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New Update: Partner's Punishment - 21yo Roxy returned more prepared. She held it together despite getting throatfucked balls deep and fucked in the ass mercilessly. #NSFW #rough #deepthroat #facefucking #anal #cnc #bdsm #video Full Scene Here:

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Broken Latina Whores

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1,017,399 Aufrufe • vor 1 Jahr •via X (Twitter)

NSFW#NSFW#rough#deepthroat#facefucking#anal#cnc#bdsm#video
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The full video can be found at ------- The days are finally getting warmer ☀️ and so my outfits are getting hotter too 🔥 I'm spot on with my look in Schwabing 😊 If you want to see more of it, then you have to check out my new update and maybe you'll see me live in Munich sometime Have a nice weekend ☀️ Bussi 💋 Vanessa 💋
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The full video can be found at ------- The days are finally getting warmer ☀️ and so my outfits are getting hotter too 🔥 I'm spot on with my look in Schwabing 😊 If you want to see more of it, then you have to check out my new update and maybe you'll see me live in Munich sometime Have a nice weekend ☀️ Bussi 💋 Vanessa 💋

ᖴᕮTISᕼ DIVᗩ LᗩDY ᐯᗩᑎᕮSSᗩ™

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Rosie O’Donnell is opening up about getting a secret facelift — and the shame she felt afterward. The 64-year-old comedian revealed in a new Substack poem that she went under the knife earlier this year, despite once being strongly against plastic surgery for personal and feminist reasons. She described feeling “shameful” over her privilege in choosing the procedure, which she says cost more than any car she’s ever bought. Rosie wrote that she used to see facelifts as a “betrayal” of aging naturally. Do you think it’s okay to change your mind about cosmetic procedures as you get older? And is it money well spent or is aging gracefully priceless? (Video: AI)
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Rosie O’Donnell is opening up about getting a secret facelift — and the shame she felt afterward. The 64-year-old comedian revealed in a new Substack poem that she went under the knife earlier this year, despite once being strongly against plastic surgery for personal and feminist reasons. She described feeling “shameful” over her privilege in choosing the procedure, which she says cost more than any car she’s ever bought. Rosie wrote that she used to see facelifts as a “betrayal” of aging naturally. Do you think it’s okay to change your mind about cosmetic procedures as you get older? And is it money well spent or is aging gracefully priceless? (Video: AI)

Paul A. Szypula 🇺🇸

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Candace Owens helped soft launch Lilly Gaddis’s career as an “influencer” two years ago. Two years later Candace came knocking wanting the favor to be returned. Now it appears that Lilly Gaddis is helping Candace launch a new fake conspiracy and fake investigation. Meanwhile Candace’s network of influencers are out here trying to convince Candace’s fans that Candace doesn’t know Lilly at all. Ironically enough in this interview Candace even mentions to Lilly that she loves seeing conspiracies about herself. It’s all starting to come together now. We’re getting close.
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Candace Owens helped soft launch Lilly Gaddis’s career as an “influencer” two years ago. Two years later Candace came knocking wanting the favor to be returned. Now it appears that Lilly Gaddis is helping Candace launch a new fake conspiracy and fake investigation. Meanwhile Candace’s network of influencers are out here trying to convince Candace’s fans that Candace doesn’t know Lilly at all. Ironically enough in this interview Candace even mentions to Lilly that she loves seeing conspiracies about herself. It’s all starting to come together now. We’re getting close.

Cinema Shogun

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Arnold Schwarzenegger on how this fight scene in "Total Recall" (1990) was filmed despite Sharon Stone having a serious neck trauma: "Working with Sharon will always be a challenge. She is a sweetheart of a person when not on the set, but there are some actors who just need more attention. One violent scene was hard to film because I was supposed to grab her by the neck, and she freaked. “Don’t touch me! Don’t touch me!” At first I figured that she hadn’t been brought up like a tomboy and tried to sympathize, but it was more than that. We found out that she’d had a serious neck trauma early in her life. I think she even had a scar. “Sharon,” I said, “we all rehearsed this in the hotel room on Sunset. Paul was there, we all were there, going through scene by scene. Why did you never say, ‘By the way, when we get into the fight scene, it says here that you’re strangling me, I have a little hang-up about my neck’? Then we could have worked around it step-by-step. I would gently put my hand on your neck, and then you let me know when I can squeeze tighter and when we can get a little rough. Because I’m the first one to understand.” Paul calmed her down, and Sharon was willing to work through the scene. She wanted it to be a success; we just had to go through the difficult step first. That’s the way it was." ("Total Recall - My unbelievably True Life Story", Arnold Schwarzenegger, 2012)
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Arnold Schwarzenegger on how this fight scene in "Total Recall" (1990) was filmed despite Sharon Stone having a serious neck trauma: "Working with Sharon will always be a challenge. She is a sweetheart of a person when not on the set, but there are some actors who just need more attention. One violent scene was hard to film because I was supposed to grab her by the neck, and she freaked. “Don’t touch me! Don’t touch me!” At first I figured that she hadn’t been brought up like a tomboy and tried to sympathize, but it was more than that. We found out that she’d had a serious neck trauma early in her life. I think she even had a scar. “Sharon,” I said, “we all rehearsed this in the hotel room on Sunset. Paul was there, we all were there, going through scene by scene. Why did you never say, ‘By the way, when we get into the fight scene, it says here that you’re strangling me, I have a little hang-up about my neck’? Then we could have worked around it step-by-step. I would gently put my hand on your neck, and then you let me know when I can squeeze tighter and when we can get a little rough. Because I’m the first one to understand.” Paul calmed her down, and Sharon was willing to work through the scene. She wanted it to be a success; we just had to go through the difficult step first. That’s the way it was." ("Total Recall - My unbelievably True Life Story", Arnold Schwarzenegger, 2012)

