Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

New Web Swinging Mod gives Spider-Man 2 a Complete Makeover in Traversal Double Swings Simultaneously - Loops - Wall/Ground Slides Mid Swing - Swing Travel Time & much more.

dvesf

5,268 subscribers

88,527 Aufrufe • vor 11 Stunden •via X (Twitter)

Kunst Gaming Wissenschaft & Technologie

Anya Rossi• Live Now

Private livecam show

15 Kommentare

Profilbild von ⚡️

⚡️vor 10 Stunden

Has good promise. Hope they can polish it up more now

Profilbild von Richard Arias

Richard Ariasvor 9 Stunden

@insomniacgames @JamesStevenson @bryanintihar

Profilbild von dvesf

dvesfvor 11 Stunden

Extended Showcase + Download:

Profilbild von GreyJedi14K

GreyJedi14Kvor 9 Stunden

I wish we could download mods on PlayStation

Profilbild von •|ɴᴀɢᴀʀᴇʙᴏsʜɪ|•

•|ɴᴀɢᴀʀᴇʙᴏsʜɪ|•vor 9 Stunden

not a great video to show it off but it does look impressive

Profilbild von 𝕮𝖚𝖕 𝖀𝖕 𝕿𝖔𝖕 𝕯𝖔𝖜𝖓

𝕮𝖚𝖕 𝖀𝖕 𝕿𝖔𝖕 𝕯𝖔𝖜𝖓vor 9 Stunden

Shame SM3 won't be on PC. Reasons like this is why gaming kn pc is so much better

Profilbild von BLVCKSPIDER 🕷️

BLVCKSPIDER 🕷️vor 8 Stunden

@RiascosJacob I hate that fucking camera bro

Profilbild von Prakondol Subimemeg

Prakondol Subimemegvor 8 Stunden

need a little faster and heavier momentum, aside from that, nice

Profilbild von Nyalenn

Nyalennvor 10 Stunden

looks insane

Profilbild von frank

frankvor 9 Stunden

Seeing the swinging like this…. I understand what they mean now.

Profilbild von Gee Lambo

Gee Lambovor 10 Stunden

nice

Profilbild von arrio

arriovor 8 Stunden

It's literally the spiderman 2 PS2 here. The possibilities are insane

Profilbild von GameChef

GameChefvor 9 Stunden

@insomniacgames incase ur hiring

Profilbild von lukkiii

lukkiiivor 9 Stunden

@TheLightIsWhite thoughts on this?

Profilbild von Logan Bates

Logan Batesvor 9 Stunden

wasn’t double swinging a thing in the PS2 Spider-Man 2?

Ähnliche Videos

I love how smooth Miles tricks to swing transitions feels compared to Peter’s. After doing mid-air tricks, Miles flows right back into swinging seamlessly, while Peter’s transitions feels stiffer. I wish insomniac focus more on Peter swinging and add more features. I want them to add these in next games - Wall Run while descending - Climbing web mid-swing like in the Raimi Movies - Make low to the ground swinging feel more impactful and immersive There’s still lot that can be improved gameplay wise. But I know Insomniac will cook with Spider-Man 3.

I love how smooth Miles tricks to swing transitions feels compared to Peter’s. After doing mid-air tricks, Miles flows right back into swinging seamlessly, while Peter’s transitions feels stiffer. I wish insomniac focus more on Peter swinging and add more features. I want them to add these in next games - Wall Run while descending - Climbing web mid-swing like in the Raimi Movies - Make low to the ground swinging feel more impactful and immersive There’s still lot that can be improved gameplay wise. But I know Insomniac will cook with Spider-Man 3.

Yash

29,386 Aufrufe • vor 7 Monaten

The Amazing Spider-Man has an extended version of the iconic web-swinging sequence reflected in New York City skyscraper windows The deleted footage gives us even more time to see how Andrew Garfield moves exactly like a spider Sony cut it

The Amazing Spider-Man has an extended version of the iconic web-swinging sequence reflected in New York City skyscraper windows The deleted footage gives us even more time to see how Andrew Garfield moves exactly like a spider Sony cut it

No Context Tobey Maguire

100,828 Aufrufe • vor 1 Monat

‼️ DEEP DIVE: NEW DISCO EVENT PASS Here's a complete look at the Flight Mode! World Tour Merch Event Pass, now available in-game for 990 Lattice. Page 1: Spider-Man: Groovy Swing (Costume) *Spider-Man: Groovy Swing (Spray) Spider-Man: Groovy Swing (Emote) *Hela: Disco of the Dead (Nameplate) Spider-Man: Groovy Swing (Emoji Bundle) *Immortal Beasts (Mood Bundle) Page 2: Spider-Man: Groovy Swing (MVP Animation) *Hela: Disco of the Dead (Spray) Psylocke: Psychedelic Pulse (Nameplate) *x200 Chrono Tokens Psylocke: Psychedelic Pulse (Emoji Bundle) *Hela: Disco of the Dead (Costume) Page 3: Spider-Man: Groovy Swing (Emoji Bundle) *Psylocke: Psychedelic Pulse (Spray) Hela: Disco of the Dead (Mood Bundle) *Hela: Disco of the Dead (MVP Animation) Psylocke: Psychedelic Pulse (Emote) *x200 Unstable Molecules Page 4: *Spider-Man: Groovy Swing (Nameplate) Psylocke: Psychedelic Pulse (Emoji Bundle) *Hela: Disco of the Dead (Emote) Psylocke: Psychedelic Pulse (MVP Animation) *x200 Chrono Tokens Psylocke: Psychedelic Pulse (Costume) Completion Bonus: Animated Deadpool Nameplate *These items are free to unlock without an Event Pass purchase. Note: All "Hela: Disco of the Dead" items are part of the new Pick-Your-Own Reward system and can be replaced with items from previously free event costumes at your discretion. #MarvelRivals

