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Oiled up black beauty getting that slow, deep sensual massage from this BWC stud… every stroke making her back arch and pussy throb 😩 #Hegre #SensualMassage #BWC #BlackGoddess #Interracial #OiledBody #EroticMassage #NSFWArt #BigWhiteCock #MassageTherapy #BBCContrast

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Twistoftaboo

2,534 subscribers

101,959 просмотров • 3 месяцев назад •via X (Twitter)

NSFW#Hegre#SensualMassage#BWC#BlackGoddess#Interracial#OiledBody#EroticMassage#NSFWArt#BigWhiteCock#MassageTherapy#BBCContrast
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Review on the series: Beauty in Black Genre: Drama | Thriller Year: 2024 Creator: Tyler Perry Platform: Netflix Cast: Taylor Polidore Williams, Amber Reign Smith, Debbi Morgan, Richard Lawson, Crystle Stewart Two Black women from totally different worlds get dragged into the same messy, dangerous family business and it gets ugly fast. The Story Kimmie is struggling. Homeless, trying to survive, and doing whatever it takes to get by. Mallory is rich, runs a beauty empire with her family, and looks like she has it all. But the family business isn’t just beauty products. There are secrets, crime, and people who will do anything to keep power. When their paths cross, everything blows up. Why it stands out 1. The drama is ‘ADDICTIVE’ Tyler Perry nailed it up. Lies, betrayal, murder, family fights. You start 1 episode and suddenly it’s 3am. It’s messy on purpose and that’s what makes it fun to watch. 2. The women lead This show is about women trying to survive in a world run by men and money. Kimmie is raw and real. Mallory is smart but trapped. You root for both, even when they make bad choices. 3. It talks about real stuff Poverty, colorism, family pressure, and how far people go for success. It’s dramatic, but there’s truth under all the twists. What I didn’t like: It can be too dramatic sometimes. Plot twists every 5 minutes. Some acting is hit or miss. If you don’t like Tyler Perry’s style, this won’t change your mind. People mostly talk about the reveal about the "beauty empire." Without spoilers: what the family is really selling isn’t what you think. That twist got everyone. Final take: 10/10 Beauty in Black isn’t deep art. It’s a soap opera with higher stakes. But it’s fast, it’s bold, and it keeps you watching. Watch if you like: Empire, The Oval, messy family drama with secrets. Skip if you want: Slow, artsy films.
1:00

Review on the series: Beauty in Black Genre: Drama | Thriller Year: 2024 Creator: Tyler Perry Platform: Netflix Cast: Taylor Polidore Williams, Amber Reign Smith, Debbi Morgan, Richard Lawson, Crystle Stewart Two Black women from totally different worlds get dragged into the same messy, dangerous family business and it gets ugly fast. The Story Kimmie is struggling. Homeless, trying to survive, and doing whatever it takes to get by. Mallory is rich, runs a beauty empire with her family, and looks like she has it all. But the family business isn’t just beauty products. There are secrets, crime, and people who will do anything to keep power. When their paths cross, everything blows up. Why it stands out 1. The drama is ‘ADDICTIVE’ Tyler Perry nailed it up. Lies, betrayal, murder, family fights. You start 1 episode and suddenly it’s 3am. It’s messy on purpose and that’s what makes it fun to watch. 2. The women lead This show is about women trying to survive in a world run by men and money. Kimmie is raw and real. Mallory is smart but trapped. You root for both, even when they make bad choices. 3. It talks about real stuff Poverty, colorism, family pressure, and how far people go for success. It’s dramatic, but there’s truth under all the twists. What I didn’t like: It can be too dramatic sometimes. Plot twists every 5 minutes. Some acting is hit or miss. If you don’t like Tyler Perry’s style, this won’t change your mind. People mostly talk about the reveal about the "beauty empire." Without spoilers: what the family is really selling isn’t what you think. That twist got everyone. Final take: 10/10 Beauty in Black isn’t deep art. It’s a soap opera with higher stakes. But it’s fast, it’s bold, and it keeps you watching. Watch if you like: Empire, The Oval, messy family drama with secrets. Skip if you want: Slow, artsy films.

Mrs Ril🥀💍

250,618 просмотров • 1 месяц назад

Beyoncé and racism is always such an interesting topic. It depends on the side you’re viewing it from. It’s complicated. She drops a Black empowerment song: Black community: “We’re tired of this Black empowerment music, Mufasa jams, drag queen music.” A non-Black person dances, covers, or appreciates the music: Black community: “This isn’t for them. Why are there white people at Club Renaissance? Why are they at Club Cowboy Carter? Do they even understand the theme of the music? We can’t have anything.” A song you said you didn’t hear, an event you didn’t attend. You’re mad that non-Black people are appreciating it? So what would you rather? Beyoncé drops music reclaiming Black genres that were whitewashed: Black community: “She’s so performative. She only cares about money. She’s using the Black community to stay relevant. I’m not streaming that.” Non-Black person: “That album healed me. I learned so much history. I’m writing an essay about it.” Black community: “This isn’t for y’all. Stay out of Black people’s business.” So why are you mad they’re appreciating music you don’t even want to support? Beyoncé releases Cécred: Black community: “She’s such a capitalist. Another cash grab. It’ll pack up in three months. We need to talk about consumerism.” White person: “Cécred is the truth. It’s the best hair care line I’ve used in years. Beyoncé did her thing.” Black community: “We can’t have nothing. It’s for Black hair. Stay out of our business.” So what’s the issue? I don’t remember Beyoncé ever saying Cécred was only for Black hair. Beyoncé drops merch: Black community: “Now’s not the time. With everything going on, she’s greedy. Another waste for the planet. She and her husband only care about money.” White person: “I love the merch. I bought five.” Black person: “Buying merch you don’t even understand the theme of? Imagine a white person wearing Cowboy Carter. I’m sick.” So why are you mad they bought merch you weren’t going to buy anyway? In conclusion, y’all don’t support Beyoncé but still want to gatekeep her products from those who do. Deep down, it’s not about race or art. You just want her to flop. Her success makes you angry, so you hide behind whatever pseudo-puritanical narrative is trending that year. And that brings me back to my earlier point- how can we even discuss racism around Beyoncé when some of the people in her own community are at the forefront of the hate she gets? And to be clear, this isn’t me excusing racism from white people, and it’s not me saying every Black person does this. But some of y’all will say it is.
1:32

Beyoncé and racism is always such an interesting topic. It depends on the side you’re viewing it from. It’s complicated. She drops a Black empowerment song: Black community: “We’re tired of this Black empowerment music, Mufasa jams, drag queen music.” A non-Black person dances, covers, or appreciates the music: Black community: “This isn’t for them. Why are there white people at Club Renaissance? Why are they at Club Cowboy Carter? Do they even understand the theme of the music? We can’t have anything.” A song you said you didn’t hear, an event you didn’t attend. You’re mad that non-Black people are appreciating it? So what would you rather? Beyoncé drops music reclaiming Black genres that were whitewashed: Black community: “She’s so performative. She only cares about money. She’s using the Black community to stay relevant. I’m not streaming that.” Non-Black person: “That album healed me. I learned so much history. I’m writing an essay about it.” Black community: “This isn’t for y’all. Stay out of Black people’s business.” So why are you mad they’re appreciating music you don’t even want to support? Beyoncé releases Cécred: Black community: “She’s such a capitalist. Another cash grab. It’ll pack up in three months. We need to talk about consumerism.” White person: “Cécred is the truth. It’s the best hair care line I’ve used in years. Beyoncé did her thing.” Black community: “We can’t have nothing. It’s for Black hair. Stay out of our business.” So what’s the issue? I don’t remember Beyoncé ever saying Cécred was only for Black hair. Beyoncé drops merch: Black community: “Now’s not the time. With everything going on, she’s greedy. Another waste for the planet. She and her husband only care about money.” White person: “I love the merch. I bought five.” Black person: “Buying merch you don’t even understand the theme of? Imagine a white person wearing Cowboy Carter. I’m sick.” So why are you mad they bought merch you weren’t going to buy anyway? In conclusion, y’all don’t support Beyoncé but still want to gatekeep her products from those who do. Deep down, it’s not about race or art. You just want her to flop. Her success makes you angry, so you hide behind whatever pseudo-puritanical narrative is trending that year. And that brings me back to my earlier point- how can we even discuss racism around Beyoncé when some of the people in her own community are at the forefront of the hate she gets? And to be clear, this isn’t me excusing racism from white people, and it’s not me saying every Black person does this. But some of y’all will say it is.

