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my indie game: A charming 3D platforming adventure 🐱 Explore colorful worlds 🌈 Dash, jump, climb, ride wagons challenges ⚡ Rescue your best friend Woody from an evil cucumber 🥒 Team up with Lana, and interact with the environment 🧶 Open world, 3d linear and 2.5D fixed lvl🎥

Guillem Tenza

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142,576 Aufrufe • vor 4 Monaten •via X (Twitter)

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I'm a solo developer making a cozy collect-a-thon platformer! 🧶🐱 • Play as a cute cube-shaped cat and team up with a tiny yarn ball • Rescue your best dog friend, from an evil cucumber • Open worlds, 3D linear levels, and 2.5D challenges It's called MOJITO Woody's Rescue

I'm a solo developer making a cozy collect-a-thon platformer! 🧶🐱 • Play as a cute cube-shaped cat and team up with a tiny yarn ball • Rescue your best dog friend, from an evil cucumber • Open worlds, 3D linear levels, and 2.5D challenges It's called MOJITO Woody's Rescue

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This indie dev is making a game where you play as a cube-shaped cat trying to rescue your dog from an evil cucumber. - Team up with a yarn ball companion - Find your best dog friend, Woody - Puzzle-platforming It’s called Mojito Woody’s Rescue. Would you play this?

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POV: Unlocked the gate to a celestial realm HappyOyster 1.0 brings the mythic realm to life! Ride the cranes, explore the celestial palace, and interact with the immortals. This isn’t just a video—it’s an open-world adventure that YOU fully control. Your adventure, your rules:

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We're thrilled to release & open-source Hunyuan3D World Model 1.0! This model enables you to generate immersive, explorable, and interactive 3D worlds from just a sentence or an image. It's the industry's first open-source 3D world generation model, compatible with CG pipelines for full editability & simulation. Set to transform game development, VR, digital content creation and so on. Get started now👇🏻 Project Page： Try it now： Github： Hugging Face：

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This is your reminder to play The Dream, 404’s Chroma Award-winning game built using SN17-generated assets. At 404, we aim to help kickstart the next revolution in gaming around AI-native games. That starts with democratising 3D content creation through Bittensor, making it easier for creators to build virtual worlds, games, and AR/VR/XR experiences without needing massive production teams. The long-term vision is to let creators describe the game or world they want to build, then generate the assets, sound, voice, and environment around it. The Dream is an amazing example of that vision. It is a fully playable 3D open-world experience created by a two-person team in just 30 days, using over 12,000 assets generated with 404. The goal is not to replace enterprise game development. It is to create a new layer where individuals and small teams can build and explore high-fidelity game worlds without needing a massive AAA-style pipeline. Sometimes, you need to see it to believe it. Play The Dream yourself at:

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Noisy

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2D is what the camera sees.👀 3D is what the world is. 🌍 Today, we’re proudly open-sourcing QuerySplat — an open-source feed-forward 3D model that turns a few unposed images into a navigable 3D scene in seconds (run on 4090🪶). Your input: a few unposed images Our output: a sharp, navigable 3D scene — generated in seconds! 🚀 🧠 organize scenes with 3D queries, not pixel-bound Gaussians 📷 no camera poses or manual calibration required ⚡ reconstruct new scenes in a single forward pass ✨ preserve sharp geometry and high-frequency appearance 🏆 achieve state-of-the-art results on DL3DV-Evaluation 🔓 code and model weights are now open-source From pixels to scenes, we are making 3D generation scalable. Try our free iOS app — it’s a lot of fun! 😆 🔗 Try it on the Web: 🔗 Paper: 🔗 Code & weights: 🔗 Project page: 🔗 #AIGC #3DGS #AI #Computervision #3D #artist #3dartist #3d

