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On The Rich Eisen Show, former MLB player Keith Hernandez explained how he landed his iconic guest role on Seinfeld despite never having seen the show or taking an acting class. Keith Hernandez: I didn't watch any prime time TV because we play night games and I didn't know...

110,876 просмотров • 11 дней назад •via X (Twitter)

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Jerry Seinfeld says Seinfeld only survived because one NBC executive reallocated funds from Saturday Night Wrestling to make four more episodes Rich Eisen : “Was it truly a pitch about a show about nothing when you actually pitched it?” Jerry Seinfeld : “No, no, no, never.” Rich Eisen: “What was the original pitch line?” Jerry Seinfeld : “The original pitch was how a comedian gets his material. Which Larry and I knew we were lying when we said it, because nobody wants to see that, it's not interesting. But it sounds good to a network executive.” Rich Eisen : “Right.” Jerry Seinfeld : “So, they gave us a pilot. They didn't like the pilot. And then Rick Ludwin said, 'You know what? I think this show isn't that bad.' Everyone disliked it. And Rick Ludwin said, 'I'm gonna take some money from Saturday Night Wrestling.' In those days, professional wrestling replaced Saturday Night Live once a month.” Jerry Seinfeld: “And he took the money from one of those, and it was enough money for us to make four episodes. We made four episodes, they still didn't like it. And then Fox said, 'We want the show,' and then NBC said, 'Okay, we'll make a few more.' They still wouldn't order it; they just didn't like it.” Rich Eisen : “So, which episode turned the tide? Was there one in particular that turned the tide, do you think?” Jerry Seinfeld : “No. No, but when they put it after Cheers, we got ratings.” “And then they put us on Wednesday night, and we went in the toilet again. We had four years of struggle, which, you know, we didn't really care, we were just having fun doing the show.”

KΞRL_✂️

148,834 просмотров • 19 дней назад

Jackie Gleason, the legendary American comedian and star of "The Honeymooners", on the time he got CBS to send him a private train to Miami: In the 1960s, Gleason decided he didn't want to shoot his show in New York anymore. He wanted to do it in Miami, and he wanted to get there in style. "When we're doing the Honeymooners, I had a big contract for that for two years. And after the first year, I said I didn't want to do it. And they didn't believe me. They thought I had a job somewhere else. And finally, they realized that I just didn't want to do it." When the network came back asking him to do another show, Gleason was in California making a picture. He said yes, but with one condition: "I said, 'All right.' I said, 'But I want a train that goes to Florida.' Because I had come down here and played golf and liked it and I figured might as well go to Florida and do the show. Play golf all the time and they went for it." They went for it. What followed was a rolling party across the country. Gleason describes what was on the train: "Everything. We had two Dixieland bands come from California and they would spell each other. I'd say to them, 'Take five miles,' and the parties went on 24 hours." Asked if there were girls on the train, he laughs: "Boy, there were girls. There certainly were. And they were very, very nice girls. Nothing on it happened. I know that sounds ridiculous, but it didn't. Might have been because the berths were too small, but regardless of that, nothing happened on that trip." Asked if there was a bar on the train, his answer is perfect: "A bar. The train was a bar. I guess that's a classic example of what clout is." Then he delivers the line that sums up the whole story: "'Send a train, please.' That's right. When you've got good ratings and you're one, two, or three in the ratings, there is nothing your little heart desires that they don't provide."

Emmett Voss

289,880 просмотров • 3 месяцев назад

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”

Jack

1,184,527 просмотров • 2 месяцев назад

Taylor Sheridan says quitting his acting role on Sons of Anarchy over a $5,000 per episode dispute led to a writing career behind Sicario, Yellowstone, Landman and more “Season two of Sons of Anarchy had ended. I'm an actor on this show making scale. And I literally would leave the set of that show and go to my other job because I didn't make enough on that show to pay my rent and live” “So after season two, I told them, I said, ‘Guys, I'm not coming back and doing this again for this price. I want what the other 14 people, not even asking for what Charlie gets or Katie or Ron Perlman. I just want what the other 11 guys are getting.’ And they couldn't do it” “The other guys were getting, it's a 13-episode show, they're getting $20,000 an episode before taxes, before agents, before everything. We're not talking about an exorbitant amount of money. They said, ‘We'll give you $15,000 and we'll guarantee you 10 episodes. That's all you're getting’” “I do the math on it, and I said, ‘That's not a raise. No.’ And my attorney responded to this business affairs guy. He said, ‘Look, I've got kids on fucking cooking shows on YouTube that make more than that.’ And he goes, ‘Well, then the guy should go get a cooking show on YouTube. We just don't have to pay him because there's 50 of that dude. I can recast that guy tomorrow’” “I realized my value is I'm imminently replaceable and that my business did not respect me. So I quit the show. Whether you want to call it pride or ego or integrity, but I just realized I've maxed out what I can do as an actor in this industry. And the people that have all the power are the people telling stories. So I'm going to tell my own stories. That's when I decided that I was going to write”