‼️ DEEP DIVE: NEW DISCO EVENT PASS Here's a complete look at the Flight Mode! World Tour Merch Event Pass, now available in-game for 990 Lattice. Page 1: Spider-Man: Groovy Swing (Costume) Spider-Man: Groovy Swing (Spray) Spider-Man: Groovy Swing (Emote) Hela: Disco of the Dead (Nameplate) Spider-Man: Groovy Swing (Emoji Bundle) Immortal Beasts (Mood Bundle) Page 2: Spider-Man: Groovy Swing (MVP Animation) Hela: Disco of the Dead (Spray) Psylocke: Psychedelic Pulse (Nameplate) x200 Chrono Tokens Psylocke: Psychedelic Pulse (Emoji Bundle) Hela: Disco of the Dead (Costume) Page 3: Spider-Man: Groovy Swing (Emoji Bundle) Psylocke: Psychedelic Pulse (Spray) Hela: Disco of the Dead (Mood Bundle) Hela: Disco of the Dead (MVP Animation) Psylocke: Psychedelic Pulse (Emote) x200 Unstable Molecules Page 4: Spider-Man: Groovy Swing (Nameplate) Psylocke: Psychedelic Pulse (Emoji Bundle) Hela: Disco of the Dead (Emote) Psylocke: Psychedelic Pulse (MVP Animation) x200 Chrono Tokens Psylocke: Psychedelic Pulse (Costume) Completion Bonus: Animated Deadpool Nameplate *These items are free to unlock without an Event Pass purchase. Note: All "Hela: Disco of the Dead" items are part of the new Pick-Your-Own Reward system and can be replaced with items from previously free event costumes at your discretion. #MarvelRivals

Miller Ross

38,033 Aufrufe • vor 7 Monaten

Spider-Man 2 (2004) opens on a perfume billboard of MJ in the streets of New York And closes on MJ standing at Peter’s window watching him swing through New York Sam Raimi wasn’t subtle about it. MJ isn’t just the love interest. She’s the reason Peter exists in this film. Everything he does, every sacrifice, every time he almost gives up, it comes back to her. She’s not a character. She’s the foundation.

Spider-Man 2 (2004) opens on a perfume billboard of MJ in the streets of New York And closes on MJ standing at Peter’s window watching him swing through New York Sam Raimi wasn’t subtle about it. MJ isn’t just the love interest. She’s the reason Peter exists in this film. Everything he does, every sacrifice, every time he almost gives up, it comes back to her. She’s not a character. She’s the foundation.

No Context Tobey Maguire

13,612 Aufrufe • vor 23 Tagen

A special thank you to Tom Holland for welcoming audiences to experience Spider-Man: Brand New Day in EPIQ. Be the first to experience the Spider-Man: Brand New Day trailer in EPIQ, the most immersive Premium Large Format in town. Experience every frame bigger. Every swing more immersive. The Spider-Man: Brand New Day trailer is now playing at your nearest participating EPIQ screen. Marvel Studios Sony Pictures India #SpiderManAtEPIQ #SpiderManBrandNewDay #EPIQ #ExperienceInEPIQ #TrailerLaunch #MarvelStudios #SonyPicturesIndia #SpiderMan #ComingSoon

EPIQ

29,330 Aufrufe • vor 2 Monaten

With the recent launch of the Free Lanes update for Starfield, we got immersive interplanetary travel. Now, a new mod/creation brings more immersive intersystem travel. In a similar vein to Cruise Mode, “Grav Lanes” lets you move freely around your ship mid–grav jump. You can do everything you normally would onboard and actually experience the journey, complete with a light show outside your windows. Check out the video to see it in action. I’ll drop the link in the replies.

With the recent launch of the Free Lanes update for Starfield, we got immersive interplanetary travel. Now, a new mod/creation brings more immersive intersystem travel. In a similar vein to Cruise Mode, “Grav Lanes” lets you move freely around your ship mid–grav jump. You can do everything you normally would onboard and actually experience the journey, complete with a light show outside your windows. Check out the video to see it in action. I’ll drop the link in the replies.

Jay Dook

51,716 Aufrufe • vor 5 Monaten

Remember Ananta? The anime game that looked suspiciously close to GTA VI, complete with driving mechanics , heist missions, weapon wheel, GTA-style character switching with additional Watch Dogs hacking mechanics, Arkham style combat, Uncharted action sequences and insomniac Spider-Man web swinging? Well turns out that the game is real and it is coming out on January 15th, 2027 and its Free to Play. This new Trailer that they've just released shows just how much stuff they've added compared to their previous ones. There are flying cars now, freaking dragon ball fighting mid-sky, social media feed, skateboarding, a whole new area that they've showed and I'm not going to lie this game has me hooked.

Remember Ananta? The anime game that looked suspiciously close to GTA VI, complete with driving mechanics , heist missions, weapon wheel, GTA-style character switching with additional Watch Dogs hacking mechanics, Arkham style combat, Uncharted action sequences and insomniac Spider-Man web swinging? Well turns out that the game is real and it is coming out on January 15th, 2027 and its Free to Play. This new Trailer that they've just released shows just how much stuff they've added compared to their previous ones. There are flying cars now, freaking dragon ball fighting mid-sky, social media feed, skateboarding, a whole new area that they've showed and I'm not going to lie this game has me hooked.

