and want to know what happens next. Otherwise, I'll explore other universes and styles of Anime 😉 Tools: - Epidemic Sound (For sound effects) - Vidu AI (to transform frames into animation) - ElevenLabs (for certain expressions) When I say Vidu 2.0 is a game-changer, I mean it. I had already made my animation with the previous version of Vidu, but when they gave me access to the beta, I urgently changed my plans and recreated all the animations. Let me tell you, it's a whole new level. My first animation was ultra frustrating to bring my ideas to life! Really! And since Vidu couldn't handle many image styles, I clearly couldn't bring my ideas to life. But with Vidu 2.0, I enjoy it much more! For the first time, I really get to bring my ideas to life! Until now, I always had to make compromises. Of course, Vidu is still not perfect, and there are still many obstacles, but it is a truly magnificent advancement! (and it surpasses all the Anime-style AIs I've tested recently) Moreover, Vidu 2.0 is fantastic for special effects, but also for embedding elements into the video (like a hand that appears and interacts with the character, or another character; and the best part is that they perfectly match the style of the original images!) * The animations/images and voices are AI-generated * The SoundDesign is traditional and done by me * The story was entirely written by me (I don't use AI to create my stories, it's important to me to write them myself) The voices were generated thanks to Nijivoice (for secondary characters) and Hailuo Audio (for main characters). I thank Yachimat (yachimat - AI Short Anime) for introducing me to Nijivoice, it's very generous of him! During the beta, we didn't consume credits, otherwise, this animation would have cost me around 20,000 credits, ha ha. Vidu 2.0, with its superb stability and fidelity to the style of images, offers brand new horizons for storytelling! One problem with Vidu 2.0 is that for now, you have to manually extend videos (by exporting the last frame). As you can see, this allowed me to create long scenes with different actions, and everything fits together perfectly! There are still many obstacles to storytelling, such as character consistency (I use the image to video function; I produce my images with Nijijourney) and it's always laborious to have a consistent character! The same goes for backgrounds. Here are the points I've identified that would facilitate storytelling: For Vidu: - Function to extend videos (you can already do this manually by exporting the last frame) - Function to invent the beginning or end of a video using a single frame (you can already do this manually by putting a completely white or completely black image as the first or last frame; this technique also allows you to have very dynamic results with Vidu 2.0! ) - It's difficult to obtain facial expressions for certain image styles (the same image style that the previous version couldn't handle at all). - More dynamism There's always room for improvement, but Vidu 2.0 has truly opened up exciting new possibilities for creative storytelling. ai aiart aianimation aianime ainews anime animenews aitools aitool
4:52

Here's my first series of Anime created by Generative AI. Vidu 2.0 is a groundbreaking advancement for storytelling in the Anime style. #vidu @Viduforhuman Hi everyone 😊 😉 Here's my first AI-created Anime series. The name of my anime is Kuro & Yuki. I won't spoil the story for you, but it begins with these two boys locked up in what appears to be a highly secure institute/prison. Yuki has reached the age where he has awakened his power. While wandering the corridors of the institute, he meets Kuro, a boy with autism. It's a fleeting encounter as they end up being separated. As the story unfolds, you'll understand who they really are and why they are locked up. I don't plan on making episode 2 yet, even though I've grown attached to my characters' story. I'll continue the story only if a lot of people are interested and want to know what happens next. Otherwise, I'll explore other universes and styles of Anime 😉 Tools: - Epidemic Sound (For sound effects) - Vidu AI (to transform frames into animation) - ElevenLabs (for certain expressions) When I say Vidu 2.0 is a game-changer, I mean it. I had already made my animation with the previous version of Vidu, but when they gave me access to the beta, I urgently changed my plans and recreated all the animations. Let me tell you, it's a whole new level. My first animation was ultra frustrating to bring my ideas to life! Really! And since Vidu couldn't handle many image styles, I clearly couldn't bring my ideas to life. But with Vidu 2.0, I enjoy it much more! For the first time, I really get to bring my ideas to life! Until now, I always had to make compromises. Of course, Vidu is still not perfect, and there are still many obstacles, but it is a truly magnificent advancement! (and it surpasses all the Anime-style AIs I've tested recently) Moreover, Vidu 2.0 is fantastic for special effects, but also for embedding elements into the video (like a hand that appears and interacts with the character, or another character; and the best part is that they perfectly match the style of the original images!) * The animations/images and voices are AI-generated * The SoundDesign is traditional and done by me * The story was entirely written by me (I don't use AI to create my stories, it's important to me to write them myself) The voices were generated thanks to Nijivoice (for secondary characters) and Hailuo Audio (for main characters). I thank Yachimat (yachimat - AI Short Anime) for introducing me to Nijivoice, it's very generous of him! During the beta, we didn't consume credits, otherwise, this animation would have cost me around 20,000 credits, ha ha. Vidu 2.0, with its superb stability and fidelity to the style of images, offers brand new horizons for storytelling! One problem with Vidu 2.0 is that for now, you have to manually extend videos (by exporting the last frame). As you can see, this allowed me to create long scenes with different actions, and everything fits together perfectly! There are still many obstacles to storytelling, such as character consistency (I use the image to video function; I produce my images with Nijijourney) and it's always laborious to have a consistent character! The same goes for backgrounds. Here are the points I've identified that would facilitate storytelling: For Vidu: - Function to extend videos (you can already do this manually by exporting the last frame) - Function to invent the beginning or end of a video using a single frame (you can already do this manually by putting a completely white or completely black image as the first or last frame; this technique also allows you to have very dynamic results with Vidu 2.0! ) - It's difficult to obtain facial expressions for certain image styles (the same image style that the previous version couldn't handle at all). - More dynamism There's always room for improvement, but Vidu 2.0 has truly opened up exciting new possibilities for creative storytelling. ai aiart aianimation aianime ainews anime animenews aitools aitool

Naegiko

67,062 次观看 • 1 年前

You call me a snitch? 🐀 Let me educate you. First of all, I have the biggest balls in the United States, Period! Second, I am the single most valuable foreign asset the U.S. government has ever had. No one else even comes close. That’s why President Trump needs me as his Senior Foreign Policy Advisor. The facts are simple: Lately, the U.S. has been bluffing with almost every move it makes and the world knows it. The result? America has already lost much of its respect. The U.S. gets screwed all over the world, its cards are too easy to read. With me at the table, U.S. doesn’t get screwed anymore. The cards become impossible to read and most importantly, the other side knows I NEVER bluff. At the time I dropped this video, according to U.S. law enforcement, I was under the highest threat level in America. Why? Because I didn’t just pull back the curtain, I burned the whole theater to the ground. I exposed the largest money laundering and narcotics trafficking operation on planet Earth. I have survived multiple assassination attempts. I wasn’t supposed to live, but I did. So before you throw around labels like “snitch” understand: This isn’t as simple as you think. For years, I fought the corrupt establishment and the playbook they used against me was the exact same playbook they later used against President Trump. They couldn’t break me, so they framed me— exactly like they did to Trump — trying to lock me away on a bogus tax charge. So I escaped Sweden. I went underground, hiding in the United Arab Emirates with my wife and two small children. Life was brutal, but I kept us alive. Then powerful people leaked to Turkish intelligence that I was hiding in the UAE and threatening to go public, so they unleashed their hitmen. The hunt for me started, and when they tracked me down and called all my burner phones at the same time, they had me zeroed in. It was Game Over. But with help from the U.S. I pulled off a high-risk escape. I fled Dubai in an armed motorcade and was flown out on a non-stop jet to New York. Even then, I wasn’t planning to speak out. Even after the corrupt establishment had destroyed everything, I stayed silent. They demolished my company empire. They stole my fortune. They forced me to flee Sweden. Even then, I thought the U.S. would give me and my family new identities and I would rebuild in silence. But then May 2019 happened. That was the breaking point. Turkish hitmen came for me again, in New York. This time, they tried to murder me in front of my wife and two small children. That was also the last time I ever saw my wife and my children. After a series of events, I spent five weeks between life and death in a New York hospital. And there, I made a promise to God: I will never stay silent again. I will hunt them all down. And if it takes burning every last one of them to ashes, so be it. That was the day the old me died. And the man I am now has nothing left to fear. On my deathbed, I promised God I would never expose weakness again. No women. No children. No family. No friends. Because all of it brings weakness to a man and that’s a weakness I cannot afford. It takes extreme discipline to stay away from all of this. I became a brutal machine in June 2019. Since then, I have worked 20 hours a day, from 2 a.m. to 10 p.m seven days a week. Since 2020, I have been fighting over billions of dollars in the U.S. court system. For perspective: what Andrew Tate and Wes Watson spent on their Bugattis? That was a couple weeks of my legal fees. And in the end, I made peace with some of the worst people on Earth, the ones I mentioned in a previous post. Not out of fear. Out of strategy. So yeah, call me a snitch if you want but the truth is: If I sit at the table, the U.S. will be feared like never before in history. With me in play, there’s no more bluffing. We are impossible to read and nobody will see the next move coming. By the time they realize it, it’s already over.
2:24

You call me a snitch? 🐀 Let me educate you. First of all, I have the biggest balls in the United States, Period! Second, I am the single most valuable foreign asset the U.S. government has ever had. No one else even comes close. That’s why President Trump needs me as his Senior Foreign Policy Advisor. The facts are simple: Lately, the U.S. has been bluffing with almost every move it makes and the world knows it. The result? America has already lost much of its respect. The U.S. gets screwed all over the world, its cards are too easy to read. With me at the table, U.S. doesn’t get screwed anymore. The cards become impossible to read and most importantly, the other side knows I NEVER bluff. At the time I dropped this video, according to U.S. law enforcement, I was under the highest threat level in America. Why? Because I didn’t just pull back the curtain, I burned the whole theater to the ground. I exposed the largest money laundering and narcotics trafficking operation on planet Earth. I have survived multiple assassination attempts. I wasn’t supposed to live, but I did. So before you throw around labels like “snitch” understand: This isn’t as simple as you think. For years, I fought the corrupt establishment and the playbook they used against me was the exact same playbook they later used against President Trump. They couldn’t break me, so they framed me— exactly like they did to Trump — trying to lock me away on a bogus tax charge. So I escaped Sweden. I went underground, hiding in the United Arab Emirates with my wife and two small children. Life was brutal, but I kept us alive. Then powerful people leaked to Turkish intelligence that I was hiding in the UAE and threatening to go public, so they unleashed their hitmen. The hunt for me started, and when they tracked me down and called all my burner phones at the same time, they had me zeroed in. It was Game Over. But with help from the U.S. I pulled off a high-risk escape. I fled Dubai in an armed motorcade and was flown out on a non-stop jet to New York. Even then, I wasn’t planning to speak out. Even after the corrupt establishment had destroyed everything, I stayed silent. They demolished my company empire. They stole my fortune. They forced me to flee Sweden. Even then, I thought the U.S. would give me and my family new identities and I would rebuild in silence. But then May 2019 happened. That was the breaking point. Turkish hitmen came for me again, in New York. This time, they tried to murder me in front of my wife and two small children. That was also the last time I ever saw my wife and my children. After a series of events, I spent five weeks between life and death in a New York hospital. And there, I made a promise to God: I will never stay silent again. I will hunt them all down. And if it takes burning every last one of them to ashes, so be it. That was the day the old me died. And the man I am now has nothing left to fear. On my deathbed, I promised God I would never expose weakness again. No women. No children. No family. No friends. Because all of it brings weakness to a man and that’s a weakness I cannot afford. It takes extreme discipline to stay away from all of this. I became a brutal machine in June 2019. Since then, I have worked 20 hours a day, from 2 a.m. to 10 p.m seven days a week. Since 2020, I have been fighting over billions of dollars in the U.S. court system. For perspective: what Andrew Tate and Wes Watson spent on their Bugattis? That was a couple weeks of my legal fees. And in the end, I made peace with some of the worst people on Earth, the ones I mentioned in a previous post. Not out of fear. Out of strategy. So yeah, call me a snitch if you want but the truth is: If I sit at the table, the U.S. will be feared like never before in history. With me in play, there’s no more bluffing. We are impossible to read and nobody will see the next move coming. By the time they realize it, it’s already over.