2D is what the camera sees.👀 3D is what the world is. 🌍 Today, we’re proudly open-sourcing QuerySplat — an open-source feed-forward 3D model that turns a few unposed images into a navigable 3D scene in seconds (run on 4090🪶). Your input: a few unposed images Our output: a sharp, navigable 3D scene — generated in seconds! 🚀 🧠 organize scenes with 3D queries, not pixel-bound Gaussians 📷 no camera poses or manual calibration required ⚡ reconstruct new scenes in a single forward pass ✨ preserve sharp geometry and high-frequency appearance 🏆 achieve state-of-the-art results on DL3DV-Evaluation 🔓 code and model weights are now open-source From pixels to scenes, we are making 3D generation scalable. Try our free iOS app — it’s a lot of fun! 😆 🔗 Try it on the Web: 🔗 Paper: 🔗 Code & weights: 🔗 Project page: 🔗 #AIGC #3DGS #AI #Computervision #3D #artist #3dartist #3d

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Build worlds and forge Legendary NFTs. 🛠️⚡ Zogi Labs World of Bezogia has minted it’s first NFTs on Enjin Blockchain 🙌 To celebrate this milestone, the game is hosting its first ever Builders Tournament for the Enjin community. Learn more about the Builders Tournament: With the Creator Toolkit, anyone can become a world-builder. 🌎 No coding skills required - simply drag and drop 3D models. Create exciting challenges and experiences for friends and other players. World of Bezogia is out now on Epic Games Store store and mobile app stores! The Builders Tournament launches on February 15, 2024! Mark your calendars 👀

Build worlds and forge Legendary NFTs. 🛠️⚡ Zogi Labs World of Bezogia has minted it’s first NFTs on Enjin Blockchain 🙌 To celebrate this milestone, the game is hosting its first ever Builders Tournament for the Enjin community. Learn more about the Builders Tournament: With the Creator Toolkit, anyone can become a world-builder. 🌎 No coding skills required - simply drag and drop 3D models. Create exciting challenges and experiences for friends and other players. World of Bezogia is out now on Epic Games Store store and mobile app stores! The Builders Tournament launches on February 15, 2024! Mark your calendars 👀

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is it legal? NVIDIA and Microsoft just open-sourced the pieces of a full 3D studio for Opus 5.5 15 github repos, sorted by what you want to make: GENERATE 3D ASSETS 01. TRELLIS.2 by Microsoft: -> one image in, a fully textured 3D asset out, about 3 seconds on an H100 02. Hunyuan3D-2.1 by Tencent: -> production-ready 3D assets with PBR textures 03. stable-fast-3d by Stability AI: -> one photo to a clean UV-unwrapped mesh, built for speed 04. meshy-mcp-server by Meshy: -> text or image to 3D, then remesh, retexture, rig and animate from your agent BUILD SCENES AND WORLDS 05. mcp-for-blender: -> prompt-driven modeling, scene building and edits in a live Blender 06. HY-World-2.0 by Tencent: -> text or a single image to a navigable 3D world 07. supersplat by PlayCanvas: -> inspect, edit, optimize and publish 3D Gaussian splats in the browser 08. kit-usd-agents by NVIDIA: -> edit Omniverse USD scenes in plain English, plus MCP servers for Kit and Isaac Sim MAKE A GAME 09. unity-mcp: -> run the Unity Editor in plain English: scenes, C# scripts, assets, tests, builds 10. godot-ai: -> 46 tools for a live Godot editor: scenes, scripts, signals, UI, particles 11. unreal-engine-mcp: -> drive a live Unreal Editor: actors, world building, Blueprints 3D ON THE WEB 12. editor-mcp-server by PlayCanvas: -> your agent builds PlayCanvas scenes and checks they actually run 13. three.js: -> the JavaScript 3D library itself, 115k stars on GitHub 14. react-three-fiber: -> build three.js scenes as reusable React components 15. threejs-skills: -> 10 three.js skills for Claude Code, from shaders to post-processing a full 3D pipeline, and every piece of it lives on github

