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night bloom

Kat ⊷ the Poet Engineer

84,868 subscribers

48,880 次观看 • 7 个月前 •via X (Twitter)

艺术教育科学技术

Anya Rossi• Live Now

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AND YES I PROMISE IF IM BEING HONEST YOU CAN GET ANYTHING U LIKE CANT U SEE I BLOOM AT NIGHT

AND YES I PROMISE IF IM BEING HONEST YOU CAN GET ANYTHING U LIKE CANT U SEE I BLOOM AT NIGHT

7cunts

178,125 次观看 • 1 年前

Com a inédita “Middle Of The Night” e versões estendidas de “Ride” e “Sauna”, Jessie Ware anuncia a versão Full Bloom do “Superbloom”, uma nova edição digital do disco.

Com a inédita “Middle Of The Night” e versões estendidas de “Ride” e “Sauna”, Jessie Ware anuncia a versão Full Bloom do “Superbloom”, uma nova edição digital do disco.

Jessie Ware Brasil

11,688 次观看 • 4 个月前

Hello everyone, we’re HONKI Games. The Steam page for NOIR BLOOM is now live. Take a sneak peek at the teaser and wishlist it on Steam. Steam page link is in the first comment.👇 The night continues. More is coming. #PixelArt #IndieGames #NoirBloom

Hello everyone, we’re HONKI Games. The Steam page for NOIR BLOOM is now live. Take a sneak peek at the teaser and wishlist it on Steam. Steam page link is in the first comment.👇 The night continues. More is coming. #PixelArt #IndieGames #NoirBloom

HONKI Games | NOIR BLOOM

20,569 次观看 • 7 个月前

Hundreds of thousands of cherry blossoms in Wuxi's Binhu district will bloom soon! From March 1 to April 15, Yuantouzhu scenic area is serving pure magic: Stunning night cherry blossoms, cool AR tours, beautiful dances, and a dreamy visual feast you'll never forget! [Video/Douyin ID GRJ3123]

Hundreds of thousands of cherry blossoms in Wuxi's Binhu district will bloom soon! From March 1 to April 15, Yuantouzhu scenic area is serving pure magic: Stunning night cherry blossoms, cool AR tours, beautiful dances, and a dreamy visual feast you'll never forget! [Video/Douyin ID GRJ3123]

Innovative Binhu

45,788 次观看 • 6 个月前

✦ Ironcast Project | Wandering Rose ✦ Weapon Name: Wandering Rose ✦ Weapon Type: Sword ✦ How to Obtain: Obtainable via Forge (Free) / Available for purchase in Shop ✦ Weapon Story: I'll embark on a journey far beyond the sands, just like you. ✦ Lunosmith's Note: Within the hilt lies an old dream, long sealed and left untold. Thorns have since entwined around it, and in silence, the first pale bloom has taken shape. ✦ Download Duet Night Abyss #DuetNightAbyss #IroncastProject

✦ Ironcast Project | Wandering Rose ✦ Weapon Name: Wandering Rose ✦ Weapon Type: Sword ✦ How to Obtain: Obtainable via Forge (Free) / Available for purchase in Shop ✦ Weapon Story: I'll embark on a journey far beyond the sands, just like you. ✦ Lunosmith's Note: Within the hilt lies an old dream, long sealed and left untold. Thorns have since entwined around it, and in silence, the first pale bloom has taken shape. ✦ Download Duet Night Abyss #DuetNightAbyss #IroncastProject

DuetNightAbyss

14,972 次观看 • 8 个月前

HAPPENING TONIGHT: Catch BINI_PH live later at the Wonderful Moments Music Festival at the SMDC Festival Grounds — BINI will perform at 10PM. Soundcheck is complete and the girls are ready to own the stage. Rain or shine, this night is ours. Bring your umbrellas and raincoats, stay safe, and keep the Bloom energy loud and bright. See you at the grounds — let’s make the rain part of the experience. #BINI #WonderfulMomentsFestival

HAPPENING TONIGHT: Catch BINI_PH live later at the Wonderful Moments Music Festival at the SMDC Festival Grounds — BINI will perform at 10PM. Soundcheck is complete and the girls are ready to own the stage. Rain or shine, this night is ours. Bring your umbrellas and raincoats, stay safe, and keep the Bloom energy loud and bright. See you at the grounds — let’s make the rain part of the experience. #BINI #WonderfulMomentsFestival

BINI CRAVE

15,240 次观看 • 7 个月前

Today is Nagusa's birthday! Her snow-white hair and calm, composed demeanor may make her seem distant, but in truth, she is a student who has shown more courage than anyone— continuing to stand firm as she “performs” the role of Goryou Nagusa with all her strength. As she waits for the moment when a hundred flowers bloom together, and walks her path through deep night and twilight, I hope her special day is filled with warmth, blessings, and sincere support. And of course… we mustn’t forget the celebratory yakitori. #BlueArchive

Today is Nagusa's birthday! Her snow-white hair and calm, composed demeanor may make her seem distant, but in truth, she is a student who has shown more courage than anyone— continuing to stand firm as she “performs” the role of Goryou Nagusa with all her strength. As she waits for the moment when a hundred flowers bloom together, and walks her path through deep night and twilight, I hope her special day is filled with warmth, blessings, and sincere support. And of course… we mustn’t forget the celebratory yakitori. #BlueArchive

BlueArchive

43,704 次观看 • 9 个月前

Made with sedance 2.0 on Yapper How I made this video full tutorial in the comments Prompt: "A tiny glowing seed falls from the night sky into an empty desert. As it touches the ground, colorful light spreads through the sand like flowing rivers. Within seconds, giant crystal flowers bloom across the desert, lighting up the darkness. The camera flies through the glowing crystal garden as thousands of luminous butterflies emerge and dance in the air. The scene ends with a breathtaking aerial view of the entire desert transformed into a magical glowing paradise. Ultra-realistic, cinematic, original fantasy world, dynamic camera movement, volumetric lighting, 4K, highly detailed, AI-generated visual masterpiece."

Made with sedance 2.0 on Yapper How I made this video full tutorial in the comments Prompt: "A tiny glowing seed falls from the night sky into an empty desert. As it touches the ground, colorful light spreads through the sand like flowing rivers. Within seconds, giant crystal flowers bloom across the desert, lighting up the darkness. The camera flies through the glowing crystal garden as thousands of luminous butterflies emerge and dance in the air. The scene ends with a breathtaking aerial view of the entire desert transformed into a magical glowing paradise. Ultra-realistic, cinematic, original fantasy world, dynamic camera movement, volumetric lighting, 4K, highly detailed, AI-generated visual masterpiece."