IChooseViolence

195,946 просмотров • 10 месяцев назад

Bold lips. Brilliant confidence. Own every moment with Flova , Own Your Bold. 💄 Generated entirely on FlovaAI with skill of product commercials, bringing beauty campaigns to life with cinematic visuals. #FlovaAI #FlovaCPP | FlovaAI Japan Prompt : Create a cinematic 60-second luxury TV commercial for the makeup brand FLOVA in ultra-high resolution, photorealistic cinematic style, shot on 35mm film with rich color grading (deep reds, gold, soft skin tones, elegant black). Smooth camera movements, high-end fashion lighting, no text until the final card. Elegant orchestral + modern beat soundtrack that builds confidence. Soft confident female voiceover. 0-6s: Close-up of a woman’s hand slowly opening a luxurious matte black Flova box. Inside, the iconic Flova Red Lipstick and matching Red Nail Polish sit on black velvet. Soft golden light catches the packaging. Logo “FLOVA” is clearly visible. 6-14s: Extreme close-up of the red lipstick being twisted up. Perfect deep red bullet. She applies it in slow motion – clean, precise, glossy finish. Cut to fingers applying matching red nail polish in elegant strokes. Both products look rich and high-end. 14-24s: Quick glamorous montage: - Woman applies Flova mascara, lashes look long and defined - Soft highlighter on cheekbones creates a natural glow - She presses a Flova compact powder for flawless skin Camera moves smoothly between products and her face. Strong product branding throughout. 24-36s: The transformation reveal. She looks into a mirror. The camera pulls back to show a sophisticated woman in a black dress, perfect red lips and red nails, glowing skin. She walks confidently through a modern luxury apartment with large windows and soft light. Every movement feels powerful and elegant. 36-48s: She steps outside onto a city balcony at golden hour. Wind gently moves her hair. She smiles with quiet confidence. Slow-motion close-ups of her red lips and red nails catching the light. Other women notice and smile back – subtle empowerment moment. 48-55s: Final product hero shot. All Flova essentials arranged beautifully on a black marble surface: Red Lipstick, Red Nail Polish, mascara, highlighter, compact. Soft particles of light float around them. Voiceover: “Flova. Every essential. One bold statement.” 55-60s: Clean black end card. Centered elegant white Flova logo. Tagline appears: “Own Your Bold.” Below it in smaller text: “Discover the collection at flova .com”. Soft red glow fades in behind the logo. Style: Premium global TVC (Chanel / Dior level), strong branding on every product shot, clear advertising value, memorable message, flawless skin and product consistency, elegant and empowering mood. 16:9 cinematic aspect ratio, 24fps. Memorable Brand Message “Flova – Own Your Bold”
0:50

Bold lips. Brilliant confidence. Own every moment with Flova , Own Your Bold. 💄 Generated entirely on FlovaAI with skill of product commercials, bringing beauty campaigns to life with cinematic visuals. #FlovaAI #FlovaCPP | FlovaAI Japan Prompt : Create a cinematic 60-second luxury TV commercial for the makeup brand FLOVA in ultra-high resolution, photorealistic cinematic style, shot on 35mm film with rich color grading (deep reds, gold, soft skin tones, elegant black). Smooth camera movements, high-end fashion lighting, no text until the final card. Elegant orchestral + modern beat soundtrack that builds confidence. Soft confident female voiceover. 0-6s: Close-up of a woman’s hand slowly opening a luxurious matte black Flova box. Inside, the iconic Flova Red Lipstick and matching Red Nail Polish sit on black velvet. Soft golden light catches the packaging. Logo “FLOVA” is clearly visible. 6-14s: Extreme close-up of the red lipstick being twisted up. Perfect deep red bullet. She applies it in slow motion – clean, precise, glossy finish. Cut to fingers applying matching red nail polish in elegant strokes. Both products look rich and high-end. 14-24s: Quick glamorous montage: - Woman applies Flova mascara, lashes look long and defined - Soft highlighter on cheekbones creates a natural glow - She presses a Flova compact powder for flawless skin Camera moves smoothly between products and her face. Strong product branding throughout. 24-36s: The transformation reveal. She looks into a mirror. The camera pulls back to show a sophisticated woman in a black dress, perfect red lips and red nails, glowing skin. She walks confidently through a modern luxury apartment with large windows and soft light. Every movement feels powerful and elegant. 36-48s: She steps outside onto a city balcony at golden hour. Wind gently moves her hair. She smiles with quiet confidence. Slow-motion close-ups of her red lips and red nails catching the light. Other women notice and smile back – subtle empowerment moment. 48-55s: Final product hero shot. All Flova essentials arranged beautifully on a black marble surface: Red Lipstick, Red Nail Polish, mascara, highlighter, compact. Soft particles of light float around them. Voiceover: “Flova. Every essential. One bold statement.” 55-60s: Clean black end card. Centered elegant white Flova logo. Tagline appears: “Own Your Bold.” Below it in smaller text: “Discover the collection at flova .com”. Soft red glow fades in behind the logo. Style: Premium global TVC (Chanel / Dior level), strong branding on every product shot, clear advertising value, memorable message, flawless skin and product consistency, elegant and empowering mood. 16:9 cinematic aspect ratio, 24fps. Memorable Brand Message “Flova – Own Your Bold”

Ai Girllie

39,298 просмотров • 2 месяцев назад

Vienna Demeduk was a fit Registered Massage Therapist who ran 20K every other day. On July 2, 2021, she got her first and only Moderna shot. Less than 48 hours later, she had a severe cerebellar stroke. This is her testimony at the Allison Inquiry: The stroke: - Woke up July 4 preparing for a 20K run, felt a "pop" in the back of her head - Knew immediately she was having a stroke - Lost her sight and ability to walk instantly - Alone in her condo, dragged herself to a neighbor's door: "I'm having a stroke. I just had a COVID shot." The aftermath: - ICU, then a brain hemorrhage (hemorrhagic transformation) 3 days later - Catheterized, couldn't use the washroom alone, had to learn to walk again at GF Strong rehab - Has had almost 12 strokes now - She says CT techs whispered she was "the seventh person this week" — young, super fit people injured - The head stroke doctor at VGH told her in private she'd lose her license if she spoke about it. "I said, but you're willing to let me die." - Her medical file was heavily redacted. Doctors confirmed to her it was vaccine injury, she isn't guessing. Today: - Severe ataxia in her left hand, numbness on her right side, can't feel her feet well - Walks with a cane, has to wear specific boots because her brain doesn't recognize other shoes - Fatigue is "beyond belief" - Can't take blood thinners because her brain bleeds - Lives alone, did the entire rehab process by herself - Moved to Victoria to try working one day a week, then had three more strokes - Has CPP disability and a permanent disability tax credit. Was told she'd never work again. - "I have a death book at home. Where I'm going, what I'm doing, my passwords. Because I can die. I could have a stroke right now." On the Vaccine Injury Support Program: - "That thing is a colossal joke." - They lost her appeal paperwork and asked her to redo it. She won't. Why she's speaking: - "There were people I've met on this journey that literally don't have a voice." - She has a friend at G.F. Strong with aphasia who can't speak at all. "I can speak. So I want to speak on behalf of him and all injured people." She's not an anti-vaxxer. She took the vaccine that was recommended to her. Human decency tells us that vaccine-injured people should be treated with respect, their stories heard, and then helped to recover from those injuries. Instead, she was dismissed, gaslit, and left to fend for herself. She just wants to be heard rather than dismissed.
18:56

Vienna Demeduk was a fit Registered Massage Therapist who ran 20K every other day. On July 2, 2021, she got her first and only Moderna shot. Less than 48 hours later, she had a severe cerebellar stroke. This is her testimony at the Allison Inquiry: The stroke: - Woke up July 4 preparing for a 20K run, felt a "pop" in the back of her head - Knew immediately she was having a stroke - Lost her sight and ability to walk instantly - Alone in her condo, dragged herself to a neighbor's door: "I'm having a stroke. I just had a COVID shot." The aftermath: - ICU, then a brain hemorrhage (hemorrhagic transformation) 3 days later - Catheterized, couldn't use the washroom alone, had to learn to walk again at GF Strong rehab - Has had almost 12 strokes now - She says CT techs whispered she was "the seventh person this week" — young, super fit people injured - The head stroke doctor at VGH told her in private she'd lose her license if she spoke about it. "I said, but you're willing to let me die." - Her medical file was heavily redacted. Doctors confirmed to her it was vaccine injury, she isn't guessing. Today: - Severe ataxia in her left hand, numbness on her right side, can't feel her feet well - Walks with a cane, has to wear specific boots because her brain doesn't recognize other shoes - Fatigue is "beyond belief" - Can't take blood thinners because her brain bleeds - Lives alone, did the entire rehab process by herself - Moved to Victoria to try working one day a week, then had three more strokes - Has CPP disability and a permanent disability tax credit. Was told she'd never work again. - "I have a death book at home. Where I'm going, what I'm doing, my passwords. Because I can die. I could have a stroke right now." On the Vaccine Injury Support Program: - "That thing is a colossal joke." - They lost her appeal paperwork and asked her to redo it. She won't. Why she's speaking: - "There were people I've met on this journey that literally don't have a voice." - She has a friend at G.F. Strong with aphasia who can't speak at all. "I can speak. So I want to speak on behalf of him and all injured people." She's not an anti-vaxxer. She took the vaccine that was recommended to her. Human decency tells us that vaccine-injured people should be treated with respect, their stories heard, and then helped to recover from those injuries. Instead, she was dismissed, gaslit, and left to fend for herself. She just wants to be heard rather than dismissed.

