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🟣⚪️ Now Live on RealJamVR ⚪️🟣 Shiny boots. Mini skirt. That slow smile before everything changes. PeachLollypop in full control. Free Trailer: PeachLollypop #VRPorn #POV #Latex #VRExperience #RealJamVR

16,219 Aufrufe • vor 5 Monaten •via X (Twitter)

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Everyone knows I love Kaila..I’ve been a fan. Eversince I saw her first interaction with DJ..when incognito started, I already thought, "okay… bagay sila." Their energy actually matches, not clashes. Now, what’s funny to me is this whole discourse "bakit yung cheater pa yung nagheheal?"😂 First of all, none of us actually know the full truth..whether he cheated or not. But let’s be real..people who hurt someone they love? They still need healing too. That kind of guilt doesn’t magically disappear. Especially when everything blows up so publicly and suddenly everyone..even strangers..has an opinion about your life. The real issue isn’t DJ healing. Let’s not pretend. The issue is… you don’t like that his image is slowly getting "cleaned" because he’s being seen with Kaila. You don’t like that you’re witnessing growth in real time. That he might’ve actually learned something..and is now making better choices. And yeah, that stings for some people. On the flip side, there’s this narrative that Kath "lost" in all of this because of her current relationship. But if you actually look, she’s never been like this before..free, in control, living on her own terms. And honestly? That’s a win. A quiet one, but a real one. At some point, you have to accept... not everything is meant to last forever. Kath and DJ had their time. But maybe..just maybe..they’re both exactly where they’re supposed to be.. And that’s okay. #KAILAESTRADA #DANIELPADILLA #KAINIEL #KATHRYNBERNARDO #MARKALCALA

little old me

159,957 Aufrufe • vor 3 Monaten

Just wrapped up Hardwood Empire 3.2. A lot of the most asked for features / improvements you guys have been pushing for are in this one. Live Interactive Court: Biggest visual upgrade we've made. Gamecast now has a full live court built into the sim with dynamic home court branding, center logos, arena styling, and live shot mapping. You can actually see where shots happen in real time instead of just reading text. Dynamic Crowds: Arenas feel alive now. Crowds scale based on prestige, so blue blood home games feel packed while smaller gyms feel smaller. Neutral site games can have split crowds depending on who's playing, and fans react live during big moments. Usage Control System: Still the normal 1st / 2nd / 3rd option setup, but now there's also full usage sliders if you want total control over offensive shot distribution. One guy taking over or a completely balanced system, totally up to you. Plugs directly into the actual sim. Music: Added in-game soundtracks for a more immersive experience, with more music coming next update. Gameplay / Sim Improvements: Big realism pass. Late game logic is much smarter, offensive systems behave more realistically, and I spent a lot of time tuning sim rates so scoring, assists, rebounds, pace, and advanced metrics better match modern college basketball. Also tuned long-term dynasty balance so smaller / mid-major schools can still have real breakthrough runs without turning into permanent national powers every save. Other Fixes + QOL: New Player IQ attribute. Working haptics on iOS + Android. Transfer portal affordability indicators. Career / retirement history fixes. International recruit fixes. Schedule + MTE fixes. UI polish. And more. Everything in this update is completely free. No God Mode purchase needed. 3.1 got submitted before I was even home from school, so 3.2 had way more time for polish and bug fixes, and the update after this will probably be way more bug-focused since the game has a ton of features now and making everything as polished and stable as possible is the priority. Most of these features will also be toggleable, so if you want the more classic Hardwood Empire experience you're more than welcome to play that way too. Seriously appreciate all the support, this community has grown way faster than I ever expected. Submitting to iOS + Android as soon as this post hits 500 likes ❤️