Victor X

1,861,225 次观看 • 1 年前

THE TRUTH ABOUT THE MLK JR. GUNSHOT You've all seen the fed-sloppers, like the losers Mike Cernovich & Blake Neff and many others, running their stupid mouths about "muh .30-06 bullet that killed MLK didn't exit his body!" But they're ignorant propagandists who don't know sh*t about the MLK Jr. ass*ssination. This post will take you 5 mins to read, and 10 minutes to watch the videos, but then you'll know the information necessary to defeat the lying, ignorant fed-sloppers in this propaganda war. 1. The bullet did initially exit MLK's body, but then it re-entered: It entered the right cheek, fractured the jaw, EXITED near the chin (thus leaving the body), re-entered the base of his neck, severed arteries/veins, transected the spinal cord, and lodged near his left shoulder blade. (Judge Brown below) 2. The FBI officially determined that the "drop gun" (the gun that was planted and purported to be the murder weapon) wasn't sighted properly and was actually off by over 5 inches! Virtually any shot aimed at King's head would have missed! 3. The drop gun (the alleged murder weapon) the government has isn't the actual murder weapon. It was planted. Fake. MLK wasn't even shot with a .30-06 round. He was shot with a NATO 7.62 round. (Judge Joe Brown explains below) 4. Originally, ballistics were never performed on the drop gun and death slug, even though sufficient slug remained to perform the testing. The gun was simply assumed to be the murder weapon—reversing normal precedent where you have to prove a gun IS the murder weapon. Later, ballistics were performed and the rifle and slug COULD NOT BE MATCHED. (Judge Brown below) 5. Metallurgical testing also determined the death slug DID NOT MATCH the rest of the bullets in the "drop bundle." But all the bullets in the drop bundle matched each other. Remember, these planted bullets were the .30-06 rounds. And they DID NOT MATCH the death slug (NATO 7.62, Judge Brown below). 6. MLK survived the gunshot. Two different witnesses attest) claimed that he was suffocated in the hospital. (Dr. William Pepper below). (What really happened to Charlie in that SUV & at the hospital, anyway?) 7. Witnesses attested that the "drop gun," alleged to be the murder weapon, was planted 5-10 minutes BEFORE the gunshot. 8. The actual death round was a special subsonic round fired through a suppressor. (Judge Brown below) 9. Other witnesses alleged the real murder weapon was thrown off the Memphis-Arkansas Bridge into the Mississippi River by a taxi driver named McCraw, after Loyd Jowers gave it to him to dispose of (more on Jowers below). ("The Plot To Kill King", by: Dr. William Pepper) 10. The same day of the fatal shot, a problematic tree limb that had been blocking the alleged shot trajectory from the flop house was cut down, meaning James Earl Ray couldn't have made the alleged kill shot from the flop house, which is the "official" government narrative. (Judge Brown below) 11. Multiple witnesses placed a shooter in the hedges & shrubbery behind Jim's Grill (owned by Loyd Jowers). By early the next morning, it was all completely removed, the ground razed, and the crime scene destroyed. Sound familiar? 12. King's original room at the Lorraine Motel faced INWARD towards the interior of the motel, but his reservation was mysteriously changed before check-in to a room with a balcony facing OUTWARD. To this day, no one knows who requested the change. But I think we can figure out why. 13. Multiple witnesses place James Earl Ray DRIVING AWAY from the crime scene just minutes before the shot. So he couldn't have taken the shot (in addition to the fact that there had been a tree limb blocking the alleged shot trajectory). 14. You've never heard most of this evidence, because the case was never brought to trial for James Earl Ray. He was manipulated into pleading guilty by his lawyer who told him he should initially plead guilty and then get a new lawyer to change his plea! As a result, Ray never got a full trial. Ray did end up getting a new lawyer and appealing his original plea. But the judge considering his appeal for a new trial died of a sudden heart attack, and was found with his face literally lying on top of Ray's appeal paperwork! You can't make it up. Sadly, Ray died in prison before finally getting his day in court. (Dr. William Pepper below) 15. Finally, in 1998, the King family themselves brought a wrongful death lawsuit. Much of this evidence was then heard. The court determined that LOYD JOWERS, owner of Jim's Grill, ALONG WITH A GOVERNMENT CONSPIRACY, were the principal guilty parties in the ass*ssination of MLK Jr. Read that again. 16. We also now know that the FBI used the Dixie Mafia to pay off the prison warden to let James Earl Ray escape in the first place (in April 1967). IOW, he was a patsy set up from the beginning. Sound familiar? BONUS: The alternate identity assumed by James Earl Ray while he was escaped and on the lamb was "Eric S. Galt"—the manager of a Union Carbide factory who had National Security Clearance. The factory Galt managed manufactured bomb fuses being illegally smuggled to israel. (Dr. William Pepper below)
1:41

THE TRUTH ABOUT THE MLK JR. GUNSHOT You've all seen the fed-sloppers, like the losers Mike Cernovich & Blake Neff and many others, running their stupid mouths about "muh .30-06 bullet that killed MLK didn't exit his body!" But they're ignorant propagandists who don't know sh*t about the MLK Jr. ass*ssination. This post will take you 5 mins to read, and 10 minutes to watch the videos, but then you'll know the information necessary to defeat the lying, ignorant fed-sloppers in this propaganda war. 1. The bullet did initially exit MLK's body, but then it re-entered: It entered the right cheek, fractured the jaw, EXITED near the chin (thus leaving the body), re-entered the base of his neck, severed arteries/veins, transected the spinal cord, and lodged near his left shoulder blade. (Judge Brown below) 2. The FBI officially determined that the "drop gun" (the gun that was planted and purported to be the murder weapon) wasn't sighted properly and was actually off by over 5 inches! Virtually any shot aimed at King's head would have missed! 3. The drop gun (the alleged murder weapon) the government has isn't the actual murder weapon. It was planted. Fake. MLK wasn't even shot with a .30-06 round. He was shot with a NATO 7.62 round. (Judge Joe Brown explains below) 4. Originally, ballistics were never performed on the drop gun and death slug, even though sufficient slug remained to perform the testing. The gun was simply assumed to be the murder weapon—reversing normal precedent where you have to prove a gun IS the murder weapon. Later, ballistics were performed and the rifle and slug COULD NOT BE MATCHED. (Judge Brown below) 5. Metallurgical testing also determined the death slug DID NOT MATCH the rest of the bullets in the "drop bundle." But all the bullets in the drop bundle matched each other. Remember, these planted bullets were the .30-06 rounds. And they DID NOT MATCH the death slug (NATO 7.62, Judge Brown below). 6. MLK survived the gunshot. Two different witnesses attest) claimed that he was suffocated in the hospital. (Dr. William Pepper below). (What really happened to Charlie in that SUV & at the hospital, anyway?) 7. Witnesses attested that the "drop gun," alleged to be the murder weapon, was planted 5-10 minutes BEFORE the gunshot. 8. The actual death round was a special subsonic round fired through a suppressor. (Judge Brown below) 9. Other witnesses alleged the real murder weapon was thrown off the Memphis-Arkansas Bridge into the Mississippi River by a taxi driver named McCraw, after Loyd Jowers gave it to him to dispose of (more on Jowers below). ("The Plot To Kill King", by: Dr. William Pepper) 10. The same day of the fatal shot, a problematic tree limb that had been blocking the alleged shot trajectory from the flop house was cut down, meaning James Earl Ray couldn't have made the alleged kill shot from the flop house, which is the "official" government narrative. (Judge Brown below) 11. Multiple witnesses placed a shooter in the hedges & shrubbery behind Jim's Grill (owned by Loyd Jowers). By early the next morning, it was all completely removed, the ground razed, and the crime scene destroyed. Sound familiar? 12. King's original room at the Lorraine Motel faced INWARD towards the interior of the motel, but his reservation was mysteriously changed before check-in to a room with a balcony facing OUTWARD. To this day, no one knows who requested the change. But I think we can figure out why. 13. Multiple witnesses place James Earl Ray DRIVING AWAY from the crime scene just minutes before the shot. So he couldn't have taken the shot (in addition to the fact that there had been a tree limb blocking the alleged shot trajectory). 14. You've never heard most of this evidence, because the case was never brought to trial for James Earl Ray. He was manipulated into pleading guilty by his lawyer who told him he should initially plead guilty and then get a new lawyer to change his plea! As a result, Ray never got a full trial. Ray did end up getting a new lawyer and appealing his original plea. But the judge considering his appeal for a new trial died of a sudden heart attack, and was found with his face literally lying on top of Ray's appeal paperwork! You can't make it up. Sadly, Ray died in prison before finally getting his day in court. (Dr. William Pepper below) 15. Finally, in 1998, the King family themselves brought a wrongful death lawsuit. Much of this evidence was then heard. The court determined that LOYD JOWERS, owner of Jim's Grill, ALONG WITH A GOVERNMENT CONSPIRACY, were the principal guilty parties in the ass*ssination of MLK Jr. Read that again. 16. We also now know that the FBI used the Dixie Mafia to pay off the prison warden to let James Earl Ray escape in the first place (in April 1967). IOW, he was a patsy set up from the beginning. Sound familiar? BONUS: The alternate identity assumed by James Earl Ray while he was escaped and on the lamb was "Eric S. Galt"—the manager of a Union Carbide factory who had National Security Clearance. The factory Galt managed manufactured bomb fuses being illegally smuggled to israel. (Dr. William Pepper below)

Sam Parker 🇺🇸🧯

86,453 次观看 • 2 个月前

EXIT WOUND THEORY Charlie Kirk assassination. If this IS the EXIT WOUND and NOT the ENTRANCE, this theory is very plausible. This entire video brings up every crucial point to take into consideration with analysis if the shooter was behind Charlie. FBI Dir. Kash Patel even brought up the possibility of 2 or more shooters, and George Zinn alone should tell you that more people were involved along with the people in the crowd and Discord and all the social media posts before Charlie was shot. Recent possible theories and videos/information: - Shooter Tyler .30-06 straight on "Official story so far" - Video of Charlie's MIC on shirt possibly being an explosive device - Shooters located behind Charlie where we see a flash consistent with gun shot sound's timing. - Possible shooters located and seen on other building roof tops before the shot. - Other possible shooter location behind Charlie near area where flash is caught and by stairwell - Video of projectile caught in front of Charlie coming from crowd, then seen past Charlie which lines up in a perfect horizontal line for a moving projectile. - Videos of security team possibly grabbing projectile or some sort of evidence on table in front of Charlie and passing something off to each other right after Charlie is shot. - Cameras were all taken down immediately by Charlie's crew after shot. - Man named Russell Kennington wearing scrubs and doctors over coat breaking into Charlie crime scene, specifically the WOODBURY building, charged for trespassing - Weird Hollywood connection to the movie "Snake Eyes" "Charles Kirkland, September 10th, shot in neck, etc." - GEORGE ZINN, who yelled that he k*lled Charlie immediately after Charlie was shot and "Shoot Me," also was at 9/11, Boston bombing? And called in a bomb threat at other event - No video of Tyler Robinson taking the sho, in the prone position, or with the weapon in-hand, as we know of, just running off the roof - Original description of shooter was all black tactical gear with mask and headgear? - New witness description of shooter matched original sighting in black tactical gear, said he saw him then with a mask, reminded him of someone foreign, saw him sprint away, considered him young, and saw weapon, said it was not the gun the FBI claimed it was but smaller, maybe a .223 caliber and the gun maybe being a HORNADY V-MAX or similar light weight .223. - Video of random person with police badge on shirt and takes it off as soon as he realizes he's on camera. - HUNTER KOZAK, who asked Charlie the last "CUE" question about TRANS SHOOTERS is also part of a far left group tied to the streamer DESTINY who's group goes to different conservative and TPUSA events to harass the members and Charlie across the country. Tied to other radical groups and trans community, fury community. - TWIGGS has disappeared, random people with out of state license plates showed up to his and TYER ROBINSON'S HOUSE days before shooting, "Did not look friendly. TWIGGS connected to trans community and fury community. - Social media and DISCORD group connections, multiple people online posted clear messages that showed they had prior knowledge that Charlie was going to be shot. - Ballistics show a human neck would not stop a .30-06. Also backed by multiple real world snipers and hunter. A .30-06 can and will shatter ELK BONE at 500 yards. go through 3/8 thick steel plates, etc. Ballistics also showed a .30-06 round also traveled 23 and 3/8" inches worth of penetration through a solid block of ballistics gel. That's almost 2 feet of penetration before the bullet stopped. - No gun seen in Tyler pants. - Utah Valley University safe house located next to where and near where Tyler's alleged Rifle was found by the FBI. There is so much more information, but what I will tell you is that this investigation is far from over and the FBI is NOT releasing more information because of it. After all info is released we can hopefully come up with a solid conclusion. Please add any important info I missed in the comments that you believe are relevant and important to this case and finding the truth. God Bless Charlie Kirk. cc: PBD Podcast
11:47

EXIT WOUND THEORY Charlie Kirk assassination. If this IS the EXIT WOUND and NOT the ENTRANCE, this theory is very plausible. This entire video brings up every crucial point to take into consideration with analysis if the shooter was behind Charlie. FBI Dir. Kash Patel even brought up the possibility of 2 or more shooters, and George Zinn alone should tell you that more people were involved along with the people in the crowd and Discord and all the social media posts before Charlie was shot. Recent possible theories and videos/information: - Shooter Tyler .30-06 straight on "Official story so far" - Video of Charlie's MIC on shirt possibly being an explosive device - Shooters located behind Charlie where we see a flash consistent with gun shot sound's timing. - Possible shooters located and seen on other building roof tops before the shot. - Other possible shooter location behind Charlie near area where flash is caught and by stairwell - Video of projectile caught in front of Charlie coming from crowd, then seen past Charlie which lines up in a perfect horizontal line for a moving projectile. - Videos of security team possibly grabbing projectile or some sort of evidence on table in front of Charlie and passing something off to each other right after Charlie is shot. - Cameras were all taken down immediately by Charlie's crew after shot. - Man named Russell Kennington wearing scrubs and doctors over coat breaking into Charlie crime scene, specifically the WOODBURY building, charged for trespassing - Weird Hollywood connection to the movie "Snake Eyes" "Charles Kirkland, September 10th, shot in neck, etc." - GEORGE ZINN, who yelled that he k*lled Charlie immediately after Charlie was shot and "Shoot Me," also was at 9/11, Boston bombing? And called in a bomb threat at other event - No video of Tyler Robinson taking the sho, in the prone position, or with the weapon in-hand, as we know of, just running off the roof - Original description of shooter was all black tactical gear with mask and headgear? - New witness description of shooter matched original sighting in black tactical gear, said he saw him then with a mask, reminded him of someone foreign, saw him sprint away, considered him young, and saw weapon, said it was not the gun the FBI claimed it was but smaller, maybe a .223 caliber and the gun maybe being a HORNADY V-MAX or similar light weight .223. - Video of random person with police badge on shirt and takes it off as soon as he realizes he's on camera. - HUNTER KOZAK, who asked Charlie the last "CUE" question about TRANS SHOOTERS is also part of a far left group tied to the streamer DESTINY who's group goes to different conservative and TPUSA events to harass the members and Charlie across the country. Tied to other radical groups and trans community, fury community. - TWIGGS has disappeared, random people with out of state license plates showed up to his and TYER ROBINSON'S HOUSE days before shooting, "Did not look friendly. TWIGGS connected to trans community and fury community. - Social media and DISCORD group connections, multiple people online posted clear messages that showed they had prior knowledge that Charlie was going to be shot. - Ballistics show a human neck would not stop a .30-06. Also backed by multiple real world snipers and hunter. A .30-06 can and will shatter ELK BONE at 500 yards. go through 3/8 thick steel plates, etc. Ballistics also showed a .30-06 round also traveled 23 and 3/8" inches worth of penetration through a solid block of ballistics gel. That's almost 2 feet of penetration before the bullet stopped. - No gun seen in Tyler pants. - Utah Valley University safe house located next to where and near where Tyler's alleged Rifle was found by the FBI. There is so much more information, but what I will tell you is that this investigation is far from over and the FBI is NOT releasing more information because of it. After all info is released we can hopefully come up with a solid conclusion. Please add any important info I missed in the comments that you believe are relevant and important to this case and finding the truth. God Bless Charlie Kirk. cc: PBD Podcast

