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Once Bollywood used to propagate subtle Hindu hatred through selective portrayals and mockery of traditions – behind it was the agenda of missionaries and leftists. Now the Tamil cinema industry is following hidden Dravidian-missionary-leftist propaganda that demonizes Hindus, Brahmins, and temples. Be alert, Kannada industry do not go down... show more

ಸನಾತನ (सनातन)

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91,902 次观看 • 8 个月前 •via X (Twitter)

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Shocking and disrespectful!😡 Police seen wearing shoes inside the sacred 2000-year-old Nellaiappar Temple in Thirunelveli. This blatant disregard for Hindu customs is part of a larger anti-Hindu agenda driven by Dravidian forces to erode our culture and traditions. We won’t stand silent as our heritage is disrespected.

Shocking and disrespectful!😡 Police seen wearing shoes inside the sacred 2000-year-old Nellaiappar Temple in Thirunelveli. This blatant disregard for Hindu customs is part of a larger anti-Hindu agenda driven by Dravidian forces to erode our culture and traditions. We won’t stand silent as our heritage is disrespected.

APR

236,094 次观看 • 2 年前

Why are Brahmins always the target? Whether it was the invaders from the past or the missionaries of the later years, why have Brahmins always been on their radar? The truth is, Brahmins stood as the strongest shield for our temples and our culture. When temples like Somnath were under attack, they didn't just pray - they fought to protect the idols with their lives. When missionaries tried to convert people, they found it hardest to convince Brahmins, who were deep-rooted in logic and Shastras. Even in our freedom struggle, a huge number of those who stood against the British were Brahmins from Tatya Tope to Veer Savarkar and Chandrashekhar Azad. Today, a new narrative is being created to divide us by calling them "oppressors" and spreading caste-based hatred. It's a calculated move to weaken the pillars of our civilization and create unrest in our society. It’s time we understand this strategy of 'Divide and Rule' and stand united as one!

Why are Brahmins always the target? Whether it was the invaders from the past or the missionaries of the later years, why have Brahmins always been on their radar? The truth is, Brahmins stood as the strongest shield for our temples and our culture. When temples like Somnath were under attack, they didn't just pray - they fought to protect the idols with their lives. When missionaries tried to convert people, they found it hardest to convince Brahmins, who were deep-rooted in logic and Shastras. Even in our freedom struggle, a huge number of those who stood against the British were Brahmins from Tatya Tope to Veer Savarkar and Chandrashekhar Azad. Today, a new narrative is being created to divide us by calling them "oppressors" and spreading caste-based hatred. It's a calculated move to weaken the pillars of our civilization and create unrest in our society. It’s time we understand this strategy of 'Divide and Rule' and stand united as one!

Arpit

30,551 次观看 • 9 个月前

Culture so goated that those who once used to fight against it are now following it 🔥 She is Hania Amir, She has dressed up in Indian Saree and put Bindi on her forehead. They know that nothing can match the aesthetics of Hindu culture and that's why they copy it. Hypocrisy is that after copying they label it as 'South Asian' culture. The culture which they hated for years by calling it "Too Hindu" is now suddenly becoming popular among them.

Culture so goated that those who once used to fight against it are now following it 🔥 She is Hania Amir, She has dressed up in Indian Saree and put Bindi on her forehead. They know that nothing can match the aesthetics of Hindu culture and that's why they copy it. Hypocrisy is that after copying they label it as 'South Asian' culture. The culture which they hated for years by calling it "Too Hindu" is now suddenly becoming popular among them.

Chota Don

528,846 次观看 • 2 个月前

See the kind of hatred this convert, Bh@dwa Prakash Raj, has toward the Bhagwa, the RSS, and even the Prime Minister of India. He cannot tolerate a government that stands for Hindus. He does not merely propagate propaganda against the government and Hindus; it is his deep hatred toward Hindus that drives him. He is constantly trying to incite riots against Hindus and the government. He is a naxal. This is what happens when someone gets converted. Converts are a threat to indigenous people and to the integrity of the nation.

See the kind of hatred this convert, Bh@dwa Prakash Raj, has toward the Bhagwa, the RSS, and even the Prime Minister of India. He cannot tolerate a government that stands for Hindus. He does not merely propagate propaganda against the government and Hindus; it is his deep hatred toward Hindus that drives him. He is constantly trying to incite riots against Hindus and the government. He is a naxal. This is what happens when someone gets converted. Converts are a threat to indigenous people and to the integrity of the nation.