Sobi Ai

23,034 次观看 • 3 个月前

#𝐅𝐫𝐞𝐐𝐔𝐄𝐄𝐍𝐜𝐲𝐈𝐧𝐂𝐂𝐋𝐄𝐗: 𝐏𝐎𝐋𝐀𝐑𝐈𝐒 🌉 𝑬𝒗𝒆𝒓𝒚 𝒄𝒐𝒏𝒔𝒕𝒆𝒍𝒍𝒂𝒕𝒊𝒐𝒏 𝒉𝒂𝒔 𝒂 𝒔𝒕𝒐𝒓𝒚, 𝒂𝒏𝒅 𝒆𝒗𝒆𝒓𝒚 𝒔𝒕𝒂𝒓 𝒉𝒂𝒔 𝒂 𝒍𝒊𝒈𝒉𝒕 𝒕𝒉𝒂𝒕 𝒈𝒖𝒊𝒅𝒆𝒔 𝒕𝒉𝒐𝒔𝒆 𝒘𝒉𝒐 𝒍𝒐𝒐𝒌 𝒖𝒑. 🌌 𝗣𝗼𝗹𝗮𝗿𝗶𝘀 is a steady light that guides our hearts and our way of saying 𝙬𝙚𝙡𝙘𝙤𝙢𝙚 𝙝𝙤𝙢𝙚, 𝙩𝙝𝙖𝙣𝙠 𝙮𝙤𝙪, 𝙖𝙣𝙙 𝙬𝙚'𝙡𝙡 𝙖𝙡𝙬𝙖𝙮𝙨 𝙗𝙚 𝙝𝙚𝙧𝙚, shining alongside you through every chapter of your journey. ⋆✴︎˚｡⋆ Like 𝑪𝒂𝒔𝒔𝒊𝒐𝒑𝒆𝒊𝒂, may the CCLEX lights shine as a symbol of celestial hope and constancy, glowing through the night with radiant and timeless beauty just like Aiah’s light. 🩵 To every Aiahphrodite and Bloom in Cebu, make this homecoming unforgettable. If you spot our 𝗣𝗿𝗼𝗷𝗲𝗰𝘁 𝗣𝗼𝗹𝗮𝗿𝗶𝘀 when you pass by the area, don't forget to tag us on our socials! 😁 📅 𝗗𝗮𝘁𝗲 & 𝗧𝗶𝗺𝗲: 𝗝𝘂𝗹𝘆 𝟭𝟬, 𝟲:𝟬𝟬 𝗣𝗠 𝘁𝗼 𝟭𝟮:𝟬𝟬 𝗔𝗠 📍𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: 𝗖𝗲𝗯𝘂–𝗖𝗼𝗿𝗱𝗼𝘃𝗮 𝗟𝗶𝗻𝗸 𝗘𝘅𝗽𝗿𝗲𝘀𝘀𝘄𝗮𝘆 (𝗖𝗖𝗟𝗘𝗫) To our 𝑪𝒂𝒔𝒔𝒊𝒐𝒑𝒆𝒊𝒂, a queen whose radiance outlived other stars... 𝙔𝙤𝙪𝙧 𝙇𝙞𝙜𝙝𝙩 𝘼𝙡𝙬𝙖𝙮𝙨 𝙇𝙚𝙖𝙙𝙨 𝘽𝙖𝙘𝙠 𝙃𝙤𝙢𝙚. ✨ Tuned in 𝙩𝙤𝙢𝙤𝙧𝙧𝙤𝙬 for the last wave of FreQUEENcy in Cebu! 🫢 #ProjectFreQUEENcy #AiahphroditesClub #BINI_SIGNALS_TOUR #BINI_Aiah Aiah Arceta

#𝐅𝐫𝐞𝐐𝐔𝐄𝐄𝐍𝐜𝐲𝐈𝐧𝐂𝐂𝐋𝐄𝐗: 𝐏𝐎𝐋𝐀𝐑𝐈𝐒 🌉 𝑬𝒗𝒆𝒓𝒚 𝒄𝒐𝒏𝒔𝒕𝒆𝒍𝒍𝒂𝒕𝒊𝒐𝒏 𝒉𝒂𝒔 𝒂 𝒔𝒕𝒐𝒓𝒚, 𝒂𝒏𝒅 𝒆𝒗𝒆𝒓𝒚 𝒔𝒕𝒂𝒓 𝒉𝒂𝒔 𝒂 𝒍𝒊𝒈𝒉𝒕 𝒕𝒉𝒂𝒕 𝒈𝒖𝒊𝒅𝒆𝒔 𝒕𝒉𝒐𝒔𝒆 𝒘𝒉𝒐 𝒍𝒐𝒐𝒌 𝒖𝒑. 🌌 𝗣𝗼𝗹𝗮𝗿𝗶𝘀 is a steady light that guides our hearts and our way of saying 𝙬𝙚𝙡𝙘𝙤𝙢𝙚 𝙝𝙤𝙢𝙚, 𝙩𝙝𝙖𝙣𝙠 𝙮𝙤𝙪, 𝙖𝙣𝙙 𝙬𝙚'𝙡𝙡 𝙖𝙡𝙬𝙖𝙮𝙨 𝙗𝙚 𝙝𝙚𝙧𝙚, shining alongside you through every chapter of your journey. ⋆✴︎˚｡⋆ Like 𝑪𝒂𝒔𝒔𝒊𝒐𝒑𝒆𝒊𝒂, may the CCLEX lights shine as a symbol of celestial hope and constancy, glowing through the night with radiant and timeless beauty just like Aiah’s light. 🩵 To every Aiahphrodite and Bloom in Cebu, make this homecoming unforgettable. If you spot our 𝗣𝗿𝗼𝗷𝗲𝗰𝘁 𝗣𝗼𝗹𝗮𝗿𝗶𝘀 when you pass by the area, don't forget to tag us on our socials! 😁 📅 𝗗𝗮𝘁𝗲 & 𝗧𝗶𝗺𝗲: 𝗝𝘂𝗹𝘆 𝟭𝟬, 𝟲:𝟬𝟬 𝗣𝗠 𝘁𝗼 𝟭𝟮:𝟬𝟬 𝗔𝗠 📍𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: 𝗖𝗲𝗯𝘂–𝗖𝗼𝗿𝗱𝗼𝘃𝗮 𝗟𝗶𝗻𝗸 𝗘𝘅𝗽𝗿𝗲𝘀𝘀𝘄𝗮𝘆 (𝗖𝗖𝗟𝗘𝗫) To our 𝑪𝒂𝒔𝒔𝒊𝒐𝒑𝒆𝒊𝒂, a queen whose radiance outlived other stars... 𝙔𝙤𝙪𝙧 𝙇𝙞𝙜𝙝𝙩 𝘼𝙡𝙬𝙖𝙮𝙨 𝙇𝙚𝙖𝙙𝙨 𝘽𝙖𝙘𝙠 𝙃𝙤𝙢𝙚. ✨ Tuned in 𝙩𝙤𝙢𝙤𝙧𝙧𝙤𝙬 for the last wave of FreQUEENcy in Cebu! 🫢 #ProjectFreQUEENcy #AiahphroditesClub #BINI_SIGNALS_TOUR #BINI_Aiah Aiah Arceta

Aiahphrodites Club

79,523 次观看 • 2 个月前

Seedance 2.0 on TapNow Prompt: Image 1: Woman Image 2: Man CAMERA Shot in the style of a handheld DV 16mm tape camcorder. The footage is filmed entirely from Image 2's point of view, with him holding the camcorder himself. Maintain authentic handheld imperfections throughout: natural hand shake off-center framing delayed autofocus clumsy zoom-ins and zoom-outs self-camera shots where faces are sometimes partially cut off imperfect framing that occasionally loses the subject Every shot is either a selfie shot or first-person POV filmed by Image 2. The camcorder itself never appears on screen. SCENE Image 1 and Image 2 are at Gangneung Beach at night. Image 1 hugs Image 2 from the front, lifting him into her arms. The camera is filmed from Image 2's perspective while being carried. Image 1: "That confession you made earlier... was it real... or not?" "Be clear. Tell me honestly." Image 2: "Whyyy~~ Can't I joke around~~?" Still carrying Image 2 in his arms, Image 1 suddenly runs into the ocean. Image 2: "Hey! Hey!! Don't do it!!!" The camera shakes violently as they rush into the water, and the video abruptly ends. LOOK A DV 16mm tape camcorder travel footage aesthetic: soft, slightly blurry digital tape image quality subtle tape noise highlights that bloom slightly under natural light minor automatic exposure fluctuations muted, low-contrast colors realistic skin tones AUDIO Natural nighttime ocean waves. Audio recorded with an old camcorder, including noticeable tape hiss and recording noise.