NikTek

51,942 Aufrufe • vor 29 Tagen

She said "one more time" and jumped out a window anyway. Web-swinging through NYC at golden hour, taxi roofs to fire escapes to rooftop freefall — this is what happens when you give a girl headphones and zero fear of heights. Made with Seedance 2.0 on RoboNeo Prompt: 30-Second Video Prompt — "Jessy: Rooftop Run" PART 1 — 0:00–0:15 Cut 1 (0–3s): Static locked-off shot, identical to the reference opening — Jessy sits on the wooden windowsill of her cozy, cluttered bedroom, looking out at the hazy NYC skyline. She says "All right," turns her head to face the camera directly, snaps her fingers, and says "Let's do this one more time." She pulls the headphones up onto her ears, tips backward naturally, and falls out the window, dropping smoothly out of frame. Cut 2 (3–4s): Camera catches her mid-fall from street level below — she twists upright in the air with a sharp, focused expression, fires a web upward with a quick wrist snap, and the camera pulls back into a wide rear-follow drone shot as the web yanks her out of the fall. Cut 3 (4–7s): Wide shot of a residential NYC street lined with brownstones and fire escapes. She swings low, just 3 meters above the ground, arms extended forward gripping the web, legs trailing together, back straight. At the bottom of the arc her feet skim the roof of a parked car — a quick, surprised laugh escapes her as she uses the contact to redirect. Camera banks hard, 40 degrees. Cut 4 (7–10s): She releases the web at the peak of the swing, arms opening wide for a brief weightless moment — then instead of swinging again, she runs straight along the vertical face of a brownstone wall, body leaned 45 degrees into the brick, 4–5 real running strides, jaw set in determined focus. She plants both feet, knees bending deep, then explodes off the wall and fires a new web across a wide intersection. Cut 5 (10–15s): The swing yanks her hard sideways, camera rolling 60 degrees. She dips low down a street packed with yellow taxis, just 2 meters off the ground, body streamlined, arms and legs trailing like an arrow. She releases the web, lands running full sprint, arms driving — then drops into a low controlled slide under a delivery truck's side mirror, one leg tucked, hand bracing the ground, and springs back up into her stride without losing speed, grinning with adrenaline. (End Part 1.) PART 2 — 0:15–0:30 Cut 6 (15–17s): New angle — she plants one foot on the side of a moving taxi, pushes off its roof with a single explosive step, fires a web straight up at a tall building, and rockets skyward, shouting "WOOHOO!" with completely uncontrolled joy, mouth open, head tipping back. Cut 7 (17–21s): The drone rises with her. At the top of the arc she releases the web, body briefly weightless, arms open — then twists mid-air and lands a spinning heel-strike off the metal frame of a rooftop water tower, redirecting her momentum sideways instead of dropping. A sharp, focused grunt of effort, eyes locked on her next line of travel. Cut 8 (21–25s): Street level again — she descends a fire escape, hands catching each rail to control her speed, sneakers striking the metal steps in rhythm, scarf whipping behind her. At the bottom she vaults a low fence in one clean motion without breaking stride, laughing as a flock of pigeons scatters around her. Cut 9 (25–30s): Final wide shot at rooftop level — she fires one last web and swings up into open air, releasing at the peak. Arms open, body arched back, completely still for one breathless moment. Golden hour sky, warm orange-pink light, dramatic backlit clouds. She hangs tiny and centered against the glowing sky, rooftops and water towers below, eyes closed, face full of pure freedom, as she begins to fall back down. (End.)

She said "one more time" and jumped out a window anyway. Web-swinging through NYC at golden hour, taxi roofs to fire escapes to rooftop freefall — this is what happens when you give a girl headphones and zero fear of heights. Made with Seedance 2.0 on RoboNeo Prompt: 30-Second Video Prompt — "Jessy: Rooftop Run" PART 1 — 0:00–0:15 Cut 1 (0–3s): Static locked-off shot, identical to the reference opening — Jessy sits on the wooden windowsill of her cozy, cluttered bedroom, looking out at the hazy NYC skyline. She says "All right," turns her head to face the camera directly, snaps her fingers, and says "Let's do this one more time." She pulls the headphones up onto her ears, tips backward naturally, and falls out the window, dropping smoothly out of frame. Cut 2 (3–4s): Camera catches her mid-fall from street level below — she twists upright in the air with a sharp, focused expression, fires a web upward with a quick wrist snap, and the camera pulls back into a wide rear-follow drone shot as the web yanks her out of the fall. Cut 3 (4–7s): Wide shot of a residential NYC street lined with brownstones and fire escapes. She swings low, just 3 meters above the ground, arms extended forward gripping the web, legs trailing together, back straight. At the bottom of the arc her feet skim the roof of a parked car — a quick, surprised laugh escapes her as she uses the contact to redirect. Camera banks hard, 40 degrees. Cut 4 (7–10s): She releases the web at the peak of the swing, arms opening wide for a brief weightless moment — then instead of swinging again, she runs straight along the vertical face of a brownstone wall, body leaned 45 degrees into the brick, 4–5 real running strides, jaw set in determined focus. She plants both feet, knees bending deep, then explodes off the wall and fires a new web across a wide intersection. Cut 5 (10–15s): The swing yanks her hard sideways, camera rolling 60 degrees. She dips low down a street packed with yellow taxis, just 2 meters off the ground, body streamlined, arms and legs trailing like an arrow. She releases the web, lands running full sprint, arms driving — then drops into a low controlled slide under a delivery truck's side mirror, one leg tucked, hand bracing the ground, and springs back up into her stride without losing speed, grinning with adrenaline. (End Part 1.) PART 2 — 0:15–0:30 Cut 6 (15–17s): New angle — she plants one foot on the side of a moving taxi, pushes off its roof with a single explosive step, fires a web straight up at a tall building, and rockets skyward, shouting "WOOHOO!" with completely uncontrolled joy, mouth open, head tipping back. Cut 7 (17–21s): The drone rises with her. At the top of the arc she releases the web, body briefly weightless, arms open — then twists mid-air and lands a spinning heel-strike off the metal frame of a rooftop water tower, redirecting her momentum sideways instead of dropping. A sharp, focused grunt of effort, eyes locked on her next line of travel. Cut 8 (21–25s): Street level again — she descends a fire escape, hands catching each rail to control her speed, sneakers striking the metal steps in rhythm, scarf whipping behind her. At the bottom she vaults a low fence in one clean motion without breaking stride, laughing as a flock of pigeons scatters around her. Cut 9 (25–30s): Final wide shot at rooftop level — she fires one last web and swings up into open air, releasing at the peak. Arms open, body arched back, completely still for one breathless moment. Golden hour sky, warm orange-pink light, dramatic backlit clouds. She hangs tiny and centered against the glowing sky, rooftops and water towers below, eyes closed, face full of pure freedom, as she begins to fall back down. (End.)