Namami Bharatam 🚩

33,057 次观看 • 8 个月前

Producer K. Rajan’s death raises disturbing and deeply uncomfortable questions! He was 85 years old. Can an elderly man at that age really jump off a bridge so easily? The circumstances simply do not sit right. K. Rajan was not just another producer. He was one of the very few voices in the Tamil film industry who openly and repeatedly spoke about the unhealthy economics of modern cinema, especially mainstream stars swallowing massive portions of film budgets and pushing producers towards financial ruin. For years, he warned that the industry was becoming unsustainable. So naturally, questions will arise. Was this truly a suicide? Or is there something far more sinister behind this tragedy? What exactly is happening inside the Tamil film industry today? Why does the industry repeatedly witness stories of financial collapse, emotional breakdown, silence, fear, and now an emerging suicide culture? Will the leading stars of the industry finally come together and address these issues seriously instead of pretending everything is normal? And most importantly, will the CMOTamilNadu who himself comes from the cinema industry call for a proper press conference, acknowledge the gravity of the situation, and initiate serious discussions on the state of the industry? Because this no longer looks like an isolated tragedy. There is something fundamentally flawed and disturbing!

Producer K. Rajan’s death raises disturbing and deeply uncomfortable questions! He was 85 years old. Can an elderly man at that age really jump off a bridge so easily? The circumstances simply do not sit right. K. Rajan was not just another producer. He was one of the very few voices in the Tamil film industry who openly and repeatedly spoke about the unhealthy economics of modern cinema, especially mainstream stars swallowing massive portions of film budgets and pushing producers towards financial ruin. For years, he warned that the industry was becoming unsustainable. So naturally, questions will arise. Was this truly a suicide? Or is there something far more sinister behind this tragedy? What exactly is happening inside the Tamil film industry today? Why does the industry repeatedly witness stories of financial collapse, emotional breakdown, silence, fear, and now an emerging suicide culture? Will the leading stars of the industry finally come together and address these issues seriously instead of pretending everything is normal? And most importantly, will the CMOTamilNadu who himself comes from the cinema industry call for a proper press conference, acknowledge the gravity of the situation, and initiate serious discussions on the state of the industry? Because this no longer looks like an isolated tragedy. There is something fundamentally flawed and disturbing!

Praveen

140,336 次观看 • 4 个月前

Telugu television industry is under massive attack. I told many times that Telugu television and media industry is taken over by the desert cults. No need to know the language. Just watch it and you will understand. They are silently pushing their agenda of making Hindus to visit dargahs. They are normalising it. They are making it mainstream. This is nothing but using media as Soft power and trying to push their agenda. Not sure how this is being allowed in the first place. If we don’t object to this nonsense and ignore, they will increase their dose. They are testing waters now. Checking if there will be any resistance from Hindus. ZeeTV ZeeTVTelugu stop this mockery of Hindus. Ministry of Information and Broadcasting Ashwini Vaishnaw #HindusUnderAttack

Telugu television industry is under massive attack. I told many times that Telugu television and media industry is taken over by the desert cults. No need to know the language. Just watch it and you will understand. They are silently pushing their agenda of making Hindus to visit dargahs. They are normalising it. They are making it mainstream. This is nothing but using media as Soft power and trying to push their agenda. Not sure how this is being allowed in the first place. If we don’t object to this nonsense and ignore, they will increase their dose. They are testing waters now. Checking if there will be any resistance from Hindus. ZeeTV ZeeTVTelugu stop this mockery of Hindus. Ministry of Information and Broadcasting Ashwini Vaishnaw #HindusUnderAttack

