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Nuvo: Neural UV Mapping! It's super difficult to UV map/texture atlas geometry produced by 3D reconstruction and generation pipelines. Nuvo works on all kinds of "unruly" 3D representations (NeRF, DreamFusion, etc.) and enables easy appearance editing! 1/3

Pratul Srinivasan

1,573 subscribers

20,842 次观看 • 2 年前 •via X (Twitter)

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As announced in partnership with NVIDIA at CES, we’re excited to introduce Stable Point Aware 3D (SPAR3D), setting a new standard in 3D generation. Ideal for running on NVIDIA RTX AI PCs, SPAR3D enables real-time editing and complete structure generation of 3D objects from a single image in under a second. You can download the weights on Hugging Face and code on GitHub, or access the model through the Stability AI API. Learn more here: (1/3)

As announced in partnership with NVIDIA at CES, we’re excited to introduce Stable Point Aware 3D (SPAR3D), setting a new standard in 3D generation. Ideal for running on NVIDIA RTX AI PCs, SPAR3D enables real-time editing and complete structure generation of 3D objects from a single image in under a second. You can download the weights on Hugging Face and code on GitHub, or access the model through the Stability AI API. Learn more here: (1/3)

Stability AI

181,554 次观看 • 1 年前

Atlas can control space and time to create "bullet time" videos. Having worked on dynamic 3D reconstruction during my Ph.D, it's shocking how easy this is with Atlas. Our interns Andy Cheng Hao Zhang David Pantera Zeyi Chen had a lot of fun smashing things.

Atlas can control space and time to create "bullet time" videos. Having worked on dynamic 3D reconstruction during my Ph.D, it's shocking how easy this is with Atlas. Our interns Andy Cheng Hao Zhang David Pantera Zeyi Chen had a lot of fun smashing things.

Keunhong Park

10,927 次观看 • 9 天前

📢GeomHair: Reconstruction of Hair Strands from Colorless 3D Scans📢 We present a novel method to reconstruct hair strands from colorless 3D scans by extracting orientation cues directly from the mesh surface geometry by finding local characteristic lines and from shaded renderings using a neural 2D line detector. We enhance the reconstruction with a diffusion prior trained on synthetic hair data and adapted to each scan using a tailored text prompt, allowing us to recover both simple and complex hairstyles without relying on color input. To support further research, we also introduce Strands400, the largest publicly available dataset of 3D hair strand reconstructions from real-world scans of 400 different people, featuring complicated hairstyles, such as ponytails and buns. 🌍 📷 Great work by Rachmadio Noval L. Artem Sevastopolsky Egor Zakharov @ness_pris

📢GeomHair: Reconstruction of Hair Strands from Colorless 3D Scans📢 We present a novel method to reconstruct hair strands from colorless 3D scans by extracting orientation cues directly from the mesh surface geometry by finding local characteristic lines and from shaded renderings using a neural 2D line detector. We enhance the reconstruction with a diffusion prior trained on synthetic hair data and adapted to each scan using a tailored text prompt, allowing us to recover both simple and complex hairstyles without relying on color input. To support further research, we also introduce Strands400, the largest publicly available dataset of 3D hair strand reconstructions from real-world scans of 400 different people, featuring complicated hairstyles, such as ponytails and buns. 🌍 📷 Great work by Rachmadio Noval L. Artem Sevastopolsky Egor Zakharov @ness_pris

Matthias Niessner

12,499 次观看 • 1 年前

Wonderland: Navigating 3D Scenes from a Single Image Contributions: • First, we introduce a representation for controllable 3D generation by leveraging the generative priors from camera-guided video diffusion models. Unlike image models, video diffusion models are trained on extensive video datasets. This enables them to capture comprehensive spatial relationships within scenes across multiple views and embed a form of "3D awareness" in their latent space, which allows us to maintain 3D consistency in novel view synthesis. • Second, to achieve controllable novel view generation, we empower video models with precise control over specified camera motions. We introduce a novel dual-branch conditioning mechanism that effectively incorporates desired diverse camera trajectories into the video diffusion model. This enables expansion of a single image into a multi-view consistent capture of a 3D scene with precise pose control. • Third, to achieve efficient 3D reconstruction, we directly transform video latents into 3DGS. We propose a novel latent-based large reconstruction model (LaLRM) that lifts video latents to 3D in a feed-forward manner. With this design, during inference, our model directly predicts 3DGS from a single input image, effectively aligning the generation and reconstruction tasks—and bridging image space and 3D space—through the video latent space. Compared with reconstructing scenes from images, the video latent space offers a 256× spatial-temporal reduction while retaining essential and consistent 3D structural details. Such a high degree of compression is crucial, as it allows the LaLRM to handle a wider range of 3D scenes within the reconstruction framework, with the same memory constraints.