Hardwood Empire

50,601 Aufrufe • vor 3 Monaten

The MOST IMORTANT MESSAGE "The TIME is NOW." Pavel Durov, founder of Telegram and Candace Owens both said some words today that really hit home... They explained a DARK, EVIL, and SADISTIC force that is encroaching upon us and our world that is slowly taking away and destroying everything that are forefathers fought so hard to give us. Most importantly, our FREEDOMS. It wouldn't be right in any way to let this happen to us, our world and especially the generations after us, our children's futures. There will be no other moment in time that will be more important than right now. Right now and the few years or less that we have to save our society and our FREEDOMS will determine the entire worlds future from here on out. I suggest you really start paying attention because time is running out. It's time to do something ladies and gentleman. The TIME is NOW. Please read what Patel and Candace said today because they are 100% right. PAVEL DUROV: "I’m turning 41, but I don’t feel like celebrating. Our generation is running out of time to save the free Internet built for us by our fathers. What was once the promise of the free exchange of information is being turned into the ultimate tool of control. What was once the promise of the free exchange of information is being turned into the ultimate tool of control. Once-free countries are introducing dystopian measures such as digital IDs (UK), online age checks (Australia), and mass scanning of private messages (EU). Germany is persecuting anyone who dares to criticize officials on the Internet. The UK is imprisoning thousands for their tweets. France is criminally investigating tech leaders who defend freedom and privacy. A dark, dystopian world is approaching fast — while we’re asleep. Our generation risks going down in history as the last one that had freedoms — and allowed them to be taken away. We’ve been fed a lie. We’ve been made to believe that the greatest fight of our generation is to destroy everything our forefathers left us: tradition, privacy, sovereignty, the free market, and free speech. By betraying the legacy of our ancestors, we’ve set ourselves on a path toward self-destruction — moral, intellectual, economic, and ultimately biological. So no, I’m not going to celebrate today. I’m running out of time. We are running out of time." CANDACE OWENS: “You’d have to get rid of all of us, seven billion people if you want us to just forget about the Charlie Kirk story. No one’s forgetting it. I don’t know whose sadistic idea it was to make this a public execution. But let me tell you where you made the mistake. In 1963, when JFK was shot, people didn’t watch it on TikTok. You made us watch this live, around the world. You traumatized all of us... not in the way you meant to. You wanted to make us fearful. Instead, you made us angry. Angry that corruption is this blatant, this in our face. We’re grieving because you assassinated Charlie Kirk in front of the entire world. You wanted this to be a public execution. That disturbs me. So you get what you get. This is the internet generation. You get TikTokers, military guys, ballistic experts, psychics, all of us. We’re running this now. We’re not calming down. We’re not forgetting. Who ordered the public execution?" It's Time to WAKE UP ladies and gentleman and FIGHT BACK before all of this is for ABSOLUTELY nothing.