DepressedBergman

1,360,868 Aufrufe • vor 4 Monaten

Before the open edition tomorrow I wanted to share more on how this new collection came to be. Last year we've all experienced a major shift in the algorithm. Our reach was severely impacted and art posts seemed to be gone in favor of junk/rage posts. Around June last year while sketching in my notebook I doodled a Mickey-esque character with its head squashed by an old monitor. I came up with a rough result in after effects and dismissed it quickly as a nice experiment and nothing more. A couple of months went by and I reopened the files. Added some sounds and once again, in my head it was just a little detour before I make a new piece. Showed it to my wife and she loved it. But still I wasn't sure what to do with it. It looks different next to my other pieces. Thought it's cool but moved on. End of the year was very hard on me, I won't elaborate too much here but If you've been following me you know I had a personal loss. For a while I couldn't even think of creating anything new. Then I reopened the files for this one, and slowly worked my way into refining it. And while doing so I started liking this style more and more. Figured an accessible new collection would work perfectly for this. Getting my art in more hands is the priority here. Seeing your replies that you can finally get an edition of mine really warms my heart and makes this whole thing worthwhile. Hope you'll take this journey with me to see this collection grow over time as I make more and more editions with a fresh take in the Vintage Distortions series. Thanks for reading all my mumblings. Oh, and FUCK THE ALGO! 🖤
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Before the open edition tomorrow I wanted to share more on how this new collection came to be. Last year we've all experienced a major shift in the algorithm. Our reach was severely impacted and art posts seemed to be gone in favor of junk/rage posts. Around June last year while sketching in my notebook I doodled a Mickey-esque character with its head squashed by an old monitor. I came up with a rough result in after effects and dismissed it quickly as a nice experiment and nothing more. A couple of months went by and I reopened the files. Added some sounds and once again, in my head it was just a little detour before I make a new piece. Showed it to my wife and she loved it. But still I wasn't sure what to do with it. It looks different next to my other pieces. Thought it's cool but moved on. End of the year was very hard on me, I won't elaborate too much here but If you've been following me you know I had a personal loss. For a while I couldn't even think of creating anything new. Then I reopened the files for this one, and slowly worked my way into refining it. And while doing so I started liking this style more and more. Figured an accessible new collection would work perfectly for this. Getting my art in more hands is the priority here. Seeing your replies that you can finally get an edition of mine really warms my heart and makes this whole thing worthwhile. Hope you'll take this journey with me to see this collection grow over time as I make more and more editions with a fresh take in the Vintage Distortions series. Thanks for reading all my mumblings. Oh, and FUCK THE ALGO! 🖤

Tony Babel

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This is an incredibly cool idea for mixed reality social interactions! Four users play together in MR, and every player has his room joined with the rooms of the other players to create a big hybrid room. Thanks to the scene understanding of Quest, you can also have a rough representation of the furniture the other users have. It's like you remove the distances and you play together in the same space, in this case by throwing each other a hot potato. I discovered this video because a few days ago I posted an article about social AR, and the amazing Ivan Aguilar pointed me to this talk by Jesse Schell at GDC where he talked about the future of MR experiences and showcased this prototype of a mixed reality game. If you want to watch the full talk, you find it here: What do you think about it? Don't you find it cool, too? #MixedReality #SpatialComputing #VirtualReality #metaverse #innovation
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This is an incredibly cool idea for mixed reality social interactions! Four users play together in MR, and every player has his room joined with the rooms of the other players to create a big hybrid room. Thanks to the scene understanding of Quest, you can also have a rough representation of the furniture the other users have. It's like you remove the distances and you play together in the same space, in this case by throwing each other a hot potato. I discovered this video because a few days ago I posted an article about social AR, and the amazing Ivan Aguilar pointed me to this talk by Jesse Schell at GDC where he talked about the future of MR experiences and showcased this prototype of a mixed reality game. If you want to watch the full talk, you find it here: What do you think about it? Don't you find it cool, too? #MixedReality #SpatialComputing #VirtualReality #metaverse #innovation

TonyVT SkarredGhost

82,254 Aufrufe • vor 2 Jahren

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Creating beauty from tragedy. In a season after deep personal loss, Maxim Naumov has presented two new programs that are unlike anything he has done before. Filled with raw emotional power, the programs pay tribute to his parents, world champions and two-time Olympians Evgenia Shishkova and Vadim Naumov, and also look forward to a bright future as the USA figure skater eyes Milano Cortina 2026. “It would mean absolutely everything for me to be at the Olympics and doing it for them would be even more beautiful.” Full story and video here ➡️: #Olympics | ISU Figure Skating | U.S. Figure Skating

The Olympic Games

63,012 Aufrufe • vor 8 Monaten

🚨 Columbia University professor exposed as a paid protestor and organizer BC Craig is a Professor at Columbia and is seen giving orders to protesters, protesting ICE, getting arrested, claiming ICE is kidnapping and is teaching the next generation of Americans Nate Friedman “When you ask yourself, "How could Mamdani be the next Mayor of New York City?" This is how. She and her wife are listed as sponsors of a group called Jews for Racial and Economic Justice that explicitly endorses Mamdani for mayor. In other words, chickens for KFC. Together with her wife Ruth Finkelstein, they paid for that ad. (Shown in video) and her wife Ruth Finkelstein is also a teacher at Hunter University, a tax-funded college in New York. The West is suffering from a fully-fledged attack from within.” “BC Craig has a master's degree, but forgot to take the class on not committing crimes, so here's her getting arrested. She loves to block roads. She did it here and she's going to do it later in this video. This person is actively teaching the next generation of Americans.”
1:59

🚨 Columbia University professor exposed as a paid protestor and organizer BC Craig is a Professor at Columbia and is seen giving orders to protesters, protesting ICE, getting arrested, claiming ICE is kidnapping and is teaching the next generation of Americans Nate Friedman “When you ask yourself, "How could Mamdani be the next Mayor of New York City?" This is how. She and her wife are listed as sponsors of a group called Jews for Racial and Economic Justice that explicitly endorses Mamdani for mayor. In other words, chickens for KFC. Together with her wife Ruth Finkelstein, they paid for that ad. (Shown in video) and her wife Ruth Finkelstein is also a teacher at Hunter University, a tax-funded college in New York. The West is suffering from a fully-fledged attack from within.” “BC Craig has a master's degree, but forgot to take the class on not committing crimes, so here's her getting arrested. She loves to block roads. She did it here and she's going to do it later in this video. This person is actively teaching the next generation of Americans.”