The SCIF

507,018 次观看 • 11 个月前

Capas-born actor Brent Manalo has doubled down on his opposition to the proposed Pax Silica initiative, emphasizing that his identity as a native of Tarlac compelled him to speak out and protect his home province. Reflecting on his decision to raise awareness, the actor revealed that he immediately took the time to research the project after first learning about it a couple of weeks ago. While acknowledging that the development comes with possible benefits, he ultimately found that the risks far exceed the advantages. "Ako syempre, Tarlaqueño talaga ako, so once narinig ko 'to, I think a couple of weeks ago ko siya unang nalaman, I really did my research. May mga pros siya, but then, I think the pros were outweighed by the cons," Manalo shared with radar Entertainment during the media launch of his stage play “The Art of Breaking Up,” which is slated in November. For the actor, raising his voice against the project is both a civic duty and a personal responsibility to safeguard Tarlac's natural beauty and agricultural heritage from potential harm. "As a Tarlaqueño, you have to use your voice. It’s such a beautiful province na pwedeng masira because of this project. So I think I have to do my part as a Filipino and as a Tarlakenyo," he added. Manalo’s recent remarks come after his earlier post on X, where he flagged possible displacement among agricultural workers tied to the planned 1.6k-hectare AI and tech hub in New Clark City. The project is part of a US-led initiative that aims to build a “secure” and “innovation-driven” silicon and nickel supply chain—an area where the Philippines plays a major role, accounting for 95 percent of global nickel ore exports, based on 2025 data from the Philippine Nickel Industry Association. He pointed out that Tarlac has long depended on agriculture, and raised concerns that farmers could lose not just their land, but their main source of income. For him, the bigger question is simple: are these kinds of developments worth the cost? His stance echoes concerns from various groups, including environmental advocates, civil society organizations, and farmers, who have been sounding the alarm over possible land displacement, environmental damage, and even issues tied to national sovereignty. One of them, the Institute for Nationalist Studies, has gone as far as calling for the project’s outright rejection. The group claimed that the Philippine government is offering land and natural resources to the United States rent-free. "Under the guise of integration into global supply chains, Pax Silica is another false promise of technological development for the Philippines, while the US and its allies keep Filipino workers toiling at the most labor-intensive part of production," it said. As the conversation continues online, the debate has grown into a larger one: how to balance progress and innovation with the welfare of local communities. For now, Manalo remains among the public figures using their platform to keep that conversation going, especially for those who might be directly affected. (✍️🎥: Rafael Asonza) #radarPHEntertainment #radarPH
0:49

Capas-born actor Brent Manalo has doubled down on his opposition to the proposed Pax Silica initiative, emphasizing that his identity as a native of Tarlac compelled him to speak out and protect his home province. Reflecting on his decision to raise awareness, the actor revealed that he immediately took the time to research the project after first learning about it a couple of weeks ago. While acknowledging that the development comes with possible benefits, he ultimately found that the risks far exceed the advantages. "Ako syempre, Tarlaqueño talaga ako, so once narinig ko 'to, I think a couple of weeks ago ko siya unang nalaman, I really did my research. May mga pros siya, but then, I think the pros were outweighed by the cons," Manalo shared with radar Entertainment during the media launch of his stage play “The Art of Breaking Up,” which is slated in November. For the actor, raising his voice against the project is both a civic duty and a personal responsibility to safeguard Tarlac's natural beauty and agricultural heritage from potential harm. "As a Tarlaqueño, you have to use your voice. It’s such a beautiful province na pwedeng masira because of this project. So I think I have to do my part as a Filipino and as a Tarlakenyo," he added. Manalo’s recent remarks come after his earlier post on X, where he flagged possible displacement among agricultural workers tied to the planned 1.6k-hectare AI and tech hub in New Clark City. The project is part of a US-led initiative that aims to build a “secure” and “innovation-driven” silicon and nickel supply chain—an area where the Philippines plays a major role, accounting for 95 percent of global nickel ore exports, based on 2025 data from the Philippine Nickel Industry Association. He pointed out that Tarlac has long depended on agriculture, and raised concerns that farmers could lose not just their land, but their main source of income. For him, the bigger question is simple: are these kinds of developments worth the cost? His stance echoes concerns from various groups, including environmental advocates, civil society organizations, and farmers, who have been sounding the alarm over possible land displacement, environmental damage, and even issues tied to national sovereignty. One of them, the Institute for Nationalist Studies, has gone as far as calling for the project’s outright rejection. The group claimed that the Philippine government is offering land and natural resources to the United States rent-free. "Under the guise of integration into global supply chains, Pax Silica is another false promise of technological development for the Philippines, while the US and its allies keep Filipino workers toiling at the most labor-intensive part of production," it said. As the conversation continues online, the debate has grown into a larger one: how to balance progress and innovation with the welfare of local communities. For now, Manalo remains among the public figures using their platform to keep that conversation going, especially for those who might be directly affected. (✍️🎥: Rafael Asonza) #radarPHEntertainment #radarPH

radar PH

499,224 次观看 • 1 个月前

WAIT… PALWORLD ALSO HAS A DATING SIM COMING SOON?! (i kept going down the rabbit hole and this one sounds crazy but its real) Pal♡world! More Than Just Pals is a dating simulator that started as an April Fools joke in 2024. Pocketpair dropped a ridiculous trailer for a Palworld dating sim where you attend Palpagos Private Academy, build relationships with Pals and human characters, and depending on your choices, things can go from cute school romance to something much darker. A year later they came back with an actual Steam page, another trailer, new characters, and confirmed the game was really being developed. Then in 2026 they doubled down again with another special video and an expanded cast. (basically they kept the joke going long enough that eventually the joke became a real product, coming soon™️ lol) The actual game is a single player romance visual novel with choices and different relationship paths. You have characters like Katress, Lovander, Zoe, Chillet, Quivern, Saya, Tarantriss and Splatterina, each written around completely different dating sim archetypes. Lovander treats romance like hunting, Katress gets jealous, Splatterina is basically the obsessive yandere character, and Saya is the flirty school nurse. Pocketpair is also very deliberately mixing all of that with horror. The official Steam page straight up warns that the game contains horror elements, and even asks whether you’ll remain friends, fall in love, or dismantle and eat them. 😳 And before anyone thinks this is a “gooner” game, Pocketpair has already clarified that the real game is not supposed to be an explicit NSFW game. The original April Fools marketing joked about an adult version, but their publishing head later clarified that they’re not actually going that far. (what I’m more interested in is who this game is actually for lol) Palfarm makes sense if Pocketpair wants to reach the cozy gaming, Animal Crossing and Stardew Valley crowd. More Than Just Pals goes in almost the complete opposite direction. Now they’re targeting visual novel fans, dating sim players, anime audiences, romance fans, horror fans, and the part of internet culture that was already making Lovander memes five minutes after Palworld released. (and judging by the comments i’ve been reading, pocketpair absolutely knows who they’re dealing with. half the reaction is “why does this exist” and the other half has apparently had this thing wishlisted since the steam page went live) This is the part I keep coming back to. You don’t necessarily need every Palworld player to want every Palworld product. You need different Palworld products that give different types of people their own entry point into the IP. And interestingly, Pocketpair itself says these spinoffs aren’t some calculated attempt to build a giant “media empire.” Bucky has said projects like Palfarm and the dating sim came largely because their huge community kept asking for different ways to interact with the characters. More Than Just Pals is also one of the projects Pocketpair is actually working on internally, unlike some of the licensed Palworld projects being handled by outside companies. (that’s also the strategy without them even calling it a strategy. listen to the community, find the weird little subcultures already forming around the ip, then give each of them something they actually want) I don’t think More Than Just Pals needs to become some massive game for this experiment to work. If a person who would never spend 100 hours grinding materials in Palworld suddenly cares about Katress, Lovander or Tarantriss because they played a visual novel, Pocketpair just expanded the audience for those characters without changing the original game at all. That’s what makes this interesting to me. Palfarm is testing how far Palworld can stretch across genres. More Than Just Pals might be testing how far it can stretch across demographics. (sounds absolutely ridiculous but it’s genius)
1:28

WAIT… PALWORLD ALSO HAS A DATING SIM COMING SOON?! (i kept going down the rabbit hole and this one sounds crazy but its real) Pal♡world! More Than Just Pals is a dating simulator that started as an April Fools joke in 2024. Pocketpair dropped a ridiculous trailer for a Palworld dating sim where you attend Palpagos Private Academy, build relationships with Pals and human characters, and depending on your choices, things can go from cute school romance to something much darker. A year later they came back with an actual Steam page, another trailer, new characters, and confirmed the game was really being developed. Then in 2026 they doubled down again with another special video and an expanded cast. (basically they kept the joke going long enough that eventually the joke became a real product, coming soon™️ lol) The actual game is a single player romance visual novel with choices and different relationship paths. You have characters like Katress, Lovander, Zoe, Chillet, Quivern, Saya, Tarantriss and Splatterina, each written around completely different dating sim archetypes. Lovander treats romance like hunting, Katress gets jealous, Splatterina is basically the obsessive yandere character, and Saya is the flirty school nurse. Pocketpair is also very deliberately mixing all of that with horror. The official Steam page straight up warns that the game contains horror elements, and even asks whether you’ll remain friends, fall in love, or dismantle and eat them. 😳 And before anyone thinks this is a “gooner” game, Pocketpair has already clarified that the real game is not supposed to be an explicit NSFW game. The original April Fools marketing joked about an adult version, but their publishing head later clarified that they’re not actually going that far. (what I’m more interested in is who this game is actually for lol) Palfarm makes sense if Pocketpair wants to reach the cozy gaming, Animal Crossing and Stardew Valley crowd. More Than Just Pals goes in almost the complete opposite direction. Now they’re targeting visual novel fans, dating sim players, anime audiences, romance fans, horror fans, and the part of internet culture that was already making Lovander memes five minutes after Palworld released. (and judging by the comments i’ve been reading, pocketpair absolutely knows who they’re dealing with. half the reaction is “why does this exist” and the other half has apparently had this thing wishlisted since the steam page went live) This is the part I keep coming back to. You don’t necessarily need every Palworld player to want every Palworld product. You need different Palworld products that give different types of people their own entry point into the IP. And interestingly, Pocketpair itself says these spinoffs aren’t some calculated attempt to build a giant “media empire.” Bucky has said projects like Palfarm and the dating sim came largely because their huge community kept asking for different ways to interact with the characters. More Than Just Pals is also one of the projects Pocketpair is actually working on internally, unlike some of the licensed Palworld projects being handled by outside companies. (that’s also the strategy without them even calling it a strategy. listen to the community, find the weird little subcultures already forming around the ip, then give each of them something they actually want) I don’t think More Than Just Pals needs to become some massive game for this experiment to work. If a person who would never spend 100 hours grinding materials in Palworld suddenly cares about Katress, Lovander or Tarantriss because they played a visual novel, Pocketpair just expanded the audience for those characters without changing the original game at all. That’s what makes this interesting to me. Palfarm is testing how far Palworld can stretch across genres. More Than Just Pals might be testing how far it can stretch across demographics. (sounds absolutely ridiculous but it’s genius)

