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On Top of the Pops, Pulp perform “Common People”, released on Different Class in 1995. One of the defining tracks of the Britpop era, it captured the band’s sharp social commentary.

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15,465 görüntüleme • 5 ay önce •via X (Twitter)

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Pulp - Common People Top of the Pops, 1995
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Pulp - Common People Top of the Pops, 1995

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Appearing on Pills ’n’ Thrills and Bellyaches, released November 1990, “Loose Fit” became one of the defining tracks for Happy Mondays. Performed here on Top of the Pops in 1991, the track captures the band’s loose, groove driven sound at the height of the Madchester era.
2:43

Appearing on Pills ’n’ Thrills and Bellyaches, released November 1990, “Loose Fit” became one of the defining tracks for Happy Mondays. Performed here on Top of the Pops in 1991, the track captures the band’s loose, groove driven sound at the height of the Madchester era.

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Pulp - Common People (Top of the Pops, 1995) Great 90’s tune!
3:50

Pulp - Common People (Top of the Pops, 1995) Great 90’s tune!

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Top of the Pops in 1986 captures The Housemartins as they deliver “Happy Hour”, released that same year. One of their defining hits, it captured the band’s upbeat, socially aware style.
2:07

Top of the Pops in 1986 captures The Housemartins as they deliver “Happy Hour”, released that same year. One of their defining hits, it captured the band’s upbeat, socially aware style.

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At T In The Park in 2003, The Music perform “Getaway”, released on The Music in 2002. Built on a driving groove and widescreen sound, it became one of the band’s defining early 2000s tracks.
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At T In The Park in 2003, The Music perform “Getaway”, released on The Music in 2002. Built on a driving groove and widescreen sound, it became one of the band’s defining early 2000s tracks.

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Captured in 1994, Blur stripped back their Britpop anthem “Parklife” for a rare acoustic performance. Originally released the same year on Parklife, the song became a defining moment of the era, pairing Damon Albarn’s wry social storytelling with Phil Daniels’ unmistakable narration. The performance showcased the band’s charm and sharp musicianship at the peak of their 90s dominance.
2:52

Captured in 1994, Blur stripped back their Britpop anthem “Parklife” for a rare acoustic performance. Originally released the same year on Parklife, the song became a defining moment of the era, pairing Damon Albarn’s wry social storytelling with Phil Daniels’ unmistakable narration. The performance showcased the band’s charm and sharp musicianship at the peak of their 90s dominance.

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Emerging in the early 90s before Britpop took hold, “Bang” saw Blur deliver one of their earliest singles, appearing on Leisure, released August 1991. Performed here on Top of the Pops, the track captures the band’s initial Madchester influenced sound.
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Emerging in the early 90s before Britpop took hold, “Bang” saw Blur deliver one of their earliest singles, appearing on Leisure, released August 1991. Performed here on Top of the Pops, the track captures the band’s initial Madchester influenced sound.

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Built around one of the slowest and most uncomfortable moments on Different Class, Pulp performed “Underwear” at Loreley Festival in 1996 with the awkward intimacy and sharp social observation that defined Jarvis Cocker’s songwriting during the Britpop era. Never released as a single, the track became a fan favourite for its creeping tension, voyeuristic lyrics, and gradual build toward chaos.
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Built around one of the slowest and most uncomfortable moments on Different Class, Pulp performed “Underwear” at Loreley Festival in 1996 with the awkward intimacy and sharp social observation that defined Jarvis Cocker’s songwriting during the Britpop era. Never released as a single, the track became a fan favourite for its creeping tension, voyeuristic lyrics, and gradual build toward chaos.

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Exploding with raw intensity in the late 90s, “Blind” saw Korn deliver one of their most defining tracks, appearing on Korn, released October 1994. Captured here at UNO Lakefront Arena in 1998, the performance reflects the band’s aggressive sound at the height of their rise.
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Exploding with raw intensity in the late 90s, “Blind” saw Korn deliver one of their most defining tracks, appearing on Korn, released October 1994. Captured here at UNO Lakefront Arena in 1998, the performance reflects the band’s aggressive sound at the height of their rise.