Jessica Collins

40,022 Aufrufe • vor 1 Monat

🇬🇷 111,000 SPIDERS TEAM UP IN GREECE TO BUILD WORLD’S BIGGEST WEB If spiders give you the creeps, this discovery might just be your new worst nightmare. Scientists uncovered a massive spider colony weaving the largest known web on Earth, hidden deep inside a dark cave near the Albanian border. More than 111,000 spiders from 2 common species are living together in a sprawling, tangled network stretching over 1,100 square feet. The web sits in total darkness and is made up of thousands of interconnected funnel-shaped webs. Researchers say it’s the first time these species have been seen building something this colossal and collaborative. Source: Euronews, ERT

🇬🇷 111,000 SPIDERS TEAM UP IN GREECE TO BUILD WORLD’S BIGGEST WEB If spiders give you the creeps, this discovery might just be your new worst nightmare. Scientists uncovered a massive spider colony weaving the largest known web on Earth, hidden deep inside a dark cave near the Albanian border. More than 111,000 spiders from 2 common species are living together in a sprawling, tangled network stretching over 1,100 square feet. The web sits in total darkness and is made up of thousands of interconnected funnel-shaped webs. Researchers say it’s the first time these species have been seen building something this colossal and collaborative. Source: Euronews, ERT

Mario Nawfal

217,078 Aufrufe • vor 10 Monaten

A single system glitch turned Midtown into complete chaos. As a rogue construction mech tears through the city, Web Ranger races against time to save civilians, not by overpowering it, but by outthinking it with precision web tactics and an epic FLOVA containment network. Every swing, every web anchor, and every cinematic moment was made with FlovaAI while using Script-Driven Skill. #Flovaai #Flovacpp Prompt: COLLAPSE AT MIDTOWN" (45s) Model: Seedance 2.0 Style: Realistic cinematic superhero action, dynamic camera, no music, sound effects only. Character Lock: Web Ranger remains identical in every shot. He cannot fly—all movement is through visible web swings and anchor points. White webs with glowing teal energy. The Colossus is a 15-foot malfunctioning construction mech. PART 1 (0:00–0:15) — Malfunction & Rescue Cut 1 (0:00–0:05) Wide shot of a Times Square-style construction zone. The Colossus glitches and accidentally knocks scaffolding toward a little girl. Web Ranger catches the falling beam with glowing web strands and appears perched on a traffic light. Cut 2 (0:05–0:10) Web Ranger swings between lamp posts and cranes, redirecting the mech's wild arm away from a crowded bus and into empty scaffolding. He continues dodging debris using rapid web pulls. Cut 3 (0:10–0:15) The mech stumbles toward a subway entrance. Web Ranger yanks a construction barrier into its path, diverting it away from fleeing civilians before landing on a taxi roof, ready for the next move. PART 2 (0:15–0:30) — Containment Cut 4 (0:15–0:20) The Colossus unleashes chaotic swings and heavy steps. Web Ranger evades every near miss, using billboard and crane anchors to swing through collapsing debris. Cut 5 (0:20–0:25) Web Ranger throws web-linked shuriken that ricochet across lamp posts, scaffolding, cranes, and billboards, creating glowing anchor points throughout the intersection. Cut 6 (0:25–0:30) The web network rapidly tightens into a giant FLOVA-shaped structure, stabilizing the malfunctioning mech. As several strands begin to fray, Web Ranger reinforces them from a high billboard anchor. PART 3 (0:30–0:45) — Shutdown Cut 7 (0:30–0:35) Standing atop the FLOVA web structure, Web Ranger sends teal energy through the web network, shutting down the Colossus as its amber lights fade. Cut 8 (0:35–0:40) The rescued girl and civilians emerge safely from cover, watching the stabilized mech with relief while emergency vehicles approach. Cut 9 (0:40–0:45) Epic crane pull-back reveals the entire intersection: the dormant Colossus suspended in the giant FLOVA web formation, Web Ranger perched above in a heroic final pose. Fade out.

A single system glitch turned Midtown into complete chaos. As a rogue construction mech tears through the city, Web Ranger races against time to save civilians, not by overpowering it, but by outthinking it with precision web tactics and an epic FLOVA containment network. Every swing, every web anchor, and every cinematic moment was made with FlovaAI while using Script-Driven Skill. #Flovaai #Flovacpp Prompt: COLLAPSE AT MIDTOWN" (45s) Model: Seedance 2.0 Style: Realistic cinematic superhero action, dynamic camera, no music, sound effects only. Character Lock: Web Ranger remains identical in every shot. He cannot fly—all movement is through visible web swings and anchor points. White webs with glowing teal energy. The Colossus is a 15-foot malfunctioning construction mech. PART 1 (0:00–0:15) — Malfunction & Rescue Cut 1 (0:00–0:05) Wide shot of a Times Square-style construction zone. The Colossus glitches and accidentally knocks scaffolding toward a little girl. Web Ranger catches the falling beam with glowing web strands and appears perched on a traffic light. Cut 2 (0:05–0:10) Web Ranger swings between lamp posts and cranes, redirecting the mech's wild arm away from a crowded bus and into empty scaffolding. He continues dodging debris using rapid web pulls. Cut 3 (0:10–0:15) The mech stumbles toward a subway entrance. Web Ranger yanks a construction barrier into its path, diverting it away from fleeing civilians before landing on a taxi roof, ready for the next move. PART 2 (0:15–0:30) — Containment Cut 4 (0:15–0:20) The Colossus unleashes chaotic swings and heavy steps. Web Ranger evades every near miss, using billboard and crane anchors to swing through collapsing debris. Cut 5 (0:20–0:25) Web Ranger throws web-linked shuriken that ricochet across lamp posts, scaffolding, cranes, and billboards, creating glowing anchor points throughout the intersection. Cut 6 (0:25–0:30) The web network rapidly tightens into a giant FLOVA-shaped structure, stabilizing the malfunctioning mech. As several strands begin to fray, Web Ranger reinforces them from a high billboard anchor. PART 3 (0:30–0:45) — Shutdown Cut 7 (0:30–0:35) Standing atop the FLOVA web structure, Web Ranger sends teal energy through the web network, shutting down the Colossus as its amber lights fade. Cut 8 (0:35–0:40) The rescued girl and civilians emerge safely from cover, watching the stabilized mech with relief while emergency vehicles approach. Cut 9 (0:40–0:45) Epic crane pull-back reveals the entire intersection: the dormant Colossus suspended in the giant FLOVA web formation, Web Ranger perched above in a heroic final pose. Fade out.

Shami

32,826 Aufrufe • vor 2 Monaten

How is it possible that this swing can shoot around even par on a golf course I've never played or even seen before? Here's just a few god awful looking swings of mine due to the fact my back was in pain every shot... (lower back seized up) You know what I learned from playing golf crippled... I learned that you don't actually need to do much to play good golf & hit the golf ball where you want I was swinging the club no faster than 95mph (If I was lucky), I did however hit it pretty damn straight most of the time, got up & down a lot, & holed a few putts I wasn't trying to stop early extension. I wasn't trying to "drop it in the slot". I wasn't trying to "get open at impact (I couldn't). All I tried to do was swing my arms & control where the face was at impact I played better golf than 99% of golfers on the planet & I had no speed + a crippled lower back I think we need to ask ourselves what is truely required to play good golf. It actually doesn't take that much...