Wall Street Apes

71,223 Aufrufe • vor 8 Monaten

UPDATE—New racist video from restaurant owner who mocked the death of a Muslim child. She tried to blame it on a "Black person" or "mistake"—but new video proves history of racism. "Muslims should go back to one of their 50-plus countries." "If that boy lived in Muslim country his family would have killed him a long time ago." "No Muslim should be in any place of authority in America." Taste of Italy's official restaurant page posted that quote under a story about a local 7-year-old autistic Muslim boy who drowned. Now the owner has been photographed assaulting and pepper-spraying a neighborhood protester. Jon Romano says despite him being personally attacked by the woman—he asks that you please don't bring up her past criminal history of allegedly being a sex worker. "Let's not attack her for that. Let's not shame her for that." "Let's keep the focus on some of the bigoted things that she and her husband have said." Incident occurred in Latham, New York. He doesn't have an account on this platform—so posting first full length and credited video here to help raise awareness.
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UPDATE—New racist video from restaurant owner who mocked the death of a Muslim child. She tried to blame it on a "Black person" or "mistake"—but new video proves history of racism. "Muslims should go back to one of their 50-plus countries." "If that boy lived in Muslim country his family would have killed him a long time ago." "No Muslim should be in any place of authority in America." Taste of Italy's official restaurant page posted that quote under a story about a local 7-year-old autistic Muslim boy who drowned. Now the owner has been photographed assaulting and pepper-spraying a neighborhood protester. Jon Romano says despite him being personally attacked by the woman—he asks that you please don't bring up her past criminal history of allegedly being a sex worker. "Let's not attack her for that. Let's not shame her for that." "Let's keep the focus on some of the bigoted things that she and her husband have said." Incident occurred in Latham, New York. He doesn't have an account on this platform—so posting first full length and credited video here to help raise awareness.

LongTime🤓FirstTime👨‍💻

12,277 Aufrufe • vor 1 Monat

[Update on the German Woman Kidnapped in Somalia 7 Years Ago] "Sonja Nientiet is a German nurse from the city of Hamm in the NRW region. In 2018, while working for the Red Cross in Mogadishu, she was kidnapped, and until today, there has been no news about her. However, a new video has surfaced today. At the end of December, we published a post on this page citing German media reports about this woman and the fact that she was still missing. However, just half an hour ago, someone named Liban Osman commented on the post we had shared at the end of 2024. In his comment, he posted a YouTube link, which contains a video of the missing woman. The title of the YouTube video suggests that it was uploaded today, March 26, 2025. The original link to the video posted today is: It was uploaded seven hours ago. It is highly likely that Sonja Nientiet is alive. We hope that her plea reaches the German government and that she will be safely returned to her country. It is deeply saddening that a woman has been held in captivity for so many years, with ransom being demanded for her release." This text was written by Ahmed Kadiye, who lives in Germany. ICRC ICRC_Africa Neoliberale Aktion IfV | Deutsches Institut für Verbraucherschutz Wasaaradda Arrimaha Dibadda 🇸🇴 GermanForeignOffice Amnesty International Amnesty Internationalusa Amnesty UK Human Rights Watch Niv Calderon #SaveSonjaNientiet
5:38

[Update on the German Woman Kidnapped in Somalia 7 Years Ago] "Sonja Nientiet is a German nurse from the city of Hamm in the NRW region. In 2018, while working for the Red Cross in Mogadishu, she was kidnapped, and until today, there has been no news about her. However, a new video has surfaced today. At the end of December, we published a post on this page citing German media reports about this woman and the fact that she was still missing. However, just half an hour ago, someone named Liban Osman commented on the post we had shared at the end of 2024. In his comment, he posted a YouTube link, which contains a video of the missing woman. The title of the YouTube video suggests that it was uploaded today, March 26, 2025. The original link to the video posted today is: It was uploaded seven hours ago. It is highly likely that Sonja Nientiet is alive. We hope that her plea reaches the German government and that she will be safely returned to her country. It is deeply saddening that a woman has been held in captivity for so many years, with ransom being demanded for her release." This text was written by Ahmed Kadiye, who lives in Germany. ICRC ICRC_Africa Neoliberale Aktion IfV | Deutsches Institut für Verbraucherschutz Wasaaradda Arrimaha Dibadda 🇸🇴 GermanForeignOffice Amnesty International Amnesty Internationalusa Amnesty UK Human Rights Watch Niv Calderon #SaveSonjaNientiet