Wonderland: Navigating 3D Scenes from a Single Image Contributions: • First, we introduce a representation for controllable 3D generation by leveraging the generative priors from camera-guided video diffusion models. Unlike image models, video diffusion models are trained on extensive video datasets. This enables them to capture comprehensive spatial relationships within scenes across multiple views and embed a form of "3D awareness" in their latent space, which allows us to maintain 3D consistency in novel view synthesis. • Second, to achieve controllable novel view generation, we empower video models with precise control over specified camera motions. We introduce a novel dual-branch conditioning mechanism that effectively incorporates desired diverse camera trajectories into the video diffusion model. This enables expansion of a single image into a multi-view consistent capture of a 3D scene with precise pose control. • Third, to achieve efficient 3D reconstruction, we directly transform video latents into 3DGS. We propose a novel latent-based large reconstruction model (LaLRM) that lifts video latents to 3D in a feed-forward manner. With this design, during inference, our model directly predicts 3DGS from a single input image, effectively aligning the generation and reconstruction tasks—and bridging image space and 3D space—through the video latent space. Compared with reconstructing scenes from images, the video latent space offers a 256× spatial-temporal reduction while retaining essential and consistent 3D structural details. Such a high degree of compression is crucial, as it allows the LaLRM to handle a wider range of 3D scenes within the reconstruction framework, with the same memory constraints.

MrNeRF

52,849 次观看 • 1 年前

📢Pix2NPHM: Learning to Regress NPHM Reconstructions From a Single Image📢 We directly regress neural parametric head models (NPHMs) from a single image — fast, stable, and significantly more expressive than classical 3DMMs such as FLAME. Face tracking & 3D reconstruction are often limited by the representational capacity of PCA-based face models. By lifting NPHMs to a first-class reconstruction primitive, we enable more accurate geometry, richer expressions, and finer animation control. Pix2NPHM obtains fast and reliable NPHM reconstructions on real-world data. Inference-time optimization against surface normals and canonical point maps can further increase fidelity. Key to successful and generalized training of our ViT-based network are: (1) large-scale registration of existing 3D head datasets, and (2) self-supervised training on vast in-the-wild 2D video datasets using pseudo ground-truth surface normals. Finally, we show that geometry-aware pretraining on pixel-aligned reconstruction tasks significantly outperforms generic visual pretraining (e.g., DINO-style features) in terms of generalization. 🌍 🎥 Great work by Simon Giebenhain, Tobias Kirschstein, Liam Schoneveld, Davide Davoli, Zhe Chen

📢Pix2NPHM: Learning to Regress NPHM Reconstructions From a Single Image📢 We directly regress neural parametric head models (NPHMs) from a single image — fast, stable, and significantly more expressive than classical 3DMMs such as FLAME. Face tracking & 3D reconstruction are often limited by the representational capacity of PCA-based face models. By lifting NPHMs to a first-class reconstruction primitive, we enable more accurate geometry, richer expressions, and finer animation control. Pix2NPHM obtains fast and reliable NPHM reconstructions on real-world data. Inference-time optimization against surface normals and canonical point maps can further increase fidelity. Key to successful and generalized training of our ViT-based network are: (1) large-scale registration of existing 3D head datasets, and (2) self-supervised training on vast in-the-wild 2D video datasets using pseudo ground-truth surface normals. Finally, we show that geometry-aware pretraining on pixel-aligned reconstruction tasks significantly outperforms generic visual pretraining (e.g., DINO-style features) in terms of generalization. 🌍 🎥 Great work by Simon Giebenhain, Tobias Kirschstein, Liam Schoneveld, Davide Davoli, Zhe Chen