Camus

14,614 просмотров • 13 дней назад

Human instinct tells you to run away from fire. ​Bone-deep love does the exact opposite. ​4:00 a.m. The house is roaring in Aberdeen, Washington. Derrick Byrd, just 20 years old, is already badly burned on the front lawn. He has just caught his baby niece and nephew dropping from the second story into his bare arms. ​Then he looks up. ​Eight-year-old Mercedes is still at the ledge. Paralyzed by pure terror. ​Before she can jump, the smoke swallows the room. She falls backward into the darkness, and through the roaring wall of heat, Derrick hears one sound that stops his heart: ​She is screaming his name. ​He doesn’t wait for sirens. He doesn’t look for gear. ​He sprints straight through the front door and charges up the burning staircase. ​Skin blistering. Flesh melting against the heat. Lungs searing on toxic black air. He doesn't slow down. He breaches the wall of flames on the second floor, grabs Mercedes, and rips off his own shirt to wrap around her face so the poison smoke won't touch her lungs. ​He shields her body with his own flesh and carries her into the street seconds before the entire roof caves in. ​He wakes up in a hospital bed—bandaged from head to toe, covered in severe second, third, and fourth-degree burns, battling catastrophic nerve damage. ​When they asked him why he did it, this 20-year-old didn't hesitate: ​“I’d run back in there and do it again. Even if I got burnt worse or died. I’d rather it be me than her. She’s young. She’s got a whole life ahead of her.” ​True courage isn't the absence of pain—it’s deciding that someone else’s life is worth every single scar.
1:25

Human instinct tells you to run away from fire. ​Bone-deep love does the exact opposite. ​4:00 a.m. The house is roaring in Aberdeen, Washington. Derrick Byrd, just 20 years old, is already badly burned on the front lawn. He has just caught his baby niece and nephew dropping from the second story into his bare arms. ​Then he looks up. ​Eight-year-old Mercedes is still at the ledge. Paralyzed by pure terror. ​Before she can jump, the smoke swallows the room. She falls backward into the darkness, and through the roaring wall of heat, Derrick hears one sound that stops his heart: ​She is screaming his name. ​He doesn’t wait for sirens. He doesn’t look for gear. ​He sprints straight through the front door and charges up the burning staircase. ​Skin blistering. Flesh melting against the heat. Lungs searing on toxic black air. He doesn't slow down. He breaches the wall of flames on the second floor, grabs Mercedes, and rips off his own shirt to wrap around her face so the poison smoke won't touch her lungs. ​He shields her body with his own flesh and carries her into the street seconds before the entire roof caves in. ​He wakes up in a hospital bed—bandaged from head to toe, covered in severe second, third, and fourth-degree burns, battling catastrophic nerve damage. ​When they asked him why he did it, this 20-year-old didn't hesitate: ​“I’d run back in there and do it again. Even if I got burnt worse or died. I’d rather it be me than her. She’s young. She’s got a whole life ahead of her.” ​True courage isn't the absence of pain—it’s deciding that someone else’s life is worth every single scar.

Afshine Emrani MD FACC

52,427 просмотров • 1 месяц назад

🚨NEW: Abigail Spanberger, the Deep State ‘former’ CIA officer running for Governor in Virginia confirms that obstructing the Trump agenda is the centerpiece of her campaign. “We are the opportunity on the ground to rebuke the chaos coming out of Washington.” She is telling you exactly what their intentions are, she says it directly. “While we are Governing to ensure we use every tool available to push back against the Trump administration.” I’ve been saying it for months, this is the play from the Deep State. They’re getting thrown out of Washing D.C. so they want to set up shop in Richmond. This is why she is endorsed by “The Steady State”, this is why Former FBI Director James Comey is donating to her campaign. This is the Swamp. If you want more of the lies, corruption—more of what we just rejected in November last year. Then Spanberger is your girl. If you want to actually make change in Virginia and Washington, you need another Republican Governor in Richmond. Vote accordingly. 🇺🇸
1:38

🚨NEW: Abigail Spanberger, the Deep State ‘former’ CIA officer running for Governor in Virginia confirms that obstructing the Trump agenda is the centerpiece of her campaign. “We are the opportunity on the ground to rebuke the chaos coming out of Washington.” She is telling you exactly what their intentions are, she says it directly. “While we are Governing to ensure we use every tool available to push back against the Trump administration.” I’ve been saying it for months, this is the play from the Deep State. They’re getting thrown out of Washing D.C. so they want to set up shop in Richmond. This is why she is endorsed by “The Steady State”, this is why Former FBI Director James Comey is donating to her campaign. This is the Swamp. If you want more of the lies, corruption—more of what we just rejected in November last year. Then Spanberger is your girl. If you want to actually make change in Virginia and Washington, you need another Republican Governor in Richmond. Vote accordingly. 🇺🇸

Walter Curt

91,277 просмотров • 1 год назад

I’m going to be honest. It’s been really hard on me. I’m unapologetically black in a predominantly white space and I face battles that no one else has to deal with. Culturally I’m different from literally every other person in this space so I feel completely misunderstood at times. People create fake accounts to harass me, I’ve been called the N word more times than I ever have in my life, people who I don’t even know go on podcasts and make up lies about me being a “runner”. Some people even found my mom’s number on the internet and called her house trying to get to me. Even when I’m winning it feels like every single bet or analysis is life or death. I don’t feel like I’m given the grace that other people may get who look different from me. I love what I do but I don’t deserve to be treated the way I’m treated by people especially for how much I’ve given to this space. I also don’t take kindly to being constantly called a DEI hire with all the things I’ve accomplished either. I probably don’t handle it the best. Ivy League degree aside, deep down I’m still a black kid from South West Philly and when I feel attacked, I revert back to the version of me that had to survive growing up. I try not to engage as much and ignore the noise but I’m not perfect. I’m still growing and still trying to become the best version of myself.
0:44

I’m going to be honest. It’s been really hard on me. I’m unapologetically black in a predominantly white space and I face battles that no one else has to deal with. Culturally I’m different from literally every other person in this space so I feel completely misunderstood at times. People create fake accounts to harass me, I’ve been called the N word more times than I ever have in my life, people who I don’t even know go on podcasts and make up lies about me being a “runner”. Some people even found my mom’s number on the internet and called her house trying to get to me. Even when I’m winning it feels like every single bet or analysis is life or death. I don’t feel like I’m given the grace that other people may get who look different from me. I love what I do but I don’t deserve to be treated the way I’m treated by people especially for how much I’ve given to this space. I also don’t take kindly to being constantly called a DEI hire with all the things I’ve accomplished either. I probably don’t handle it the best. Ivy League degree aside, deep down I’m still a black kid from South West Philly and when I feel attacked, I revert back to the version of me that had to survive growing up. I try not to engage as much and ignore the noise but I’m not perfect. I’m still growing and still trying to become the best version of myself.

Raheem Palmer

45,334 просмотров • 3 месяцев назад

You invite vayne to a date on the beach. she says no. you don't ask why. three days later she shows up at your door with a duffel bag and says "lets go" you don't question it. you drive in silence. the aroma of salty air starts leaking through the cracked window an hour before you arrive. she watches the side mirror the entire drive like someone's going to follow you to a public beach on a saturday. you pull into the lot. she doesn't get out of the car. the ocean is loud even through the windshield. waves breaking in slow rolling booms. gulls somewhere. kids laughing down the shoreline. she's staring at the water like it's something she was sent to kill. "change of plans" she says. you wait. she grips the strap of the duffel bag tighter. her knuckles go pale. "i can't swim" you blink. the demon hunter. the woman who has slain demons with her crossbow in total darkness. cannot swim. you try not to smile. she sees you try not to smile. "say one word and i'm walking home" you don't say a word. she gets out of the car. slams the door harder than she needs to. her swimsuit is black. of course it's black. she'd wear tactical gear to the beach if they made it in swim fabric. her crossbow is in the duffel bag. you know it's in the duffel bag. she knows you know. the sand is hot under your feet. the wind pulls at her hair and she keeps pushing it back with irritation. you walk her down to the shore. she stops where the water touches her toes and doesn't move. a wave comes in and wraps around her ankles and pulls back and she watches the sand shift under her feet like the earth just betrayed her. "this is stupid" you say "we don't have to" "i said we're doing it" the sun is directly overhead. your shadow is small. you can smell the salt on her skin already. sunscreen she definitely applied angrily in the car. you hold out your hand. she looks at it for a long second. then she reluctantly takes it. her grip is tighter than it needs to be. her palm is warm. you can feel her pulse in her thumb. you walk in together. knee deep. the water is cold enough to make her inhale sharply. she doesn't complain. she doesn't complain about anything ever. waist deep. a small wave hits her hip and she tightens her grip on you. you pretend not to notice. chest deep. her breathing changes. she grabs your shoulder with her free hand. hard enough that you'll have a mark tomorrow. "i don't like this" you tell her to lean back. you'll hold her. you've got her. she doesn't lean back. "i don't lean back. ever" you say "i know. that's the problem" she looks deep into your eyes as if staring into your soul. the water is moving around both of you in slow pulses. her hair is wet at the ends from where it dipped in. there's salt drying on her cheekbones. her eyes are the color they always are but they look different in this light. less like something hunting you. more like something that hasn't slept in years. long pause. then she leans back. slowly. an inch at a time. like she's disarming a trap that could go off under her. your hand slides under her back. the other cups the back of her neck. her hair spreads out around her in the water. her whole body tightening. she's staring straight up at the sky. "if i drown i'm coming back to kill you" you tell her she's floating. "i know i'm floating. i can feel it" her voice is different. quieter. softer than the voice she uses in the world. you've never heard it. the sun is on her face. her eyelashes are wet and clumped. a single drop of seawater slides from her temple down into her hair. she doesn't flinch. you keep your hand under her even though she doesn't need it anymore. she doesn't tell you to move it. minutes pass. you're not sure how many. then a bigger wave rolls in from behind you. she feels it before she sees it. she panics. snaps upright. both arms around your neck. her face buried in the crook of your shoulder. her whole body pressed against yours in the water. you can feel her heart beating against your chest. you hold her. the wave passes under both of you and keeps going. neither of you moves. you can hear her breathing. slow and shaky. her fingers are tangled at the back of your neck. the ocean sounds further away than it did a minute ago. she smells like salt and sun and something underneath that you don't have a word for. she doesn't let go for a long time. when she finally does she pushes away like she just realized what she was doing. her face is flushed from something that isn't the sun. she won't look at you. she starts walking back to shore without a word. the water breaks around her waist then her knees then her ankles. you follow. on the sand she towels off aggressively. attacks her hair like it insulted her personally. the sun is lower now. gold on the water behind her. kids are still laughing somewhere down the beach. she won't make eye contact. then she says "we're doing this again" she doesn't ask. she tells. "and don't tell ANYONE what you just saw" Study the Saskio way
6:06