The SCIF

254,431 Aufrufe • vor 10 Monaten

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

Caden Flux

30,445 Aufrufe • vor 24 Tagen

'AVENGERS: DOOMSDAY' new trailer This is 100% A.I but there are some scenes look different. Its different from SDCC though. The SDCC trailer opened with Sue Storm providing some backstory on Victor Von Doom. Before we even get into what she said, this already provides new information for us because, up until this point, we did not know whether or not the Fantastic Four had any history with Doom or even if this Doctor Doom was from their same universe. Of course, we could have inferred based on the long comic book history between the characters, but this confirms it. We do also get to see who Sue is speaking to while delivering this backstory, at least as the trailer presents it. She appears to be speaking to a room full of heroes that includes Magneto, Gambit, Steve Rogers and many other. Sue seems to be explaining to the heroes exactly what they are dealing with, or maybe even already dealt with to some degree. Now, as for what Sue has to say about Doom, her words are both haunting and very informative. Victor was always the smartest guy in every room. He used to be different. He used to be kind, he used to be caring. Everything he loved was taken from him. I knew he was lost, but I did not realize that he was broken." Sue speaks as though she had worked with Victor in the past. We did see an empty seat marked for Latveria, Doom's fictional home country, during a Future Foundation meeting in 'FANTASTIC FOUR: FIRST STEPS' So perhaps Sue had interacted with him frequently on a professional level. The rest of her quote is perhaps the most interesting bit. "Everything he loved was taken from him." It seems as though Doom has already lost something or someone. And based on the first poster for the film, it appears to be a wife and daughter that he has lost. In fact, this trailer even shows Doom staring at the tapestry featured in the poster as Sue says these words. So if Doom seemingly lost his wife and daughter in the past, so much so that Sue knows about it and he has had time to have a tapestry made, could this loss have been cause by an incursion? Perhaps it was some other tragedy. Either way, the trailer goes on to let us know that Doom is not pleased with the fact that he has suffered while these heroes of various universes had gotten to live their lives. After Sue's speech, we see some kind of wreckage where Reed Richards poses a question to Doom. Victor, did you do this? After that question, we get the same shot of Scott Lang embracing his daughter Cassie as well as a new shot of Johnny Storm holding his nephew, Franklin Richards. We also see some more shots of various heroes with their respective children, including Steve Rogers and Thor. Now that we know Doom has lost his own child and he wants to make the heroes pay, these shots seem far more sinister than ever before. Meanwhile, Doom provides the next bit of voiceover as we see the heroes. All of you have lived stolen lives, and now you must give them back. This really does make it seem as though the incursions caused by various counts of time travel shenanigans from the heroes were what caused Doom to lose his family. However, Doom's true objective still remains unclear. He certainly seems to want to simply eliminate all of the heroes, but there is definitely still an angle involving their children. The next shot sees Doom fly in faster than any character we've seen in the MCU to date before hitting a perfect superhero landing. Reed, now enraged, repeats his question. DID YOU DO THIS?! So not only does this trailer confirm that Sue has history with Doom, but it appears Reed does as well. This also gives some credence to the popular theory floating around that Doom will first appear as an ally to the heroes before revealing his true colors later on. Reed seems to have trusted Doom as he lets out this angry question. We then see a similar shot from the first trailer of Thor dropping in to confront Doom. Only this time, we can hear Thor speak to Doom. I swear, you will beg for Hel long before I grant it. Thor if of course referring to the realm of the dead, overseen by his own sister, Hela. You could simply replace the word with the word "death," but this is a bit more powerful. Of course, we know how things go for Thor based on the first trailer though. He attacks with Stormbreaker and Doom easily stops the all powerful axe. This time though, we see him repel Thor, sending him flying before delivering a haunting message. Hel answers to me. Then, Doom raises his hands, and with them arise several damaged Sentinels, the mutant-killing robots from the X-Men universe. This essentially confirms another popular theory that the Sentinels we have seen in previous clips, including the last trailer, are being controlled by Doom. As this threat arises, Doom utters one last message. I am Doom. So to recap, we now know that the Fantastic Four and Doctor Doom have known each other in the past. We know that Doom lost his family, presumably his wife and daughter. It seems clear that at least the Fantastic Four, and perhaps all of the heroes, consider Doom an ally at some point. Doom is, in fact, going to control the Sentinels and use them as his own weapons. And, perhaps the biggest takeaway, Doom is by far the biggest threat the heroes of the MCU have faced.

Blue Minutes

65,941 Aufrufe • vor 22 Tagen

We found a flaw in Polymarket that can’t be patched. Then we built the most powerful bot of the World Cup around it. Here’s the flaw: their orderbook will always be slower than the pitch. When a goal, red card, or penalty hits, pro feeds (Sportradar, Opta, ScoutingFeed) register it in 200-500ms. Polymarket takes 2 to 8 seconds to reprice. For those few seconds the book is quoting a score that no longer exists. No amount of engineering closes that gap the event happens in the physical world before any oracle can confirm it on-chain. The engine detects the event, recalculates fair value, and fires via Jito bundles before the book catches up. In at the old price, out at the new. The match outcome is irrelevant we don’t bet on who wins. We capture the lag every event creates. We’ve been building Polymarket bots since 2025. This is the most powerful machine we’ve shipped yet. Two months ago we posted the architecture for this. It hit 1M views one of our most popular posts ever on X. That told us everything: this was the engine to build. First 7 days, - Starting balance: $5,000 - 22 matches scanned, 19 captured - Total profit: +$1,946.86 - ROI: +38.94% in 7 days Why it prints harder than anything we’ve built: the World Cup is the deepest liquidity event prediction markets have ever seen. Tens of millions in volume per match. Dozens of probability-shifting events per game. And an orderbook that physically can’t keep pace with the pitch. How to plug in: 1.Sign up at PolyArbiter (link in bio) 2.Generate PolyArbiter RPC URL 3.Paste it into Jupiter Predict (Polymarket but native on Solana) 4.Set your parameters, activate the World Cup module It’s free to use. We take a share of the profit the engine makes for you. You never deposit anything with us everything runs from your wallet. One honest note: the $1,946 above is our engine at our size and settings. Your numbers depend on your capital, your parameters, and how many matches you’re live for. We’re not promising you’ll match it we’re showing you the machine works, and handing you the same one. These numbers are from the engine running solo. Closed test, just us, before any public access wanted to confirm the whole loop held up end to end before handing it to anyone. That changes the second this goes public. Edge per capture is going to compress. When an event fires the mispriced liquidity is thin and gone in a few seconds more wallets hitting the same window, less left for each. Nothing we can do about it, that’s just how latency arb works. So if the edge thins out past the point where it’s still worth running, we cap access. Hard ceiling on how many engines can hit the same liquidity before it’s gone. Not gonna promise the machine stays this sharp in a few days it might not. But right now it’s live and free. Enjoy 🪄