Seedance 2.0 on TapNow Prompt: Image 1: Woman Image 2: Man CAMERA Shot in the style of a handheld DV 16mm tape camcorder. The footage is filmed entirely from Image 2's point of view, with him holding the camcorder himself. Maintain authentic handheld imperfections throughout: natural hand shake off-center framing delayed autofocus clumsy zoom-ins and zoom-outs self-camera shots where faces are sometimes partially cut off imperfect framing that occasionally loses the subject Every shot is either a selfie shot or first-person POV filmed by Image 2. The camcorder itself never appears on screen. SCENE Image 1 and Image 2 are at Gangneung Beach at night. Image 1 hugs Image 2 from the front, lifting him into her arms. The camera is filmed from Image 2's perspective while being carried. Image 1: "That confession you made earlier... was it real... or not?" "Be clear. Tell me honestly." Image 2: "Whyyy Can't I joke around?" Still carrying Image 2 in his arms, Image 1 suddenly runs into the ocean. Image 2: "Hey! Hey!! Don't do it!!!" The camera shakes violently as they rush into the water, and the video abruptly ends. LOOK A DV 16mm tape camcorder travel footage aesthetic: soft, slightly blurry digital tape image quality subtle tape noise highlights that bloom slightly under natural light minor automatic exposure fluctuations muted, low-contrast colors realistic skin tones AUDIO Natural nighttime ocean waves. Audio recorded with an old camcorder, including noticeable tape hiss and recording noise.

WasifAI

23,300 次观看 • 2 个月前

GPT Image 2 + Seedance 2.0 Prompt: TOKYO TRAVEL VLOG — 15 SEC MUSIC CUT Subject: Same girl. Long dark wavy hair, Japanese streetwear. 26mm phone lens, deep focus, realistic skin texture, mild HDR, neutral iPhone color science, unedited candid, no cinematic grading, no studio lighting, no light trails, no motion blur effects. (0:00–0:01) — walking shot, Tokyo Tower reveal Selfie, low angle. Tower behind her, sky overexposed. Natural smile. Neutral daylight, deep focus. Dialogue: "Okay… we're in Tokyo…!" Transition: Hard cut / beat drop (0:01–0:02) — Shibuya Crossing Mid-stride into crowd. Turns head toward camera. Neon signs sharp behind her. Real night exposure. Transition: Fast cut on beat (0:02–0:03) — Convenience Store Holds onigiri up to camera, eyebrows raised. Harsh fluorescent interior. Cool white light, realistic skin. Transition: Snap cut on beat (0:03–0:04) — Yoyogi Park Seated, looking away. Dappled light, lens smudge visible. Music drops one beat — wind, birds — snaps back. Transition: Cut on natural movement (0:04–0:06) — Takoyaki Reaction Bites, eyes wide, pulls back laughing. Warm practical lantern light. Realistic skin in amber. Dialogue: "It's so hot — oh my god." Transition: Cut on laugh end (0:06–0:07) — Vending Machine Night Stands before glowing vending machine. Mixed LED light on face. Slight smirk. No glow fx. Transition: Single beat cut (0:07–0:08) — Train Window Face reflected in window. City blurred naturally outside. She looks out, not at camera. Transition: Snap cut (0:08–0:09) — Torii Gate Low angle. Walks toward and through shrine gate. Gate fills top of frame. Natural daylight. Transition: Snap cut (0:09–0:11) — Digital Light Exhibit ★ SIGNATURE Looks up slowly. Blue, violet, gold projection on face. Rack focus — face sharp, lights diffused. Just projection on skin, no bloom. Speed: ~60% slow motion Transition: Soft cut mid-upward motion (0:11–0:12) — Gundam Reveal Face → camera tilts up → full statue in frame. Small impressed smile. Wide angle, natural daylight. Transition: Sharp cut after smile (0:12–0:13) — Lantern Alley Follow from behind. Lanterns warm, shadows dark. Natural low light. She glances back once. Transition: Cut on forward movement (0:13–0:14) — Rooftop Skyline Close selfie → arm extends → skyline revealed. Wind moves hair. Natural night phone exposure. Dialogue: "I don't think I've ever seen anything like this." Transition: Hard cut on last word (0:14–0:16) — Nara Deer Park, She crouches, holds out a deer cracker. Deer bows toward her — she bursts out laughing. Another nudges her from behind, she nearly topples. Handheld, slightly off-balance. All real. Dialogue: "Wait— oh my god he actually bowed—" Transition: Fade to black

GPT Image 2 + Seedance 2.0 Prompt: TOKYO TRAVEL VLOG — 15 SEC MUSIC CUT Subject: Same girl. Long dark wavy hair, Japanese streetwear. 26mm phone lens, deep focus, realistic skin texture, mild HDR, neutral iPhone color science, unedited candid, no cinematic grading, no studio lighting, no light trails, no motion blur effects. (0:00–0:01) — walking shot, Tokyo Tower reveal Selfie, low angle. Tower behind her, sky overexposed. Natural smile. Neutral daylight, deep focus. Dialogue: "Okay… we're in Tokyo…!" Transition: Hard cut / beat drop (0:01–0:02) — Shibuya Crossing Mid-stride into crowd. Turns head toward camera. Neon signs sharp behind her. Real night exposure. Transition: Fast cut on beat (0:02–0:03) — Convenience Store Holds onigiri up to camera, eyebrows raised. Harsh fluorescent interior. Cool white light, realistic skin. Transition: Snap cut on beat (0:03–0:04) — Yoyogi Park Seated, looking away. Dappled light, lens smudge visible. Music drops one beat — wind, birds — snaps back. Transition: Cut on natural movement (0:04–0:06) — Takoyaki Reaction Bites, eyes wide, pulls back laughing. Warm practical lantern light. Realistic skin in amber. Dialogue: "It's so hot — oh my god." Transition: Cut on laugh end (0:06–0:07) — Vending Machine Night Stands before glowing vending machine. Mixed LED light on face. Slight smirk. No glow fx. Transition: Single beat cut (0:07–0:08) — Train Window Face reflected in window. City blurred naturally outside. She looks out, not at camera. Transition: Snap cut (0:08–0:09) — Torii Gate Low angle. Walks toward and through shrine gate. Gate fills top of frame. Natural daylight. Transition: Snap cut (0:09–0:11) — Digital Light Exhibit ★ SIGNATURE Looks up slowly. Blue, violet, gold projection on face. Rack focus — face sharp, lights diffused. Just projection on skin, no bloom. Speed: ~60% slow motion Transition: Soft cut mid-upward motion (0:11–0:12) — Gundam Reveal Face → camera tilts up → full statue in frame. Small impressed smile. Wide angle, natural daylight. Transition: Sharp cut after smile (0:12–0:13) — Lantern Alley Follow from behind. Lanterns warm, shadows dark. Natural low light. She glances back once. Transition: Cut on forward movement (0:13–0:14) — Rooftop Skyline Close selfie → arm extends → skyline revealed. Wind moves hair. Natural night phone exposure. Dialogue: "I don't think I've ever seen anything like this." Transition: Hard cut on last word (0:14–0:16) — Nara Deer Park, She crouches, holds out a deer cracker. Deer bows toward her — she bursts out laughing. Another nudges her from behind, she nearly topples. Handheld, slightly off-balance. All real. Dialogue: "Wait— oh my god he actually bowed—" Transition: Fade to black