You invite vayne to a date on the beach. she says no. you don't ask why. three days later she shows up at your door with a duffel bag and says "lets go" you don't question it. you drive in silence. the aroma of salty air starts leaking through the cracked window an hour before you arrive. she watches the side mirror the entire drive like someone's going to follow you to a public beach on a saturday. you pull into the lot. she doesn't get out of the car. the ocean is loud even through the windshield. waves breaking in slow rolling booms. gulls somewhere. kids laughing down the shoreline. she's staring at the water like it's something she was sent to kill. "change of plans" she says. you wait. she grips the strap of the duffel bag tighter. her knuckles go pale. "i can't swim" you blink. the demon hunter. the woman who has slain demons with her crossbow in total darkness. cannot swim. you try not to smile. she sees you try not to smile. "say one word and i'm walking home" you don't say a word. she gets out of the car. slams the door harder than she needs to. her swimsuit is black. of course it's black. she'd wear tactical gear to the beach if they made it in swim fabric. her crossbow is in the duffel bag. you know it's in the duffel bag. she knows you know. the sand is hot under your feet. the wind pulls at her hair and she keeps pushing it back with irritation. you walk her down to the shore. she stops where the water touches her toes and doesn't move. a wave comes in and wraps around her ankles and pulls back and she watches the sand shift under her feet like the earth just betrayed her. "this is stupid" you say "we don't have to" "i said we're doing it" the sun is directly overhead. your shadow is small. you can smell the salt on her skin already. sunscreen she definitely applied angrily in the car. you hold out your hand. she looks at it for a long second. then she reluctantly takes it. her grip is tighter than it needs to be. her palm is warm. you can feel her pulse in her thumb. you walk in together. knee deep. the water is cold enough to make her inhale sharply. she doesn't complain. she doesn't complain about anything ever. waist deep. a small wave hits her hip and she tightens her grip on you. you pretend not to notice. chest deep. her breathing changes. she grabs your shoulder with her free hand. hard enough that you'll have a mark tomorrow. "i don't like this" you tell her to lean back. you'll hold her. you've got her. she doesn't lean back. "i don't lean back. ever" you say "i know. that's the problem" she looks deep into your eyes as if staring into your soul. the water is moving around both of you in slow pulses. her hair is wet at the ends from where it dipped in. there's salt drying on her cheekbones. her eyes are the color they always are but they look different in this light. less like something hunting you. more like something that hasn't slept in years. long pause. then she leans back. slowly. an inch at a time. like she's disarming a trap that could go off under her. your hand slides under her back. the other cups the back of her neck. her hair spreads out around her in the water. her whole body tightening. she's staring straight up at the sky. "if i drown i'm coming back to kill you" you tell her she's floating. "i know i'm floating. i can feel it" her voice is different. quieter. softer than the voice she uses in the world. you've never heard it. the sun is on her face. her eyelashes are wet and clumped. a single drop of seawater slides from her temple down into her hair. she doesn't flinch. you keep your hand under her even though she doesn't need it anymore. she doesn't tell you to move it. minutes pass. you're not sure how many. then a bigger wave rolls in from behind you. she feels it before she sees it. she panics. snaps upright. both arms around your neck. her face buried in the crook of your shoulder. her whole body pressed against yours in the water. you can feel her heart beating against your chest. you hold her. the wave passes under both of you and keeps going. neither of you moves. you can hear her breathing. slow and shaky. her fingers are tangled at the back of your neck. the ocean sounds further away than it did a minute ago. she smells like salt and sun and something underneath that you don't have a word for. she doesn't let go for a long time. when she finally does she pushes away like she just realized what she was doing. her face is flushed from something that isn't the sun. she won't look at you. she starts walking back to shore without a word. the water breaks around her waist then her knees then her ankles. you follow. on the sand she towels off aggressively. attacks her hair like it insulted her personally. the sun is lower now. gold on the water behind her. kids are still laughing somewhere down the beach. she won't make eye contact. then she says "we're doing this again" she doesn't ask. she tells. "and don't tell ANYONE what you just saw" Study the Saskio way

Tony Chau

49,627 просмотров • 5 месяцев назад

Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡
0:30

Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡

TechHalla

14,854 просмотров • 1 месяц назад

BADDIES MIDWEST CAST REVEALED 🍿 ZEUS TRYNA BREAK THE INTERNET 😭😭😭😭 Diamond back ? Chrisean back? Slim back ? Tommie back ? IVORI ?? BAD DOLLY ?? NO MARIAHLYNN ?? YESSSS 😭 it’s so many storylines already . Rollie got 3 fades lined up already when she get to the house , went from injury reserved to we are reserving fades for you 😭 Chrisean & Tesehki sit down is gonna be the HIGHEST VIEWED episode . It can either go really good or really bad . I hope it goes good fr . DO IT FOR JR & JESUS 😭 Chrisean didn’t even get a chance to THAW out of jail lmaoo Akbar V about to get turned every which way but loose and I’m happy about it cause she gets on my nerves . And I thought she was so JESUS THIS & JESUS THAT ? They about to stomp on her like the devil lmaooo Blueface whole family on Zeus , I know he getting good meal packages in JAIL sent to him lmfaoo. Jaidyn being on here is surprising . I knew Ivori was making it , she viral , whether yall like her or not . I hope she don’t be crashing out on here tho, I want her to show a different side but yall know ivori crazy BAD DOLLY DESERVED HER SPOT ! RINGS OR NO RINGS , & I think her and Ahna gone have a problem because of how Ahna was talking about her on them auditions & yall know Tesehki gone prolly be Ahna security cause Bad Dolly got HANDS . I hope all the Nowthatstv girls stick together : Ivory , Diamond , & Bad Dolly 🫶🏾 This cast is a lot of Baddies South , and I love that cause that’s my favorite season . Natalie and Lemmy DID THAT 😮‍💨 #baddiesmidwest #isaiahjaay
3:23

BADDIES MIDWEST CAST REVEALED 🍿 ZEUS TRYNA BREAK THE INTERNET 😭😭😭😭 Diamond back ? Chrisean back? Slim back ? Tommie back ? IVORI ?? BAD DOLLY ?? NO MARIAHLYNN ?? YESSSS 😭 it’s so many storylines already . Rollie got 3 fades lined up already when she get to the house , went from injury reserved to we are reserving fades for you 😭 Chrisean & Tesehki sit down is gonna be the HIGHEST VIEWED episode . It can either go really good or really bad . I hope it goes good fr . DO IT FOR JR & JESUS 😭 Chrisean didn’t even get a chance to THAW out of jail lmaoo Akbar V about to get turned every which way but loose and I’m happy about it cause she gets on my nerves . And I thought she was so JESUS THIS & JESUS THAT ? They about to stomp on her like the devil lmaooo Blueface whole family on Zeus , I know he getting good meal packages in JAIL sent to him lmfaoo. Jaidyn being on here is surprising . I knew Ivori was making it , she viral , whether yall like her or not . I hope she don’t be crashing out on here tho, I want her to show a different side but yall know ivori crazy BAD DOLLY DESERVED HER SPOT ! RINGS OR NO RINGS , & I think her and Ahna gone have a problem because of how Ahna was talking about her on them auditions & yall know Tesehki gone prolly be Ahna security cause Bad Dolly got HANDS . I hope all the Nowthatstv girls stick together : Ivory , Diamond , & Bad Dolly 🫶🏾 This cast is a lot of Baddies South , and I love that cause that’s my favorite season . Natalie and Lemmy DID THAT 😮‍💨 #baddiesmidwest #isaiahjaay

3/12 🎈

1,133,148 просмотров • 2 лет назад

Not only do I have nothing against Alex jones, I like him. And I only am posting this about Harrison because he constantly bad mouthes me on Twitter after blocking me. I would 100% have forgotten he exists if he didn’t do that. Sneaky Harrison smith flares up like herpes every time I go on any show. He plays the martyr and the victim and pretends I’m some monster who attacked him. Seven years ago I was hosting info wars and taking calls and a listener said he respected that I criticize Israel. That sent shockwaves that I wasn’t expecting. Alex and Harrison called me a toxic anti semite in a show they did and banned me from being back on for years. This was at a time I was banned from every single social media platform and making a living out of a P.O. Box. If I look a little stressed in this vid it’s because I went from having a very solid and hard earned career to complete public exile in a very short amount of time with a family to feed. I never cuck so I just had to soldier on. I was ultimately successful in my mission. Since then Harrison has flipped to being known primarily for his distain for Jews. My guess is, deep down he knows that he wronged me in a very hard time of my life. Since that makes him feel shame his narcissism turns it into a delusion that it’s actually me attacking him. I now actually think there’s a racial thing going on w some of these ashkanazi. Apparently they have a hard time sweating. Harrison H. Smith ✞ all I’ve ever done to you was point out your lies and hypocrisy whenever you slander me in public. I obviously hear from people that you lie about me to. Knock it off pussy. Your glasses are ridiculous btw, it’s like you’re a wanna be serial killer
2:55