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Released in 1994 and later reissued in 1995, “Set You Free” became a breakout hit for N-Trance. Performed here on Top of the Pops, the track appears on Electronic Pleasure and is widely regarded as one of the defining UK dance anthems of the decade.
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Released in 1994 and later reissued in 1995, “Set You Free” became a breakout hit for N-Trance. Performed here on Top of the Pops, the track appears on Electronic Pleasure and is widely regarded as one of the defining UK dance anthems of the decade.

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A heavier early track by Foo Fighters, “Weenie Beenie” appears on Foo Fighters, released July 1995. Captured here at the Phoenix Festival in 1996, it reflects the raw, aggressive edge of the band’s debut era.
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A heavier early track by Foo Fighters, “Weenie Beenie” appears on Foo Fighters, released July 1995. Captured here at the Phoenix Festival in 1996, it reflects the raw, aggressive edge of the band’s debut era.

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Later… with Jools Holland in 2002 features The Libertines as they deliver “Boys in the Band”, released on Up the Bracket that same year. One of the defining tracks from their debut, it captured the raw energy of their early rise.
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Later… with Jools Holland in 2002 features The Libertines as they deliver “Boys in the Band”, released on Up the Bracket that same year. One of the defining tracks from their debut, it captured the raw energy of their early rise.

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Reissued in March 1991, “Sit Down” became the breakthrough hit for James. Performed here on Top of the Pops, the track appears on Gold Mother and is widely regarded as one of the defining UK anthems of the era.
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Reissued in March 1991, “Sit Down” became the breakthrough hit for James. Performed here on Top of the Pops, the track appears on Gold Mother and is widely regarded as one of the defining UK anthems of the era.

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Exploding with raw intensity, “Violet” stands as one of the defining tracks by Hole. Performed live in Philadelphia in 1999, the track captures the band’s fierce energy and confrontational edge at the height of their late 90s era.
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Exploding with raw intensity, “Violet” stands as one of the defining tracks by Hole. Performed live in Philadelphia in 1999, the track captures the band’s fierce energy and confrontational edge at the height of their late 90s era.

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Released during the campaign for The It Girl, "Sale of the Century" showcased the sharp songwriting and witty observations that helped make Sleeper one of the leading bands of the Britpop era. Their appearance on TFI Friday in April 1996 came as the group were enjoying their biggest commercial success, bringing one of the album's standout singles to a national television audience.
3:29

Released during the campaign for The It Girl, "Sale of the Century" showcased the sharp songwriting and witty observations that helped make Sleeper one of the leading bands of the Britpop era. Their appearance on TFI Friday in April 1996 came as the group were enjoying their biggest commercial success, bringing one of the album's standout singles to a national television audience.

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Country House Live on the Top of The Pops Christmas Special, 1995
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Country House Live on the Top of The Pops Christmas Special, 1995

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The Who 🎩🪄 Pinball Wizard (1969) Performed on This Is Tom Jones. One of the defining tracks of classic rock, driven by Pete Townshend’s songwriting and the explosive chemistry of the band’s classic lineup. #TheWho
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The Who 🎩🪄 Pinball Wizard (1969) Performed on This Is Tom Jones. One of the defining tracks of classic rock, driven by Pete Townshend’s songwriting and the explosive chemistry of the band’s classic lineup. #TheWho

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Taken as a B side from “Don’t Look Back in Anger” in 1995, “Cum on Feel the Noize” was recorded by Oasis as a cover of the Slade classic. Performed here on Later… with Jools Holland in 1995, the track captures the band’s raw, high energy sound at the height of Britpop.
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Taken as a B side from “Don’t Look Back in Anger” in 1995, “Cum on Feel the Noize” was recorded by Oasis as a cover of the Slade classic. Performed here on Later… with Jools Holland in 1995, the track captures the band’s raw, high energy sound at the height of Britpop.

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