Harboris

10,331 次观看 • 2 个月前

TOKYO TRAVEL VLOG🗼 Image: GPT Image 2 Video: Seedance 2.0（DomoAI） ======================= Prompt: TOKYO TRAVEL VLOG — 15 SEC MUSIC CUT Subject: Same girl as the reference images. Young Korean idol-like woman in her early 20s. Long straight black hair with soft natural volume, fair porcelain skin, large bright expressive eyes, delicate V-line face, small nose, natural glossy lips, fresh minimal makeup, effortlessly cute and approachable expression. Casual Japanese streetwear (white hoodie / dark oversized hoodie / oversized jacket). 26mm phone lens, deep focus, realistic skin texture, mild HDR, neutral iPhone color science, unedited candid, no cinematic grading, no studio lighting, no light trails, no motion blur effects. (0:00–0:01) — walking shot, Tokyo Tower reveal Selfie, low angle. Tower behind her, sky overexposed. Natural smile. Neutral daylight, deep focus. Dialogue: "드디어 도쿄에 왔어요...!" Transition: Hard cut / beat drop (0:01–0:02) — Shibuya Crossing Mid-stride into crowd. Turns head toward camera. Neon signs sharp behind her. Real night exposure. Transition: Fast cut on beat (0:02–0:03) — Convenience Store Holds onigiri up to camera, eyebrows raised. Harsh fluorescent interior. Cool white light, realistic skin. Transition: Snap cut on beat (0:03–0:04) — Yoyogi Park Seated, looking away. Dappled light, lens smudge visible. Music drops one beat — wind, birds — snaps back. Transition: Cut on natural movement (0:04–0:06) — Takoyaki Reaction Bites, eyes wide, pulls back laughing. Warm practical lantern light. Realistic skin in amber. Dialogue: "뜨거워! 진짜 맛있어!" Transition: Cut on laugh end (0:06–0:07) — Vending Machine Night Stands before glowing vending machine. Mixed LED light on face. Slight smirk. No glow fx. Transition: Single beat cut (0:07–0:08) — Train Window Face reflected in window. City blurred naturally outside. She looks out, not at camera. Transition: Snap cut (0:08–0:09) — Torii Gate Low angle. Walks toward and through shrine gate. Gate fills top of frame. Natural daylight. Transition: Snap cut (0:09–0:11) — Digital Light Exhibit ★ SIGNATURE Looks up slowly. Blue, violet, gold projection on face. Rack focus — face sharp, lights diffused. Just projection on skin, no bloom. Speed: ~60% slow motion Transition: Soft cut mid-upward motion (0:11–0:12) — Gundam Reveal Face → camera tilts up → full statue in frame. Small impressed smile. Wide angle, natural daylight. Transition: Sharp cut after smile (0:12–0:13) — Lantern Alley Follow from behind. Lanterns warm, shadows dark. Natural low light. She glances back once. Transition: Cut on forward movement (0:13–0:14) — Rooftop Skyline Close selfie → arm extends → skyline revealed. Wind moves hair. Natural night phone exposure. Dialogue: "이런 야경은 처음 보는 것 같아요." Transition: Hard cut on last word (0:14–0:15) — Nara Deer Park, She crouches, holds out a deer cracker. Deer bows toward her — she bursts out laughing. Another nudges her from behind, she nearly topples. Handheld, slightly off-balance. All real. Dialogue: "잠깐! 진짜 절했어!" Transition: Fade to black DomoAI official #DomoAI

TOKYO TRAVEL VLOG🗼 Image: GPT Image 2 Video: Seedance 2.0（DomoAI） ======================= Prompt: TOKYO TRAVEL VLOG — 15 SEC MUSIC CUT Subject: Same girl as the reference images. Young Korean idol-like woman in her early 20s. Long straight black hair with soft natural volume, fair porcelain skin, large bright expressive eyes, delicate V-line face, small nose, natural glossy lips, fresh minimal makeup, effortlessly cute and approachable expression. Casual Japanese streetwear (white hoodie / dark oversized hoodie / oversized jacket). 26mm phone lens, deep focus, realistic skin texture, mild HDR, neutral iPhone color science, unedited candid, no cinematic grading, no studio lighting, no light trails, no motion blur effects. (0:00–0:01) — walking shot, Tokyo Tower reveal Selfie, low angle. Tower behind her, sky overexposed. Natural smile. Neutral daylight, deep focus. Dialogue: "드디어 도쿄에 왔어요...!" Transition: Hard cut / beat drop (0:01–0:02) — Shibuya Crossing Mid-stride into crowd. Turns head toward camera. Neon signs sharp behind her. Real night exposure. Transition: Fast cut on beat (0:02–0:03) — Convenience Store Holds onigiri up to camera, eyebrows raised. Harsh fluorescent interior. Cool white light, realistic skin. Transition: Snap cut on beat (0:03–0:04) — Yoyogi Park Seated, looking away. Dappled light, lens smudge visible. Music drops one beat — wind, birds — snaps back. Transition: Cut on natural movement (0:04–0:06) — Takoyaki Reaction Bites, eyes wide, pulls back laughing. Warm practical lantern light. Realistic skin in amber. Dialogue: "뜨거워! 진짜 맛있어!" Transition: Cut on laugh end (0:06–0:07) — Vending Machine Night Stands before glowing vending machine. Mixed LED light on face. Slight smirk. No glow fx. Transition: Single beat cut (0:07–0:08) — Train Window Face reflected in window. City blurred naturally outside. She looks out, not at camera. Transition: Snap cut (0:08–0:09) — Torii Gate Low angle. Walks toward and through shrine gate. Gate fills top of frame. Natural daylight. Transition: Snap cut (0:09–0:11) — Digital Light Exhibit ★ SIGNATURE Looks up slowly. Blue, violet, gold projection on face. Rack focus — face sharp, lights diffused. Just projection on skin, no bloom. Speed: ~60% slow motion Transition: Soft cut mid-upward motion (0:11–0:12) — Gundam Reveal Face → camera tilts up → full statue in frame. Small impressed smile. Wide angle, natural daylight. Transition: Sharp cut after smile (0:12–0:13) — Lantern Alley Follow from behind. Lanterns warm, shadows dark. Natural low light. She glances back once. Transition: Cut on forward movement (0:13–0:14) — Rooftop Skyline Close selfie → arm extends → skyline revealed. Wind moves hair. Natural night phone exposure. Dialogue: "이런 야경은 처음 보는 것 같아요." Transition: Hard cut on last word (0:14–0:15) — Nara Deer Park, She crouches, holds out a deer cracker. Deer bows toward her — she bursts out laughing. Another nudges her from behind, she nearly topples. Handheld, slightly off-balance. All real. Dialogue: "잠깐! 진짜 절했어!" Transition: Fade to black DomoAI official #DomoAI

TSUBAKI

75,363 次观看 • 2 个月前

Made with Seednace 2 Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in low light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Late-night, low-energy-but-happy vibe — tired but satisfied after a long practice session. Handheld throughout, quieter and slower than a bubbly daytime vlog, occasional heavy breathing between lines, genuine unposed exhaustion mixed with pride. Character CHASE — a Korean idol in her 20s. Long straight black hair tied up or slightly messy from practice, elegant yet lovely Korean features, glowing skin with a light sheen of sweat, big eyes. Slim build. Wearing a modest long-sleeve athletic top and loose-fit joggers or sweatpants, fully covered arms and torso, sneakers. No jewelry. Setting An empty dance practice studio late at night — mirror walls lining one side, wooden floor, a speaker in the corner, a water bottle and towel by the wall, dim overhead lighting with the hallway lights off outside the studio windows. Storyboard (~2s, propped camera against the mirror, medium shot) She walks into frame, breathing a little heavy, wipes her forehead with the back of her hand, small tired smile. CHASE: "Okay... just finished practice, it's so late." (~2s, handheld, slow pan across the room) Camera drifts across the empty mirror wall and the quiet studio, then back to her. CHASE (off-screen, softly): "Whole place is empty now, just me." (~2s, medium handheld, by the wall) She grabs her water bottle, takes a long sip, exhales in relief afterward. CHASE: "Needed that so bad." (~1.5s, macro insert, shallow DOF) Close-up on her hand wiping condensation off the water bottle, a drop of sweat catching the light. No dialogue — soft breathing sound only. (~2s, medium handheld, facing the mirror) She sets the camera down propped against the wall, steps back, and does a few quick, sharp dance moves — a short combo tease — then laughs at herself afterward. (~2s, handheld, close on her face) She fans herself with her hand, cheeks flushed, hair slightly damp, grinning at the lens. CHASE: "Okay that took more out of me than I thought." (~1.5s, quick punch-in, tight selfie) She leans in close, still catching her breath, eyes bright despite the tiredness. CHASE (softly): "But it felt good though." (~2s, arm's-length selfie finish) She grabs her towel, drapes it over her shoulder, gives the lens a small tired wave and a genuine smile before reaching to end the recording. CHASE (quietly): "Okay, going home. Night guys."