808

72,138 次观看 • 1 个月前

DAVID BOWIE ‘HEROES’ - THE POWERFUL & EVOCATIVE FINAL SONG IN THE SERIES FINALE OF NETFLIX’S STRANGER THINGS ‘HEROES’ IS AVAILABLE TO STREAM NOW ON PARLOPHONE: WATCH THE HD REMASTERED 'HEROES' VIDEO: New Year’s Day saw the broadcast on Netflix of the final episode of the phenomenally successful and critically lauded stranger things . Ten years in the making, the final song of the entire series is ‘Heroes’ by David Bowie, one of music’s boldest innovators and most enduring visionaries. After the final scene of Series 5 Episode 8 plays, the show doesn’t jump to its typical credits sequence. Instead, it rolls into a nostalgic animated end-credits segment and lets Bowie’s “Heroes” play all the way through. The decision to end the show with the iconic track was suggested by actor Joe Keery, who plays Steve Harrington on the show and records music under the name Djo. Speaking to Netflix Tudum, the show’s co-creator Ross Duffer says, “Once Joe said that, we immediately knew that was the right song to end the show on because it is, in some ways, an anthem for Stranger Things. To use the original Bowie version just felt right and fitting for the conclusion.” Initially released in September 1977, ‘Heroes’ is the title track of the second instalment of Bowie’s hugely influential ‘Berlin Trilogy’ of albums produced by Bowie and Tony Visconti and featuring Brian Eno. Recorded at Hansa Studios in West Berlin, which was situated only 150 metres away from the Berlin Wall and co-written with Eno, the song references the East German soldiers that could be seen from the studio’s control room and a love affair between a couple kissing in the shadow of the Wall. The song, which has become an iconic anthem, was recorded by Bowie in English, German and French and has been covered by artists such as Oasis, Prince, Coldplay, Yungblud, Lady Gaga, Arcade Fire, Smashing Pumpkins, Depeche Mode, Blondie, Neil Finn, Peter Gabriel, King Crimson, Bon Jovi, Motorhead, Miley Cyrus, Aurora, Moby, David Byrne & St Vincent and The Wallflowers, who took it into the US top 10. A decade after the 1977 release of ‘Heroes’, Bowie brought his Glass Spider Tour to Berlin during the Summer of 1987. He performed as part of a series of shows at the Reichstag, a poignant symbol of the divided city just metres away from the Wall. The concert was held near the border, where many East Berliners crowded along to listen to music forbidden by the Soviet government, allowing the two halves of the city to hear the same show, with ‘Heroes’ as the emotional highlight for both sides. Bowie later remarked, “We kind of heard that a few of the East Berliners might actually get the chance to hear the thing, but we didn’t realise in what numbers they would. And there were thousands on the other side that had come close to the wall. So it was like a double concert where the wall was the division. And we would hear them cheering and singing along from the other side. God, even now I get choked up. It was breaking my heart. I’d never done anything like that in my life, and I guess I never will again.” During the shows, the East German authorities cracked down on the fans, attacking them with water cannons and arresting hundreds. The shows helped change the mood around the Wall, which had stood for over a quarter of a century, and was now seen with renewed anger. Within two years, the Wall came down, and it has long been believed that the Concerts For Berlin were a turning point in the East. When Bowie died in 2016, the German Foreign Office confirmed as much by posting a live version of ‘Heroes’ on social media and declaring, ‘Good-bye David Bowie. You are now among #Heroes. Thank you for helping bring down the #wall’ #StrangerThings #BowieHeroes
0:40

DAVID BOWIE ‘HEROES’ - THE POWERFUL & EVOCATIVE FINAL SONG IN THE SERIES FINALE OF NETFLIX’S STRANGER THINGS ‘HEROES’ IS AVAILABLE TO STREAM NOW ON PARLOPHONE: WATCH THE HD REMASTERED 'HEROES' VIDEO: New Year’s Day saw the broadcast on Netflix of the final episode of the phenomenally successful and critically lauded stranger things . Ten years in the making, the final song of the entire series is ‘Heroes’ by David Bowie, one of music’s boldest innovators and most enduring visionaries. After the final scene of Series 5 Episode 8 plays, the show doesn’t jump to its typical credits sequence. Instead, it rolls into a nostalgic animated end-credits segment and lets Bowie’s “Heroes” play all the way through. The decision to end the show with the iconic track was suggested by actor Joe Keery, who plays Steve Harrington on the show and records music under the name Djo. Speaking to Netflix Tudum, the show’s co-creator Ross Duffer says, “Once Joe said that, we immediately knew that was the right song to end the show on because it is, in some ways, an anthem for Stranger Things. To use the original Bowie version just felt right and fitting for the conclusion.” Initially released in September 1977, ‘Heroes’ is the title track of the second instalment of Bowie’s hugely influential ‘Berlin Trilogy’ of albums produced by Bowie and Tony Visconti and featuring Brian Eno. Recorded at Hansa Studios in West Berlin, which was situated only 150 metres away from the Berlin Wall and co-written with Eno, the song references the East German soldiers that could be seen from the studio’s control room and a love affair between a couple kissing in the shadow of the Wall. The song, which has become an iconic anthem, was recorded by Bowie in English, German and French and has been covered by artists such as Oasis, Prince, Coldplay, Yungblud, Lady Gaga, Arcade Fire, Smashing Pumpkins, Depeche Mode, Blondie, Neil Finn, Peter Gabriel, King Crimson, Bon Jovi, Motorhead, Miley Cyrus, Aurora, Moby, David Byrne & St Vincent and The Wallflowers, who took it into the US top 10. A decade after the 1977 release of ‘Heroes’, Bowie brought his Glass Spider Tour to Berlin during the Summer of 1987. He performed as part of a series of shows at the Reichstag, a poignant symbol of the divided city just metres away from the Wall. The concert was held near the border, where many East Berliners crowded along to listen to music forbidden by the Soviet government, allowing the two halves of the city to hear the same show, with ‘Heroes’ as the emotional highlight for both sides. Bowie later remarked, “We kind of heard that a few of the East Berliners might actually get the chance to hear the thing, but we didn’t realise in what numbers they would. And there were thousands on the other side that had come close to the wall. So it was like a double concert where the wall was the division. And we would hear them cheering and singing along from the other side. God, even now I get choked up. It was breaking my heart. I’d never done anything like that in my life, and I guess I never will again.” During the shows, the East German authorities cracked down on the fans, attacking them with water cannons and arresting hundreds. The shows helped change the mood around the Wall, which had stood for over a quarter of a century, and was now seen with renewed anger. Within two years, the Wall came down, and it has long been believed that the Concerts For Berlin were a turning point in the East. When Bowie died in 2016, the German Foreign Office confirmed as much by posting a live version of ‘Heroes’ on social media and declaring, ‘Good-bye David Bowie. You are now among #Heroes. Thank you for helping bring down the #wall’ #StrangerThings #BowieHeroes

David Bowie Official

88,798 次观看 • 8 个月前

Cher Didn’t Need Auto-Tune to Prove What “Believe” Had Already Changed “Believe” has a funny history. In 1998, Cher walked into the future almost by accident. The strange, robotic vocal effect on the record was so unfamiliar that it became part of the song’s identity. It wasn't just a production trick. It became the sound of a new era of pop. Twenty-six years later, at the Rock & Roll Hall of Fame, Dua Lipa stood onstage and sang the song again. Without that trick. That is what caught my attention. Dua takes the opening herself. The song sounds cleaner, warmer, more like a straight vocal performance than the record people grew up with. Then Cher appears for the bridge, and suddenly the performance stops being a young singer covering an older star. It becomes something else. You can hear the distance between them, but you don't hear a fight for ownership. Dua doesn't try to impersonate Cher. That's important. Her voice sits differently — lower, smoother, more contemporary — so the first part almost feels like someone opening a door into a song she knows belongs to another generation. Then Cher walks through it. And now the same lyric has a different history behind it. “Believe” was already a song about surviving the end of a relationship. In 1998, its futuristic production made that survival sound almost defiant: I'm hurt, but I'm moving forward. In 2024, Cher is singing those words after a career that has survived fashion changes, musical fashions, film careers, television, reinvention and decades in which plenty of artists who were enormous for five years simply disappeared. So when she sings the chorus now, I don't hear the question in quite the same way. I hear evidence. She really did survive. There is also something beautifully backwards about the whole thing. Dua Lipa belongs to the generation that inherited the pop world Cher helped reshape. Cher is standing beside her, singing a song whose production once sounded impossibly modern. And the younger artist isn't introducing Cher to the future. She's introducing the future to Cher. That's why the performance works better than a conventional tribute would have. A tribute can turn an artist into a museum piece. This doesn't. Cher is not being presented as someone whose best work happened a long time ago. She is being placed inside the song again, next to an artist who grew up in a musical world that Cher helped make possible. Even the missing Auto-Tune feels appropriate. The original record needed technology to make people hear something new. Cher doesn't need it anymore. The song has already done its job. The machine became ordinary. The woman who used it became the landmark. And perhaps that is the most satisfying part of watching Cher sing “Believe” in 2024. Dua Lipa can sing the song beautifully. But when Cher arrives, you suddenly remember something that has nothing to do with vocal technique. **Some artists don't need to sound like the future. They become part of the reason the future sounds the way it does.**
3:49

Cher Didn’t Need Auto-Tune to Prove What “Believe” Had Already Changed “Believe” has a funny history. In 1998, Cher walked into the future almost by accident. The strange, robotic vocal effect on the record was so unfamiliar that it became part of the song’s identity. It wasn't just a production trick. It became the sound of a new era of pop. Twenty-six years later, at the Rock & Roll Hall of Fame, Dua Lipa stood onstage and sang the song again. Without that trick. That is what caught my attention. Dua takes the opening herself. The song sounds cleaner, warmer, more like a straight vocal performance than the record people grew up with. Then Cher appears for the bridge, and suddenly the performance stops being a young singer covering an older star. It becomes something else. You can hear the distance between them, but you don't hear a fight for ownership. Dua doesn't try to impersonate Cher. That's important. Her voice sits differently — lower, smoother, more contemporary — so the first part almost feels like someone opening a door into a song she knows belongs to another generation. Then Cher walks through it. And now the same lyric has a different history behind it. “Believe” was already a song about surviving the end of a relationship. In 1998, its futuristic production made that survival sound almost defiant: I'm hurt, but I'm moving forward. In 2024, Cher is singing those words after a career that has survived fashion changes, musical fashions, film careers, television, reinvention and decades in which plenty of artists who were enormous for five years simply disappeared. So when she sings the chorus now, I don't hear the question in quite the same way. I hear evidence. She really did survive. There is also something beautifully backwards about the whole thing. Dua Lipa belongs to the generation that inherited the pop world Cher helped reshape. Cher is standing beside her, singing a song whose production once sounded impossibly modern. And the younger artist isn't introducing Cher to the future. She's introducing the future to Cher. That's why the performance works better than a conventional tribute would have. A tribute can turn an artist into a museum piece. This doesn't. Cher is not being presented as someone whose best work happened a long time ago. She is being placed inside the song again, next to an artist who grew up in a musical world that Cher helped make possible. Even the missing Auto-Tune feels appropriate. The original record needed technology to make people hear something new. Cher doesn't need it anymore. The song has already done its job. The machine became ordinary. The woman who used it became the landmark. And perhaps that is the most satisfying part of watching Cher sing “Believe” in 2024. Dua Lipa can sing the song beautifully. But when Cher arrives, you suddenly remember something that has nothing to do with vocal technique. **Some artists don't need to sound like the future. They become part of the reason the future sounds the way it does.**

Emotion & Music

35,981 次观看 • 11 天前

This day (April 11) in 1961, began the trial of Holocaust architect Adolf Eichmann in Jerusalem. For the first time since the Romans destroyed the Temple in 70 CE, Jews sat in judgment over a man who orchestrated their mass murder. In a 14-week trial, 111 survivors took the stand & described the horrors of the Final Solution, not just with dry Nazi documents, but with living voices. On December 15, 1961, Eichmann was convicted on all 15 counts: crimes against the Jewish people, crimes against humanity, war crimes, and membership in a criminal organization. He was hanged on June 1, 1962. But this trial was about much more than one man. Unlike the Nuremberg trials of 1945–46, where the victorious Allies judged Nazi leaders for “crimes against humanity” in the abstract, relying almost entirely on German paperwork and marginalizing Jewish voices, Israel deliberately put the victims at center stage. Prosecutor Gideon Hausner opened with words that still echo: “I do not stand alone. With me stand six million accusers… Their ashes are piled up on the hills of Auschwitz and the fields of Treblinka… Their blood cries out, but their voice is not heard. Therefore, I will be their spokesman.” This was not Nuremberg where a passive French political prisoner described Auschwitz “showers” in the third person. In Jerusalem, the survivors spoke in the first person; and for the first time, the world heard the Jewish story of the Holocaust from Jews themselves. Eichmann himself was chillingly ordinary. Hannah Arendt, covering the trial for The New Yorker, famously called it “the banality of evil.” He looked like a minor bank clerk. In his final testimony he admitted arranging the transport of millions to their deaths. Yet he coldly admitted he felt no guilt for the consequences. From his own notebooks, what he actually regretted was failing to “free Hungary of all its Jews” (killing ~565,000 of Hungary’s 825,000 Jews (68%) was not enough for Eichmann). What’s more, much of the world was able to watch Eichmann’s trial. This was one of the first trials ever to be broadcast on television. ABC, CBS, NBC, and networks across Canada and beyond, all aired nightly excerpts for months; and 750 journalists descended on Jerusalem. It was through Eichmann’s trial that the world finally learned the truth of the Holocaust. At the time, Anne Frank’s diary was still new in English, and Elie Wiesel’s "Night" had just appeared. The word “Holocaust” was barely in common use, and “genocide” was just an abstract legal term. After the trial, none of that remained true. In Israel, the impact was also shattering. In the 1950s, many young sabras - viewed as tough, suntanned citizen-soldiers who had just beaten five Arab armies - looked at the 500,000 Holocaust survivors among them with a degree of condescension: “Why did you go like sheep to the slaughter?” The Eichmann proceedings forced a reckoning in Israel. Witnesses explained how they had no weapons or army, how the Nazis used systematic deception and starvation, and how Jews saw with their own eyes that escape meant fifty others shot. Israelis learned that what separated them from Europe’s Jews was not courage, but the sheer luck of birthplace or getting out on time. Survivors who had stayed silent for years finally spoke. The stigma was finally lifted. The “new Jew” of Israel and the survivor were no longer opposites. They were one people. Israeli Prime Minister David Ben-Gurion understood the stakes. Capturing Eichmann (via Mossad, halfway across the world) and trying him in Jerusalem was about reminding the world what the Germans did, and also about reminding a new generation of Israelis why their state had to exist. For centuries, Jews had been humiliated, expelled, and murdered at will. The Jews simply had no army, no intelligence service, and no sovereign court to answer back. Now, in Israel, they had all three. The existential condition of the Jewish people had changed forever with the birth of the State of Israel.
9:47

