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okay I think I have made the best webgpu wind line LOD system I can. continuous adding / subtracting of lines to maintain screen space density rather than discrete LOD levels, morphing when changing wind layers

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Codetaur

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37,869 görüntüleme • 1 ay önce •via X (Twitter)

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testing some more ways of doing webgpu wind line LOD with WindBorne Systems weathermesh 6 data
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testing some more ways of doing webgpu wind line LOD with WindBorne Systems weathermesh 6 data

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tiled dynamic LOD wind lines down to three draw calls
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tiled dynamic LOD wind lines down to three draw calls

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making my threejs / webgpu star renderer (planetarium?) more of a real thing. renders 44 million stars from the gaia star catalog at 120 fps. there's no LOD/culling. every star in frame is drawn. next is adding a nice API for agents to write "tours" that play automatically

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40,672 görüntüleme • 4 ay önce

“being apart this time, i don’t know when we will meet again. but whenever i can feel the wind blow, i’ll always think of you. i love you” OH MY GODDDD 😭 THE AIR FINAL EPISODE #เสน่หาวาโยตอนจบ
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“being apart this time, i don’t know when we will meet again. but whenever i can feel the wind blow, i’ll always think of you. i love you” OH MY GODDDD 😭 THE AIR FINAL EPISODE #เสน่หาวาโยตอนจบ

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Sparkjs streaming+LoD is now stable(ish). This flythrough is over 100m splats rendered in browser. The splats are chunked into ~900 pages with a working set of around 16million splats. I think it can handle arbitrary size worlds now. Anyone have a 1 billion splat I can try?
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Sparkjs streaming+LoD is now stable(ish). This flythrough is over 100m splats rendered in browser. The splats are chunked into ~900 pages with a working set of around 16million splats. I think it can handle arbitrary size worlds now. Anyone have a 1 billion splat I can try?

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“Frankly, my dear, I don’t give a damn.” Still one of the most iconic closing lines in film history. Gone With the Wind (1939) made history when the line nearly got censored by the Hays Code but producer fought to keep it in, and cinema was better for it.
2:42

“Frankly, my dear, I don’t give a damn.” Still one of the most iconic closing lines in film history. Gone With the Wind (1939) made history when the line nearly got censored by the Hays Code but producer fought to keep it in, and cinema was better for it.

cinesthetic.

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What do I miss in space other than my family? Weather! I miss wind and rain and the feeling of water because here in space, water floats! That's why we're here; we're doing experiments because we can take gravity out of the equation like I've done with the water here.
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What do I miss in space other than my family? Weather! I miss wind and rain and the feeling of water because here in space, water floats! That's why we're here; we're doing experiments because we can take gravity out of the equation like I've done with the water here.

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I wrote zero lines of this code. I think things are changing more rapidly than I understood. I probably spent 30 minutes talking to Opus 4.5 about it, and now I have a fully functioning tool. And I'm making more tools every day. I don't think we're slowing down!
0:54

I wrote zero lines of this code. I think things are changing more rapidly than I understood. I probably spent 30 minutes talking to Opus 4.5 about it, and now I have a fully functioning tool. And I'm making more tools every day. I don't think we're slowing down!

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"Rather than have lines like 'this is what we're doing, [...] we must do this, Matt would have a lot of lines like [...]"what do you think we should do? I'm not sure. What if we do that?" Charlie, I don't think a single one of those lines made it in the final cut bro. #Daredevil
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"Rather than have lines like 'this is what we're doing, [...] we must do this, Matt would have a lot of lines like [...]"what do you think we should do? I'm not sure. What if we do that?" Charlie, I don't think a single one of those lines made it in the final cut bro. #Daredevil

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asked codex to download 106 days of hourly high resolution rapid refresh wind data and make a video where each frame is one snapshot. it made this. (it's upside down. coding agent coordinate system flips are ever-present)
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asked codex to download 106 days of hourly high resolution rapid refresh wind data and make a video where each frame is one snapshot. it made this. (it's upside down. coding agent coordinate system flips are ever-present)

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I think this is one of the best videos of British politics ever made. I struggle to think of a moment that can top this.
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the problem with making a settings menu is that I immediately have to add a settings menu for the settings menu to the settings menu, trapping me forever in deeper layers of menu recursion
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the problem with making a settings menu is that I immediately have to add a settings menu for the settings menu to the settings menu, trapping me forever in deeper layers of menu recursion

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If you have a bad case of “tired of everything,” I can offer you a moment to watch the sunset and listen to the wind in the trees. #screenshotsaturday #pixelart #indiegame
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If you have a bad case of “tired of everything,” I can offer you a moment to watch the sunset and listen to the wind in the trees. #screenshotsaturday #pixelart #indiegame

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