How is it possible that this swing can shoot around even par on a golf course I've never played or even seen before? Here's just a few god awful looking swings of mine due to the fact my back was in pain every shot... (lower back seized up) You know what I learned from playing golf crippled... I learned that you don't actually need to do much to play good golf & hit the golf ball where you want I was swinging the club no faster than 95mph (If I was lucky), I did however hit it pretty damn straight most of the time, got up & down a lot, & holed a few putts I wasn't trying to stop early extension. I wasn't trying to "drop it in the slot". I wasn't trying to "get open at impact (I couldn't). All I tried to do was swing my arms & control where the face was at impact I played better golf than 99% of golfers on the planet & I had no speed + a crippled lower back I think we need to ask ourselves what is truely required to play good golf. It actually doesn't take that much...

Ryan Mouque

173,483 Aufrufe • vor 4 Monaten

Fernando Tatis Jr is hitting .242 with a 3.5° average launch angle and a career-low 20% pull rate. Everyone has ideas and analysis on how to fix Fernando Tatis Jr’s swing. It’s pretty awful and I can’t take anymore of this, I have to say something because I haven’t seen a single person give the right answer. I’ve seen multiple people talk about timing mechanisms like toe tap, stride, and leg lift in his swing mechanics that have absolutely nothing to do with his problem. That reverting to past timing mechanisms would somehow help him. THEY ARE ALL WRONG Because they’re all looking in the wrong place. This isn’t a stride problem or timing problem. It’s a tilt problem. Stride, leg lift, and toe tap are timing mechanisms. They control WHEN the hips fire not HOW the bat moves through the zone. A hitter with a Sosa leg kick and a no-stride Ichiro stance can produce identical launch angles.Timing has no lever that touches the bat at contact. What actually sets launch angle is attack angle or the vertical direction the bat is traveling at the moment it meets the ball. Swing up through the zone = ball lifts Swing flat = grounders Swing down = choppers Attack angle is the only mechanical input that matters for elevation and attack angle isn’t random. It’s a direct output of shoulder tilt. When the trail shoulder drops below the lead shoulder at contact, the entire swing axis tilts. The bat is now forced to travel upward through the zone. More tilt > steeper attack angle > higher launch angle. Period. Tatis’s attack angle tells the entire story: 2023: +12° attack angle, +1° pull-side direction/25 HRs 2024 : +10° attack angle. -2° oppo direction 21HRs in 104 games 2025: +8° attack angle, 0° direction/25 HRs, healthy 2026: +5° attack angle, −5° oppo direction His swing has flattened AND drifted away from his pull side. Both are tilt collapse. That −5° oppo attack direction is the giveaway. When you lose tilt, your bat doesn’t just flatten it also gets steered toward the opposite field, because a level swing naturally pushes the barrel away from your pull side. He’s not late. He’s not under-striding. His axis collapsed Over the last few years and it’s worse than ever this year. This explains the 20% pull air rate too. Pulling the ball in the air requires positive attack angle AND a contact point out front. (Ramon Laureanos 2025 attack Angle was +14) If you tinker with timing on a flat swing, an earlier contact point just produces a pull-side grounder. The direction changes. The launch angle does not. Let me break it down for you: Stride > Weight Shift > Hip Rotation >TILT > ATTACK ANGLE > BAT PATH > Contact > Launch Angle Stride is four steps upstream. Tilt is the gate. Attack angle is the output that actually moves the ball. So now we know what’s wrong, how do we fix him? Souza and the Padres staff need to focus on the following; 1.Restore 8–12° rear-high shoulder tilt 2.Get attack angle back to +10° to +12° with neutral or +1° pull direction 3.THEN evaluate timing tweaks 4. If someone is telling him to flatten out his swing or to let the ball travel more PLEASE STOP DOING THAT. That doesn’t work for him You cannot time your way to elevation. Fix the tilt. Attack angle returns. Pull air follows. Please watch the video to see how his swing has gotten worse and flatter. We only have bat path data starting in 2023

Fernando Tatis Jr is hitting .242 with a 3.5° average launch angle and a career-low 20% pull rate. Everyone has ideas and analysis on how to fix Fernando Tatis Jr’s swing. It’s pretty awful and I can’t take anymore of this, I have to say something because I haven’t seen a single person give the right answer. I’ve seen multiple people talk about timing mechanisms like toe tap, stride, and leg lift in his swing mechanics that have absolutely nothing to do with his problem. That reverting to past timing mechanisms would somehow help him. THEY ARE ALL WRONG Because they’re all looking in the wrong place. This isn’t a stride problem or timing problem. It’s a tilt problem. Stride, leg lift, and toe tap are timing mechanisms. They control WHEN the hips fire not HOW the bat moves through the zone. A hitter with a Sosa leg kick and a no-stride Ichiro stance can produce identical launch angles.Timing has no lever that touches the bat at contact. What actually sets launch angle is attack angle or the vertical direction the bat is traveling at the moment it meets the ball. Swing up through the zone = ball lifts Swing flat = grounders Swing down = choppers Attack angle is the only mechanical input that matters for elevation and attack angle isn’t random. It’s a direct output of shoulder tilt. When the trail shoulder drops below the lead shoulder at contact, the entire swing axis tilts. The bat is now forced to travel upward through the zone. More tilt > steeper attack angle > higher launch angle. Period. Tatis’s attack angle tells the entire story: 2023: +12° attack angle, +1° pull-side direction/25 HRs 2024 : +10° attack angle. -2° oppo direction 21HRs in 104 games 2025: +8° attack angle, 0° direction/25 HRs, healthy 2026: +5° attack angle, −5° oppo direction His swing has flattened AND drifted away from his pull side. Both are tilt collapse. That −5° oppo attack direction is the giveaway. When you lose tilt, your bat doesn’t just flatten it also gets steered toward the opposite field, because a level swing naturally pushes the barrel away from your pull side. He’s not late. He’s not under-striding. His axis collapsed Over the last few years and it’s worse than ever this year. This explains the 20% pull air rate too. Pulling the ball in the air requires positive attack angle AND a contact point out front. (Ramon Laureanos 2025 attack Angle was +14) If you tinker with timing on a flat swing, an earlier contact point just produces a pull-side grounder. The direction changes. The launch angle does not. Let me break it down for you: Stride > Weight Shift > Hip Rotation >TILT > ATTACK ANGLE > BAT PATH > Contact > Launch Angle Stride is four steps upstream. Tilt is the gate. Attack angle is the output that actually moves the ball. So now we know what’s wrong, how do we fix him? Souza and the Padres staff need to focus on the following; 1.Restore 8–12° rear-high shoulder tilt 2.Get attack angle back to +10° to +12° with neutral or +1° pull direction 3.THEN evaluate timing tweaks 4. If someone is telling him to flatten out his swing or to let the ball travel more PLEASE STOP DOING THAT. That doesn’t work for him You cannot time your way to elevation. Fix the tilt. Attack angle returns. Pull air follows. Please watch the video to see how his swing has gotten worse and flatter. We only have bat path data starting in 2023