Made with Seednace 2 Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in low light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Late-night, low-energy-but-happy vibe — tired but satisfied after a long practice session. Handheld throughout, quieter and slower than a bubbly daytime vlog, occasional heavy breathing between lines, genuine unposed exhaustion mixed with pride. Character CHASE — a Korean idol in her 20s. Long straight black hair tied up or slightly messy from practice, elegant yet lovely Korean features, glowing skin with a light sheen of sweat, big eyes. Slim build. Wearing a modest long-sleeve athletic top and loose-fit joggers or sweatpants, fully covered arms and torso, sneakers. No jewelry. Setting An empty dance practice studio late at night — mirror walls lining one side, wooden floor, a speaker in the corner, a water bottle and towel by the wall, dim overhead lighting with the hallway lights off outside the studio windows. Storyboard (~2s, propped camera against the mirror, medium shot) She walks into frame, breathing a little heavy, wipes her forehead with the back of her hand, small tired smile. CHASE: "Okay... just finished practice, it's so late." (~2s, handheld, slow pan across the room) Camera drifts across the empty mirror wall and the quiet studio, then back to her. CHASE (off-screen, softly): "Whole place is empty now, just me." (~2s, medium handheld, by the wall) She grabs her water bottle, takes a long sip, exhales in relief afterward. CHASE: "Needed that so bad." (~1.5s, macro insert, shallow DOF) Close-up on her hand wiping condensation off the water bottle, a drop of sweat catching the light. No dialogue — soft breathing sound only. (~2s, medium handheld, facing the mirror) She sets the camera down propped against the wall, steps back, and does a few quick, sharp dance moves — a short combo tease — then laughs at herself afterward. (~2s, handheld, close on her face) She fans herself with her hand, cheeks flushed, hair slightly damp, grinning at the lens. CHASE: "Okay that took more out of me than I thought." (~1.5s, quick punch-in, tight selfie) She leans in close, still catching her breath, eyes bright despite the tiredness. CHASE (softly): "But it felt good though." (~2s, arm's-length selfie finish) She grabs her towel, drapes it over her shoulder, gives the lens a small tired wave and a genuine smile before reaching to end the recording. CHASE (quietly): "Okay, going home. Night guys."

WasifAI

98,310 次观看 • 1 个月前

One woman. Nine cinematic worlds. Made by using Seedance 2.0 on Picsart AI Playground: Scene Breakdown — Cinematic Color Grading Series One Western woman, nine moods — a study in color grading, cinematography, and visual storytelling Character Consistency: A beautiful Western woman in her late 20s with long wavy blonde hair, natural features, expressive eyes, elegant yet effortless style. She remains the exact same person across all nine scenes, maintaining identical facial structure, hairstyle, and identity while changing only the mood, lighting, wardrobe details, and cinematic environment. Scene 1 — "Golden Path" Tone: Warm, nostalgic, tender Lighting: Natural golden hour light diffused through thin clouds, soft directional sunlight, cinematic naturalism Camera & Lens: 35mm format, 50mm f/1.4 prime lens, shallow depth of field Scene: The blonde woman walks along a quiet countryside path, gentle breeze moving through her wavy hair, wearing a soft linen dress and a peaceful expression. Warm nostalgic color grading with golden highlights and soft shadows. Scene 2 — "Neon Crossing" Tone: Sleek, mysterious, cinematic-noir Lighting: Urban neon street lighting, wet pavement reflections, dramatic rim lighting, cinematic noir lighting Camera & Lens: Anamorphic cinema lens, 35mm equivalent, shallow depth of field, anamorphic flares Scene: The same blonde woman stands at a rainy city intersection at night, wearing a stylish dark coat, neon colors reflecting across her face, mysterious confident expression, cinematic noir atmosphere. Scene 3 — "Glass Plaza" Tone: Calm, minimalist, composed Lighting: Overcast daylight, subtle negative fill, soft gradual light fall-off Camera & Lens: Medium format aesthetic (Phase One-style), 85mm f/2.8 lens, sharp focus Scene: The woman stands inside a modern glass plaza wearing a minimalist neutral outfit. Her wavy blonde hair frames her face, calm posture, clean architectural background, refined editorial photography style. Scene 4 — "Bright Street" Tone: Energetic, vibrant, confident Lighting: Mixed ambient and natural commercial lighting, bright and inviting, perfect exposure Camera & Lens: High-end digital mirrorless, 70-200mm zoom, compressed perspective, corner-to-corner sharpness Scene: The blonde woman walks through a lively city street, wearing fashionable casual western-inspired clothing, smiling confidently, vibrant colors, luxury lifestyle campaign aesthetic. Scene 5 — "Night Market" Tone: Chaotic, spontaneous, raw Lighting: Direct on-camera hard flash, pitch-black background, harsh specular highlights Camera & Lens: Point-and-shoot digital aesthetic, 24mm wide-angle lens, slight distortion Scene: The woman explores a crowded night market, candid expression, holding street food, messy movement, flash photography style, realistic imperfections, raw documentary feeling. Scene 6 — "Greenhouse Bloom" Tone: Dreamy, delicate, joyful Lighting: Bright overcast natural lighting, backlit ethereal glow, no harsh shadows Camera & Lens: 50mm f/1.2 prime lens, extremely shallow depth of field, soft optical focus Scene: The blonde woman stands among flowers inside a greenhouse, wearing a flowing pastel dress, sunlight glowing through plants, dreamy romantic atmosphere, soft focus beauty. Scene 7 — "Rooftop Dusk" Tone: Dramatic, contemplative, powerful Lighting: Directional dusk light, dramatic chiaroscuro, atmospheric haze Camera & Lens: 35mm f/1.4 prime lens, sharp subject isolation, deep background depth of field Scene: The woman stands on a rooftop overlooking the city at sunset, wearing a structured jacket, wind moving through her blonde waves, powerful cinematic portrait with emotional depth. Scene 8 — "Pastel Spin" Tone: Carefree, nostalgic, playful Lighting: Direct harsh sunlight backlighting, heavy lens flare, hazy atmosphere Camera & Lens: 35mm consumer film camera aesthetic, soft focus lens, light leaks Scene: The blonde woman spins through a colorful outdoor setting, wearing a vintage-inspired outfit, laughing naturally, nostalgic summer film photography style. Scene 9 — "Quiet Café" Tone: Introspective, peaceful, warm Lighting: Overcast soft diffused lighting, gentle window light Camera & Lens: Medium format film aesthetic, soft vintage lens, shallow depth of field Scene: The same woman sits alone in a cozy café near a window, wavy blonde hair softly illuminated, holding coffee, thoughtful expression, warm vintage cinematic mood. Final Instruction: Create one continuous character across nine distinct cinematic color grading styles. Maintain the exact same Western woman with wavy blonde hair, facial identity, and natural beauty throughout all scenes. Ultra-realistic photography, cinematic composition, high detail, professional color grading, 8K realism.