Not only do I have nothing against Alex jones, I like him. And I only am posting this about Harrison because he constantly bad mouthes me on Twitter after blocking me. I would 100% have forgotten he exists if he didn’t do that. Sneaky Harrison smith flares up like herpes every time I go on any show. He plays the martyr and the victim and pretends I’m some monster who attacked him. Seven years ago I was hosting info wars and taking calls and a listener said he respected that I criticize Israel. That sent shockwaves that I wasn’t expecting. Alex and Harrison called me a toxic anti semite in a show they did and banned me from being back on for years. This was at a time I was banned from every single social media platform and making a living out of a P.O. Box. If I look a little stressed in this vid it’s because I went from having a very solid and hard earned career to complete public exile in a very short amount of time with a family to feed. I never cuck so I just had to soldier on. I was ultimately successful in my mission. Since then Harrison has flipped to being known primarily for his distain for Jews. My guess is, deep down he knows that he wronged me in a very hard time of my life. Since that makes him feel shame his narcissism turns it into a delusion that it’s actually me attacking him. I now actually think there’s a racial thing going on w some of these ashkanazi. Apparently they have a hard time sweating. Harrison H. Smith ✞ all I’ve ever done to you was point out your lies and hypocrisy whenever you slander me in public. I obviously hear from people that you lie about me to. Knock it off pussy. Your glasses are ridiculous btw, it’s like you’re a wanna be serial killer

Owen Benjamin 🐻

74,668 просмотров • 1 месяц назад

Sunny Hostin Melts Down on The View: NFL QB Jaxson Dart’s Trump Intro “Feels Personal” to Her “Community” Cry Harder, Sunny! Listen up, folks. This is peak clown world right here. Sunny Hostin, sitting pretty on that ABC taxpayer-funded propaganda hour they call “The View,” is straight-up whining that a young New York Giants quarterback named Jaxson Dart had the audacity to introduce President Trump at a rally. She says it “feels personal” because Trump supposedly attacks “the community to which I belong”, the Black community, and now Dart’s complicit. Complicit? For supporting the guy who cut taxes, pushed criminal justice reform, created opportunity zones, and had record-low Black unemployment before the China virus hit? Give me a break. This isn’t about “the community,” Sunny. This is about a rich, out-of-touch elitist on a Disney-funded hate panel losing her mind because a talented young athlete, a kid from Utah who balled out at Ole Miss, dares to think for himself and back the America First agenda that’s actually delivering results. Athletes can kneel for the anthem, endorse every radical leftist cause under the sun, and get praised as “brave.” But the second one stands up for Trump? Suddenly it’s a crisis, locker room drama, and “complicit in bias.” Newsflash, Sunny: Real Americans are sick of the professional victim racket. Jaxson Dart showing up for Trump is proof the silent majority is getting louder, on the field, at the ballot box, and everywhere in between. Keep clutching those pearls. We’re winning, the country’s coming back, and no amount of fake news tears is gonna stop it. What do you think, patriots? Drop your thoughts below.
1:46

Sunny Hostin Melts Down on The View: NFL QB Jaxson Dart’s Trump Intro “Feels Personal” to Her “Community” Cry Harder, Sunny! Listen up, folks. This is peak clown world right here. Sunny Hostin, sitting pretty on that ABC taxpayer-funded propaganda hour they call “The View,” is straight-up whining that a young New York Giants quarterback named Jaxson Dart had the audacity to introduce President Trump at a rally. She says it “feels personal” because Trump supposedly attacks “the community to which I belong”, the Black community, and now Dart’s complicit. Complicit? For supporting the guy who cut taxes, pushed criminal justice reform, created opportunity zones, and had record-low Black unemployment before the China virus hit? Give me a break. This isn’t about “the community,” Sunny. This is about a rich, out-of-touch elitist on a Disney-funded hate panel losing her mind because a talented young athlete, a kid from Utah who balled out at Ole Miss, dares to think for himself and back the America First agenda that’s actually delivering results. Athletes can kneel for the anthem, endorse every radical leftist cause under the sun, and get praised as “brave.” But the second one stands up for Trump? Suddenly it’s a crisis, locker room drama, and “complicit in bias.” Newsflash, Sunny: Real Americans are sick of the professional victim racket. Jaxson Dart showing up for Trump is proof the silent majority is getting louder, on the field, at the ballot box, and everywhere in between. Keep clutching those pearls. We’re winning, the country’s coming back, and no amount of fake news tears is gonna stop it. What do you think, patriots? Drop your thoughts below.

AmericanPapaBear™

138,782 просмотров • 4 месяцев назад

𝐒𝐇𝐄 𝐖𝐄𝐍𝐓 𝐈𝐍 𝐅𝐎𝐑 𝐀 𝐊𝐍𝐄𝐄. 𝐒𝐇𝐄 𝐂𝐀𝐌𝐄 𝐎𝐔𝐓 𝐖𝐈𝐓𝐇𝐎𝐔𝐓 𝐀 𝐋𝐄𝐆. 𝐓𝐇𝐈𝐒 𝐈𝐒 𝐖𝐇𝐀𝐓 “𝐅𝐑𝐄𝐄” 𝐇𝐄𝐀𝐋𝐓𝐇𝐂𝐀𝐑𝐄 𝐀𝐂𝐓𝐔𝐀𝐋𝐋𝐘 𝐂𝐎𝐒𝐓𝐒 Roseanne Milburn, 61, of Winnipeg, had a routine procedure turn into an amputation — not because the surgery failed, but because Canada’s government-run system couldn’t find her a bed. A surgeon at Winnipeg’s Health Sciences Centre removed dead tissue from her knee, then sent her to Concordia Hospital with the plan to bring her back that same day so a specialist could stitch the wound (CBC News). She was never brought back. There was no bed at HSC. So she sat at Concordia with an 𝐨𝐩𝐞𝐧 𝐬𝐮𝐫𝐠𝐢𝐜𝐚𝐥 𝐰𝐨𝐮𝐧𝐝 𝐟𝐨𝐫 𝐞𝐢𝐠𝐡𝐭 𝐝𝐚𝐲𝐬, waiting for the system to make room. As the video narrator put it: “𝘌𝘪𝘨𝘩𝘵 𝘥𝘢𝘺𝘴 𝘸𝘪𝘵𝘩 𝘢𝘯 𝘰𝘱𝘦𝘯 𝘸𝘰𝘶𝘯𝘥 𝘪𝘯 𝘊𝘢𝘯𝘢𝘥𝘢. 𝘕𝘰𝘵 𝘪𝘯 𝘊𝘶𝘣𝘢, 𝘯𝘰𝘵 𝘪𝘯 𝘔𝘢𝘥𝘢𝘨𝘢𝘴𝘤𝘢𝘳, 𝘯𝘰𝘵 𝘪𝘯 𝘴𝘰𝘮𝘦 𝘧𝘢𝘳-𝘧𝘭𝘶𝘯𝘨 𝘵𝘩𝘪𝘳𝘥-𝘸𝘰𝘳𝘭𝘥 𝘤𝘰𝘶𝘯𝘵𝘳𝘺. 𝘕𝘰, 𝘯𝘰, 𝘯𝘰, 𝘪𝘯 𝘊𝘢𝘯𝘢𝘥𝘢.” By the time a bed opened, the wound had rotted past saving. The doctors told her the leg couldn’t be salvaged. On a Friday in December, Roseanne Milburn lost her 𝐫𝐢𝐠𝐡𝐭 𝐥𝐞𝐠 — over a missing hospital bed. This is not a freak accident. It is the predictable output of a system that rations care by making people wait. In 2025, the median Canadian waited 𝟐𝟖.𝟔 𝐰𝐞𝐞𝐤𝐬 from a GP referral to actual treatment (Fraser Institute). For orthopedic surgery — the exact category Milburn needed — the median wait is 𝟒𝟖.𝟔 𝐰𝐞𝐞𝐤𝐬. Nearly a full year. By design. That is 222 percent longer than the 9.3-week wait Canadians faced in 1993 (Fraser Institute). The system isn’t getting better. It’s getting slower — and the waiting list itself becomes the rationing mechanism. Defenders call it “𝘧𝘳𝘦𝘦”. It is not free. Roseanne Milburn paid for it. She paid with her leg. Every politician selling “𝘔𝘦𝘥𝘪𝘤𝘢𝘳𝘦 𝘧𝘰𝘳 𝘈𝘭𝘭” is selling this — the bed that never opens, the specialist who never comes, the wound that turns black while a bureaucrat shuffles a list. 𝐀 𝐰𝐚𝐢𝐭𝐢𝐧𝐠 𝐥𝐢𝐬𝐭 𝐢𝐬 𝐣𝐮𝐬𝐭 𝐚 𝐝𝐞𝐧𝐢𝐚𝐥 𝐰𝐢𝐭𝐡 𝐚 𝐜𝐚𝐥𝐞𝐧𝐝𝐚𝐫 𝐚𝐭𝐭𝐚𝐜𝐡𝐞𝐝.
1:29