Abti Hawd 𝕏

28,254 Aufrufe • vor 1 Jahr

‼️Candace Owens Is BACK — And She’s Already Coming for Turning Point USA 👀 After a week away, Candace Owens returned to her podcast wearing “Russian red lipstick” as a troll to the people calling her a spy. She joked about the latest round of accusations before getting straight to the point: while she was gone, Turning Point USA dropped another video trying to push the narrative that Charlie Kirk wanted Erika to take over everything. Candace didn’t hold back, calling out how weird and forced the whole thing looks. She made it clear she’s ready to address it head-on. This is exactly why they panic whenever Candace goes quiet. The second she steps away, they start pushing more sloppy propaganda. Now she’s back, and they’re already in damage control. FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇 ⚠️My channel is under attack to try to bankrupt me. If you want to support me and help me keep exposing these clowns Donate here:🔗
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‼️Candace Owens Is BACK — And She’s Already Coming for Turning Point USA 👀 After a week away, Candace Owens returned to her podcast wearing “Russian red lipstick” as a troll to the people calling her a spy. She joked about the latest round of accusations before getting straight to the point: while she was gone, Turning Point USA dropped another video trying to push the narrative that Charlie Kirk wanted Erika to take over everything. Candace didn’t hold back, calling out how weird and forced the whole thing looks. She made it clear she’s ready to address it head-on. This is exactly why they panic whenever Candace goes quiet. The second she steps away, they start pushing more sloppy propaganda. Now she’s back, and they’re already in damage control. FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇 ⚠️My channel is under attack to try to bankrupt me. If you want to support me and help me keep exposing these clowns Donate here:🔗

Project Constitution

67,113 Aufrufe • vor 1 Monat

I couldn't believe it. One product image = a full video ad with Wizstar. No script. No shoot. No editor. Just the image, one sentence of instruction, and Wizstar did everything else. It analyzes your product automatically, builds the scene around it, and generates a complete marketing video. Character stays consistent across every shot. Product details stay accurate. Audio and video sync perfectly. It powers multi-model invocation to match any style you need, and Seedance 2.0 supports face input for consistent character generation. But wait, it gets better. You can also upload any viral video from TikTok or Amazon. Then it will recreate that EXACT winning formula for YOUR product. No more guessing what works. Zero creative trial and error. Make a video today, start seeing sales in 7 days. New users get free credits on signup. First subscription is only $19 and includes a 30-second E-commerce Agent experience. Try it here: Who's making their first ad tonight? 👇 #Wizstar #AIVideo #EcommerceMarketing
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I couldn't believe it. One product image = a full video ad with Wizstar. No script. No shoot. No editor. Just the image, one sentence of instruction, and Wizstar did everything else. It analyzes your product automatically, builds the scene around it, and generates a complete marketing video. Character stays consistent across every shot. Product details stay accurate. Audio and video sync perfectly. It powers multi-model invocation to match any style you need, and Seedance 2.0 supports face input for consistent character generation. But wait, it gets better. You can also upload any viral video from TikTok or Amazon. Then it will recreate that EXACT winning formula for YOUR product. No more guessing what works. Zero creative trial and error. Make a video today, start seeing sales in 7 days. New users get free credits on signup. First subscription is only $19 and includes a 30-second E-commerce Agent experience. Try it here: Who's making their first ad tonight? 👇 #Wizstar #AIVideo #EcommerceMarketing

Pradeep Pandey

59,917 Aufrufe • vor 2 Monaten

‼️ROASTED: Everybody Knows Erika Kirk Is LYING—"I've Had It" Completely EVISCERATES Erika KIrk Over Dating Scandal🤣 The claws came out... The popular YouTube show “I’ve Had It” watched my exposure of Erika Kirk getting drunk and handsy with Blake Wynn at the ultra-exclusive Bar Nineteen12 in the Beverly Hills Hotel — and they completely destroyed her. They said the second she dropped that long, detailed denial (“I was home in Arizona with my son… Blake is just a dear friend”) plus the unhinged Psalm 37 hellfire Bible verse, they knew the eyewitness account was 100% true. They roasted her “devout trad Christian who doesn’t drink” image while allegedly getting liquored up and playing grab-ass, called her response deranged projection, and nailed the classic pattern: get caught, then immediately Christian signal to cover it up. They even said she should’ve just stayed silent — responding only made it obvious. She played herself in front of everyone. The truth is winning from all sides now. Be sure to SUBSCRIBE to the ivehaditpodcast on YT and watch their FULL video linked in the comments below. My channel is under attack to try to bankrupt me. If you want to support me and help me keep exposing these clowns, donate here 👇 🔗
7:01

‼️ROASTED: Everybody Knows Erika Kirk Is LYING—"I've Had It" Completely EVISCERATES Erika KIrk Over Dating Scandal🤣 The claws came out... The popular YouTube show “I’ve Had It” watched my exposure of Erika Kirk getting drunk and handsy with Blake Wynn at the ultra-exclusive Bar Nineteen12 in the Beverly Hills Hotel — and they completely destroyed her. They said the second she dropped that long, detailed denial (“I was home in Arizona with my son… Blake is just a dear friend”) plus the unhinged Psalm 37 hellfire Bible verse, they knew the eyewitness account was 100% true. They roasted her “devout trad Christian who doesn’t drink” image while allegedly getting liquored up and playing grab-ass, called her response deranged projection, and nailed the classic pattern: get caught, then immediately Christian signal to cover it up. They even said she should’ve just stayed silent — responding only made it obvious. She played herself in front of everyone. The truth is winning from all sides now. Be sure to SUBSCRIBE to the ivehaditpodcast on YT and watch their FULL video linked in the comments below. My channel is under attack to try to bankrupt me. If you want to support me and help me keep exposing these clowns, donate here 👇 🔗

Project Constitution

210,706 Aufrufe • vor 2 Monaten

BREAKING🚨: Video editing just got as simple as editing a text document. Aleph 2.0 is live on Runway's new Edit Studio right now! Here is my quick tutorial showing 3 of its most powerful post-production strengths: Infinite Variations: Swap product colors, change seasons, or update styles—all from the exact same video clip. Zero Wasted Renders: Preview your edit instantly as a static image first to lock in the look before you commit to generating the full video. Multi-Shot Power: Apply an edit once, and watch it propagate automatically across cuts and scene changes without resetting. Stop regenerating from scratch. Grab your own camera roll footage and try it today. 🔗 Try it: > 🎟️ Use code ALEPH2 at checkout for 22% off 2 months of Runway Pro (valid through May 31, 2026) #MadeWithRunway
0:56