One woman. Nine cinematic worlds. Made by using Seedance 2.0 on Picsart AI Playground: Scene Breakdown — Cinematic Color Grading Series One Western woman, nine moods — a study in color grading, cinematography, and visual storytelling Character Consistency: A beautiful Western woman in her late 20s with long wavy blonde hair, natural features, expressive eyes, elegant yet effortless style. She remains the exact same person across all nine scenes, maintaining identical facial structure, hairstyle, and identity while changing only the mood, lighting, wardrobe details, and cinematic environment. Scene 1 — "Golden Path" Tone: Warm, nostalgic, tender Lighting: Natural golden hour light diffused through thin clouds, soft directional sunlight, cinematic naturalism Camera & Lens: 35mm format, 50mm f/1.4 prime lens, shallow depth of field Scene: The blonde woman walks along a quiet countryside path, gentle breeze moving through her wavy hair, wearing a soft linen dress and a peaceful expression. Warm nostalgic color grading with golden highlights and soft shadows. Scene 2 — "Neon Crossing" Tone: Sleek, mysterious, cinematic-noir Lighting: Urban neon street lighting, wet pavement reflections, dramatic rim lighting, cinematic noir lighting Camera & Lens: Anamorphic cinema lens, 35mm equivalent, shallow depth of field, anamorphic flares Scene: The same blonde woman stands at a rainy city intersection at night, wearing a stylish dark coat, neon colors reflecting across her face, mysterious confident expression, cinematic noir atmosphere. Scene 3 — "Glass Plaza" Tone: Calm, minimalist, composed Lighting: Overcast daylight, subtle negative fill, soft gradual light fall-off Camera & Lens: Medium format aesthetic (Phase One-style), 85mm f/2.8 lens, sharp focus Scene: The woman stands inside a modern glass plaza wearing a minimalist neutral outfit. Her wavy blonde hair frames her face, calm posture, clean architectural background, refined editorial photography style. Scene 4 — "Bright Street" Tone: Energetic, vibrant, confident Lighting: Mixed ambient and natural commercial lighting, bright and inviting, perfect exposure Camera & Lens: High-end digital mirrorless, 70-200mm zoom, compressed perspective, corner-to-corner sharpness Scene: The blonde woman walks through a lively city street, wearing fashionable casual western-inspired clothing, smiling confidently, vibrant colors, luxury lifestyle campaign aesthetic. Scene 5 — "Night Market" Tone: Chaotic, spontaneous, raw Lighting: Direct on-camera hard flash, pitch-black background, harsh specular highlights Camera & Lens: Point-and-shoot digital aesthetic, 24mm wide-angle lens, slight distortion Scene: The woman explores a crowded night market, candid expression, holding street food, messy movement, flash photography style, realistic imperfections, raw documentary feeling. Scene 6 — "Greenhouse Bloom" Tone: Dreamy, delicate, joyful Lighting: Bright overcast natural lighting, backlit ethereal glow, no harsh shadows Camera & Lens: 50mm f/1.2 prime lens, extremely shallow depth of field, soft optical focus Scene: The blonde woman stands among flowers inside a greenhouse, wearing a flowing pastel dress, sunlight glowing through plants, dreamy romantic atmosphere, soft focus beauty. Scene 7 — "Rooftop Dusk" Tone: Dramatic, contemplative, powerful Lighting: Directional dusk light, dramatic chiaroscuro, atmospheric haze Camera & Lens: 35mm f/1.4 prime lens, sharp subject isolation, deep background depth of field Scene: The woman stands on a rooftop overlooking the city at sunset, wearing a structured jacket, wind moving through her blonde waves, powerful cinematic portrait with emotional depth. Scene 8 — "Pastel Spin" Tone: Carefree, nostalgic, playful Lighting: Direct harsh sunlight backlighting, heavy lens flare, hazy atmosphere Camera & Lens: 35mm consumer film camera aesthetic, soft focus lens, light leaks Scene: The blonde woman spins through a colorful outdoor setting, wearing a vintage-inspired outfit, laughing naturally, nostalgic summer film photography style. Scene 9 — "Quiet Café" Tone: Introspective, peaceful, warm Lighting: Overcast soft diffused lighting, gentle window light Camera & Lens: Medium format film aesthetic, soft vintage lens, shallow depth of field Scene: The same woman sits alone in a cozy café near a window, wavy blonde hair softly illuminated, holding coffee, thoughtful expression, warm vintage cinematic mood. Final Instruction: Create one continuous character across nine distinct cinematic color grading styles. Maintain the exact same Western woman with wavy blonde hair, facial identity, and natural beauty throughout all scenes. Ultra-realistic photography, cinematic composition, high detail, professional color grading, 8K realism.

Sharon Riley

40,703 次观看 • 1 个月前

Tribe Discovery Seedance 2.0 is smart enough to create truly realistic footage! What’s shown on the camera screen and the actual people being filmed look almost identical — same lighting, same movement. Made on CapCut Video Studio. Prompt: Create a 15 second, 16:9 photorealistic nighttime discovery film built around an unbranded early-2000s silver MiniDV camcorder with a flip-out LCD. The physical camcorder dominates the foreground; its LCD stays tack-sharp while the real people and jungle location behind it fall into creamy shallow-focus blur. Keep one continuous believable handheld setup: close to the camcorder, drifting, breathing and making tiny human corrections, never gimbal-smooth. 0.0–1.3s Extreme close foreground view of the closed LCD panel and the operator’s fingers. Under warm firelight and cool moonlight, the hand flips the screen open toward camera. Focus snaps naturally from the camcorder shell to the glowing LCD. Behind it: a remote indigenous tribe gathered in a jungle clearing at night, dark canopy and towering trees, all soft and indistinct. 1.3–3.5s The LCD shows two tribal men and a young woman crowding the MiniDV lens, curious and cautious, exchanging quick glances and small hand gestures while leaning close. Inside the LCD use authentic low-resolution CCD video: harsh direct-camera light, clipped skin highlights, warm reds from fire, cool cyan shadows, fine chroma noise, mild scanline texture and tiny unreadable REC/timecode icons. The exterior world stays warmer and softer, creating a convincing screen-within-screen contrast. 3.5–5.8s The operator subtly pivots right. Parallax shifts the LCD across frame while a tribesman wearing traditional woven cloth and body paint drifts through the blurred background. On the LCD, cut naturally to a low-angle wide-lens clip of a young tribeswoman crouching and slowly moving toward the lens. Allow slight exposure pumping and imperfect autofocus. 5.8–8.2s Continue the handheld orbit. A bright campfire blooms near the top edge, producing mild halation and realistic flare. The LCD shows several tribe members standing shoulder-to-shoulder, observing the camera with quiet intensity, occasionally shifting or exchanging looks, never staged or choreographed. 8.2–10.8s More people enter the soft background; one briefly passes close enough to become a large blurred shape. Keep the camcorder body on the right edge and LCD near center. Inside the LCD, jump between quick candid portraits: an elder looking steadily into the lens, a young man turning his head, then a small group of women and children leaning together. Cuts happen only inside the LCD while the outer shot remains continuous. 10.8–13.0s The operator dips the camcorder slightly, then corrects upward. Warm firelight flares from lower frame. LCD color briefly shifts greener and darker like an old auto-white-balance error, then recovers. Add one very brief analog video hiccup; no digital VFX, floating graphics or impossible distortion. 13.0–15.0s Finish on three or four tribe members bunching into the MiniDV frame, watching the camera with quiet curiosity as the real background group mirrors their energy in blur. End with a tiny handheld push toward the LCD and natural highlight bloom from the fire. VISUAL RULES: 24fps outer capture, 1/48 shutter feel, 35–50mm full-frame look, f/1.8–2.2, handheld micro-jitter, subtle rolling shutter during faster pivots, fine high-ISO grain, realistic skin, true fabric and body-paint texture, practical firelight mixed with cooler moonlight. No plastic skin, warped hands, duplicated people, morphing faces, floating objects, synthetic bokeh, perfect symmetry or glossy CGI. The MiniDV LCD must emit believable light and clearly look like footage from an older camera.