This day (April 11) in 1961, began the trial of Holocaust architect Adolf Eichmann in Jerusalem. For the first time since the Romans destroyed the Temple in 70 CE, Jews sat in judgment over a man who orchestrated their mass murder. In a 14-week trial, 111 survivors took the stand & described the horrors of the Final Solution, not just with dry Nazi documents, but with living voices. On December 15, 1961, Eichmann was convicted on all 15 counts: crimes against the Jewish people, crimes against humanity, war crimes, and membership in a criminal organization. He was hanged on June 1, 1962. But this trial was about much more than one man. Unlike the Nuremberg trials of 1945–46, where the victorious Allies judged Nazi leaders for “crimes against humanity” in the abstract, relying almost entirely on German paperwork and marginalizing Jewish voices, Israel deliberately put the victims at center stage. Prosecutor Gideon Hausner opened with words that still echo: “I do not stand alone. With me stand six million accusers… Their ashes are piled up on the hills of Auschwitz and the fields of Treblinka… Their blood cries out, but their voice is not heard. Therefore, I will be their spokesman.” This was not Nuremberg where a passive French political prisoner described Auschwitz “showers” in the third person. In Jerusalem, the survivors spoke in the first person; and for the first time, the world heard the Jewish story of the Holocaust from Jews themselves. Eichmann himself was chillingly ordinary. Hannah Arendt, covering the trial for The New Yorker, famously called it “the banality of evil.” He looked like a minor bank clerk. In his final testimony he admitted arranging the transport of millions to their deaths. Yet he coldly admitted he felt no guilt for the consequences. From his own notebooks, what he actually regretted was failing to “free Hungary of all its Jews” (killing ~565,000 of Hungary’s 825,000 Jews (68%) was not enough for Eichmann). What’s more, much of the world was able to watch Eichmann’s trial. This was one of the first trials ever to be broadcast on television. ABC, CBS, NBC, and networks across Canada and beyond, all aired nightly excerpts for months; and 750 journalists descended on Jerusalem. It was through Eichmann’s trial that the world finally learned the truth of the Holocaust. At the time, Anne Frank’s diary was still new in English, and Elie Wiesel’s "Night" had just appeared. The word “Holocaust” was barely in common use, and “genocide” was just an abstract legal term. After the trial, none of that remained true. In Israel, the impact was also shattering. In the 1950s, many young sabras - viewed as tough, suntanned citizen-soldiers who had just beaten five Arab armies - looked at the 500,000 Holocaust survivors among them with a degree of condescension: “Why did you go like sheep to the slaughter?” The Eichmann proceedings forced a reckoning in Israel. Witnesses explained how they had no weapons or army, how the Nazis used systematic deception and starvation, and how Jews saw with their own eyes that escape meant fifty others shot. Israelis learned that what separated them from Europe’s Jews was not courage, but the sheer luck of birthplace or getting out on time. Survivors who had stayed silent for years finally spoke. The stigma was finally lifted. The “new Jew” of Israel and the survivor were no longer opposites. They were one people. Israeli Prime Minister David Ben-Gurion understood the stakes. Capturing Eichmann (via Mossad, halfway across the world) and trying him in Jerusalem was about reminding the world what the Germans did, and also about reminding a new generation of Israelis why their state had to exist. For centuries, Jews had been humiliated, expelled, and murdered at will. The Jews simply had no army, no intelligence service, and no sovereign court to answer back. Now, in Israel, they had all three. The existential condition of the Jewish people had changed forever with the birth of the State of Israel.

Captain Allen

53,322 次观看 • 5 个月前

MY GROK BOT CONTENT SYSTEM JUST WENT VIRAL ON X – SO I THINK YOU NEED TO SEE WHAT'S ACTUALLY IN IT It wasn't the visual that got people. It was realizing this is already possible, today, for anyone. That's the part worth saying out loud. AI agents used to be a developer thing. You needed an API key, a server, a framework, and a weekend you weren't getting back. Grok Bot deleted all of that. You describe the job in plain language, and you have an agent that does it – with its own computer, its own browser, its own files, running whether you're at the desk or not. Which means the question stopped being can I build this and became what do I point it at. People are pointing it at everything: sales outreach, research, SEO, bookkeeping, customer replies, personal admin. This one is aimed at the thing most people say they'll start and never do – publishing consistently. It's seven agents. One in the centre, six in orbit. Here's what each one actually does. CHIEF OF STAFF – the centre. Every request lands here first, gets broken into jobs, and gets routed to whoever owns that kind of work. It chases what's late, keeps the others from duplicating each other, and surfaces exactly one thing to me when a real decision is needed. Everything else it just handles. RESEARCHER – goes out and finds what's actually moving in the niche. Reads the sources, checks the claim, drops the duplicates, and hands over a brief with links attached. Not "here's what I think" – here's what's true and where it came from. WRITER – takes that brief and writes the finished piece in my voice. Hooks, threads, captions, long-form. It's had my old posts as reference, so what comes back isn't a draft I rewrite – it's a draft I approve. VISUALISER – I fed it my reference visuals once. Now every cover, image and dashboard comes back in that exact style, without a single new instruction. This is the agent that kills the "I have the post but no visual" excuse. ANALYST – reads what actually performed. Not vanity numbers: which hook shape landed, which format died, which time slot was dead air. Then it tells the Writer and the Scheduler what to do differently. This is the loop almost every setup is missing, and it's why most of them plateau. SCHEDULER – owns timing. Holds the queue, spaces things properly, protects the calendar, and makes sure nothing ships into an empty feed at 3am. PUBLISHER – ships it. Formats per platform, posts, confirms it went out, logs it back to the Chief. The reason it holds together instead of falling apart: they share memory. The research is already sitting inside the draft before the draft starts. No copy-pasting between tools, no re-explaining context, no approving every step. And you can teach any of them a repetitive task by recording yourself doing it – start recording, do the thing, stop. I wrote the whole thing up below – every agent, what each one is told, how they hand off, and how to wire it together. Read it and you can start building this today, not "eventually" ↓
0:40

MY GROK BOT CONTENT SYSTEM JUST WENT VIRAL ON X – SO I THINK YOU NEED TO SEE WHAT'S ACTUALLY IN IT It wasn't the visual that got people. It was realizing this is already possible, today, for anyone. That's the part worth saying out loud. AI agents used to be a developer thing. You needed an API key, a server, a framework, and a weekend you weren't getting back. Grok Bot deleted all of that. You describe the job in plain language, and you have an agent that does it – with its own computer, its own browser, its own files, running whether you're at the desk or not. Which means the question stopped being can I build this and became what do I point it at. People are pointing it at everything: sales outreach, research, SEO, bookkeeping, customer replies, personal admin. This one is aimed at the thing most people say they'll start and never do – publishing consistently. It's seven agents. One in the centre, six in orbit. Here's what each one actually does. CHIEF OF STAFF – the centre. Every request lands here first, gets broken into jobs, and gets routed to whoever owns that kind of work. It chases what's late, keeps the others from duplicating each other, and surfaces exactly one thing to me when a real decision is needed. Everything else it just handles. RESEARCHER – goes out and finds what's actually moving in the niche. Reads the sources, checks the claim, drops the duplicates, and hands over a brief with links attached. Not "here's what I think" – here's what's true and where it came from. WRITER – takes that brief and writes the finished piece in my voice. Hooks, threads, captions, long-form. It's had my old posts as reference, so what comes back isn't a draft I rewrite – it's a draft I approve. VISUALISER – I fed it my reference visuals once. Now every cover, image and dashboard comes back in that exact style, without a single new instruction. This is the agent that kills the "I have the post but no visual" excuse. ANALYST – reads what actually performed. Not vanity numbers: which hook shape landed, which format died, which time slot was dead air. Then it tells the Writer and the Scheduler what to do differently. This is the loop almost every setup is missing, and it's why most of them plateau. SCHEDULER – owns timing. Holds the queue, spaces things properly, protects the calendar, and makes sure nothing ships into an empty feed at 3am. PUBLISHER – ships it. Formats per platform, posts, confirms it went out, logs it back to the Chief. The reason it holds together instead of falling apart: they share memory. The research is already sitting inside the draft before the draft starts. No copy-pasting between tools, no re-explaining context, no approving every step. And you can teach any of them a repetitive task by recording yourself doing it – start recording, do the thing, stop. I wrote the whole thing up below – every agent, what each one is told, how they hand off, and how to wire it together. Read it and you can start building this today, not "eventually" ↓

SCOTTY BEAM

10,486 次观看 • 11 天前

Peter Bogdanovich on "Lubitsch Touch" & how Ernst Lubitsch directs his actors: "I had been speaking with Jack Benny and he told me about working with Lubitsch. The director had called Benny in 1939 and asked if he’d be available to do a film. “I said, ‘I’ll do it!’ And he said, ‘But you haven’t read the script?’ And I said, ‘I don’t have to read the script. If you want me for a picture, I want to be in it!’ I’d have been an idiot to say anything else. It was always impossible for comedians like me or Bob Hope to get a good director for a movie— that’s why we made lousy movies—and here was Ernst Lubitsch, for God’s sake, calling to ask if I’d do a picture with him. Who cares what the script is!” The film became 'To Be or Not to Be' (1942) (Carole Lombard’s last—she died in a plane crash before release), and it caused quite a bit of controversy at the time for being a purportedly frivolous look at Nazism, dealing as it did with a troupe of Polish actors in occupied Warsaw and their comic confrontations with Hitler’s gauleiters. But those who objected missed the point, having forgotten Thomas De Quincey’s famous maxim: “If once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination.” For Lubitsch, among the Nazis’ most damning sins was their bad manners, and To Be or Not to Be survives not only as satire but as a glori cation of man’s indomitable good spirits in the face of disaster—survives in a way that many more serious and high-toned works about the war do not. Lubitsch had a habit of establishing his European locales by showing a series of stores, each featuring an increasingly unpronounceable name on its facade. He does this in To Be or Not to Be, then follows it with an identical sequence of the same shops as they looked after the bombing. The simplicity of this is deeply affecting, especially realizing the significance it must have held for Lubitsch, who was, after all, half-Polish and a European to whom those “funny” names —like his own—meant more than the easy laugh he enjoyed giving his American audiences. “The Lubitsch Touch”—it was as famous a monicker in its day as Hitchcock’s “Master of Suspense,” though perhaps not as superficial. The phrase does connote something light, strangely indefinable, yet nonetheless tangible, and seeing Lubitsch films—more than in almost any other director’s work—one can feel this certain spirit; not only in the tactful and impeccably appropriate placement of camera, the subtle economy of his plotting, the oblique dialog which had a way of saying everything through indirection, but also—and particularly—in the performance of every single player, no matter how small the role. Jack Benny told me that Lubitsch would act out in detail exactly how he wanted everything done. I asked how he was. “Well,” Jack said, “it was a little broad, but you got the idea.” The comedian explained that Lubitsch knew Benny would translate the direction into his own manner and that this would make it work. Lubitsch had started as an actor—was the star of a popular series of early German two-reel comedies. Having seen a sample, I can say he was expansive yet real, funny and human. Clearly, his method must have been the same with all his actors because everybody in a Lubitsch movie—whether Benny or Gary Cooper, Lombard or Kay Francis, Maurice Chevalier or Don Ameche, Jeanette MacDonald or Claudette Colbert—even Garbo or Dietrich—performs in a certain unmistakable style. Despite their individual personalities—and Lubitsch never stiffed these—they all are imbued with the director’s private view of the world, which made them behave very differently from the way they did in other films." ("Who the devil made it", Peter Bogdanovich, 1997)
1:43