BREAKING🚨: Video editing just got as simple as editing a text document. Aleph 2.0 is live on Runway's new Edit Studio right now! Here is my quick tutorial showing 3 of its most powerful post-production strengths: Infinite Variations: Swap product colors, change seasons, or update styles—all from the exact same video clip. Zero Wasted Renders: Preview your edit instantly as a static image first to lock in the look before you commit to generating the full video. Multi-Shot Power: Apply an edit once, and watch it propagate automatically across cuts and scene changes without resetting. Stop regenerating from scratch. Grab your own camera roll footage and try it today. 🔗 Try it: > 🎟️ Use code ALEPH2 at checkout for 22% off 2 months of Runway Pro (valid through May 31, 2026) #MadeWithRunway

Arcane Ai

73,066 Aufrufe • vor 2 Monaten

Twenty-four years ago, my father stood on a piece of land he had bought with the sweat of his brow — a modest plot, but to us, it held a big dream. We planted fig trees, grapes, peaches, olives, and even corn. It wasn’t just land... it was a piece of our heart.** We would eagerly wait for Fridays. We’d pack our things, fill the teapot, and head to the land. There, beneath the shade of the olive tree, we would laugh, eat, and dream. But in 2008, the Israeli bulldozers came. They tore down the fence, leveled the two rooms, and uprooted the trees we had grown up with. Despite the pain, we returned and rebuilt — a full floor took the place of what had been destroyed. Then came 2012, and once again, our home was damaged. We repaired it and moved back in. But safety didn’t last. In 2014, it was bombed again. We repaired it once more — as if we were trying to plant a rose in the middle of rubble. By 2019, we had built three floors with five apartments, divided among my siblings and me. But our joy was short-lived. The warplanes came and destroyed everything. We returned, rebuilt, and lived — as only those with no other choice do. In early 2024, my grandfather’s old house was hit. We said, “Thank God, we still have my father’s house to live in.” Then my own apartment was bombed. I said, “Thank God, I can still stay in a part of my father’s home.” And today... we returned to find our house — the one that had sheltered us time and again — reduced to rubble. The Israeli soldier wasn’t content with destroying it. He wrote his name on the walls and took pride in what he did. I don’t know him. I don’t know why he did it, or who told him to. But I know one thing: my father is now searching through the ruins, wondering how to pitch a tent — just a tent — so we can have somewhere to live. A tent, so we can stay here, rebuild it, and live in it once again — until we die
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Twenty-four years ago, my father stood on a piece of land he had bought with the sweat of his brow — a modest plot, but to us, it held a big dream. We planted fig trees, grapes, peaches, olives, and even corn. It wasn’t just land... it was a piece of our heart.** We would eagerly wait for Fridays. We’d pack our things, fill the teapot, and head to the land. There, beneath the shade of the olive tree, we would laugh, eat, and dream. But in 2008, the Israeli bulldozers came. They tore down the fence, leveled the two rooms, and uprooted the trees we had grown up with. Despite the pain, we returned and rebuilt — a full floor took the place of what had been destroyed. Then came 2012, and once again, our home was damaged. We repaired it and moved back in. But safety didn’t last. In 2014, it was bombed again. We repaired it once more — as if we were trying to plant a rose in the middle of rubble. By 2019, we had built three floors with five apartments, divided among my siblings and me. But our joy was short-lived. The warplanes came and destroyed everything. We returned, rebuilt, and lived — as only those with no other choice do. In early 2024, my grandfather’s old house was hit. We said, “Thank God, we still have my father’s house to live in.” Then my own apartment was bombed. I said, “Thank God, I can still stay in a part of my father’s home.” And today... we returned to find our house — the one that had sheltered us time and again — reduced to rubble. The Israeli soldier wasn’t content with destroying it. He wrote his name on the walls and took pride in what he did. I don’t know him. I don’t know why he did it, or who told him to. But I know one thing: my father is now searching through the ruins, wondering how to pitch a tent — just a tent — so we can have somewhere to live. A tent, so we can stay here, rebuild it, and live in it once again — until we die

GAZA

53,150 Aufrufe • vor 11 Monaten

ROSALÍA revealed that while filming her first-ever music video, “De Plata,” in Los Angeles, a woman stole her shoes, forcing her to chase after her to get them back. "This city is really, really, really special to me. Because here is where Los Ángeles was made. And not just Los Ángeles, so much of my music has been made here over the past years, you know? More music videos... and, actually, my first proper music video, it was shot here in L.A. And I remember we shot some—it was like 2018, 2019—and we, we shot some scenes, some moments on the Hollywood Walk of Fame. I don't think we were—I'm not sure if we even had a permit for that! And I remember I was wearing these clear heels, um, stripper heels. And for one scene, for one moment, I decided that I would take off the shoes. And then, this bitch stole my shoes! Out of the blue, and, and she ran away with them. So, I had to run, uh, after her. And of course, I got my shoes back. Cos' I'm not gonna let anybody steal my pair of Pleasers, you know? Which were my favorite, my favorite heels that I had back then, and it was the only pair that I had, so. But anyway, long story short, despite, you know, getting my shoes stolen here in L.A., I've always felt very supported here, you know? Thank you for having my back in every project. Thank you, thank you for so much love."
2:19