Mnimiy

184,391 Aufrufe • vor 2 Tagen

Most AI world models can generate beautiful scenes. Keeping those scenes alive for an hour without falling apart is the real challenge. That's what caught my attention about LingBot-World 2.0 (LingBot-World-Infinity) from Robbyant Instead of chasing longer videos, it focuses on something much harder: persistent, interactive worlds that stay coherent while you explore. A few highlights: • Generates worlds from a single frame and continuously responds to live user actions through a causal world model. • Streams stable 720p at 60 FPS in real time. The team reports a continuous 60 minute stress test across 20 different scenarios with no noticeable visual degradation. • Uses a Brain-Cerebellum co-simulation framework where a VLM plans events while the video model turns them into consistent world evolution. • Pilot and Director Agents help drive character behavior and introduce new objects and events. • Open sourced with a 14B flagship model, while the paper also describes a lightweight 1.3B version for a single consumer GPU. There is also an online interactive demo. The biggest takeaway? We're moving beyond AI that generates clips. We're getting closer to AI that generates living, evolving worlds you can actually interact with. And that feels like a much bigger shift than another jump in video quality. Explore more: 💻 Github: 🤗 Weights: 🌐 Website-with videos you can use : 🎮 Try it online: #Robbyant #LingBot #WorldModel #EmbodiedAI #OpenSource #Robotics #ad

Most AI world models can generate beautiful scenes. Keeping those scenes alive for an hour without falling apart is the real challenge. That's what caught my attention about LingBot-World 2.0 (LingBot-World-Infinity) from Robbyant Instead of chasing longer videos, it focuses on something much harder: persistent, interactive worlds that stay coherent while you explore. A few highlights: • Generates worlds from a single frame and continuously responds to live user actions through a causal world model. • Streams stable 720p at 60 FPS in real time. The team reports a continuous 60 minute stress test across 20 different scenarios with no noticeable visual degradation. • Uses a Brain-Cerebellum co-simulation framework where a VLM plans events while the video model turns them into consistent world evolution. • Pilot and Director Agents help drive character behavior and introduce new objects and events. • Open sourced with a 14B flagship model, while the paper also describes a lightweight 1.3B version for a single consumer GPU. There is also an online interactive demo. The biggest takeaway? We're moving beyond AI that generates clips. We're getting closer to AI that generates living, evolving worlds you can actually interact with. And that feels like a much bigger shift than another jump in video quality. Explore more: 💻 Github: 🤗 Weights: 🌐 Website-with videos you can use : 🎮 Try it online: #Robbyant #LingBot #WorldModel #EmbodiedAI #OpenSource #Robotics #ad

Alif Khan

84,562 Aufrufe • vor 3 Monaten

It's not often that you see a game crossing over from one genre into another. Ultima went from classic turn-based RPG to real-time first-person 3D view action/adventure RPG. And it worked! Ultima Underworld II: Labyrinth of Worlds was developed by Looking Glass Technologies and published by Origin Systems in 1993. Gameplay is non-linear, letting you roam freely through huge, multi-level environments, solve puzzles, fight in real time, and interact with NPCs. For its time, it was highly innovative. It featured a fully explorable 3D world (no grid-snapping like older dungeon crawlers). The physics and object interactions were next level: you could pick up, drop, throw, stack, or combine almost anything. Want to build a staircase out of crates? Go for it. Pile junk to reach a high ledge? Sure thing. Knock over a table during a fight? It all worked. This level of interactivity was unheard of in 1993 - at least nothing close comes to mind. As an old-time Ultima fan, I was skeptical when I heard about an action RPG spin-off that diverged so much from the original concept. But boy, was I wrong; it was a blast!

It's not often that you see a game crossing over from one genre into another. Ultima went from classic turn-based RPG to real-time first-person 3D view action/adventure RPG. And it worked! Ultima Underworld II: Labyrinth of Worlds was developed by Looking Glass Technologies and published by Origin Systems in 1993. Gameplay is non-linear, letting you roam freely through huge, multi-level environments, solve puzzles, fight in real time, and interact with NPCs. For its time, it was highly innovative. It featured a fully explorable 3D world (no grid-snapping like older dungeon crawlers). The physics and object interactions were next level: you could pick up, drop, throw, stack, or combine almost anything. Want to build a staircase out of crates? Go for it. Pile junk to reach a high ledge? Sure thing. Knock over a table during a fight? It all worked. This level of interactivity was unheard of in 1993 - at least nothing close comes to mind. As an old-time Ultima fan, I was skeptical when I heard about an action RPG spin-off that diverged so much from the original concept. But boy, was I wrong; it was a blast!

exQUIZitely 🕹️

17,270 Aufrufe • vor 5 Monaten