Matthias Niessner

37,978 次观看 • 8 个月前

#Ghaati First Single #Sailore promo out now and looking forward to share our song with all of you tomorrow at 3:33 PM. ▶️ 😃😍🧿🤗 A @NagavelliV musical 🎼 #Ghaati GRAND RELEASE WORLDWIDE ON JULY 11th. #GhaatiFromJuly11th ⭐ing Vikram Prabhu 🎥 Directed by the phenomenal Krish Jagarlamudi 🏢 Proudly produced by UV Creations & First Frame Entertainments 🎼 Music on Aditya Music

#Ghaati First Single #Sailore promo out now and looking forward to share our song with all of you tomorrow at 3:33 PM. ▶️ 😃😍🧿🤗 A @NagavelliV musical 🎼 #Ghaati GRAND RELEASE WORLDWIDE ON JULY 11th. #GhaatiFromJuly11th ⭐ing Vikram Prabhu 🎥 Directed by the phenomenal Krish Jagarlamudi 🏢 Proudly produced by UV Creations & First Frame Entertainments 🎼 Music on Aditya Music

Anushka Shetty

148,361 次观看 • 1 年前

This isn’t a 3D model file. It’s 100% code Our world-famous Mars Cat avatar has been reconstructed entirely as Three.js source code No GLB at runtime. No model download. No textures or UV atlas. Just code, rendered directly in the browser It was created with IMG2THREEJS by Nick. An incredible open-source project with over 15,000 stars on GitHub And our Mars Cat is now featured on the home page gallery See it live below ↓. Grab the code. Add it to your game New to Three.js? It’s one of the most popular open-source JavaScript libraries for building interactive 3D experiences and games on the web

Jay B 😻🚀

12,010 次观看 • 7 天前

I am blown away 🤯. Check this out! CameraCtrl II: Dynamic Scene Exploration via Camera-controlled Video Diffusion Models TL;DR: "To enable broader exploration of dynamic scenes, our model can generate new video clips of the same scene based on previously generated content and user-provided camera trajectories. This approach maintains dynamic capabilities, accurate camera control, and scene consistency throughout the extended exploration." "Our model enables precise camera control across diverse scenarios while preserving dynamic scene elements, e.g." "Our method can generate videos with strong 3D consistency, which enables high-quality 3D reconstruction using the camera-controlled videos." Contributions: 1) A systematic data curation pipeline for constructing a dynamic video dataset with camera trajectory annotations; 2) A lightweight camera control injection module and corresponding training strategy that preserves dynamic video generation capabilities while adding camera control effect; 3) A clip-wise autoregressive generation recipe that enables extended range exploration of generated scenes.

I am blown away 🤯. Check this out! CameraCtrl II: Dynamic Scene Exploration via Camera-controlled Video Diffusion Models TL;DR: "To enable broader exploration of dynamic scenes, our model can generate new video clips of the same scene based on previously generated content and user-provided camera trajectories. This approach maintains dynamic capabilities, accurate camera control, and scene consistency throughout the extended exploration." "Our model enables precise camera control across diverse scenarios while preserving dynamic scene elements, e.g." "Our method can generate videos with strong 3D consistency, which enables high-quality 3D reconstruction using the camera-controlled videos." Contributions: 1) A systematic data curation pipeline for constructing a dynamic video dataset with camera trajectory annotations; 2) A lightweight camera control injection module and corresponding training strategy that preserves dynamic video generation capabilities while adding camera control effect; 3) A clip-wise autoregressive generation recipe that enables extended range exploration of generated scenes.

MrNeRF

12,633 次观看 • 1 年前

More coming soon ! I manage to integrate for the first time volumetric 3D video made with Kartel.ai inside the AI world generated in gaussian splatting by World Labs !! I coded all in three.js! And it's possible to integrate elements on the fly ;) And so you can imagine soon what we will produce with that en AI : consistency of character and environment, relighting etc...

More coming soon ! I manage to integrate for the first time volumetric 3D video made with Kartel.ai inside the AI world generated in gaussian splatting by World Labs !! I coded all in three.js! And it's possible to integrate elements on the fly ;) And so you can imagine soon what we will produce with that en AI : consistency of character and environment, relighting etc...