PolyArbiter

100,534 Aufrufe • vor 2 Monaten

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YanXbt

45,446 Aufrufe • vor 1 Monat

this fitness app is doing $600k/month with duolingo-like onboarding, here's why. onboarding: - an elephant mascot greets you first → duolingo tone in a category full of clinical spreadsheet apps. - it shows you the ranking system before any tracking feature → you learn what you're playing for before you learn how to play. - hold the screen to commit → a physical action, tiny sunk cost, you've already done something. - build your own avatar → it's your app now, not theirs - 40+ questions on goals, experience, training history → every answer makes the plan feel more custom. - you earn your first rank from the answers alone → a win before you've touched a barbell - review prompt fires right at that moment → peak motivation, highest possible rating. - paywall loops with no exit, only "try free for 7 days". that review placement is the actual business. it's how you get 30k+ reviews sitting at 4.7. review volume is an app store ranking input, and liftoff is top 3 on 700+ keywords. the onboarding isn't just converting downloads but it's manufacturing the ratings that produce the next batch. these guys stopped chasing trends. found 3 or 4 formats that converted, pov training clips, day in the life, transformation arcs, and ran them into the ground with fresh execution each time. i see app founders do this exact system adapted to the niche, somewhere in there we separated creation from scale. they built the original templates, a small team of editors multiplied them across platforms. this is where most solo founders get stuck. they either do everything themselves and burn out around 15 posts a month, or hire generically and lose whatever made the content work.

Mufasa

14,665 Aufrufe • vor 22 Tagen

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Saketh R

49,050 Aufrufe • vor 1 Jahr

🚨 THEY’RE ACTIVATING PROJECT BLUE BEAM THE GREATEST DECEPTION IS HERE 🚨 This is NOT a theory anymore. Watch this raw breakdown exposing the entire playbook: holographic sky projections, frequency weapons, drone swarms, satellite arrays, and engineered “miracles” designed to fool billions into a fake global religious event. From staged “angels” and “second comings” to mind-control tech and simulated apocalyptic signs... it’s all unfolding in real time. We just saw a glowing winged entity over Vancouver last night. Coincidence? Or the warmup? This video connects EVERYTHING: Phase 1: - Trigger Events - Holographic Tech & Lasers - HAARP-Style Frequencies - UAP/Drone Psyops The Final illusion to Seize Total Control The infrastructure is already in orbit. The tests are live. The great deception is no longer coming... it’s HERE. If they can fake angels in the sky tonight, what else are they about to fake next week? When the “messiah” or “alien savior” appears worldwide on every screen… will you fall for it? How many more “signs and wonders” will it take before you realize it’s all scripted? WATCH THE FULL VIDEO. Eyes wide open. This could be the most important 4+ minutes you see this year. Don’t scroll past. SHARE it like your freedom depends on it... because it does. Tag everyone. Repost. Break the algorithm before they throttle this. What phase do you think we’re in right now? Let me know what you think, and SHARE THIS so that others may too! If you're not following Noah B. Price yet... What are you doing?