ROSALÍA revealed that while filming her first-ever music video, “De Plata,” in Los Angeles, a woman stole her shoes, forcing her to chase after her to get them back. "This city is really, really, really special to me. Because here is where Los Ángeles was made. And not just Los Ángeles, so much of my music has been made here over the past years, you know? More music videos... and, actually, my first proper music video, it was shot here in L.A. And I remember we shot some—it was like 2018, 2019—and we, we shot some scenes, some moments on the Hollywood Walk of Fame. I don't think we were—I'm not sure if we even had a permit for that! And I remember I was wearing these clear heels, um, stripper heels. And for one scene, for one moment, I decided that I would take off the shoes. And then, this bitch stole my shoes! Out of the blue, and, and she ran away with them. So, I had to run, uh, after her. And of course, I got my shoes back. Cos' I'm not gonna let anybody steal my pair of Pleasers, you know? Which were my favorite, my favorite heels that I had back then, and it was the only pair that I had, so. But anyway, long story short, despite, you know, getting my shoes stolen here in L.A., I've always felt very supported here, you know? Thank you for having my back in every project. Thank you, thank you for so much love."

ROSALÍA UPDATE

56,841 Aufrufe • vor 1 Monat

The Social Network sequel also won’t have David Fincher. His directing style great combo with Sorkin’s dialogue-heavy script. Social Network’s opening scene is perfect example: it’s ~5 minutes and Fincher famously did 99 takes. It shows Zuck getting dumped in a Harvard bar (and with some creative licenses, how that leads to Facebook). Sorkin — who will direct the sequel — talked about how the scene came together: ➡️ "An average screenplay is about 120 pages long. My screenplays have higher page counts because there’s more dialogue and less action. By the rules of screenplay format, dialogue takes up more room on the page and less time on the screen than action (which takes up less room on the page and more time on the screen). "The Social Network" was 178 pages. And the studio said, “OK, the first thing you’ve got to do is figure out a way to cut 30 pages from this.” And David said, “I don’t think so.” […] He came over to my house with his iPhone set on stopwatch mode, and he said, “I want you to read the entire script out loud for me, at the pace you heard it in your head when you were writing it, and I’m going to write down the timing of each scene.” So that opening scene...with Jesse Eisenberg (Zuck) and Rooney Mara. I read it and it was 7 minutes and 22 seconds. In rehearsal, Jesse and Rooney would rehearse the scene, David would say great, and he would give them a couple of notes and always end with, “But this scene is 7 minutes and 22 seconds long, and you’re doing it at 7 minutes and 40 seconds. So I don’t care how, but you’re going to have to talk faster somewhere, because I promise you, this scene plays best at 7 minutes and 22 seconds.” ⬅️ The final cut was quite a bit shorter than 7 minutes and 22 seconds. But one thing stayed consistent throughout the shoot: Fincher told dozens of extras in the bar scene to keep the volume of their chatter high, as they would on any night out. This forced Eisenberg and Mara not only to speak faster. But also louder, increasing the scene’s intensity. IT WORKED REAL WELL!! *** Full interview with Sorkin here:
4:59

The Social Network sequel also won’t have David Fincher. His directing style great combo with Sorkin’s dialogue-heavy script. Social Network’s opening scene is perfect example: it’s ~5 minutes and Fincher famously did 99 takes. It shows Zuck getting dumped in a Harvard bar (and with some creative licenses, how that leads to Facebook). Sorkin — who will direct the sequel — talked about how the scene came together: ➡️ "An average screenplay is about 120 pages long. My screenplays have higher page counts because there’s more dialogue and less action. By the rules of screenplay format, dialogue takes up more room on the page and less time on the screen than action (which takes up less room on the page and more time on the screen). "The Social Network" was 178 pages. And the studio said, “OK, the first thing you’ve got to do is figure out a way to cut 30 pages from this.” And David said, “I don’t think so.” […] He came over to my house with his iPhone set on stopwatch mode, and he said, “I want you to read the entire script out loud for me, at the pace you heard it in your head when you were writing it, and I’m going to write down the timing of each scene.” So that opening scene...with Jesse Eisenberg (Zuck) and Rooney Mara. I read it and it was 7 minutes and 22 seconds. In rehearsal, Jesse and Rooney would rehearse the scene, David would say great, and he would give them a couple of notes and always end with, “But this scene is 7 minutes and 22 seconds long, and you’re doing it at 7 minutes and 40 seconds. So I don’t care how, but you’re going to have to talk faster somewhere, because I promise you, this scene plays best at 7 minutes and 22 seconds.” ⬅️ The final cut was quite a bit shorter than 7 minutes and 22 seconds. But one thing stayed consistent throughout the shoot: Fincher told dozens of extras in the bar scene to keep the volume of their chatter high, as they would on any night out. This forced Eisenberg and Mara not only to speak faster. But also louder, increasing the scene’s intensity. IT WORKED REAL WELL!! *** Full interview with Sorkin here:

Trung Phan

57,915 Aufrufe • vor 1 Monat

🤡 Russian General Kartapolov on Ukraine's Attack on Moscow: "The fact that a drone flies so deep is actually a good thing" The Russian general tried to convince his domestic audience that burning infrastructure deep in the Russian rear is supposedly part of a useful military training process. "I state with responsibility: we have the best air defense in the world, and the best in our country — no one else has one like it, it simply doesn't exist today. And the fact that sometimes some drone flies somewhere quite deep, this, on one hand, is actually good, because we are gaining experience in repelling mass raids," says Kartapolov. If the air defense is the best in the world, why is Moscow on fire? When a regime is unable to defend its own capital, it must inevitably transform its vulnerability into a "planned experiment." This mirrors the "sour grapes" fable by Aesop: because the fox cannot reach the grapes (protecting the sky), it declares them sour (unimportant/training). Kartapolov’s rhetoric evokes the character of Dr. Pangloss from Voltaire’s Candide, who insistently claimed that we live in "the best of all possible worlds" despite constant catastrophe. By claiming that these strikes provide "valuable experience," the general is essentially admitting that the Russian military was completely unprepared for the reality of modern asymmetric warfare. As military historian B.H. Liddell Hart noted, "The only thing more difficult than getting a new idea into the military mind is getting an old one out." Here, the "old idea" is the myth of Russian invulnerability, and it is being burned away by every incoming drone. Russia is a hooligan who attacks people, beats them, threatening them not to beat her back, and when she gets hit - ....
0:21