Lovis Odin

33,984 次观看 • 1 年前

NeuRBF: A Neural Fields Representation with Adaptive Radial Basis Functions paper page: present a novel type of neural fields that uses general radial bases for signal representation. State-of-the-art neural fields typically rely on grid-based representations for storing local neural features and N-dimensional linear kernels for interpolating features at continuous query points. The spatial positions of their neural features are fixed on grid nodes and cannot well adapt to target signals. Our method instead builds upon general radial bases with flexible kernel position and shape, which have higher spatial adaptivity and can more closely fit target signals. To further improve the channel-wise capacity of radial basis functions, we propose to compose them with multi-frequency sinusoid functions. This technique extends a radial basis to multiple Fourier radial bases of different frequency bands without requiring extra parameters, facilitating the representation of details. Moreover, by marrying adaptive radial bases with grid-based ones, our hybrid combination inherits both adaptivity and interpolation smoothness. We carefully designed weighting schemes to let radial bases adapt to different types of signals effectively. Our experiments on 2D image and 3D signed distance field representation demonstrate the higher accuracy and compactness of our method than prior arts. When applied to neural radiance field reconstruction, our method achieves state-of-the-art rendering quality, with small model size and comparable training speed.

NeuRBF: A Neural Fields Representation with Adaptive Radial Basis Functions paper page: present a novel type of neural fields that uses general radial bases for signal representation. State-of-the-art neural fields typically rely on grid-based representations for storing local neural features and N-dimensional linear kernels for interpolating features at continuous query points. The spatial positions of their neural features are fixed on grid nodes and cannot well adapt to target signals. Our method instead builds upon general radial bases with flexible kernel position and shape, which have higher spatial adaptivity and can more closely fit target signals. To further improve the channel-wise capacity of radial basis functions, we propose to compose them with multi-frequency sinusoid functions. This technique extends a radial basis to multiple Fourier radial bases of different frequency bands without requiring extra parameters, facilitating the representation of details. Moreover, by marrying adaptive radial bases with grid-based ones, our hybrid combination inherits both adaptivity and interpolation smoothness. We carefully designed weighting schemes to let radial bases adapt to different types of signals effectively. Our experiments on 2D image and 3D signed distance field representation demonstrate the higher accuracy and compactness of our method than prior arts. When applied to neural radiance field reconstruction, our method achieves state-of-the-art rendering quality, with small model size and comparable training speed.

AK

194,469 次观看 • 2 年前

Introducing Kaleido💮 from AI at Meta — a universal generative neural rendering engine for photorealistic, unified object and scene view synthesis. Kaleido is built on a simple but powerful design philosophy: 3D perception is a form of visual common sense. Following this idea, we formulate rendering purely as a sequence-to-sequence generation problem, successfully unifying neural rendering with the architecture principles behind modern language and video models. Unlike traditional neural rendering methods, Kaleido learns 3D purely in a data-driven way, without explicit 3D representations or structures. It acquires spatial understanding directly through large-scale video pretraining, then multi-view 3D data finetuning, inspired by how LLMs acquire textual common sense from large corpora before specialising in domains like coding. Through extensive ablations, we progressively modernised the architecture design and training strategies and tackled key scaling challenges in sequence-to-sequence generative rendering, arriving at a design that’s simple, versatile, and scalable. Kaleido significantly outperforms prior generative models in few-view settings, and remarkably is the first zero-shot generative method matches InstantNGP-level rendering quality in multi-view settings. We view Kaleido also as an alternative step towards world modeling that flexibly spans a spectrum of “realities": with many views, it faithfully reconstructs grounded reality; with fewer views, it imagines plausible unseen details. 🔗 Explore more results and paper:

Introducing Kaleido💮 from AI at Meta — a universal generative neural rendering engine for photorealistic, unified object and scene view synthesis. Kaleido is built on a simple but powerful design philosophy: 3D perception is a form of visual common sense. Following this idea, we formulate rendering purely as a sequence-to-sequence generation problem, successfully unifying neural rendering with the architecture principles behind modern language and video models. Unlike traditional neural rendering methods, Kaleido learns 3D purely in a data-driven way, without explicit 3D representations or structures. It acquires spatial understanding directly through large-scale video pretraining, then multi-view 3D data finetuning, inspired by how LLMs acquire textual common sense from large corpora before specialising in domains like coding. Through extensive ablations, we progressively modernised the architecture design and training strategies and tackled key scaling challenges in sequence-to-sequence generative rendering, arriving at a design that’s simple, versatile, and scalable. Kaleido significantly outperforms prior generative models in few-view settings, and remarkably is the first zero-shot generative method matches InstantNGP-level rendering quality in multi-view settings. We view Kaleido also as an alternative step towards world modeling that flexibly spans a spectrum of “realities": with many views, it faithfully reconstructs grounded reality; with fewer views, it imagines plausible unseen details. 🔗 Explore more results and paper:

Shikun Liu

22,442 次观看 • 11 个月前

WeatherEdit: Controllable Weather Editing with 4D Gaussian Field Contributions: 1. Based on our analysis of weather editing characteristics, we introduce WeatherEdit, a comprehensive and efficient framework for realistic and controllable weather generation. Compared with existing methods that focus on either background editing or static weather effects, a progressive 2D-to-4D transformation process in WeatherEdit enhances adaptability across a wider range of scenarios. 2. We introduce an all-in-one adapter to enable a diffusion model for multi-weather (snowy, rainy, and fog) synthesis, along with a Temporal-View attention to ensure consistent editing across multi-frame and multi-view. 3. We design a 4D Gaussian field for weather particle modeling, enabling plausible simulation of raindrops, snowflakes, and fog with controllable severity. 4. We demonstrate WeatherEdit’s effectiveness in generating realistic, consistent, and controllable weather effects in 3D driving scenes, showcasing its applicability to real-world scenarios.

WeatherEdit: Controllable Weather Editing with 4D Gaussian Field Contributions: 1. Based on our analysis of weather editing characteristics, we introduce WeatherEdit, a comprehensive and efficient framework for realistic and controllable weather generation. Compared with existing methods that focus on either background editing or static weather effects, a progressive 2D-to-4D transformation process in WeatherEdit enhances adaptability across a wider range of scenarios. 2. We introduce an all-in-one adapter to enable a diffusion model for multi-weather (snowy, rainy, and fog) synthesis, along with a Temporal-View attention to ensure consistent editing across multi-frame and multi-view. 3. We design a 4D Gaussian field for weather particle modeling, enabling plausible simulation of raindrops, snowflakes, and fog with controllable severity. 4. We demonstrate WeatherEdit’s effectiveness in generating realistic, consistent, and controllable weather effects in 3D driving scenes, showcasing its applicability to real-world scenarios.

MrNeRF

10,691 次观看 • 1 年前

World Model is trending— let's revisit our HunyuanWorld journey. We’ve been pioneering open-source 3D world generation in the past two months, and this ride’s only getting started. 🌍 📅 July: HunyuanWorld 1.0 📌 First open-source 3D world model compatible with CG pipelines (Unity/Unreal/Blender) 📌 Hit 2K+ GitHub stars in just two months ⭐—thank you for the love! 📅 August: 1.0-Lite 📌Same top-tier quality, running on consumer GPUs! 📅 September: 1.0-Voyager 📌 Direct 3D output + world memory—taking exploration further! Seamlessly integrated into CG pipelines with layered 3D modeling (assets, terrain, skybox) and fully open-sourced.. we’re fully committed to building open-source spatial intelligence for all! 🚀 💡 Why it matters? ✅ Seamless CG Pipeline Integration: Export generated 3D scenes as standard mesh formats, effortlessly integrating into industry-standard tools like Blender, Unity, and Unreal Engine for direct editing, animation, and physical simulation. ✅ Hierarchical Scene Editing: Deconstruct scenes into semantic layers (sky, background, foreground objects) via instance recognition and layer decomposition, allowing for atomic-level control—independently modify, relocate, or replace objects without rebuilding the entire world. Project page: Github: Amazing creations by Stijn Spanhove camenduru GENEL | AIを用いた動画制作 apolinario 🌐 とりにく Directive Creator 🪥 👇 #AI #3DGeneration #OpenSource #WorldModels #Hunyuan3D #HunyuanWorld