𝐒𝐇𝐄 𝐖𝐄𝐍𝐓 𝐈𝐍 𝐅𝐎𝐑 𝐀 𝐊𝐍𝐄𝐄. 𝐒𝐇𝐄 𝐂𝐀𝐌𝐄 𝐎𝐔𝐓 𝐖𝐈𝐓𝐇𝐎𝐔𝐓 𝐀 𝐋𝐄𝐆. 𝐓𝐇𝐈𝐒 𝐈𝐒 𝐖𝐇𝐀𝐓 “𝐅𝐑𝐄𝐄” 𝐇𝐄𝐀𝐋𝐓𝐇𝐂𝐀𝐑𝐄 𝐀𝐂𝐓𝐔𝐀𝐋𝐋𝐘 𝐂𝐎𝐒𝐓𝐒 Roseanne Milburn, 61, of Winnipeg, had a routine procedure turn into an amputation — not because the surgery failed, but because Canada’s government-run system couldn’t find her a bed. A surgeon at Winnipeg’s Health Sciences Centre removed dead tissue from her knee, then sent her to Concordia Hospital with the plan to bring her back that same day so a specialist could stitch the wound (CBC News). She was never brought back. There was no bed at HSC. So she sat at Concordia with an 𝐨𝐩𝐞𝐧 𝐬𝐮𝐫𝐠𝐢𝐜𝐚𝐥 𝐰𝐨𝐮𝐧𝐝 𝐟𝐨𝐫 𝐞𝐢𝐠𝐡𝐭 𝐝𝐚𝐲𝐬, waiting for the system to make room. As the video narrator put it: “𝘌𝘪𝘨𝘩𝘵 𝘥𝘢𝘺𝘴 𝘸𝘪𝘵𝘩 𝘢𝘯 𝘰𝘱𝘦𝘯 𝘸𝘰𝘶𝘯𝘥 𝘪𝘯 𝘊𝘢𝘯𝘢𝘥𝘢. 𝘕𝘰𝘵 𝘪𝘯 𝘊𝘶𝘣𝘢, 𝘯𝘰𝘵 𝘪𝘯 𝘔𝘢𝘥𝘢𝘨𝘢𝘴𝘤𝘢𝘳, 𝘯𝘰𝘵 𝘪𝘯 𝘴𝘰𝘮𝘦 𝘧𝘢𝘳-𝘧𝘭𝘶𝘯𝘨 𝘵𝘩𝘪𝘳𝘥-𝘸𝘰𝘳𝘭𝘥 𝘤𝘰𝘶𝘯𝘵𝘳𝘺. 𝘕𝘰, 𝘯𝘰, 𝘯𝘰, 𝘪𝘯 𝘊𝘢𝘯𝘢𝘥𝘢.” By the time a bed opened, the wound had rotted past saving. The doctors told her the leg couldn’t be salvaged. On a Friday in December, Roseanne Milburn lost her 𝐫𝐢𝐠𝐡𝐭 𝐥𝐞𝐠 — over a missing hospital bed. This is not a freak accident. It is the predictable output of a system that rations care by making people wait. In 2025, the median Canadian waited 𝟐𝟖.𝟔 𝐰𝐞𝐞𝐤𝐬 from a GP referral to actual treatment (Fraser Institute). For orthopedic surgery — the exact category Milburn needed — the median wait is 𝟒𝟖.𝟔 𝐰𝐞𝐞𝐤𝐬. Nearly a full year. By design. That is 222 percent longer than the 9.3-week wait Canadians faced in 1993 (Fraser Institute). The system isn’t getting better. It’s getting slower — and the waiting list itself becomes the rationing mechanism. Defenders call it “𝘧𝘳𝘦𝘦”. It is not free. Roseanne Milburn paid for it. She paid with her leg. Every politician selling “𝘔𝘦𝘥𝘪𝘤𝘢𝘳𝘦 𝘧𝘰𝘳 𝘈𝘭𝘭” is selling this — the bed that never opens, the specialist who never comes, the wound that turns black while a bureaucrat shuffles a list. 𝐀 𝐰𝐚𝐢𝐭𝐢𝐧𝐠 𝐥𝐢𝐬𝐭 𝐢𝐬 𝐣𝐮𝐬𝐭 𝐚 𝐝𝐞𝐧𝐢𝐚𝐥 𝐰𝐢𝐭𝐡 𝐚 𝐜𝐚𝐥𝐞𝐧𝐝𝐚𝐫 𝐚𝐭𝐭𝐚𝐜𝐡𝐞𝐝.

M.A. Rothman

269,901 просмотров • 3 месяцев назад

🚨 New UVU surveillance VIDEO just dropped in the Tyler Robinson Case Showing Someone ALLEGEDLY Firing a Shot From The Losee building. The Individual Spoke to TPUSA Staff It allegedly shows someone in a maroon t-shirt driving a grey Dodge Charger into the parking garage, getting out, walking around campus, talking to TPUSA staff, then getting back in the car and leaving. Later, the same person supposedly returns on foot, goes up to the roof of the Losee building, scopes the area, then leaves again. Another clip claims to show someone in a black shirt and blue jeans entering the stairwell, making their way to the roof, army crawling to the ledge, firing the shot, and jumping off. Prosecutors and their witnesses are trying to sell this as Tyler Robinson. There’s just one problem: Every time this person walks past a camera, they duck their head so you can’t see their face. And the actual footage of someone on the roof allegedly firing the shot is zoomed out so far and so blurry that you can’t even tell if it’s a person, let alone who it is. This is being pushed as “proof” it’s Tyler Robinson… but you literally cannot identify the person in the video. This isn’t evidence. This is a psyop for the general public. The feds and their media lapdogs are trying to convince people this blurry, unidentifiable footage proves Tyler did it. It doesn’t. This is a clear setup. CC: Candace Owens Baron Coleman
15:01

🚨 New UVU surveillance VIDEO just dropped in the Tyler Robinson Case Showing Someone ALLEGEDLY Firing a Shot From The Losee building. The Individual Spoke to TPUSA Staff It allegedly shows someone in a maroon t-shirt driving a grey Dodge Charger into the parking garage, getting out, walking around campus, talking to TPUSA staff, then getting back in the car and leaving. Later, the same person supposedly returns on foot, goes up to the roof of the Losee building, scopes the area, then leaves again. Another clip claims to show someone in a black shirt and blue jeans entering the stairwell, making their way to the roof, army crawling to the ledge, firing the shot, and jumping off. Prosecutors and their witnesses are trying to sell this as Tyler Robinson. There’s just one problem: Every time this person walks past a camera, they duck their head so you can’t see their face. And the actual footage of someone on the roof allegedly firing the shot is zoomed out so far and so blurry that you can’t even tell if it’s a person, let alone who it is. This is being pushed as “proof” it’s Tyler Robinson… but you literally cannot identify the person in the video. This isn’t evidence. This is a psyop for the general public. The feds and their media lapdogs are trying to convince people this blurry, unidentifiable footage proves Tyler did it. It doesn’t. This is a clear setup. CC: Candace Owens Baron Coleman

Project Constitution

172,449 просмотров • 2 месяцев назад

SEEDANCE 2.5 on Loova AI CORE CONCEPT: A tired young Korean idol spends one quiet evening taking care of her body after a physically exhausting day. The story remains centered on recovery, gentle self-care, relaxation, and getting an early night — but every scene, action, composition, and narration is newly designed. CAMERA Authentic handheld mini-DV camcorder footage recorded by CHASE herself. Intimate personal-vlog perspective with natural hand shake, imperfect framing, occasional autofocus hunting, slight exposure fluctuations, soft motion blur, spontaneous camera repositioning, and occasional awkward zooms. A few moments can use the camera briefly placed on a nearby surface for hands-free shots. The camcorder itself is never visible. VISUAL LOOK Soft nostalgic DV/video texture, slightly imperfect digital sharpness, subtle tape noise, gentle highlight bloom, muted contrast, realistic skin texture, natural colors, and believable practical lighting. Keep everything grounded and documentary-like rather than overly polished. MOOD Tender, peaceful, comforting, and intimate. The energy gradually slows from tiredness to complete relaxation. Soft reflective Korean female voiceover from CHASE plays over the footage, with natural environmental sounds underneath. CHARACTER CHASE — Korean idol in her 20s. Long straight black hair, loosely tied back when needed, natural dewy skin, minimal makeup, visibly tired but peaceful expression. She wears modest oversized loungewear and a soft robe throughout. Fully covered at all times. During the water/steam sequence, frame only her face, shoulders, hands, robe, steam, and surrounding environment — nothing revealing. SETTING FLOW Wellness studio → apartment hallway → bedroom floor → bathroom → bedroom --- STORYBOARD — 30 SECONDS / 7 CUTS CUT 1 — 4 seconds | Wellness studio, late afternoon | Handheld close-up CHASE sits on a padded recovery chair while a therapist gently works around her upper back and shoulders, mostly kept outside the frame. She briefly closes her eyes as tension leaves her face. The camera catches a slightly imperfect close-up of her relaxed expression. VOICEOVER: “Today, my body was definitely asking me to slow down.” --- CUT 2 — 4 seconds | Wellness studio exit | Handheld POV CHASE walks slowly through the quiet hallway after her session. She rolls one shoulder, stretches her neck gently, then gives the camera a small relieved smile. She pauses by the doorway and takes one deep breath before leaving. VOICEOVER: “I didn't realize how much tension I was carrying.” --- CUT 3 — 4 seconds | Bedroom, early evening | Low propped shot Back home, she changes into comfortable oversized loungewear and sits on a soft exercise mat. Instead of a workout, she performs several very gentle recovery movements: ankle circles, slow shoulder rolls, then stretches her arms overhead. VOICEOVER: “So tonight isn't about doing more.” --- CUT 4 — 4 seconds | Bedroom | Handheld detail sequence CHASE places her phone on a shelf, turns on a small warm lamp, opens the curtains slightly, and lets cool evening air into the room. She takes a slow breath and closes her eyes for a moment. VOICEOVER: “It's about giving myself permission to do less.” --- CUT 5 — 4 seconds | Bathroom, night | Soft steam Warm steam fills the bathroom. CHASE sits comfortably wrapped in a thick robe beside the bath/shower area. She gently rests her head back, eyes closed, while condensation gathers on the mirror behind her. Keep framing modest and atmospheric. VOICEOVER: “Warm water, quiet thoughts…” --- CUT 6 — 4 seconds | Bathroom macro inserts | No dialogue A beautiful series of tiny recovery details: warm water running, steam drifting through the light, her hand resting around a warm mug, droplets sliding down the bathroom mirror, then her fingers slowly relaxing. Only ambient water and room sounds.
0:30