Tribe Discovery Seedance 2.0 is smart enough to create truly realistic footage! What’s shown on the camera screen and the actual people being filmed look almost identical — same lighting, same movement. Made on CapCut Video Studio. Prompt: Create a 15 second, 16:9 photorealistic nighttime discovery film built around an unbranded early-2000s silver MiniDV camcorder with a flip-out LCD. The physical camcorder dominates the foreground; its LCD stays tack-sharp while the real people and jungle location behind it fall into creamy shallow-focus blur. Keep one continuous believable handheld setup: close to the camcorder, drifting, breathing and making tiny human corrections, never gimbal-smooth. 0.0–1.3s Extreme close foreground view of the closed LCD panel and the operator’s fingers. Under warm firelight and cool moonlight, the hand flips the screen open toward camera. Focus snaps naturally from the camcorder shell to the glowing LCD. Behind it: a remote indigenous tribe gathered in a jungle clearing at night, dark canopy and towering trees, all soft and indistinct. 1.3–3.5s The LCD shows two tribal men and a young woman crowding the MiniDV lens, curious and cautious, exchanging quick glances and small hand gestures while leaning close. Inside the LCD use authentic low-resolution CCD video: harsh direct-camera light, clipped skin highlights, warm reds from fire, cool cyan shadows, fine chroma noise, mild scanline texture and tiny unreadable REC/timecode icons. The exterior world stays warmer and softer, creating a convincing screen-within-screen contrast. 3.5–5.8s The operator subtly pivots right. Parallax shifts the LCD across frame while a tribesman wearing traditional woven cloth and body paint drifts through the blurred background. On the LCD, cut naturally to a low-angle wide-lens clip of a young tribeswoman crouching and slowly moving toward the lens. Allow slight exposure pumping and imperfect autofocus. 5.8–8.2s Continue the handheld orbit. A bright campfire blooms near the top edge, producing mild halation and realistic flare. The LCD shows several tribe members standing shoulder-to-shoulder, observing the camera with quiet intensity, occasionally shifting or exchanging looks, never staged or choreographed. 8.2–10.8s More people enter the soft background; one briefly passes close enough to become a large blurred shape. Keep the camcorder body on the right edge and LCD near center. Inside the LCD, jump between quick candid portraits: an elder looking steadily into the lens, a young man turning his head, then a small group of women and children leaning together. Cuts happen only inside the LCD while the outer shot remains continuous. 10.8–13.0s The operator dips the camcorder slightly, then corrects upward. Warm firelight flares from lower frame. LCD color briefly shifts greener and darker like an old auto-white-balance error, then recovers. Add one very brief analog video hiccup; no digital VFX, floating graphics or impossible distortion. 13.0–15.0s Finish on three or four tribe members bunching into the MiniDV frame, watching the camera with quiet curiosity as the real background group mirrors their energy in blur. End with a tiny handheld push toward the LCD and natural highlight bloom from the fire. VISUAL RULES: 24fps outer capture, 1/48 shutter feel, 35–50mm full-frame look, f/1.8–2.2, handheld micro-jitter, subtle rolling shutter during faster pivots, fine high-ISO grain, realistic skin, true fabric and body-paint texture, practical firelight mixed with cooler moonlight. No plastic skin, warped hands, duplicated people, morphing faces, floating objects, synthetic bokeh, perfect symmetry or glossy CGI. The MiniDV LCD must emit believable light and clearly look like footage from an older camera.

MrDejie

55,206 次观看 • 1 个月前

Testing Korean K drama with MiniMax H3, the open source community will be fire next few weeks 🔥 REFERENCE USE Images 1 and 2 lock face, hair and wardrobe identity only. Do not copy their frontal pose, centred framing or lens gaze. Image 3 locks apartment geometry, light direction and materials only. Recompose the actors according to the screen directions below. Identities remain stable. IDENTITY LOCKS YEON-SU: Korean woman, 28. Loose unstyled dark hair tucked behind her anatomical right ear only; left ear covered. Oversized heather-grey knit, sleeves past both wrists, loose charcoal lounge trousers, bare feet, no jewellery. JAE-HYUN: Korean man, 32. Dark knee-length coat stays on. Plain shirt open by exactly one button. Watch on anatomical left wrist. Keys handled only by anatomical right hand. Never mirror these details. No wardrobe change. SCENE Three years into a relationship. The argument peaked before this clip. Neither is trying to win. YEON-SU needs him to deny he is leaving but cannot ask directly. JAE-HYUN has waited to be actively chosen and is ashamed that he needed it. His answer is an admission, not an attack. Her last line is not a reply; she discovers that she treated his staying as permanent while he experienced it as a choice she never made. DIALOGUE Spoken Korean only. Contemporary Seoul banmal between a long-term couple, with dropped subjects, intimate volume and natural consonants. Never translate, speak, subtitle or display English. YEON-SU: "또 갈 거야?" JAE-HYUN: "한 번쯤은... 가지 말라고 할 줄 알았어." YEON-SU: "안 갈 줄 알았어." SCREEN GEOGRAPHY JAE-HYUN is frame-left facing screen-right. YEON-SU is frame-right facing screen-left. Singles leave look-room toward the unseen partner. Matched off-camera eyelines; never look into the lens. In the wide they are three metres apart. The table stays on YEON-SU's anatomical right so her right hand can hold it. The entry shelf stays beside JAE-HYUN's right hand. Fixed marks, but natural breathing, a swallow, finger pressure and tiny posture settling are allowed. No walking, sitting, approaching or contact. SHOT LIST [0.0-2.8] LOCKED WIDE TWO-SHOT, 35mm, eye level. Entry frame-left, living room frame-right. JAE-HYUN stands just inside the door, coat on. YEON-SU stands beside the table three metres away, right hand lightly holding its edge. She watches him; he looks at the shelf. At 1.3s he places the keys on wood with his right hand, quietly and deliberately. Neither speaks. Hold the distance. [2.8-5.4] YEON-SU MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. She is frame-right with look-room screen-left. Begin neutral, without prepared sadness. One ordinary shallow breath. Between 3.7s and 4.6s she asks, "또 갈 거야?" Low, plain, almost practical. She wants him to say no. Brows stay relaxed; mouth closes after the line. She listens. [5.4-10.3] JAE-HYUN MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. He is frame-left with look-room screen-right. Mouth fully closed during the silence. Eyes down; one controlled breath and one swallow. This is active decision, not blank posing. He raises his eyes only when ready to admit it. Between 7.9s and 9.6s: "한 번쯤은... 가지 말라고 할 줄 알았어." Quiet, warm, tired. The pause after "한 번쯤은" is a failed attempt to make the sentence easier. No blame, emphasis or sigh. He keeps his eyeline toward her afterward. [10.3-15.0] YEON-SU CLOSE, 85mm, collarbones to crown, three-quarter view, frame-right with look-room screen-left. One continuous take with no reframing or hidden cut. She is already looking down. Begin without a hurt expression. Recognition forms through stopped breath, a released jaw and eyes focusing on nothing. No tears. Between 12.7s and 13.9s she says to the floor, "안 갈 줄 알았어." Nearly matter-of-fact at first; the final word softens when she hears her own assumption. Only after the last syllable does she lift her eyes toward him. Mouth closed. Hold her listening face through 15.0s. ACTING Lived-in screen acting, never presented emotion. Each actor actively listens to the absent partner. Emotion appears through attention, breath and thought, not facial display. Allow imperfect human timing inside the dialogue windows. No added theatrical pauses or mirrored performances. LIGHT AND IMAGE One low warm living-room practical, about 2900K. Weak cold night spill from the dark entry, not saturated cyan. Faces partly in shadow; natural Korean skin tone, pores and under-eye texture. Desaturated wood, grey knit and blue-black exterior; restrained grain. The lamp motivates the warm face light. No commercial orange-teal grade, bloom, halation, glow or flare. CAMERA Locked and eye-level. Maintain the 180-degree line. Singles are three-quarter views, never centred frontal portraits. Shallow depth of field with both eyes readable. No drift, push-in, handheld sway, arc, rack focus, dutch angle, motion blur or lens-scale change within a shot. PRODUCTION SOUND Natural Korean production dialogue recorded in the apartment, not narration, dubbing or synthetic TTS. Intimate conversational level, slight room reflection, matched boom-and-lav perspective. Continuous stereo room tone beneath every line and silence: refrigerator hum, low HVAC and distant traffic through closed glass. Never hard-gate the room. Keys on wood at 1.3s are the only featured effect. No phone buzz or designed silence drop. No music, score, drone or tonal swell. Dialogue centred; ambience has subtle width. No breath boosting, over-compression or loud social-video mastering. If controllable: 48 kHz stereo, true peak at or below -6 dBFS. NEGATIVES No English voice, subtitles, captions, text, logos or watermarks. No lens gaze, centred portrait composition, silent mouthing, speech outside the three lines or bad lip sync. No shouting, sarcasm, crying, tears, sobbing, gasping, widened eyes, knitted brows, trembling lips, clenched fists, pointing, arm crossing or hand gestures. No extra people or reflections, wardrobe drift, side mirroring, beauty filter, face warp or identity change. No extra cuts, jump cuts, punch-ins or framing resets, especially from 10.3s to 15.0s. #MiniMaxH3 Hailuo AI (MiniMax)