World Model is trending— let's revisit our HunyuanWorld journey. We’ve been pioneering open-source 3D world generation in the past two months, and this ride’s only getting started. 🌍 📅 July: HunyuanWorld 1.0 📌 First open-source 3D world model compatible with CG pipelines (Unity/Unreal/Blender) 📌 Hit 2K+ GitHub stars in just two months ⭐—thank you for the love! 📅 August: 1.0-Lite 📌Same top-tier quality, running on consumer GPUs! 📅 September: 1.0-Voyager 📌 Direct 3D output + world memory—taking exploration further! Seamlessly integrated into CG pipelines with layered 3D modeling (assets, terrain, skybox) and fully open-sourced.. we’re fully committed to building open-source spatial intelligence for all! 🚀 💡 Why it matters? ✅ Seamless CG Pipeline Integration: Export generated 3D scenes as standard mesh formats, effortlessly integrating into industry-standard tools like Blender, Unity, and Unreal Engine for direct editing, animation, and physical simulation. ✅ Hierarchical Scene Editing: Deconstruct scenes into semantic layers (sky, background, foreground objects) via instance recognition and layer decomposition, allowing for atomic-level control—independently modify, relocate, or replace objects without rebuilding the entire world. Project page: Github: Amazing creations by Stijn Spanhove camenduru GENEL | AIを用いた動画制作 apolinario 🌐 とりにく Directive Creator 🪥 👇 #AI #3DGeneration #OpenSource #WorldModels #Hunyuan3D #HunyuanWorld

Tencent HY

20,178 次观看 • 11 个月前

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.

Two weeks ago I fixed one of my teeth with algorithms I wrote a couple of years ago! I got hooked by 3D scanning when I started to work for a software shop in Zurich that was programming 3D computational geometry algorithms for denture scanning to produce crowns (and more). Back then, a typical reconstruction pipeline was like: scan the patient’s teeth using an intraoral scanner, reconstruct the surface mesh, design the restoration digitally, and finally mill the crown out of ceramic. We were working mostly with point clouds and meshes, but it wasn’t just math, it was craftsmanship translated into a digital process. Every micron mattered. You could literally see how a good algorithm meant a better fit in someone’s mouth. Gaussian Splatting isn’t about surface reconstruction, it’s about appearance reconstruction. It doesn’t care about explicit topology, it captures how light interacts with the scene. In a sense, it’s the opposite philosophy of the dental world: instead of modeling what the object is, it models how the object looks. 3D Gaussian Splatting enables applications like training self driving cars, teaching robots to understand their environment, creating virtual worlds, or monitoring real sites. It represents scenes as millions of small Gaussians rendered in real time without the need for meshes or textures. Coming from a world where precision geometry was everything, this shift felt natural. It’s still about reconstruction, but with a different goal: not manufacturing a perfect object, but reproducing how the world actually looks. Two weeks ago I got my first dental crown, made with the same software, reconstruction algorithms, and Swiss precision I once helped develop. I haven’t worked there in two years, but sitting in that chair and seeing the process from the other side was a proud moment. It reminded me why I love this field.

MrNeRF

290,257 次观看 • 10 个月前

So, today we have fast SDF sculpting + real-time AI in Unbound Loop. Old news🥱 Coming up next: -quad-view generation from sculpted geometry -image tweaks via nano🍌 -tripo HD & Low-Poly 3D generation There's more in the upcoming release, but these three deserve a closer look: Quad-View Generation Most platforms offer some version of this, but Loop has a key advantage, your sculpted model is the reference. That means less guessing from the generator. Though it’s not 100% foolproof, like any AI I guess? (I should stop stating the obvious every time). Image Tweaks via Chat Select any generated image and ask for fixes or changes in real time. Works great on unintended quad-view hallucinations, but also handy for quick iterations. Swapping colors, tweaking details, removing elements. Tripo 3D generator Especially the low-poly model, it consistently delivered fantastic game-ready topology when we tried it with our real-time AI output. And it's super fast.

So, today we have fast SDF sculpting + real-time AI in Unbound Loop. Old news🥱 Coming up next: -quad-view generation from sculpted geometry -image tweaks via nano🍌 -tripo HD & Low-Poly 3D generation There's more in the upcoming release, but these three deserve a closer look: Quad-View Generation Most platforms offer some version of this, but Loop has a key advantage, your sculpted model is the reference. That means less guessing from the generator. Though it’s not 100% foolproof, like any AI I guess? (I should stop stating the obvious every time). Image Tweaks via Chat Select any generated image and ask for fixes or changes in real time. Works great on unintended quad-view hallucinations, but also handy for quick iterations. Swapping colors, tweaking details, removing elements. Tripo 3D generator Especially the low-poly model, it consistently delivered fantastic game-ready topology when we tried it with our real-time AI output. And it's super fast.