dank

1,766,360 просмотров • 1 месяц назад

René Meulensteen, former Manchester United coach, on Cristiano Ronaldo: “Basically, I told him, ‘I think I know exactly what you want.’ He looked at me like, ‘How can you know? We’ve never had a conversation.’ I said, ‘Yes, I know.’ He asked, ‘What is it?’ I said, ‘You want to be the best player in the world—not once, not twice, but many, many times to come.’ I asked, ‘Am I wrong?’ He said, ‘No, you’re right.’ Then I asked him, ‘Will you be the best player in the world tomorrow?’ He said, ‘No, probably not.’ I said, ‘Next week?’ He said, ‘No.’ ‘Next month?’ ‘No.’ So I told him, ‘By the end of the season, we need to work on what will bring you closer to what you want to achieve. One of those aspects is understanding and being aware of the kind of player you are and the position you play. But more than anything, you need to understand how to utilize your strengths—and one of them is scoring goals.’ I asked, ‘How many goals did you score last season?’ He said, ‘23.’ I said, ‘Okay, but I assume you want to get better, don’t you?’ He said, ‘Yes.’ So I asked, ‘What’s your target for this season? Because if it’s the same, you’re not really improving.’ He thought about it and said, ‘30?’ I nodded. Then he asked, ‘What do you think?’ I said, ‘I think 40.’ He said, ‘Forty? That’s nearly double.’ Then I took him inside and showed him a video of United’s top strikers—Dwight Yorke, Andy Cole, Teddy Sheringham, Ole Gunnar Solskjær, and Ruud van Nistelrooy. It was a three-minute clip—goals after goals, bang, bang, bang. I asked, ‘What did you see?’ He said, ‘A lot of goals—beautiful goals.’ I said, ‘Yeah, but what do you really see?’ He said, ‘Goals.’ I said, ‘No, no, no. You’re going to watch it again and then tell me what you see.’ We watched it again, and I asked, ‘What do you see?’ He said, ‘I know what you mean—most goals are scored from inside the box, most are scored with one or two touches, and there’s a variety: tap-ins, shots, headers, and so on.’ I said, ‘Correct. These are exactly the three things you’re going to work on on the pitch.’”

(fan)28^

101,573 просмотров • 3 месяцев назад

ZELENSKYY ON HIS CONVERSATION WITH ABRAMOVICH: Ceasefire is the biggest compromise from our side to your side. ZELENSKYY: Abramovich, so he came to Kyiv,bI think that he said: "I have message direct to you, and I want to get message, and take message from you, and to give it to Putin." But he said that it has to be silently, without any kind of, public messages. I said, "Look, it's your choice. Okay, for us it doesn't matter, public or un-public." But it's always with Russians such way. If they say something has to be between us, it's mean that tomorrow not only we will know about it. But it's not a secret. He came, and he wanted to give me the message that they want to to understand what we are ready to do. I said: "The question is not about us. You are fighting against us on our territory." And I said to him about Donbas, it was the key message. And I said: "No, we will not leave, and we will not go out from our territory. No, we will not give you a victory such way. And you will not get it." And we spoke about any kind of compromises. I said that all the compromises after ceasefire. Ceasefire is the biggest compromise from our side to your side. JOURNALIST: So is he a go-between now? Between you and Vladimir Putin, he's going back and forth? ZELENSKYY: I don't know. When he got message from me, he said he will go directly to Putin. I said: "Okay, I'm ready to meet, not in Moscow, not in Belarus, and not in Minsk," and it's understandable why. I said, "You can choose any time from tomorrow. You can choose any day, any format. We can choose with President Trump. I'm sure that he will be ready to come, and we can do it with Europeans. I'm sure that everybody want to help, or we can choose the way bilateral, just bilateral meeting."

Kateryna Lisunova

25,494 просмотров • 2 месяцев назад

😑 “You know, when I did the 250, there was nothing I could do. It was 250. It was 250. So I can't see -- that was my baby. The country happened to be 250 years old. But what I did do is during my first term, I got the Olympics, and I got the Great Soccer. You know that whole deal, right? I got -- we call it soccer. They call it football. I got them both. I got the Olympics. First, I got the Olympics, and I got it. I was president. And I said, you know, it's a shame. It's a shame. I got the World Cup, and I have the Olympics, and I did it. And you have no idea. President Obama didn't want to make a call to the Olympics. You know why? Because he went to Switzerland or wherever, and he said, you know, if a president goes to get the Olympics, you have to have a deal. You have to be chosen. He went there, and he came in fourth, so he hated them, I guess. And he was unwilling to make a call, and they called me up. The Democrats called me up, actually, from Los Angeles, and I said, I'll do it. I made the call, and I couldn't get the people off the phone because they were so starved for love, because nobody would call them from -- anyway, we made a deal. I got the Olympics. Then we got the World Cup with Johnny. We got the World Cup, and I got them both, and I looked at my people. I said, isn't it a shame? I got these two, but it wasn't in the next four years. It was right after that, and the one after that. And I got the Olympics, and I got the World Cup, and we also have 250, so that's a pretty wild term. But I got these two things that are incredible. Nobody else could have done it. I'm telling you, everybody wanted it. Nobody could have done it. And I said, and I won't be president, because I'll be president for four more years, but it won't be -- and then they cheated and rigged the election. They rigged -- you know, they don't even turn off the cameras when I say that now, because now they know it's true, too. But they knew it was true before. Remember, the cameras used to immediately turn off. You see all those beautiful red lights go off. Now I can say whatever I want, because then they know it's true. But they knew it was true before. It's fake news. That's why they call it. But you know what? This term is much more consequential than if I had done it the more traditional way. This was slightly harder, believe me. It's slightly more dangerous, because they're criminals on the other side that tried to put your president in jail and went after him, just like they do in third-world countries. And we all beat em together. We beat em because our level of popularity was so high.”

Jim Stewartson, Decelerationist 🇨🇦🇺🇦🇺🇸

2,108,927 просмотров • 1 год назад

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!

DepressedBergman

67,455 просмотров • 1 месяц назад