Mission Valley Mafia

160,950 Aufrufe • vor 4 Monaten

This band you'll watch came out of nowhere in a day of the year 1978 when they released their debut album they called Dire Straits. The album seemed unsuccessful at first glance until the song 'Sultans of Swing' became a hit in Netherlands. Then the story was re-written. They called themselves Dire Straits as they were in a desperate situation financially. That name now is an indelible mark of rock music. Not me, not you, not them, none of us can ignore Dire Straits anymore. After their debut album's huge success, they started to perform at different venues. The song 'Sultans of Swing' was already a completely different tune and on the other hand, album's other songs like 'Wild West End' and 'Six Blade Knife' showed the prosperity of the band. The date is now 18th of July, 1979, it's been a year and 2 months since the release of -Dire Straits- debut album. The very young band took the stage with the most successful song of their debut album, Sultans of Swing. Mark Knopfler is smiling while playing the unforgettable notes of the song while his bandmates also perform the song with great expectations for their future. Dire Straits performing their greatest hit of all time, Sultans of Swing, live at British TV Show Alright Now, on July the 18th of 1979. I enjoy so much while creating posts like this, hell, hope you enjoy this rare and lovely performance too. That's it, Good night, now it's time to go home, then he makes it fast with one more thing, We are the Sultans, We are the Sultans of Swing.

This band you'll watch came out of nowhere in a day of the year 1978 when they released their debut album they called Dire Straits. The album seemed unsuccessful at first glance until the song 'Sultans of Swing' became a hit in Netherlands. Then the story was re-written. They called themselves Dire Straits as they were in a desperate situation financially. That name now is an indelible mark of rock music. Not me, not you, not them, none of us can ignore Dire Straits anymore. After their debut album's huge success, they started to perform at different venues. The song 'Sultans of Swing' was already a completely different tune and on the other hand, album's other songs like 'Wild West End' and 'Six Blade Knife' showed the prosperity of the band. The date is now 18th of July, 1979, it's been a year and 2 months since the release of -Dire Straits- debut album. The very young band took the stage with the most successful song of their debut album, Sultans of Swing. Mark Knopfler is smiling while playing the unforgettable notes of the song while his bandmates also perform the song with great expectations for their future. Dire Straits performing their greatest hit of all time, Sultans of Swing, live at British TV Show Alright Now, on July the 18th of 1979. I enjoy so much while creating posts like this, hell, hope you enjoy this rare and lovely performance too. That's it, Good night, now it's time to go home, then he makes it fast with one more thing, We are the Sultans, We are the Sultans of Swing.

Rock'n Roll of All

91,713 Aufrufe • vor 2 Jahren

‼️ NEW MARVEL RIVALS EVENT PASS DEEP DIVE Here's a complete look at the new Jade Scrolls of K'un-Lun Event Pass as it appears in the Season 4.5 early access build. Owing to the nature of early access, 2 items remain unimplemented, but they're both listed here and will be available when the pass launches on Friday, October 10th for 690 Lattice. Page 1: Eternal Darkness (Spray) *??? *Spider-Man: Black & Gold (Emote) Spider-Man: Black & Gold (Spray) Storm Emoji Bundle Spider-Man: Black & Gold (Costume) Page 2: *Storm: Judicator Xiezhi (Spray) Spider-Man: Black & Gold (Nameplate) Whispers of Yinglong (Nameplate) Psylocke Emoji Bundle I *Tree of Immortality (Spray) *Storm: Judicator Xiezhi (MVP Animation) Page 3: Psylocke Dynamic Mood Bundle *Psylocke Static Mood Bundle *Storm: Judicator Xiezhi (Nameplate) Psylocke Emoji Bundle II *Storm: Judicator Xiezhi (Emote) *Storm: Judicator Xiezhi (Costume) Page 4: *Psylocke: Fleeting Butterfly (Emote) *Psylocke: Fleeting Butterfly (Spray) Psylocke: Fleeting Butterfly (Nameplate) *Soaring the Skies (Nameplate) Psylocke: Fleeting Butterfly (MVP Animation) Psylocke: Fleeting Butterfly (Costume) Note: For the mystery item in Page 1, I was not able to learn its identity by press time. I will update this in the replies when I've learned what it is. #MarvelRivals

‼️ NEW MARVEL RIVALS EVENT PASS DEEP DIVE Here's a complete look at the new Jade Scrolls of K'un-Lun Event Pass as it appears in the Season 4.5 early access build. Owing to the nature of early access, 2 items remain unimplemented, but they're both listed here and will be available when the pass launches on Friday, October 10th for 690 Lattice. Page 1: Eternal Darkness (Spray) ??? Spider-Man: Black & Gold (Emote) Spider-Man: Black & Gold (Spray) Storm Emoji Bundle Spider-Man: Black & Gold (Costume) Page 2: Storm: Judicator Xiezhi (Spray) Spider-Man: Black & Gold (Nameplate) Whispers of Yinglong (Nameplate) Psylocke Emoji Bundle I Tree of Immortality (Spray) Storm: Judicator Xiezhi (MVP Animation) Page 3: Psylocke Dynamic Mood Bundle Psylocke Static Mood Bundle Storm: Judicator Xiezhi (Nameplate) Psylocke Emoji Bundle II Storm: Judicator Xiezhi (Emote) Storm: Judicator Xiezhi (Costume) Page 4: Psylocke: Fleeting Butterfly (Emote) Psylocke: Fleeting Butterfly (Spray) Psylocke: Fleeting Butterfly (Nameplate) Soaring the Skies (Nameplate) Psylocke: Fleeting Butterfly (MVP Animation) Psylocke: Fleeting Butterfly (Costume) Note: For the mystery item in Page 1, I was not able to learn its identity by press time. I will update this in the replies when I've learned what it is. #MarvelRivals