Peter Bogdanovich on "Lubitsch Touch" & how Ernst Lubitsch directs his actors: "I had been speaking with Jack Benny and he told me about working with Lubitsch. The director had called Benny in 1939 and asked if he’d be available to do a film. “I said, ‘I’ll do it!’ And he said, ‘But you haven’t read the script?’ And I said, ‘I don’t have to read the script. If you want me for a picture, I want to be in it!’ I’d have been an idiot to say anything else. It was always impossible for comedians like me or Bob Hope to get a good director for a movie— that’s why we made lousy movies—and here was Ernst Lubitsch, for God’s sake, calling to ask if I’d do a picture with him. Who cares what the script is!” The film became 'To Be or Not to Be' (1942) (Carole Lombard’s last—she died in a plane crash before release), and it caused quite a bit of controversy at the time for being a purportedly frivolous look at Nazism, dealing as it did with a troupe of Polish actors in occupied Warsaw and their comic confrontations with Hitler’s gauleiters. But those who objected missed the point, having forgotten Thomas De Quincey’s famous maxim: “If once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination.” For Lubitsch, among the Nazis’ most damning sins was their bad manners, and To Be or Not to Be survives not only as satire but as a glori cation of man’s indomitable good spirits in the face of disaster—survives in a way that many more serious and high-toned works about the war do not. Lubitsch had a habit of establishing his European locales by showing a series of stores, each featuring an increasingly unpronounceable name on its facade. He does this in To Be or Not to Be, then follows it with an identical sequence of the same shops as they looked after the bombing. The simplicity of this is deeply affecting, especially realizing the significance it must have held for Lubitsch, who was, after all, half-Polish and a European to whom those “funny” names —like his own—meant more than the easy laugh he enjoyed giving his American audiences. “The Lubitsch Touch”—it was as famous a monicker in its day as Hitchcock’s “Master of Suspense,” though perhaps not as superficial. The phrase does connote something light, strangely indefinable, yet nonetheless tangible, and seeing Lubitsch films—more than in almost any other director’s work—one can feel this certain spirit; not only in the tactful and impeccably appropriate placement of camera, the subtle economy of his plotting, the oblique dialog which had a way of saying everything through indirection, but also—and particularly—in the performance of every single player, no matter how small the role. Jack Benny told me that Lubitsch would act out in detail exactly how he wanted everything done. I asked how he was. “Well,” Jack said, “it was a little broad, but you got the idea.” The comedian explained that Lubitsch knew Benny would translate the direction into his own manner and that this would make it work. Lubitsch had started as an actor—was the star of a popular series of early German two-reel comedies. Having seen a sample, I can say he was expansive yet real, funny and human. Clearly, his method must have been the same with all his actors because everybody in a Lubitsch movie—whether Benny or Gary Cooper, Lombard or Kay Francis, Maurice Chevalier or Don Ameche, Jeanette MacDonald or Claudette Colbert—even Garbo or Dietrich—performs in a certain unmistakable style. Despite their individual personalities—and Lubitsch never stiffed these—they all are imbued with the director’s private view of the world, which made them behave very differently from the way they did in other films." ("Who the devil made it", Peter Bogdanovich, 1997)

DepressedBergman

44,895 次观看 • 8 个月前

BREAKING NEWS 🚨🚨 Per newly-released John O'Keefe and Karen Read trial transcripts (May 24, 2024), undercover ATF Agent Brian Higgins testified or provided information to the US DOJ in Boston under a grant of immunity at some point prior to May of 2024 regarding John's death. Source, pages 127-128 (of 5481) here - Higgins, also according to new documents, was in some kind of bisexual relationship with both John and Karen in the weeks before John's death (that, for some reason, involved "gay men.") Read those text messages here - Furthermore, Higgins was inside a home at 34 Fairview Road in Canton on the night/early morning of January 28th into January 29th of 2022 that John was killed and left to die from a brain hemorrhage and hypothermia on a lawn during a blizzard. In recent weeks, it was also revealed that the state police unit who investigated Karen Read (and who may also have been involved in the coverup of Sandra Birchmore's murder by Stoughton police officer, and affiliate of Epstein-linked Stoughton Deputy Chief Robert Devine, Matthew Farwell) were the subject of an intense federal grand jury investigation related to the "performance of the Massachusetts state police" between, at the very least, the summer of 2024 and the early spring of 2024. Read more about the document, from the Brian Walshe, confirming that federal probe of the "performance of the state police" here- That grand jury (which, per the federal information filed against leaker Jessica Leslie, was empaneled by Justice Indra Talwani on May 26, 2022) culminated in a shocking six and a half hour interview of infamous former state trooper Michael Proctor (who worked under Brian Tully at the Norfolk District Attorney's State Police SPDU unit). According to new Internal Affairs documents released about Tully, after Proctor's six hour grilling by then US Attorney For The District Of Massachusetts Josh Levy, Tully and his right-hand man John Fanning (the trooper who wrote the 2021 state police report clearing Farwell for Birchmore's murder initially, prior to federal charges coming down for Farwell in August of 2024) visited Proctor's home and were desperate for information about that federal probe. Read that IA report here - Interestingly, in December of 2023, Brian Tully also used his official position as a state police officer to ask Lindsey Gaetani if she knew information about the "target of the federal probe." When Lindsey (a witness in the orbit of the TurtleBoy and Karen Read cases) told Tully that Norfolk DA Michael Morrissey was the target of the probe, Tully reacted with shock. Interestingly, Tully would have had access to a November 28, 2023, text messages (sent at 6:42PM ET exactly) from TurtleBoy to Lindsey which indicated that Josh Levy wanted to set an obstruction trap for Read trial witness Jen McCabe (who knows Tully personally and speaks to him directly) by comparing the discovery turned over to Karen Read's legal team with records obtained by the DOJ from McCabe's cellphone between February and May of 2022. Here's the transcript of an interview where Lindsey described that moment with Tully; **Grant Smith-Ellis:** Yeah, and Lindsey, let me ask you about something because I kind of might have previewed it before you came on, but I'm very interested to hear you talk about it. Brian Tully alludes in paragraph 79 of the Karen Read search warrant affidavit to a piece of information you told him related to like something about Josh Levy or something. Did Brian Tully—in December of 2023, while the Birchmore investigation was open (we know that now in hindsight)—did he ask you who the targets of the federal probe were? And what did you tell him, and how did he respond? **Lindsey Gaetani:** Yeah, and I said, yeah—from the conversations I had with Aidan, it was implied or alluded to—from either his conversations with Karen or whatever—that the target was Michael Morrissey. And I remember this moment like as if it were yesterday: Tully, at the same exact time as Nelson—they both looked at each other like their heads turned sideways. They both looked at each other, made eye contact, and kind of smirked. And then they looked back at me and continued the questioning. But it was just like—I was frozen in that moment, and I was like—what was that smirk about? Like, was that a smirk of relief? Like, “We are not the target”? Or was that a smirk of like, “Oh good—like, this is what we thought”? Like, I don't know what that was. I don't—I didn't know how to interpret it. I just know what I saw, you know? Source - In any event, on March 7th of 2024, after Tully found out that the DOJ had the contents of Michael proctor's cellphone (showing Proctor used horrifying language towards Karen Read), Tully was then forced to write up a disciplinary report on Proctor. However, before Tully could do so, Tully was forced to sign an NDA with the DOJ (middlewomaned by Norfolk ADA Laura McLaughlin) whereupon Tully was not allowed to see or hold the records from proctor's cellphone. Instead, Tully had to enter a room with McLaughlin and McLaughlin was not permitted (by the DOJ) to allow Tully to see or touch the documents. She read them, in part, to Tully and then he left the room. Furthermore, it is of note that, in July of 2025 (after Karen's second trial resulted in her acquittal for John's death and a guilty verdict on OUI) Michael Proctor, through counsel, told a lawyer in a number of other cases that Proctor investigated (including Myles King and Brian Walshe) that Proctor did not have any phone records to turn over to those defendants because his "old phone was destroyed in November of 2024" and "his new phone auto deletes itself every 30 days." Just a few months later, however, in late August of 2025, "someone" turned over 13 years of Proctor's phone records (including records that showed Proctor "sharing an SA victims name" with third parties, "sharing intimate images" with third parties and, also, potentially using racial slurs against defendants in cases Proctor investigated. Read more background about that timeline and Proctor's phone records here - In light of that information showing up in the Norfolk DA's possession, somehow, and then being turned over to multiple criminal defendants, Proctor then dropped his long-standing appeal of his discharge from the state police and retreated from public life entirely (as did almost all of his friends and allies connected to the Read investigation, many of whom were transferred demoted or involved in strange public scandals wherein the Boston Police Commissioner called them into his office and then lied to the media about it). As a result, it may well be that Brian Higgins is, or was, cooperating as a federal witness against some of the members of the state police unit who were involved in the investigation of John O'Keefe's death (and potentially he coverup of Sandra Birchmore's murder). My name is Grant Smith-Ellis and I wrote all of that from memory.
3:58

BREAKING NEWS 🚨🚨 Per newly-released John O'Keefe and Karen Read trial transcripts (May 24, 2024), undercover ATF Agent Brian Higgins testified or provided information to the US DOJ in Boston under a grant of immunity at some point prior to May of 2024 regarding John's death. Source, pages 127-128 (of 5481) here - Higgins, also according to new documents, was in some kind of bisexual relationship with both John and Karen in the weeks before John's death (that, for some reason, involved "gay men.") Read those text messages here - Furthermore, Higgins was inside a home at 34 Fairview Road in Canton on the night/early morning of January 28th into January 29th of 2022 that John was killed and left to die from a brain hemorrhage and hypothermia on a lawn during a blizzard. In recent weeks, it was also revealed that the state police unit who investigated Karen Read (and who may also have been involved in the coverup of Sandra Birchmore's murder by Stoughton police officer, and affiliate of Epstein-linked Stoughton Deputy Chief Robert Devine, Matthew Farwell) were the subject of an intense federal grand jury investigation related to the "performance of the Massachusetts state police" between, at the very least, the summer of 2024 and the early spring of 2024. Read more about the document, from the Brian Walshe, confirming that federal probe of the "performance of the state police" here- That grand jury (which, per the federal information filed against leaker Jessica Leslie, was empaneled by Justice Indra Talwani on May 26, 2022) culminated in a shocking six and a half hour interview of infamous former state trooper Michael Proctor (who worked under Brian Tully at the Norfolk District Attorney's State Police SPDU unit). According to new Internal Affairs documents released about Tully, after Proctor's six hour grilling by then US Attorney For The District Of Massachusetts Josh Levy, Tully and his right-hand man John Fanning (the trooper who wrote the 2021 state police report clearing Farwell for Birchmore's murder initially, prior to federal charges coming down for Farwell in August of 2024) visited Proctor's home and were desperate for information about that federal probe. Read that IA report here - Interestingly, in December of 2023, Brian Tully also used his official position as a state police officer to ask Lindsey Gaetani if she knew information about the "target of the federal probe." When Lindsey (a witness in the orbit of the TurtleBoy and Karen Read cases) told Tully that Norfolk DA Michael Morrissey was the target of the probe, Tully reacted with shock. Interestingly, Tully would have had access to a November 28, 2023, text messages (sent at 6:42PM ET exactly) from TurtleBoy to Lindsey which indicated that Josh Levy wanted to set an obstruction trap for Read trial witness Jen McCabe (who knows Tully personally and speaks to him directly) by comparing the discovery turned over to Karen Read's legal team with records obtained by the DOJ from McCabe's cellphone between February and May of 2022. Here's the transcript of an interview where Lindsey described that moment with Tully; **Grant Smith-Ellis:** Yeah, and Lindsey, let me ask you about something because I kind of might have previewed it before you came on, but I'm very interested to hear you talk about it. Brian Tully alludes in paragraph 79 of the Karen Read search warrant affidavit to a piece of information you told him related to like something about Josh Levy or something. Did Brian Tully—in December of 2023, while the Birchmore investigation was open (we know that now in hindsight)—did he ask you who the targets of the federal probe were? And what did you tell him, and how did he respond? **Lindsey Gaetani:** Yeah, and I said, yeah—from the conversations I had with Aidan, it was implied or alluded to—from either his conversations with Karen or whatever—that the target was Michael Morrissey. And I remember this moment like as if it were yesterday: Tully, at the same exact time as Nelson—they both looked at each other like their heads turned sideways. They both looked at each other, made eye contact, and kind of smirked. And then they looked back at me and continued the questioning. But it was just like—I was frozen in that moment, and I was like—what was that smirk about? Like, was that a smirk of relief? Like, “We are not the target”? Or was that a smirk of like, “Oh good—like, this is what we thought”? Like, I don't know what that was. I don't—I didn't know how to interpret it. I just know what I saw, you know? Source - In any event, on March 7th of 2024, after Tully found out that the DOJ had the contents of Michael proctor's cellphone (showing Proctor used horrifying language towards Karen Read), Tully was then forced to write up a disciplinary report on Proctor. However, before Tully could do so, Tully was forced to sign an NDA with the DOJ (middlewomaned by Norfolk ADA Laura McLaughlin) whereupon Tully was not allowed to see or hold the records from proctor's cellphone. Instead, Tully had to enter a room with McLaughlin and McLaughlin was not permitted (by the DOJ) to allow Tully to see or touch the documents. She read them, in part, to Tully and then he left the room. Furthermore, it is of note that, in July of 2025 (after Karen's second trial resulted in her acquittal for John's death and a guilty verdict on OUI) Michael Proctor, through counsel, told a lawyer in a number of other cases that Proctor investigated (including Myles King and Brian Walshe) that Proctor did not have any phone records to turn over to those defendants because his "old phone was destroyed in November of 2024" and "his new phone auto deletes itself every 30 days." Just a few months later, however, in late August of 2025, "someone" turned over 13 years of Proctor's phone records (including records that showed Proctor "sharing an SA victims name" with third parties, "sharing intimate images" with third parties and, also, potentially using racial slurs against defendants in cases Proctor investigated. Read more background about that timeline and Proctor's phone records here - In light of that information showing up in the Norfolk DA's possession, somehow, and then being turned over to multiple criminal defendants, Proctor then dropped his long-standing appeal of his discharge from the state police and retreated from public life entirely (as did almost all of his friends and allies connected to the Read investigation, many of whom were transferred demoted or involved in strange public scandals wherein the Boston Police Commissioner called them into his office and then lied to the media about it). As a result, it may well be that Brian Higgins is, or was, cooperating as a federal witness against some of the members of the state police unit who were involved in the investigation of John O'Keefe's death (and potentially he coverup of Sandra Birchmore's murder). My name is Grant Smith-Ellis and I wrote all of that from memory.