🤡 Russian General Kartapolov on Ukraine's Attack on Moscow: "The fact that a drone flies so deep is actually a good thing" The Russian general tried to convince his domestic audience that burning infrastructure deep in the Russian rear is supposedly part of a useful military training process. "I state with responsibility: we have the best air defense in the world, and the best in our country — no one else has one like it, it simply doesn't exist today. And the fact that sometimes some drone flies somewhere quite deep, this, on one hand, is actually good, because we are gaining experience in repelling mass raids," says Kartapolov. If the air defense is the best in the world, why is Moscow on fire? When a regime is unable to defend its own capital, it must inevitably transform its vulnerability into a "planned experiment." This mirrors the "sour grapes" fable by Aesop: because the fox cannot reach the grapes (protecting the sky), it declares them sour (unimportant/training). Kartapolov’s rhetoric evokes the character of Dr. Pangloss from Voltaire’s Candide, who insistently claimed that we live in "the best of all possible worlds" despite constant catastrophe. By claiming that these strikes provide "valuable experience," the general is essentially admitting that the Russian military was completely unprepared for the reality of modern asymmetric warfare. As military historian B.H. Liddell Hart noted, "The only thing more difficult than getting a new idea into the military mind is getting an old one out." Here, the "old idea" is the myth of Russian invulnerability, and it is being burned away by every incoming drone. Russia is a hooligan who attacks people, beats them, threatening them not to beat her back, and when she gets hit - ....

Devana 🇺🇦

69,643 Aufrufe • vor 1 Monat

The great irony that this happen’s in Diviner’s Hymn… and the mirroring to Absolute Zeal is perfection. This is a god and goddess who are already in a religious marriage between gods, and she pursues him for healing which happens in the most sensual way. Despite their perceived opposing alignments, there’s an undeniable attraction and MC is stuck between her duty to her people but also her desire for Zayne. It adds an extra level of tension as to why she’s being so rough with him too - SHE kissed him and bit his lips before the kindled, she set a precedent for aggression and Zayne is matching her though not as roughly. Everything is consensual. I stand by the ritual has to be done to completion as he’s healing her, he’s not going to let her go without being fully healed no matter how much she thinks (or acts like she thinks) the worst of him, especially when they have been together for a while and intimate multiple times beforehand, so their relationship has more history and is more complex. I’ve said before how intimacy is easier to communicate desire and affection for ZayneMC after Acts of Service. This healing ritual IS an Act of Service communicated through Physical intimacy. There’s affection in this because despite MC thinking Zayne is at odds with her, he is healing her and giving her his power nonetheless. This scene already should make the reader question the intentions and unreliable narrative which only makes the later reveals make more sense. “Feel this and remember what I’m giving you” - feel what is between us and remember I’m the one healing you and giving you my power. It’s possessive and extremely sexy, but also quite explicitly putting it in her mind that “know it is *me* giving you this.” Why would he do this if he was set to be the man she thinks and misunderstood him as? Things are not straight forward and through the narrative we understand why they struggle in being direct, but as said earlier emotional intimacy and honesty are something ZayneMC work towards. Where their words struggle, their bodies cannot deny. “Accept it… this is only a power you can possess” - accept what I’m giving you and I’m only giving it to you. You are the only other person I deem worthy of what I have and I will give it to. Of course the intimacy is a big aspect of how the transference works, but this is also a reaffirmation of *him* giving her the ability to go against what she also perceives as *him* and he is willingly offering it to her for her own benefit. “I have answered your pleas and your desires… Yet I sense… An even deeper craving.” The ritual is done, he gave her what she pushed him for but they *both* still want more and he’s called out exactly what I said he would. It is the essence of “look at how your body is responding to me” - MC doesn’t want to admit she still wants Zayne, the standings she believes them to be on have put their union in a difficult position mentally and emotionally for her, but she can’t forget the man she adored and her want for him. Zayne reaffirms that, and it’s onto further reinforced in the lines akin to “you cannot get away from how I make you feel” in his sensing a “deeper craving” and them acting on it. Just as I said, he calls out the lust between them that MC has a habit of denying and playing with despite instigating and *teasing and pushing* Zayne. This is their pattern and it is consensual, Zayne is aware of it as they’ve been sexually active for a long time before these moments, so just like in Absolute Zeal he calls it out. The level of layers to this scene make it a perfect marriage of struggling emotional vulnerability, partnership, miscommunication, mythical godly relations (Hieros Gamos) and overwhelming mutual carnal desire which overrides everything at the end. Oh ZayneMC your writing is so incredible, and denying how these aspects converge oversimplifies the beauty and complexity of this extremely well written scene in how it illustrates their specific dynamic.
2:16