Miller Ross

155,595 Aufrufe • vor 11 Monaten

Everything the HLP clan teaches collapses the second you understand actual human movement. This video of Aaron Judge exposes every lie they’ve sold for years. Here’s the full MYTH vs TRUTH breakdown based on biomechanics, not backward pseudoscience. They say “video doesn’t lie,” yet their interpretations do because pseudoscience always comes from misunderstanding what you’re looking at. 👇 Thread: 1/ MYTH: Judge “switches” from a proximal→distal mover in training to an HLP pattern in games. TRUTH: Movement patterns don’t change. Judge moves the SAME way in throwing, sprinting, lifting, & hitting. The task changes the pattern doesn’t. 2/ MYTH: Judge creates tilt by snapping backward over the rear hip. TRUTH: Tilt = head position at foot strike. His nose is behind his bellybutton → natural tilt from posture, not a rearward snap. Average hitters MUST land more centered. Levers matter. 3/ MYTH: Depth comes from turning the barrel back behind you. TRUTH: Depth comes from the lat holding the hands while the pelvis eliminates slack. Same pattern as the throw. The BODY creates depth not a backward barrel turn. 🔍 They claim they “study swings” and “video doesn’t lie.” But they have NO understanding of how the movement BEFORE the swing shapes posture, shoulder angles, and the entire position of the body at foot down. They only see the swing never the movement that creates the swing. 4/ MYTH: Hip–shoulder separation is slow & outdated. HLP is “faster.” TRUTH: They only think separation is slow because they don’t understand what creates it. They can’t see how the pelvis gaining ground pulls the entire system together. 5/ REAL separation happens when: • pelvis gains ground • slack disappears • distal leg anticipates force • torso resists • rear lat anchors the hands • elastic energy loads THROUGH the chain This is the FASTEST pattern a human body can produce. 6/ The “slow separation” they’re critiquing is the FAKE one they teach: Land → stop → freeze → twist into a pose → restart the swing. That IS slow. Real separation is a byproduct of correct sequencing not a drill. 7/ And their claim that HLP is “superior”? Any movement specialist can see through it instantly: No pelvis lead. No proximal→distal sequencing. No force coupling. No front-side anchor. No adjustability. Just compensation. 8/ MYTH: The front leg is just where weight lands. TRUTH: The front side is the guide hand of the swing. It braces, anchors, steers, and PULLS the backside under through force coupling. This is why the back foot releases forward collision, not collapse. 9/ MYTH: “Tilt first, then turn.” TRUTH: Tilt is a downstream RESULT of: • pelvis eliminating slack • knee pulling under • torso organizing plane Tilt is never a pose. Never a snap. Never a gimmick. 10/ MYTH: Judge’s issues on high FB or outer third prove his hand path is flawed. TRUTH: It’s head position at foot strike. More backside head → more tilt → harder to match high. Less front-side weight → spin off outer third. Movement drives swing outcomes. 11/ MYTH: HLP coaches can diagnose movement. TRUTH: They only see swings. They NEVER see: • center mass • pelvis-led sequencing • lat-driven hand control • ground-force anticipation • force coupling • posture organization They study SWINGS, not MOVEMENT which is why they don’t understand anything happening before foot strike, where every elite movement pattern is actually built. 12/ FINAL TRUTH: Judge is a proximal → distal mover. Every elite hitter is. The only people confused are the ones who don’t understand human movement and interpret the swing through a METHOD instead of biomechanics. They study swings like children watching cartoons, but they do not understand the movement system that PRODUCES the swing.

Everything the HLP clan teaches collapses the second you understand actual human movement. This video of Aaron Judge exposes every lie they’ve sold for years. Here’s the full MYTH vs TRUTH breakdown based on biomechanics, not backward pseudoscience. They say “video doesn’t lie,” yet their interpretations do because pseudoscience always comes from misunderstanding what you’re looking at. 👇 Thread: 1/ MYTH: Judge “switches” from a proximal→distal mover in training to an HLP pattern in games. TRUTH: Movement patterns don’t change. Judge moves the SAME way in throwing, sprinting, lifting, & hitting. The task changes the pattern doesn’t. 2/ MYTH: Judge creates tilt by snapping backward over the rear hip. TRUTH: Tilt = head position at foot strike. His nose is behind his bellybutton → natural tilt from posture, not a rearward snap. Average hitters MUST land more centered. Levers matter. 3/ MYTH: Depth comes from turning the barrel back behind you. TRUTH: Depth comes from the lat holding the hands while the pelvis eliminates slack. Same pattern as the throw. The BODY creates depth not a backward barrel turn. 🔍 They claim they “study swings” and “video doesn’t lie.” But they have NO understanding of how the movement BEFORE the swing shapes posture, shoulder angles, and the entire position of the body at foot down. They only see the swing never the movement that creates the swing. 4/ MYTH: Hip–shoulder separation is slow & outdated. HLP is “faster.” TRUTH: They only think separation is slow because they don’t understand what creates it. They can’t see how the pelvis gaining ground pulls the entire system together. 5/ REAL separation happens when: • pelvis gains ground • slack disappears • distal leg anticipates force • torso resists • rear lat anchors the hands • elastic energy loads THROUGH the chain This is the FASTEST pattern a human body can produce. 6/ The “slow separation” they’re critiquing is the FAKE one they teach: Land → stop → freeze → twist into a pose → restart the swing. That IS slow. Real separation is a byproduct of correct sequencing not a drill. 7/ And their claim that HLP is “superior”? Any movement specialist can see through it instantly: No pelvis lead. No proximal→distal sequencing. No force coupling. No front-side anchor. No adjustability. Just compensation. 8/ MYTH: The front leg is just where weight lands. TRUTH: The front side is the guide hand of the swing. It braces, anchors, steers, and PULLS the backside under through force coupling. This is why the back foot releases forward collision, not collapse. 9/ MYTH: “Tilt first, then turn.” TRUTH: Tilt is a downstream RESULT of: • pelvis eliminating slack • knee pulling under • torso organizing plane Tilt is never a pose. Never a snap. Never a gimmick. 10/ MYTH: Judge’s issues on high FB or outer third prove his hand path is flawed. TRUTH: It’s head position at foot strike. More backside head → more tilt → harder to match high. Less front-side weight → spin off outer third. Movement drives swing outcomes. 11/ MYTH: HLP coaches can diagnose movement. TRUTH: They only see swings. They NEVER see: • center mass • pelvis-led sequencing • lat-driven hand control • ground-force anticipation • force coupling • posture organization They study SWINGS, not MOVEMENT which is why they don’t understand anything happening before foot strike, where every elite movement pattern is actually built. 12/ FINAL TRUTH: Judge is a proximal → distal mover. Every elite hitter is. The only people confused are the ones who don’t understand human movement and interpret the swing through a METHOD instead of biomechanics. They study swings like children watching cartoons, but they do not understand the movement system that PRODUCES the swing.