Grant Smith Ellis

50,303 次观看 • 7 个月前

And that’s a wrap on First Stand !! Incoming “I ain't reading that, happy for u, or sorry that happened” post xD First Stand Gameplay - Was pretty happy with how the lane swaps and adjustments to Atakhan worked out. Don’t know the exact number), but it felt like mostly Ruinous with games of Voracious where it made sense and no lane swaps - There was a good amount of AD/AP squishy and tank mix in each role with omega gigachad Zeka pulling out the Sylas Ahri and Akali where it made sense 🙃 - Skarner and Kalista were the outliers on priority, but teams didn’t seem particularly effective with Kalista… - Skarner on the other hand; will discuss with the team about larger work on him when we get back; he’s too effective at too many things, while also being impotent for regular players - As announced yesterday by Greeley, we’re hoping to see adaptive drafts continue with Fearless for the rest of the year, I think diversity will continue to increase as teams get better at finding lines to draft that make certain counterpick/situational champs god tier after certain champs are out; it will evolve into more of a TFT/Chess style “find the optimal line to draft with the pieces given”, which the prospects are really exciting - An improvement point feels like how long it takes to end if a team gets a significant early lead; part of this is how optimal boringly slowly choking the opponent out is over 15 min, rather than changing the incentive structure so that ahead teams can make major decisive play and can end the game swiftly - Maybe an opportunity space for the future… but interested in hearing peoples’ thoughts on this First Stand Experience - It was amazing and inspiring seeing how many fans were coming out to support the teams without tickets - Not only the KC fans who flew from Europe to do a meetup watch party and it was great chatting to a few, but also what felt like an unstoppable number of college girls coming out to support HLE. I think I counted about 100 wearing HLE jackets on finals day, but it was a reminder of how integrated and mainstream popular League feels in the East - As soon as the entry to the cheerfuls (signs) opened, they all charged in to go and start drawing their cards, it was honestly quite shocking the level of dedication and enthusiasm that some of these fans had, but also awesome - I can’t possibly imagine something like that happening in the West… - We also had the honor to play in a mini Arena tournament with a bunch of LCK Legends that have I've been watching for 15 years and didn’t do too shabby; went 6th, 3rd, 2nd, but Mingyo and Sangho were too good… - It will be the first and last time I get to say I killed Pray, Smeb, Kuro, Madlife, Shy on repeat :D and the players watching on stream were surprised to see the Devs were actually pretty decent LOL, which felt nice - A fan came out specifically to play with Kuro, wearing a ROX Tigers jersey and seeing the joy of getting to meet and play with your hero, she was laughing, smiling, it must have been the time of her life; it’s just a reminder of how meaningful League can be and just makes us really inspired to keep working hard to make the game good Solo Q Experience and Balance - Outside of the work obligations, had some time to slam 20 Solo Q games; was pleasantly surprised by my level this time around, feels like I’m playing around solidly KR D2/D1 level, which is quite shocking, because it’s not like I’m Masters level on NA right now and haven’t been able to play more than 50 games in the last 6 months due to life. Probably would've won more if I wasn't such a kda player xD - Main character syndrome still feels really peak here, the person either goes 8-0 or 0-8 and is spam FF’ing repeatedly, so minimizing my enemy laner impact, scaling and playing defensively to support my jungler feels most effective even though I’m playing Ori who feels like a dog champ on this server, since it’s so hard to actually land QW on anyone due to their mechanics and it’s risky to walk in river and so easy to die to ganks - Moving to help jungler in lost fights to avoid mental boom is the only thing that I’m finding annoying, some of these fight selections feel extremely perplexing, like Zac wanting to fight Lee at first scuttle with no prio and I end up having to sac my lane half the time to prevent them from AFK’ing or soft inting because I didn’t move, it’s super annoying… - Every post game chat also feels like at least 3 players are writing their PhD thesis, which is somewhat amusing, but also really unfortunate… - It feels like Lee Sin or Viego are in every game with a 30% pickrate, so if you can prevent the team from throwing and always follow them around and play secondary, they can carry, whereas on NA, Lee Sins in Diamond can't carry and suck relatively (ping hurts as well), so it’s not like you can play around them reliably - It was interesting to feel again for myself just how different these champs feel in their balance state across servers, indeed in one of the press conferences there was a question about balancing decisions making no sense for the state of the champ on KR server. I can see why KR players get angry when we buff Lee because the other regions suck at him, he unironically feels 2-3% winrate stronger on KR server, same with Jayce who has a monstrous pickrate here as well - We even almost buffed Lee Sin for First Stand because he’s been pretty absent from Pro, so I’m actually not quite sure what we’re meant to do about that… - The other thing that I forgot was how good it was to play on 2ms ping. I’m not sure whether it’s net positive for the person dodging or the person hitting, but since I mostly play immobile mages, it feels like I can dodge line skillshots and range leash people more effectively, which makes Mages feel so much better, though it also means it’s extremely hard to QW tag someone in a teamfight as Ori, let alone hit them with R - I’m curious if any people have done any analysis on this - I also attached typical KR Lee Sin penta 😅 Anyway, back to NA tmrw, lots of work to do
0:51

And that’s a wrap on First Stand !! Incoming “I ain't reading that, happy for u, or sorry that happened” post xD First Stand Gameplay - Was pretty happy with how the lane swaps and adjustments to Atakhan worked out. Don’t know the exact number), but it felt like mostly Ruinous with games of Voracious where it made sense and no lane swaps - There was a good amount of AD/AP squishy and tank mix in each role with omega gigachad Zeka pulling out the Sylas Ahri and Akali where it made sense 🙃 - Skarner and Kalista were the outliers on priority, but teams didn’t seem particularly effective with Kalista… - Skarner on the other hand; will discuss with the team about larger work on him when we get back; he’s too effective at too many things, while also being impotent for regular players - As announced yesterday by Greeley, we’re hoping to see adaptive drafts continue with Fearless for the rest of the year, I think diversity will continue to increase as teams get better at finding lines to draft that make certain counterpick/situational champs god tier after certain champs are out; it will evolve into more of a TFT/Chess style “find the optimal line to draft with the pieces given”, which the prospects are really exciting - An improvement point feels like how long it takes to end if a team gets a significant early lead; part of this is how optimal boringly slowly choking the opponent out is over 15 min, rather than changing the incentive structure so that ahead teams can make major decisive play and can end the game swiftly - Maybe an opportunity space for the future… but interested in hearing peoples’ thoughts on this First Stand Experience - It was amazing and inspiring seeing how many fans were coming out to support the teams without tickets - Not only the KC fans who flew from Europe to do a meetup watch party and it was great chatting to a few, but also what felt like an unstoppable number of college girls coming out to support HLE. I think I counted about 100 wearing HLE jackets on finals day, but it was a reminder of how integrated and mainstream popular League feels in the East - As soon as the entry to the cheerfuls (signs) opened, they all charged in to go and start drawing their cards, it was honestly quite shocking the level of dedication and enthusiasm that some of these fans had, but also awesome - I can’t possibly imagine something like that happening in the West… - We also had the honor to play in a mini Arena tournament with a bunch of LCK Legends that have I've been watching for 15 years and didn’t do too shabby; went 6th, 3rd, 2nd, but Mingyo and Sangho were too good… - It will be the first and last time I get to say I killed Pray, Smeb, Kuro, Madlife, Shy on repeat :D and the players watching on stream were surprised to see the Devs were actually pretty decent LOL, which felt nice - A fan came out specifically to play with Kuro, wearing a ROX Tigers jersey and seeing the joy of getting to meet and play with your hero, she was laughing, smiling, it must have been the time of her life; it’s just a reminder of how meaningful League can be and just makes us really inspired to keep working hard to make the game good Solo Q Experience and Balance - Outside of the work obligations, had some time to slam 20 Solo Q games; was pleasantly surprised by my level this time around, feels like I’m playing around solidly KR D2/D1 level, which is quite shocking, because it’s not like I’m Masters level on NA right now and haven’t been able to play more than 50 games in the last 6 months due to life. Probably would've won more if I wasn't such a kda player xD - Main character syndrome still feels really peak here, the person either goes 8-0 or 0-8 and is spam FF’ing repeatedly, so minimizing my enemy laner impact, scaling and playing defensively to support my jungler feels most effective even though I’m playing Ori who feels like a dog champ on this server, since it’s so hard to actually land QW on anyone due to their mechanics and it’s risky to walk in river and so easy to die to ganks - Moving to help jungler in lost fights to avoid mental boom is the only thing that I’m finding annoying, some of these fight selections feel extremely perplexing, like Zac wanting to fight Lee at first scuttle with no prio and I end up having to sac my lane half the time to prevent them from AFK’ing or soft inting because I didn’t move, it’s super annoying… - Every post game chat also feels like at least 3 players are writing their PhD thesis, which is somewhat amusing, but also really unfortunate… - It feels like Lee Sin or Viego are in every game with a 30% pickrate, so if you can prevent the team from throwing and always follow them around and play secondary, they can carry, whereas on NA, Lee Sins in Diamond can't carry and suck relatively (ping hurts as well), so it’s not like you can play around them reliably - It was interesting to feel again for myself just how different these champs feel in their balance state across servers, indeed in one of the press conferences there was a question about balancing decisions making no sense for the state of the champ on KR server. I can see why KR players get angry when we buff Lee because the other regions suck at him, he unironically feels 2-3% winrate stronger on KR server, same with Jayce who has a monstrous pickrate here as well - We even almost buffed Lee Sin for First Stand because he’s been pretty absent from Pro, so I’m actually not quite sure what we’re meant to do about that… - The other thing that I forgot was how good it was to play on 2ms ping. I’m not sure whether it’s net positive for the person dodging or the person hitting, but since I mostly play immobile mages, it feels like I can dodge line skillshots and range leash people more effectively, which makes Mages feel so much better, though it also means it’s extremely hard to QW tag someone in a teamfight as Ori, let alone hit them with R - I’m curious if any people have done any analysis on this - I also attached typical KR Lee Sin penta 😅 Anyway, back to NA tmrw, lots of work to do

