Loading video...

Video Failed to Load

Go Home

Not only did she write how devastated she was without dropping Ana's name out of respect for her family. Taylor chose to play Bigger Than The Whole Sky and it was clearly a tribute to the tragedy. You don't care about her. You're just being performative and disrespectful to those

1,034,777 views • 6 months ago •via X (Twitter)

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 views • 3 months ago

Meghan Markle infamous curtsy reenactment in the Netflix series was not a quirky anecdote. It was a glaring window into Meghan’s character, & it spectacularly backfired. By turning a simple gesture of respect into an over the top, sarcastic performance, complete with the mocking “Pleasure to meet you, Your Majesty,” she did not merely poke fun at royal protocol. She openly disrespected her husband’s grandmother and the cultural traditions she was marrying into. You do not have to adore the monarchy to show basic decency. Mocking it on a global stage is not empowerment. It is pettiness wrapped in self righteousness. It is contempt. What makes it worse is the attempt to sell this as innocence. She was not a sheltered teenager from another planet. She was a middle aged actress who had dated a prince, lived in the UK, and actively sought proximity to that world. She knew she was joining one of the most scrutinised families on earth. She could have asked. She could have researched. She could have practised quietly. Instead, she weaponised the moment years later. And Harry fares no better in this story. A man raised in palaces mentions curtsying in the car, yet apparently never bothers to explain what actually matters. Then he sits back while his wife mocks the moment on camera. Pretending she thought curtsying was some medieval parody is performative ignorance. That is not naïveté. It is affectation. Harry was complicit in the shade throwing, prioritising their grievance narrative over basic respect for his own family. What Meghan failed to understand is that respecting another culture does not diminish you. It elevates you. Courtesy is not submission. Learning customs is not erasure. When you marry into another family, another country, another culture, the basic adult response is to observe, learn, and show respect. Millions of people move across cultures every day. They learn greetings, gestures, and etiquette not because they are forced to, but because respect is universal. You honour others and in doing so you show character. Meghan chose the opposite. She treated unfamiliarity as something to sneer at, as if curiosity and humility were beneath her. The late Queen would not have cared about a perfect curtsy during their first meeting. She met presidents, dictators, pop stars, and children. She was pragmatic, warm, and famously forgiving of protocol mishaps. A genuine smile and a simple “Nice to meet you” would have been more than enough. Instead, Meghan chose theatrical disdain, reducing a lifetime of duty and service into a punchline for Netflix dollars. It was not funny. It was mean spirited, and it revealed someone who views other people’s customs as beneath her. That exaggerated curtsy was not for the Queen. It was for the audience Meghan always imagines watching her. The moment was not lived. It was stored, packaged, and later monetised. That is the pattern. Nothing is private. Everything is content. Every interaction is reduced to a punchline that flatters her and diminishes others. This moment was never really about a curtsy. It was about attitude. A woman secure in herself does not need to belittle someone else’s traditions to feel superior. She does not turn cultural difference into comedy and later into grievance. She adapts. She listens. She observes. That is how you gain respect without asking for it. If anything, that exaggerated curtsy made her look small, not modern. True confidence does not perform contempt. It practises respect quietly, even when the cameras are off. She did not merely reveal herself. She ruined herself, slowly and publicly, through moments like this. She did not need the press to torpedo her image. Her own words and performances did that for her. Respect is not about agreement. It is about not being gratuitously rude. Meghan’s mockery achieved the opposite. It made her appear insecure, arrogant, and unwilling to bridge any gap.

Queen Esther

185,519 views • 5 months ago