John Sangillo

15,736 Aufrufe • vor 9 Monaten

Behind the ball is how you get depth AND length out front. (Not one or the other) Here’s what it actually gives you: 1. You swing more connected and deeper. 2. The barrel enters earlier and stays in longer. You get both. 3. Depth behind what buys you length out front. Most guys are picking one or the other. 4. You sling the barrel through. You’re not shoving it or yanking it into the zone. 5. You actually use the ground. Behind the ball you turn. If you’re not using the ground, you’re probably sliding and pulling everything towards the ball. 6. Your bat speed becomes usable. Pushed and pulled bat speed still reads fast vs one pitch one speed. Only one of them shows up on the barrel, in the zone, on time vs pitching. — Cue for your next round: let the ball get deeper than usual, and turn behind a wall. You can scoot close to a net in front of you to get the feeling, too. Then vs moving ball. > Save this for when you need it > Send this to a hitter who needs it right now (And make sure you’re following)

Behind the ball is how you get depth AND length out front. (Not one or the other) Here’s what it actually gives you: 1. You swing more connected and deeper. 2. The barrel enters earlier and stays in longer. You get both. 3. Depth behind what buys you length out front. Most guys are picking one or the other. 4. You sling the barrel through. You’re not shoving it or yanking it into the zone. 5. You actually use the ground. Behind the ball you turn. If you’re not using the ground, you’re probably sliding and pulling everything towards the ball. 6. Your bat speed becomes usable. Pushed and pulled bat speed still reads fast vs one pitch one speed. Only one of them shows up on the barrel, in the zone, on time vs pitching. — Cue for your next round: let the ball get deeper than usual, and turn behind a wall. You can scoot close to a net in front of you to get the feeling, too. Then vs moving ball. > Save this for when you need it > Send this to a hitter who needs it right now (And make sure you’re following)

Trey Hannam

26,774 Aufrufe • vor 2 Monaten

We're thrilled to announce that Pier 2 is now weathertight, marking a major milestone in Phase Two of the Manchester Airport Transformation Programme (MAN-TP) 🎉 This means the exterior work is complete, and we're now set to begin the exciting next steps — from internal fit-out to mechanical, electrical, and plumbing works. Pier 2 is a key part of the airport’s growth, featuring ⬇️ ✈️ 13 new flexible aircraft stands ✈️ Direct boarding access for all gates ✈️ A dedicated airline lounge ✈️ Retail space & ground handling on multiple levels Pier 2 will mirror the look and feel of Pier 1 which was opened in Phase One of MAN-TP. Stay tuned for more updates as we continue to transform Manchester Airport! 🏗️

We're thrilled to announce that Pier 2 is now weathertight, marking a major milestone in Phase Two of the Manchester Airport Transformation Programme (MAN-TP) 🎉 This means the exterior work is complete, and we're now set to begin the exciting next steps — from internal fit-out to mechanical, electrical, and plumbing works. Pier 2 is a key part of the airport’s growth, featuring ⬇️ ✈️ 13 new flexible aircraft stands ✈️ Direct boarding access for all gates ✈️ A dedicated airline lounge ✈️ Retail space & ground handling on multiple levels Pier 2 will mirror the look and feel of Pier 1 which was opened in Phase One of MAN-TP. Stay tuned for more updates as we continue to transform Manchester Airport! 🏗️

Manchester Airport

13,539 Aufrufe • vor 1 Jahr

🚨 PEOPLE CAN’T STOP WATCHING THIS OLD MAN’S “OUTDATED” KITCHEN TOUR - AND IT GETS STRANGER BY THE SECOND A man gives a video kitchen tour with Rachmaninoff playing in the background. "I built this kitchen in 1979." As the tour unfolds the details start stacking up. A tight gallery kitchen designed purely for efficiency: – Swiss-made sink with an early mechanical drain system – Lazy Susans with 32 square feet of cabinet space – Pantries that slide, swing, and fold out to hide even more storage – Custom skylight installed Near the end, he sums it up simply: "Even though this isn't a large kitchen, this is a working kitchen." It feels more like a time capsule from when things were built to work. Why does watching this feel oddly hypnotic?

🚨 PEOPLE CAN’T STOP WATCHING THIS OLD MAN’S “OUTDATED” KITCHEN TOUR - AND IT GETS STRANGER BY THE SECOND A man gives a video kitchen tour with Rachmaninoff playing in the background. "I built this kitchen in 1979." As the tour unfolds the details start stacking up. A tight gallery kitchen designed purely for efficiency: – Swiss-made sink with an early mechanical drain system – Lazy Susans with 32 square feet of cabinet space – Pantries that slide, swing, and fold out to hide even more storage – Custom skylight installed Near the end, he sums it up simply: "Even though this isn't a large kitchen, this is a working kitchen." It feels more like a time capsule from when things were built to work. Why does watching this feel oddly hypnotic?

HustleBitch

733,406 Aufrufe • vor 7 Monaten