Matt Leung-Harrison

153,071 次观看 • 1 年前

Wait, what? Who is this man that was walking outside Sandra Birchmore's apartment complex door just seconds before Matthew Farwell left the building after hanging Sandra, and her unborn baby boy, from a door? Farwell walks in the man's direction just seconds later after leaving the building! CC: U.S. Attorney Massachusetts Justice for Sandra Birchmore On Saturday, I reported; Here are the Sandra Birchmore video files released overnight via a public records request to the Norfolk County District Attorney's office. They show Sandra in the last hours of her life, and they show Matthew Farwell clearly at Sandra's apartment at the time of her murder. Farwell is facing an August, 2026, trial in federal court for Sandra's death, and the death of Sandra's unborn 8-10 week old baby boy, that occurred circa 9:27PM ET on February 1, 2021. Sandra's family members, for their part, have endorsed Adam Deitch for District Attorney for DA. Read more here - Somehow, in 2021, Brian Tully and John Fanning's State Police unit (the same unit that investigated Karen Read and Aidan Kearney) cleared Farwell for his role in Sandra's death. Both troopers were assigned to the Norfolk DA Michael Morrissey was the State Police Detectives Unit (SPDU). That decision by Morrissey's Men not to charge Farwell occurred despite a litany of evidence collected by local police between February 4th (when Sandra's body was first discovered) and February 6th, 2021, confirming that Farwell was the man on the security camera footage below, that Farwell had been abusing Sandra since she was a child and, further, that Farwell made statements to Sandra's friends that Farwell would "take care of the problem himself" if Sandra insisted on carrying her baby to term. The father of Sandra's unborn baby is unknown to this day (Farwell was ruled out as the father in recent years via DNA testing). Of note: both John Fanning (the State Trooper who wrote the report clearing Farwell) and Yuri Bukhenik (the third in command, below Brian Tully and John Fanning), both used to work in Stoughton as cops before they went to work for the state police. Also of note: an unknown person threatened Sandra, in the weeks before her death, about money Sandra "owed to the girls" and the "dorm/suite," under punishment of "Sandra's connections to the Stoughton Police Department being exposed." (See attached images 2 and 3.) Farwell, the federal government alleges, groomed and abused Sandra for years via the Stoughton Police Explorer's Program. Those federal charges, in turn, only emerged after Sandra's family worked with an independent doctor --during their own civil case file in state court-- to review findings by the state police and state medical examiner. That doctor is the husband of Justice Served TV host Linda Kenney Baden. Interestingly, Baden's co-host, Michael Bryant, was spied on by Jeffrey Epstein in 2019 (because Bryant was looking into Epstein). Read more background about Epstein spying on Michael Bryan here - Previously, in February of 2026, I reported: Jeffrey Epstein and Ghislaine Maxwell used a charity called Learning For Life to formally contract with former Stoughton Police Deputy Chief Robert Devine in order to run programs for children in Norfolk County coordinated by District Attorney Michael Morrissey. (See attached image 1.) Robert Devine was involved in the Sandra Birchmore coverup and may have been Jeffrey Epstein's point person for a Gestapo group of state and local police in the Commonwealth of Massachusetts who operated brothels, groomed underage women and then kept "the girls" in line by any means necessary (forced addictions, threats, fake criminal charges and, if necessary, murder). Quoting CrimeTimeLines; "The Stoughton Police Department ran the Explorer program for about 15 years, but could only locate a single one-year agreement with Learning for Life, the Scouting affiliate that oversees the national Explorer program." "Robert C. Devine has led the Stoughton Police Explorers Program since 2003, a youth initiative under the department." Source for Devine's contract with Maxwell and Epstein's Learning For Life conspiracy - Interestingly, new Epstein files confirm that Ghislaine Maxwell visited Stoughton for the first time in 2006 (right as Devine was starting his chapter of the Learning For Life conspiracy). Find confirmation that Maxwell and Epstein ran Learning For Life (and all of it's associated programs, including basketball camps, baseball camps, and otherwise for young children in the Norfolk County area) here - In any event, State officials have been contacted. I am working to immediately end all of these programs. I will have more information shortly. Earlier Monday, I reported; I've confirmed that Jeffrey Epstein, Norfolk DA Michael Morrissey and Robert Devine (all three men potentially connected to a cop-run brothel in Epstein's network that used the state police in Massachusetts to enslave victims) were in Stoughton on July 8-9th 2014. Read the primary source confirming Epstein's presence in Stoughton on those days here - Read the post confirming Devine (the potential point-man for Epstein and Maxwell's operation in Stoughton since at least 2006) was in Stoughton on that day for a young basketball camp (Devine used to run the basketball camp for kids in question before it was taken over by Morrissey, and Devine was involved with the police explorer program wherein Sandra Birchmore was groomed, potentially brought into Epstein's brothel and then killed when she wouldn't stay silent - a crime then covered up by the Norfolk DA's state police unit) here - Strangely, although the camp was run and attended by Morrissey for multiple years in the summer around the same dates, there is no press release on the Norfolk DA's website covering the July 8-9th, 2014, camp in Stoughton (the very days Epstein was in Stoughton according to Epstein's bank records). Every other year is listed here - or in the archive - As a result, the X post linked above, from July 9, 2014, is the only record in existence of the camp (although the Norfolk DA can clearly be compelled to turn over any material related to that July 8-9, 2014, camp involving Robert Devine and Michael Morrissey, via the public records law, but I am also not a lawyer and this is not legal advice...I am a towel). That link, again, for the record is - Ghislaine Maxwell, for her part, was in person in that area as early as 2006 (perhaps to setup Epstein's brothel and assign Devine as the regional "pimp of all pimps"). Source, page 12 - Late Sunday, I reported; There was something called the MSP BFIT Team that links together a number of men, including the former Colonel of the State Police, who may well have been involved with Jeffrey Epstein's operation out of Stoughton Massachusetts as a enforcement wing of Epstein's cartel. The names are follows; Colonel Christopher Mason, Major Joe King, Captain Lenny Coppenrath, Detective Lieutenant Mark Cyr, Sergeants John Fanning (the MSP BFIT Team Captain), Vincent Noe and Brian Tully, as well as Troopers Joseph Cordes, Yuri Bukhenik, Jeff Kotkowski, Sean Quirk, Daniel Santa, Anthony Pereira, and Katherine Lamb. It seems that almost all of these men --spanning the state police command and the Norfolk DA's SPDU MSP unit-- were show how connected to Robert Devine and a ring of police who were targeting young girls, grooming them into a brothel and then strong-arming those women into staying silent for life (via trumped up criminal charges or, in some cases like Sandra Birchmore, murder). Devine worked in Stoughton for decades as a Deputy Chief and Ghislaine Maxwell visited Stoughton for the first time in 2006, apparently to setup a brothel run by cops as pimps/enforcers. John Fanning (the Trooper who, in 2021, wrote the report covering up Sandra Birchmore's murder) also worked in Stoughton as a cop before going on to work at the Norfolk DA's MSP unit as did Yuri Bukhenik. In turn, Devine then hired Matthew Farwell (then man now charged with murdering Sandra Birchmore) and Devine nearly blew the entire operation when a woman named Tiffany Overstreet almost exposed Devine in the summer of 2014. Overstreet started a relationship with Devine in the fall of 2013 and then exposed Devine to his wife in the summer of 2014. Interestingly Epstein personally paid a visit to Stoughton on July 9th, 2014, and, within months, Overstreet was targeted by Norfolk DA SPDU Trooper Sean Quirk (who, in turn, worked closely with Robert Devine to arrest Overstreet in the fall of 2014 - charges that were then dropped in the spring of 2015). Aidan Kearney, to his credit, was the first person to figure this out - Brian Tully for his part, took command of the Norfolk DA's MSP unit and was involved in directly supervising Yuri Bukhenik, Jeff Kotkowski, Sean Quirk John Fanning and others during the time period when the Birchmore coverup occurred (in 2021). Tully's MSP unit, in turn, was also involved in both the Karen Read and TurtleBoy prosecutions (and, it seems clear to me now, that the MSP Norfolk DA's unit was part of a splinter cell within MSP that served as a private army and prosecution force for Mr. Epstein...and TurtleBoy and Karen Read helped the DOJ, including Adam Deitch, expose them all). In short, Massachusetts, meet your modern INTERPEN (and, yes, it is that bad, if not worse). Read that original reporting, with primary sources referenced above included, here -
0:47

Wait, what? Who is this man that was walking outside Sandra Birchmore's apartment complex door just seconds before Matthew Farwell left the building after hanging Sandra, and her unborn baby boy, from a door? Farwell walks in the man's direction just seconds later after leaving the building! CC: U.S. Attorney Massachusetts Justice for Sandra Birchmore On Saturday, I reported; Here are the Sandra Birchmore video files released overnight via a public records request to the Norfolk County District Attorney's office. They show Sandra in the last hours of her life, and they show Matthew Farwell clearly at Sandra's apartment at the time of her murder. Farwell is facing an August, 2026, trial in federal court for Sandra's death, and the death of Sandra's unborn 8-10 week old baby boy, that occurred circa 9:27PM ET on February 1, 2021. Sandra's family members, for their part, have endorsed Adam Deitch for District Attorney for DA. Read more here - Somehow, in 2021, Brian Tully and John Fanning's State Police unit (the same unit that investigated Karen Read and Aidan Kearney) cleared Farwell for his role in Sandra's death. Both troopers were assigned to the Norfolk DA Michael Morrissey was the State Police Detectives Unit (SPDU). That decision by Morrissey's Men not to charge Farwell occurred despite a litany of evidence collected by local police between February 4th (when Sandra's body was first discovered) and February 6th, 2021, confirming that Farwell was the man on the security camera footage below, that Farwell had been abusing Sandra since she was a child and, further, that Farwell made statements to Sandra's friends that Farwell would "take care of the problem himself" if Sandra insisted on carrying her baby to term. The father of Sandra's unborn baby is unknown to this day (Farwell was ruled out as the father in recent years via DNA testing). Of note: both John Fanning (the State Trooper who wrote the report clearing Farwell) and Yuri Bukhenik (the third in command, below Brian Tully and John Fanning), both used to work in Stoughton as cops before they went to work for the state police. Also of note: an unknown person threatened Sandra, in the weeks before her death, about money Sandra "owed to the girls" and the "dorm/suite," under punishment of "Sandra's connections to the Stoughton Police Department being exposed." (See attached images 2 and 3.) Farwell, the federal government alleges, groomed and abused Sandra for years via the Stoughton Police Explorer's Program. Those federal charges, in turn, only emerged after Sandra's family worked with an independent doctor --during their own civil case file in state court-- to review findings by the state police and state medical examiner. That doctor is the husband of Justice Served TV host Linda Kenney Baden. Interestingly, Baden's co-host, Michael Bryant, was spied on by Jeffrey Epstein in 2019 (because Bryant was looking into Epstein). Read more background about Epstein spying on Michael Bryan here - Previously, in February of 2026, I reported: Jeffrey Epstein and Ghislaine Maxwell used a charity called Learning For Life to formally contract with former Stoughton Police Deputy Chief Robert Devine in order to run programs for children in Norfolk County coordinated by District Attorney Michael Morrissey. (See attached image 1.) Robert Devine was involved in the Sandra Birchmore coverup and may have been Jeffrey Epstein's point person for a Gestapo group of state and local police in the Commonwealth of Massachusetts who operated brothels, groomed underage women and then kept "the girls" in line by any means necessary (forced addictions, threats, fake criminal charges and, if necessary, murder). Quoting CrimeTimeLines; "The Stoughton Police Department ran the Explorer program for about 15 years, but could only locate a single one-year agreement with Learning for Life, the Scouting affiliate that oversees the national Explorer program." "Robert C. Devine has led the Stoughton Police Explorers Program since 2003, a youth initiative under the department." Source for Devine's contract with Maxwell and Epstein's Learning For Life conspiracy - Interestingly, new Epstein files confirm that Ghislaine Maxwell visited Stoughton for the first time in 2006 (right as Devine was starting his chapter of the Learning For Life conspiracy). Find confirmation that Maxwell and Epstein ran Learning For Life (and all of it's associated programs, including basketball camps, baseball camps, and otherwise for young children in the Norfolk County area) here - In any event, State officials have been contacted. I am working to immediately end all of these programs. I will have more information shortly. Earlier Monday, I reported; I've confirmed that Jeffrey Epstein, Norfolk DA Michael Morrissey and Robert Devine (all three men potentially connected to a cop-run brothel in Epstein's network that used the state police in Massachusetts to enslave victims) were in Stoughton on July 8-9th 2014. Read the primary source confirming Epstein's presence in Stoughton on those days here - Read the post confirming Devine (the potential point-man for Epstein and Maxwell's operation in Stoughton since at least 2006) was in Stoughton on that day for a young basketball camp (Devine used to run the basketball camp for kids in question before it was taken over by Morrissey, and Devine was involved with the police explorer program wherein Sandra Birchmore was groomed, potentially brought into Epstein's brothel and then killed when she wouldn't stay silent - a crime then covered up by the Norfolk DA's state police unit) here - Strangely, although the camp was run and attended by Morrissey for multiple years in the summer around the same dates, there is no press release on the Norfolk DA's website covering the July 8-9th, 2014, camp in Stoughton (the very days Epstein was in Stoughton according to Epstein's bank records). Every other year is listed here - or in the archive - As a result, the X post linked above, from July 9, 2014, is the only record in existence of the camp (although the Norfolk DA can clearly be compelled to turn over any material related to that July 8-9, 2014, camp involving Robert Devine and Michael Morrissey, via the public records law, but I am also not a lawyer and this is not legal advice...I am a towel). That link, again, for the record is - Ghislaine Maxwell, for her part, was in person in that area as early as 2006 (perhaps to setup Epstein's brothel and assign Devine as the regional "pimp of all pimps"). Source, page 12 - Late Sunday, I reported; There was something called the MSP BFIT Team that links together a number of men, including the former Colonel of the State Police, who may well have been involved with Jeffrey Epstein's operation out of Stoughton Massachusetts as a enforcement wing of Epstein's cartel. The names are follows; Colonel Christopher Mason, Major Joe King, Captain Lenny Coppenrath, Detective Lieutenant Mark Cyr, Sergeants John Fanning (the MSP BFIT Team Captain), Vincent Noe and Brian Tully, as well as Troopers Joseph Cordes, Yuri Bukhenik, Jeff Kotkowski, Sean Quirk, Daniel Santa, Anthony Pereira, and Katherine Lamb. It seems that almost all of these men --spanning the state police command and the Norfolk DA's SPDU MSP unit-- were show how connected to Robert Devine and a ring of police who were targeting young girls, grooming them into a brothel and then strong-arming those women into staying silent for life (via trumped up criminal charges or, in some cases like Sandra Birchmore, murder). Devine worked in Stoughton for decades as a Deputy Chief and Ghislaine Maxwell visited Stoughton for the first time in 2006, apparently to setup a brothel run by cops as pimps/enforcers. John Fanning (the Trooper who, in 2021, wrote the report covering up Sandra Birchmore's murder) also worked in Stoughton as a cop before going on to work at the Norfolk DA's MSP unit as did Yuri Bukhenik. In turn, Devine then hired Matthew Farwell (then man now charged with murdering Sandra Birchmore) and Devine nearly blew the entire operation when a woman named Tiffany Overstreet almost exposed Devine in the summer of 2014. Overstreet started a relationship with Devine in the fall of 2013 and then exposed Devine to his wife in the summer of 2014. Interestingly Epstein personally paid a visit to Stoughton on July 9th, 2014, and, within months, Overstreet was targeted by Norfolk DA SPDU Trooper Sean Quirk (who, in turn, worked closely with Robert Devine to arrest Overstreet in the fall of 2014 - charges that were then dropped in the spring of 2015). Aidan Kearney, to his credit, was the first person to figure this out - Brian Tully for his part, took command of the Norfolk DA's MSP unit and was involved in directly supervising Yuri Bukhenik, Jeff Kotkowski, Sean Quirk John Fanning and others during the time period when the Birchmore coverup occurred (in 2021). Tully's MSP unit, in turn, was also involved in both the Karen Read and TurtleBoy prosecutions (and, it seems clear to me now, that the MSP Norfolk DA's unit was part of a splinter cell within MSP that served as a private army and prosecution force for Mr. Epstein...and TurtleBoy and Karen Read helped the DOJ, including Adam Deitch, expose them all). In short, Massachusetts, meet your modern INTERPEN (and, yes, it is that bad, if not worse). Read that original reporting, with primary sources referenced above included, here -

Grant Smith Ellis

69,714 次观看 • 2 个月前