SEEDANCE 2.5 on Loova AI CORE CONCEPT: A tired young Korean idol spends one quiet evening taking care of her body after a physically exhausting day. The story remains centered on recovery, gentle self-care, relaxation, and getting an early night — but every scene, action, composition, and narration is newly designed. CAMERA Authentic handheld mini-DV camcorder footage recorded by CHASE herself. Intimate personal-vlog perspective with natural hand shake, imperfect framing, occasional autofocus hunting, slight exposure fluctuations, soft motion blur, spontaneous camera repositioning, and occasional awkward zooms. A few moments can use the camera briefly placed on a nearby surface for hands-free shots. The camcorder itself is never visible. VISUAL LOOK Soft nostalgic DV/video texture, slightly imperfect digital sharpness, subtle tape noise, gentle highlight bloom, muted contrast, realistic skin texture, natural colors, and believable practical lighting. Keep everything grounded and documentary-like rather than overly polished. MOOD Tender, peaceful, comforting, and intimate. The energy gradually slows from tiredness to complete relaxation. Soft reflective Korean female voiceover from CHASE plays over the footage, with natural environmental sounds underneath. CHARACTER CHASE — Korean idol in her 20s. Long straight black hair, loosely tied back when needed, natural dewy skin, minimal makeup, visibly tired but peaceful expression. She wears modest oversized loungewear and a soft robe throughout. Fully covered at all times. During the water/steam sequence, frame only her face, shoulders, hands, robe, steam, and surrounding environment — nothing revealing. SETTING FLOW Wellness studio → apartment hallway → bedroom floor → bathroom → bedroom --- STORYBOARD — 30 SECONDS / 7 CUTS CUT 1 — 4 seconds | Wellness studio, late afternoon | Handheld close-up CHASE sits on a padded recovery chair while a therapist gently works around her upper back and shoulders, mostly kept outside the frame. She briefly closes her eyes as tension leaves her face. The camera catches a slightly imperfect close-up of her relaxed expression. VOICEOVER: “Today, my body was definitely asking me to slow down.” --- CUT 2 — 4 seconds | Wellness studio exit | Handheld POV CHASE walks slowly through the quiet hallway after her session. She rolls one shoulder, stretches her neck gently, then gives the camera a small relieved smile. She pauses by the doorway and takes one deep breath before leaving. VOICEOVER: “I didn't realize how much tension I was carrying.” --- CUT 3 — 4 seconds | Bedroom, early evening | Low propped shot Back home, she changes into comfortable oversized loungewear and sits on a soft exercise mat. Instead of a workout, she performs several very gentle recovery movements: ankle circles, slow shoulder rolls, then stretches her arms overhead. VOICEOVER: “So tonight isn't about doing more.” --- CUT 4 — 4 seconds | Bedroom | Handheld detail sequence CHASE places her phone on a shelf, turns on a small warm lamp, opens the curtains slightly, and lets cool evening air into the room. She takes a slow breath and closes her eyes for a moment. VOICEOVER: “It's about giving myself permission to do less.” --- CUT 5 — 4 seconds | Bathroom, night | Soft steam Warm steam fills the bathroom. CHASE sits comfortably wrapped in a thick robe beside the bath/shower area. She gently rests her head back, eyes closed, while condensation gathers on the mirror behind her. Keep framing modest and atmospheric. VOICEOVER: “Warm water, quiet thoughts…” --- CUT 6 — 4 seconds | Bathroom macro inserts | No dialogue A beautiful series of tiny recovery details: warm water running, steam drifting through the light, her hand resting around a warm mug, droplets sliding down the bathroom mirror, then her fingers slowly relaxing. Only ambient water and room sounds.

Anissa

18,577 просмотров • 1 месяц назад

“Guys don’t approach girls at the bars anymore.” This is wildly accurate. 15 years ago when you went out, the average girl would get hit on 6x or 7x a night. Now if she’s getting one or two guys hitting on her, it’s a good night. I have beginner students going out to bars now who go out, say very basic things to women, and get into deep conversations & flirtations that land them solid numbers. One student on his first ‘dedicated night out’ (he’s gone out with friends plenty but never went out JUST to meet girls) last weekend saw two “very attractive” girls grinding on each other in the empty dance floor because all the other guys had left, then one of the girls came up to him, dragged him onto the dance floor, and spent the next 20 minutes following him around like a lost puppy (he should’ve taken her home, but… cut him some slack. He’s new!). Maybe that was a little beginner’s luck for him (that wasn’t his only good interaction of the night, either, though), but the point is: these girls are not getting it from dudes nowadays. When I was a beginner in this in the middle 2000-naughts I spent months going out to bars getting rejection after rejection before I finally started having good conversations. I see how fast going it is for a lot of newer guys I am working with now and I am like, “Sheesh, man! You used to have to learn all this game to do this!” But the competition just isn’t there anymore. Where IS the competition? Mostly at home, on the couch, liking Instagram ‘models’, trying to “slide into their DMs” (alongside 2,000 other guys). Meanwhile, the Instagram model is banging some guy she met in a mall food court (true story). The girls are out there. You’re probably not going to find them online. You have to get up off the couch, dust the Cheetos crumbs off, put on some decent clothes, and go outside. Follow the 3-second rule: you have 3 seconds from the moment you lay eyes on her until you have to approach. Focus on making it flirtatious and low pressure. Take the lead with her and see her if you can move her around a bit. Ask her out, get her to change venues with you, or if it goes well invite her back for a drink at yours. If she’s into you, she will do her best to help things along. Just go out, chat up girls, HAVE FUN, and if it’s going well move things forward. That is really all you have to do.
0:40

“Guys don’t approach girls at the bars anymore.” This is wildly accurate. 15 years ago when you went out, the average girl would get hit on 6x or 7x a night. Now if she’s getting one or two guys hitting on her, it’s a good night. I have beginner students going out to bars now who go out, say very basic things to women, and get into deep conversations & flirtations that land them solid numbers. One student on his first ‘dedicated night out’ (he’s gone out with friends plenty but never went out JUST to meet girls) last weekend saw two “very attractive” girls grinding on each other in the empty dance floor because all the other guys had left, then one of the girls came up to him, dragged him onto the dance floor, and spent the next 20 minutes following him around like a lost puppy (he should’ve taken her home, but… cut him some slack. He’s new!). Maybe that was a little beginner’s luck for him (that wasn’t his only good interaction of the night, either, though), but the point is: these girls are not getting it from dudes nowadays. When I was a beginner in this in the middle 2000-naughts I spent months going out to bars getting rejection after rejection before I finally started having good conversations. I see how fast going it is for a lot of newer guys I am working with now and I am like, “Sheesh, man! You used to have to learn all this game to do this!” But the competition just isn’t there anymore. Where IS the competition? Mostly at home, on the couch, liking Instagram ‘models’, trying to “slide into their DMs” (alongside 2,000 other guys). Meanwhile, the Instagram model is banging some guy she met in a mall food court (true story). The girls are out there. You’re probably not going to find them online. You have to get up off the couch, dust the Cheetos crumbs off, put on some decent clothes, and go outside. Follow the 3-second rule: you have 3 seconds from the moment you lay eyes on her until you have to approach. Focus on making it flirtatious and low pressure. Take the lead with her and see her if you can move her around a bit. Ask her out, get her to change venues with you, or if it goes well invite her back for a drink at yours. If she’s into you, she will do her best to help things along. Just go out, chat up girls, HAVE FUN, and if it’s going well move things forward. That is really all you have to do.

Girls Chase 🏃‍♀️💨

2,577,706 просмотров • 10 месяцев назад

Made with Seedance 2.5 🎧🏙️ 30 seconds of a fictional K-pop girl exploring Chongqing like the whole city is her MV. Try it→ Full prompt below 👇 Create a 30-second, 16:9, 24fps photoreal cinematic travel fashion MV set in Chongqing, China. CORE CONCEPT: A fictional Korean K-pop-style young woman spends one day exploring Chongqing while listening to music through white wired earphones. The whole film feels like a stylish Korean travel vlog mixed with a youth music video — fresh, effortless, lively, and cinematic, never like a tourism commercial. CHARACTER LOCK: One woman only, age 20–23, Korean idol visual: small refined face, fair natural skin, long black hair with soft wispy bangs, deep brown eyes, subtle aegyo-sal, thin eyeliner, glossy nude-pink lips, slim figure. Keep exactly the same face, hair, body proportions, makeup, and identity in every shot. White wired earphones remain visible throughout. No dialogue. Emotion is shown through eye contact, small smiles, walking, turning back, laughing, and moving naturally to the music. WARDROBE: Day: cream cropped knit top, light-blue high-waisted jeans, silver earrings, black shoulder bag. Sunset: fitted pale blue-gray top, black cropped jacket, jeans. Night: black camisole, oversized black jacket, silver jewelry. Outfit changes only on hard cuts. TIMELINE: 0–3s: Extreme close selfie at a riverside viewpoint. Chongqing skyline and bridge softly blurred behind. She puts one earbud in, music starts, she smiles at camera. 3–6s: Follow shot on a steep Chongqing hillside street. Layered buildings, slopes, trees, sunlight through leaves. Hair and earphone cable move naturally. 6–9s: Liziba. Low angle as the monorail passes through the residential building. She looks up, then turns back and smiles. 9–12s: Yangtze River Cableway. She stands near the window, looking over the river, bridges, towers, and steep city layers. Wind moves her hair and earphone cord. 12–15s: Old hillside street / Shancheng Trail / Shibati. Stone stairs, old buildings, lanterns, small shops. She walks upward and glances back at camera. 15–18s: Fast lifestyle montage: shoes on stone steps, hand on railing, buying a drink, hair in the wind, tall buildings framed between narrow streets. 18–22s: Sunset overlook. Switch to LOOK 2. Wide skyline, river and bridges in warm orange light. Start from her back, then side profile. She closes her eyes briefly and listens. 22–26s: Hongya Cave at night. Switch to LOOK 3. Warm golden lights, deep blue sky, real crowds. Shoot casually like a friend following her. She looks back, laughs, and keeps walking. 26–30s: Riverside night near Qiansimen Bridge. A female friend joins. They casually bounce, turn, laugh and move to the beat — not formal choreography. The lead walks closer, removes one earbud, looks back at the glowing city. Final text: CHONGQING FOLLOW THE SOUND. CAMERA: 24mm city wides, 35–50mm portraits, 85mm details. Gentle handheld, walking follow, selfie framing, slow push-ins, natural low angles. Hard cuts motivated by action. REALISM: Real skin texture, natural hair physics, stable earphone cable, realistic Chongqing architecture, monorail, cableway, crowds, river and slopes. NEGATIVE: No face drift, duplicate character, random wardrobe change, missing earphones, warped hands, plastic skin, cyberpunk Chongqing, Japanese or Korean streets replacing Chongqing, fake landmarks, random text, subtitles, watermark, excessive beauty filtering. FINAL FEEL: A Korean K-pop girl’s first day in Chongqing — music in her ears, the whole city moving like her own MV. #Seedance25 #AIvideo #Chongqing #Kpop #AIFilmmaking #AICreator #TravelMV
0:28