Andrea Intg.

15,132 次观看 • 1 个月前

honestly no surprise why Silicon Valley is so obsessed with Matic robots right now > basically a Roomba on steroids > vacuums first, then mops > uses five cameras to build a live 3D map of your home > recognizes rugs, wires, furniture, pets, and people, then changes how it cleans > point at a mess and say “hey Matic, clean this” and it does > an NVIDIA Jetson inside the robot handles all the vision, mapping, and navigation > raw footage is discarded in real time and your 3D map never leaves the device btw that last privacy part is extremely underrated IMO my biggest fear with robotics is putting moving cameras and microphones inside our most private spaces without knowing where the data goes. > this week, camera components on Royal Navy drones were caught phoning home to China > Chinese Unitree robot dogs were found with a backdoor that let anyone with the key remotely control them and watch through their cameras > Roombas sent images from inside homes to overseas labelers, including a woman on the toilet and a child your home is your most sacred private space. if you're gonna buy a robot that can physically record, map, and move through it, make sure it's secure!

honestly no surprise why Silicon Valley is so obsessed with Matic robots right now > basically a Roomba on steroids > vacuums first, then mops > uses five cameras to build a live 3D map of your home > recognizes rugs, wires, furniture, pets, and people, then changes how it cleans > point at a mess and say “hey Matic, clean this” and it does > an NVIDIA Jetson inside the robot handles all the vision, mapping, and navigation > raw footage is discarded in real time and your 3D map never leaves the device btw that last privacy part is extremely underrated IMO my biggest fear with robotics is putting moving cameras and microphones inside our most private spaces without knowing where the data goes. > this week, camera components on Royal Navy drones were caught phoning home to China > Chinese Unitree robot dogs were found with a backdoor that let anyone with the key remotely control them and watch through their cameras > Roombas sent images from inside homes to overseas labelers, including a woman on the toilet and a child your home is your most sacred private space. if you're gonna buy a robot that can physically record, map, and move through it, make sure it's secure!

Ole Lehmann

45,092 次观看 • 28 天前

How a 22-year-old developer built a full 3D Jet Ski racing game in just 40 minutes with zero manual coding He used Claude Opus 5 to generate physics, WebGL 3D graphics, HUD, and audio in a single prompt and turned single-prompt gamedev into a high-margin income stream. Costs: $423 He launched a single-prompt generation workflow that built the entire HTML5 project from scratch: Top layer: A Three.js and WebGL rendering pipeline dynamically creates 3D water physics, real-time wave dynamics, dynamic lighting, and jet ski fluid mechanics, all written autonomously inside one output file without external frameworks. Bottom layer: The Claude Opus 5 engine processed a massive 690-million-token context window to generate the complete gameplay logic, collision handling, dynamic sound generation, controls, and UI layout directly from a detailed initial system prompt. The trend of single-prompt 3D game creation is rapidly exploding across media and indie development. The author monetizes this tech stack through three main channels: 1. Viral Content & Media Systems: Short-form breakdown videos driving massive reach, monetized via promo placements, prompt-pack access, and private developer communities. 2. Rapid Hypercasual Prototyping: Testing 10+ WebGL mechanics per day, flipping fully functional browser games on itch io or CodeCanyon, and licensing prototypes directly to casual game portals. 3. Interactive WebGL Client Solutions: Delivering custom 3D promotional browser games and interactive brand experiences for clients in 48 hours instead of weeks. First month results: > WebGL games generated: 24 > Viral impressions generated: 3.8M+ > Total revenue across licensing & content: $21,400 The AI completely automated the core development lifecycle: Claude Opus 5 built the physics engine, rendered 3D graphics in WebGL, hooked up audio controllers, and generated interactive browser logic with zero manual line-by-line coding. Bookmark it and check article 👇

Ridark

11,592 次观看 • 1 个月前