Noah B. Price

112,739 Aufrufe • vor 2 Monaten

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KausaLayer

10,914 Aufrufe • vor 2 Monaten

AI TENNIS ANALYSIS. A FULL COMPUTER VISION SYSTEM. BUILT ON YOLO, PYTORCH, AND KEYPOINT EXTRACTION. Take any tennis match broadcast, any camera angle, any resolution. Feed it into the pipeline. YOLO detects both players and the tennis ball frame by frame. No manual labeling, no pre-annotated dataset. A fine-tuned YOLOv5 model trained on a Roboflow tennis ball dataset handles the ball - the hardest object to track in any sport. Tiny, fast, constantly occluded. The model finds it anyway. Trackers maintain identity across frames so Player 1 stays Player 1 from the first serve to match point. But detection is just the start. A ResNet50 CNN trained in PyTorch predicts court keypoints from every frame - the corners, service lines, baselines, net posts. Fourteen points that define the entire playing surface geometry. From those keypoints the system builds a homography matrix and warps the broadcast perspective into a top-down mini court with real coordinates. Now every player has a position in real space, not pixel space. Every frame becomes a measurement. Every rally becomes a dataset. Player movement speed - calculated from position deltas between frames, converted to meters per second through the homography. Ball shot speed - measured from the ball trajectory across consecutive detections. Number of shots per rally - counted automatically through ball direction changes. All of this rendered live on the video as an overlay. A mini court in the corner showing both players as dots moving in real time. Stats updating after every point. OpenCV handles the rendering. Pandas handles the math. PyTorch handles the intelligence. YOLO handles the eyes. No Hawkeye subscription, no court-embedded sensors, no tracking chips in the ball. A Python script, a trained model, and a GPU. The full code is on GitHub. The tutorial walks through every module - from ball detector training to court keypoint extraction to the final statistical overlay. Professional teams used to need broadcast deals and proprietary hardware for this kind of analysis. Now you build it in an afternoon with open-source tools. Trading here: Computer vision didn't just enter tennis. It made the expensive stuff free.

zostaff

120,370 Aufrufe • vor 3 Monaten

🧵1/ I’m back from a short trip on a social network with photographs and videos from Gaza, with some brief personal conclusions. First, it is quite clear that there are those in Gaza who know how to make extensive use of the networks and social media for the purposes of emotional extortion and also false propaganda, exactly like they live streamed the October 7 massacre and somehow turned it into “justified resistance”, they use quite a few Western buzzwords such as “genocide”, “occupation”, “oppression” and “Zionism”- and this is the simplest way to distinguish between Hamas propaganda posts and authentic people in Gaza, whom I’ve known all my life, who use much simpler words and not this indoctrinated manipulation bullshit. I was looking for THESE authentic people - the real voices. And I think I found a few. So first of all, what do I think there is NOT happening in Gaza? There is no genocide and no famine. Yes, there is quite a lot of suffering, shortages in some places and lack of decent shelter etc. And there’s a lot of cynical exploitation of it for propaganda purposes. I’m saying it because you can see children are getting payed for it, you can see the absolute control of distribution and you can see how basic needs and the way out is blocked with money- Israel is not taking money for any of it, the West is sending free aid, so the money is demanded by those who want to control the suffering and use it. You should know, that before the war - there was already quite a lot of very poor population in Gaza, but now the economic difficulty has greatly increased for two main reasons: one, the war damaged many sources of livelihood and the second - a major source of livelihood was working in Israel and this option was closed for a long time now, since October 7, and is now much less operational. So in fact the main source of income is donations and funding from Hamas for control purposes of course. This is how, among other things, Hamas uses the population to "work for them", and also to smile or cry for the cameras on demand. Now on the issue of claimed famine- famine is when there’s NO food and water, enough for the population. As I said, my personal conclusion is that there is no shortage of food and water in Gaza at all. The problem is that the food is not distributed equally, it is controlled by those who are powerful (usually Hamas operatives) and then sold at high costs to the population without them having sources of livelihood. Food that should be distributed for #free is actually sold at a high price, the shelter tents are also paid for and the exit from Gaza is particularly expensive (5000$ that are paid to the transporters). There are quite a few who refer to Gaza as a "prison" but Gaza is not a prison, Hamas has simply created a situation where it is very expensive to leave it - and thus the poor and the new poor are completely dependent on Hamas and other clans (Hamulas) in everything to do with food, shelter and exit, and they play with them as pawns. If Gaza is a prison - then it’s because Hamas are imprisoning it. All the suffering in Gaza started because of #Hamas it continues and increases because of #Hamas, but the main point is that #Hamas is also the one factor that can stop it. If Hamas surrendered unconditionally and released the Israeli hostages, as done in any war in which you are forced to admit defeat - they would truly liberate Palestine. Remember- this is a war that #Hamas started, a war that on Oct. 7 was celebrated in the streets of Gaza. But #Hamas prefers to keep the Palestinians captive so that it can showcase suffering (which they create) and use it as a tool for financial donations, manipulation of the West and a messianic jihadist war that will never end for them. If the West doesn’t wake up to this ongoing manipulation- they will never help the Palestinians in Gaza or in general, and they will bring this jihadist chaos to their doorstep From Gaza >

Gal G., Adv 🇮🇱

2,695,628 Aufrufe • vor 2 Jahren