The great irony that this happen’s in Diviner’s Hymn… and the mirroring to Absolute Zeal is perfection. This is a god and goddess who are already in a religious marriage between gods, and she pursues him for healing which happens in the most sensual way. Despite their perceived opposing alignments, there’s an undeniable attraction and MC is stuck between her duty to her people but also her desire for Zayne. It adds an extra level of tension as to why she’s being so rough with him too - SHE kissed him and bit his lips before the kindled, she set a precedent for aggression and Zayne is matching her though not as roughly. Everything is consensual. I stand by the ritual has to be done to completion as he’s healing her, he’s not going to let her go without being fully healed no matter how much she thinks (or acts like she thinks) the worst of him, especially when they have been together for a while and intimate multiple times beforehand, so their relationship has more history and is more complex. I’ve said before how intimacy is easier to communicate desire and affection for ZayneMC after Acts of Service. This healing ritual IS an Act of Service communicated through Physical intimacy. There’s affection in this because despite MC thinking Zayne is at odds with her, he is healing her and giving her his power nonetheless. This scene already should make the reader question the intentions and unreliable narrative which only makes the later reveals make more sense. “Feel this and remember what I’m giving you” - feel what is between us and remember I’m the one healing you and giving you my power. It’s possessive and extremely sexy, but also quite explicitly putting it in her mind that “know it is *me* giving you this.” Why would he do this if he was set to be the man she thinks and misunderstood him as? Things are not straight forward and through the narrative we understand why they struggle in being direct, but as said earlier emotional intimacy and honesty are something ZayneMC work towards. Where their words struggle, their bodies cannot deny. “Accept it… this is only a power you can possess” - accept what I’m giving you and I’m only giving it to you. You are the only other person I deem worthy of what I have and I will give it to. Of course the intimacy is a big aspect of how the transference works, but this is also a reaffirmation of *him* giving her the ability to go against what she also perceives as *him* and he is willingly offering it to her for her own benefit. “I have answered your pleas and your desires… Yet I sense… An even deeper craving.” The ritual is done, he gave her what she pushed him for but they *both* still want more and he’s called out exactly what I said he would. It is the essence of “look at how your body is responding to me” - MC doesn’t want to admit she still wants Zayne, the standings she believes them to be on have put their union in a difficult position mentally and emotionally for her, but she can’t forget the man she adored and her want for him. Zayne reaffirms that, and it’s onto further reinforced in the lines akin to “you cannot get away from how I make you feel” in his sensing a “deeper craving” and them acting on it. Just as I said, he calls out the lust between them that MC has a habit of denying and playing with despite instigating and *teasing and pushing* Zayne. This is their pattern and it is consensual, Zayne is aware of it as they’ve been sexually active for a long time before these moments, so just like in Absolute Zeal he calls it out. The level of layers to this scene make it a perfect marriage of struggling emotional vulnerability, partnership, miscommunication, mythical godly relations (Hieros Gamos) and overwhelming mutual carnal desire which overrides everything at the end. Oh ZayneMC your writing is so incredible, and denying how these aspects converge oversimplifies the beauty and complexity of this extremely well written scene in how it illustrates their specific dynamic.

Zafina ❄️🐦‍⬛🍎🐟⭐️

103,616 Aufrufe • vor 10 Monaten

Seedance 2.0 is allowing us to enter a new era of music video creation. Here is how I created HONEY. It was a quick test to see how well this workflow holds up. 🐝 1 - Write your song and generate the music with Suno 5.5. 2 - Use an image generator of your choice. For HONEY I combined both Grok Imagine for aesthetics and Nano Banana Pro for refined editing. 3 - In Capcut I import my audio and just save out a blank video video containing the audio. This step is important because this video file containing audio will now be used with Seedance 2.0 as a video reference with Omni. This allows the AI to apply automatic and realistic lipsync and movement to the music, it's extremely powerful! 4 - Once I have a both my image and video with audio as reference, I use Seedance 2.0 Omni and upload my starting image and then the video reference with the audio. 5 - From here I'm simply prompting like normal, specifying what's happening in my scene with detailed instructions, mentioning multi shots and camera angle changes and then specifying that the person is singing along to the song. I type out the lyrics that are present to have better lipsync accuracy. 6 - Once I have generated a video and like the result, I do video to video, so i upload that video that just got generated and type "The scene continues" and prompt new actions to take place. This allows you to expand on a narrative. These new shots can be used as B-ROLL and since I uploaded my video as reference I have full consistency of everything it saw in the video. This is also extremely powerful. 7 - This is actually the most difficult part. Edit in Capcut. This is where you need to understand pacing and shot selection from all the scenes you generated to bring it all together. You must be strategic with the editing. Goodluck! I'll probably record a video tutorial at some point as it's easier to see what is being done.
0:46

Seedance 2.0 is allowing us to enter a new era of music video creation. Here is how I created HONEY. It was a quick test to see how well this workflow holds up. 🐝 1 - Write your song and generate the music with Suno 5.5. 2 - Use an image generator of your choice. For HONEY I combined both Grok Imagine for aesthetics and Nano Banana Pro for refined editing. 3 - In Capcut I import my audio and just save out a blank video video containing the audio. This step is important because this video file containing audio will now be used with Seedance 2.0 as a video reference with Omni. This allows the AI to apply automatic and realistic lipsync and movement to the music, it's extremely powerful! 4 - Once I have a both my image and video with audio as reference, I use Seedance 2.0 Omni and upload my starting image and then the video reference with the audio. 5 - From here I'm simply prompting like normal, specifying what's happening in my scene with detailed instructions, mentioning multi shots and camera angle changes and then specifying that the person is singing along to the song. I type out the lyrics that are present to have better lipsync accuracy. 6 - Once I have generated a video and like the result, I do video to video, so i upload that video that just got generated and type "The scene continues" and prompt new actions to take place. This allows you to expand on a narrative. These new shots can be used as B-ROLL and since I uploaded my video as reference I have full consistency of everything it saw in the video. This is also extremely powerful. 7 - This is actually the most difficult part. Edit in Capcut. This is where you need to understand pacing and shot selection from all the scenes you generated to bring it all together. You must be strategic with the editing. Goodluck! I'll probably record a video tutorial at some point as it's easier to see what is being done.

Travis Davids

19,236 Aufrufe • vor 3 Monaten