Testing Korean K drama with MiniMax H3, the open source community will be fire next few weeks 🔥 REFERENCE USE Images 1 and 2 lock face, hair and wardrobe identity only. Do not copy their frontal pose, centred framing or lens gaze. Image 3 locks apartment geometry, light direction and materials only. Recompose the actors according to the screen directions below. Identities remain stable. IDENTITY LOCKS YEON-SU: Korean woman, 28. Loose unstyled dark hair tucked behind her anatomical right ear only; left ear covered. Oversized heather-grey knit, sleeves past both wrists, loose charcoal lounge trousers, bare feet, no jewellery. JAE-HYUN: Korean man, 32. Dark knee-length coat stays on. Plain shirt open by exactly one button. Watch on anatomical left wrist. Keys handled only by anatomical right hand. Never mirror these details. No wardrobe change. SCENE Three years into a relationship. The argument peaked before this clip. Neither is trying to win. YEON-SU needs him to deny he is leaving but cannot ask directly. JAE-HYUN has waited to be actively chosen and is ashamed that he needed it. His answer is an admission, not an attack. Her last line is not a reply; she discovers that she treated his staying as permanent while he experienced it as a choice she never made. DIALOGUE Spoken Korean only. Contemporary Seoul banmal between a long-term couple, with dropped subjects, intimate volume and natural consonants. Never translate, speak, subtitle or display English. YEON-SU: "또 갈 거야?" JAE-HYUN: "한 번쯤은... 가지 말라고 할 줄 알았어." YEON-SU: "안 갈 줄 알았어." SCREEN GEOGRAPHY JAE-HYUN is frame-left facing screen-right. YEON-SU is frame-right facing screen-left. Singles leave look-room toward the unseen partner. Matched off-camera eyelines; never look into the lens. In the wide they are three metres apart. The table stays on YEON-SU's anatomical right so her right hand can hold it. The entry shelf stays beside JAE-HYUN's right hand. Fixed marks, but natural breathing, a swallow, finger pressure and tiny posture settling are allowed. No walking, sitting, approaching or contact. SHOT LIST [0.0-2.8] LOCKED WIDE TWO-SHOT, 35mm, eye level. Entry frame-left, living room frame-right. JAE-HYUN stands just inside the door, coat on. YEON-SU stands beside the table three metres away, right hand lightly holding its edge. She watches him; he looks at the shelf. At 1.3s he places the keys on wood with his right hand, quietly and deliberately. Neither speaks. Hold the distance. [2.8-5.4] YEON-SU MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. She is frame-right with look-room screen-left. Begin neutral, without prepared sadness. One ordinary shallow breath. Between 3.7s and 4.6s she asks, "또 갈 거야?" Low, plain, almost practical. She wants him to say no. Brows stay relaxed; mouth closes after the line. She listens. [5.4-10.3] JAE-HYUN MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. He is frame-left with look-room screen-right. Mouth fully closed during the silence. Eyes down; one controlled breath and one swallow. This is active decision, not blank posing. He raises his eyes only when ready to admit it. Between 7.9s and 9.6s: "한 번쯤은... 가지 말라고 할 줄 알았어." Quiet, warm, tired. The pause after "한 번쯤은" is a failed attempt to make the sentence easier. No blame, emphasis or sigh. He keeps his eyeline toward her afterward. [10.3-15.0] YEON-SU CLOSE, 85mm, collarbones to crown, three-quarter view, frame-right with look-room screen-left. One continuous take with no reframing or hidden cut. She is already looking down. Begin without a hurt expression. Recognition forms through stopped breath, a released jaw and eyes focusing on nothing. No tears. Between 12.7s and 13.9s she says to the floor, "안 갈 줄 알았어." Nearly matter-of-fact at first; the final word softens when she hears her own assumption. Only after the last syllable does she lift her eyes toward him. Mouth closed. Hold her listening face through 15.0s. ACTING Lived-in screen acting, never presented emotion. Each actor actively listens to the absent partner. Emotion appears through attention, breath and thought, not facial display. Allow imperfect human timing inside the dialogue windows. No added theatrical pauses or mirrored performances. LIGHT AND IMAGE One low warm living-room practical, about 2900K. Weak cold night spill from the dark entry, not saturated cyan. Faces partly in shadow; natural Korean skin tone, pores and under-eye texture. Desaturated wood, grey knit and blue-black exterior; restrained grain. The lamp motivates the warm face light. No commercial orange-teal grade, bloom, halation, glow or flare. CAMERA Locked and eye-level. Maintain the 180-degree line. Singles are three-quarter views, never centred frontal portraits. Shallow depth of field with both eyes readable. No drift, push-in, handheld sway, arc, rack focus, dutch angle, motion blur or lens-scale change within a shot. PRODUCTION SOUND Natural Korean production dialogue recorded in the apartment, not narration, dubbing or synthetic TTS. Intimate conversational level, slight room reflection, matched boom-and-lav perspective. Continuous stereo room tone beneath every line and silence: refrigerator hum, low HVAC and distant traffic through closed glass. Never hard-gate the room. Keys on wood at 1.3s are the only featured effect. No phone buzz or designed silence drop. No music, score, drone or tonal swell. Dialogue centred; ambience has subtle width. No breath boosting, over-compression or loud social-video mastering. If controllable: 48 kHz stereo, true peak at or below -6 dBFS. NEGATIVES No English voice, subtitles, captions, text, logos or watermarks. No lens gaze, centred portrait composition, silent mouthing, speech outside the three lines or bad lip sync. No shouting, sarcasm, crying, tears, sobbing, gasping, widened eyes, knitted brows, trembling lips, clenched fists, pointing, arm crossing or hand gestures. No extra people or reflections, wardrobe drift, side mirroring, beauty filter, face warp or identity change. No extra cuts, jump cuts, punch-ins or framing resets, especially from 10.3s to 15.0s. #MiniMaxH3 Hailuo AI (MiniMax)

Emily

17,376 次观看 • 1 个月前