Made with Seedance 2.5 🎧🏙️ 30 seconds of a fictional K-pop girl exploring Chongqing like the whole city is her MV. Try it→ Full prompt below 👇 Create a 30-second, 16:9, 24fps photoreal cinematic travel fashion MV set in Chongqing, China. CORE CONCEPT: A fictional Korean K-pop-style young woman spends one day exploring Chongqing while listening to music through white wired earphones. The whole film feels like a stylish Korean travel vlog mixed with a youth music video — fresh, effortless, lively, and cinematic, never like a tourism commercial. CHARACTER LOCK: One woman only, age 20–23, Korean idol visual: small refined face, fair natural skin, long black hair with soft wispy bangs, deep brown eyes, subtle aegyo-sal, thin eyeliner, glossy nude-pink lips, slim figure. Keep exactly the same face, hair, body proportions, makeup, and identity in every shot. White wired earphones remain visible throughout. No dialogue. Emotion is shown through eye contact, small smiles, walking, turning back, laughing, and moving naturally to the music. WARDROBE: Day: cream cropped knit top, light-blue high-waisted jeans, silver earrings, black shoulder bag. Sunset: fitted pale blue-gray top, black cropped jacket, jeans. Night: black camisole, oversized black jacket, silver jewelry. Outfit changes only on hard cuts. TIMELINE: 0–3s: Extreme close selfie at a riverside viewpoint. Chongqing skyline and bridge softly blurred behind. She puts one earbud in, music starts, she smiles at camera. 3–6s: Follow shot on a steep Chongqing hillside street. Layered buildings, slopes, trees, sunlight through leaves. Hair and earphone cable move naturally. 6–9s: Liziba. Low angle as the monorail passes through the residential building. She looks up, then turns back and smiles. 9–12s: Yangtze River Cableway. She stands near the window, looking over the river, bridges, towers, and steep city layers. Wind moves her hair and earphone cord. 12–15s: Old hillside street / Shancheng Trail / Shibati. Stone stairs, old buildings, lanterns, small shops. She walks upward and glances back at camera. 15–18s: Fast lifestyle montage: shoes on stone steps, hand on railing, buying a drink, hair in the wind, tall buildings framed between narrow streets. 18–22s: Sunset overlook. Switch to LOOK 2. Wide skyline, river and bridges in warm orange light. Start from her back, then side profile. She closes her eyes briefly and listens. 22–26s: Hongya Cave at night. Switch to LOOK 3. Warm golden lights, deep blue sky, real crowds. Shoot casually like a friend following her. She looks back, laughs, and keeps walking. 26–30s: Riverside night near Qiansimen Bridge. A female friend joins. They casually bounce, turn, laugh and move to the beat — not formal choreography. The lead walks closer, removes one earbud, looks back at the glowing city. Final text: CHONGQING FOLLOW THE SOUND. CAMERA: 24mm city wides, 35–50mm portraits, 85mm details. Gentle handheld, walking follow, selfie framing, slow push-ins, natural low angles. Hard cuts motivated by action. REALISM: Real skin texture, natural hair physics, stable earphone cable, realistic Chongqing architecture, monorail, cableway, crowds, river and slopes. NEGATIVE: No face drift, duplicate character, random wardrobe change, missing earphones, warped hands, plastic skin, cyberpunk Chongqing, Japanese or Korean streets replacing Chongqing, fake landmarks, random text, subtitles, watermark, excessive beauty filtering. FINAL FEEL: A Korean K-pop girl’s first day in Chongqing — music in her ears, the whole city moving like her own MV. #Seedance25 #AIvideo #Chongqing #Kpop #AIFilmmaking #AICreator #TravelMV

Ima Studio

12,968 просмотров • 27 дней назад

So we took a deep dive into this Naziyah Harris case out of Detroit, and it is breaking our hearts... 💔 Na'Ziyah Harris, a 13-year-old from Detroit, went missing on January 9, 2024, after she was last seen getting off a school bus. Her disappearance and subsequent murder investigation led to the arrest and charging of Jarvis Butts, a 41-year-old man from Highland Park, with first-degree premeditated murder, second-degree criminal sexual conduct, and child sexually abusive material. Na'Ziyah was reported missing the day after she was last seen. Her social media accounts went quiet, and she did not return home from school. Butts was charged with multiple counts related to Na'Ziyah's case, including murder and sexual assault. He was also accused of sexual offenses involving two other girls, one now 20 and another now 13, from separate incidents dating back to 2012 and 2015 respectively. It was alleged that Butts had groomed Na'Ziyah since 2022, leading to her pregnancy, which he tried to cover up by looking into abortions and even searching for methods like drinking red anti-freeze. Text messages revealed Butts and Na'Ziyah had communicated on the day she disappeared, planning a meet-up. Butts was seen with her after school, and they visited Ypsilanti before returning to Detroit. Police found clothing believed to be Na'Ziyah's near the Rouge River, where Butts was located the day after her disappearance, with signs suggesting a struggle. Digital forensics, including phone records, showed Butts' movements and searches related to abortions around the time Na'Ziyah went missing. Butts was bound over for trial after a preliminary examination where numerous witnesses, including family members and digital forensics experts, testified. The judge described Butts as a "monster" for his actions, believing he killed Na'Ziyah to cover up the pregnancy. Na'Ziyah's family has been actively involved, expressing frustration over the initial handling by school officials and hoping for justice. They've also highlighted systemic failures, particularly with Child Protective Services and school oversight, which might have prevented the tragedy if addressed earlier. As of the latest updates, Na'Ziyah's body has not been found, but the case proceeded to trial based on the overwhelming evidence of her murder by Butts. "As a community, we should look at this case as a prime example of how much work we have to do when it comes to protecting our children and especially Black girls." --Judge Aliyah Sabree
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So we took a deep dive into this Naziyah Harris case out of Detroit, and it is breaking our hearts... 💔 Na'Ziyah Harris, a 13-year-old from Detroit, went missing on January 9, 2024, after she was last seen getting off a school bus. Her disappearance and subsequent murder investigation led to the arrest and charging of Jarvis Butts, a 41-year-old man from Highland Park, with first-degree premeditated murder, second-degree criminal sexual conduct, and child sexually abusive material. Na'Ziyah was reported missing the day after she was last seen. Her social media accounts went quiet, and she did not return home from school. Butts was charged with multiple counts related to Na'Ziyah's case, including murder and sexual assault. He was also accused of sexual offenses involving two other girls, one now 20 and another now 13, from separate incidents dating back to 2012 and 2015 respectively. It was alleged that Butts had groomed Na'Ziyah since 2022, leading to her pregnancy, which he tried to cover up by looking into abortions and even searching for methods like drinking red anti-freeze. Text messages revealed Butts and Na'Ziyah had communicated on the day she disappeared, planning a meet-up. Butts was seen with her after school, and they visited Ypsilanti before returning to Detroit. Police found clothing believed to be Na'Ziyah's near the Rouge River, where Butts was located the day after her disappearance, with signs suggesting a struggle. Digital forensics, including phone records, showed Butts' movements and searches related to abortions around the time Na'Ziyah went missing. Butts was bound over for trial after a preliminary examination where numerous witnesses, including family members and digital forensics experts, testified. The judge described Butts as a "monster" for his actions, believing he killed Na'Ziyah to cover up the pregnancy. Na'Ziyah's family has been actively involved, expressing frustration over the initial handling by school officials and hoping for justice. They've also highlighted systemic failures, particularly with Child Protective Services and school oversight, which might have prevented the tragedy if addressed earlier. As of the latest updates, Na'Ziyah's body has not been found, but the case proceeded to trial based on the overwhelming evidence of her murder by Butts. "As a community, we should look at this case as a prime example of how much work we have to do when it comes to protecting our children and especially Black girls." --Judge Aliyah Sabree

The Melanin Project

8,313,118 просмотров • 1 год назад