Tathvam-asi

184,483 次观看 • 1 年前

How 'Beef Parotta' Became A Part Of "Kerala's Culture?" Today, ‘beef curry’ and ‘parotta’ are proudly flaunted as Kerala's culture. It can be seen everywhere, from the speeches of political leaders to Malayalam cinema. But was it always like this? Definitely not, it was forced into Kerala's cuisine, and ultimately its "culture." To know how, read or watch the following. Like the rest of India, the Hindus of Kerala held profound reverence for the cow, and there is a great deal of historical evidence to prove this. Famous foreign travellers like Ibn Battuta and Abdur Razzaq clearly wrote in their travelogues that slaughtering a cow in Kerala was the greatest crime, punishable by the most gruesome death. However, reverence for the cow has now become an exception in Kerala. And it is not because cow worship was not a tradition in Kerala, but because a systematic de-Hinduisation and de-sacralisation of public life has been carried out here. If we look at British records of Kerala, the slaughter of cows by Moplahs in Malabar at that time was the biggest cause of frequent Hindu-Muxlim riots, as the British refused to intervene on behalf of the Hindus. During the Moplah Riots of the 1920s, there were countless incidents where Muxlims ofnormalisation Malabar slaughtered cows in temples and forcibly fed beef to Hindus to convert them. Because the rule of the Hindu Zamorin kings ended early in Malabar and a majority of the Hindu population was converted to Islam, cow slaughter and beef consumption became commonplace in this region. Conversely, in Travancore, cow slaughter was completely banned, and in Cochin, it was severely restricted. Thus, the roots of beef normalisation in Kerala lie in the Muxlim-majority Malabar. By the 1920s, due to British patronage and their dominance in the timber trade for shipbuilding, the Moplah Muxlims of Kerala began to become economically empowered. Since Malabar was a coastal region, these Muslims had been trading in Burma and Malaysia since the beginning, and with the Gulf Oil Boom of the 1960s, they not only earned wealth in Gulf countries but also strengthened their religious orthodoxy. Meanwhile, the exact opposite was happening to the Hindus. Kerala saw the formation of India's first non-Congress government, and it was a Communist one. The Communists launched sustained ideological attacks on the sacred religious beliefs of Hindus and began to desacralize or secularize all traditional institutions. Since Christians and Muslims had gained a demographic advantage due to forced conversions, they collaborated with the Communist state to undermine Hindu beliefs. For instance, the "land reforms" of the 1970s severely broke the stronghold of the traditional Hindu elite. Following historical patterns, they began to openly offend and humiliate Hindus in Malabar using cow slaughter and beef with full state support. A prime example of this is the portrayal of beef in Malayalam cinema. As long as the cinema was dominated by middle-class and upper-caste Hindus, beef was never shown, because it was simply not a part of their culture. However, as soon as Muxlim and X-tian producers, directors, and writers established a foothold after the year 2000, they turned the forced reality of ‘beef-parotta’ into a symbol of Kerala’s food culture. And as a result of this sustained propaganda around beef in 'popular culture' (cinema, theatre, media, etc.) by the Ixlamo-Marxist next, an average Malayali Hindu who consumes all this media started believing in the narrative of beef (cow meat) as part of Kerala's culture. This systematic and exaggerated propagandist portrayal on the reel started influencing reality to a significant extent. Although even today, the majority of Hindus in Kerala do not eat beef, it remains a largely political act. However, the normalisation of beef in Kerala is a clear-cut example of how Communist and Abrahamic ideologies can subvert any native culture in a very short span of time.

How 'Beef Parotta' Became A Part Of "Kerala's Culture?" Today, ‘beef curry’ and ‘parotta’ are proudly flaunted as Kerala's culture. It can be seen everywhere, from the speeches of political leaders to Malayalam cinema. But was it always like this? Definitely not, it was forced into Kerala's cuisine, and ultimately its "culture." To know how, read or watch the following. Like the rest of India, the Hindus of Kerala held profound reverence for the cow, and there is a great deal of historical evidence to prove this. Famous foreign travellers like Ibn Battuta and Abdur Razzaq clearly wrote in their travelogues that slaughtering a cow in Kerala was the greatest crime, punishable by the most gruesome death. However, reverence for the cow has now become an exception in Kerala. And it is not because cow worship was not a tradition in Kerala, but because a systematic de-Hinduisation and de-sacralisation of public life has been carried out here. If we look at British records of Kerala, the slaughter of cows by Moplahs in Malabar at that time was the biggest cause of frequent Hindu-Muxlim riots, as the British refused to intervene on behalf of the Hindus. During the Moplah Riots of the 1920s, there were countless incidents where Muxlims ofnormalisation Malabar slaughtered cows in temples and forcibly fed beef to Hindus to convert them. Because the rule of the Hindu Zamorin kings ended early in Malabar and a majority of the Hindu population was converted to Islam, cow slaughter and beef consumption became commonplace in this region. Conversely, in Travancore, cow slaughter was completely banned, and in Cochin, it was severely restricted. Thus, the roots of beef normalisation in Kerala lie in the Muxlim-majority Malabar. By the 1920s, due to British patronage and their dominance in the timber trade for shipbuilding, the Moplah Muxlims of Kerala began to become economically empowered. Since Malabar was a coastal region, these Muslims had been trading in Burma and Malaysia since the beginning, and with the Gulf Oil Boom of the 1960s, they not only earned wealth in Gulf countries but also strengthened their religious orthodoxy. Meanwhile, the exact opposite was happening to the Hindus. Kerala saw the formation of India's first non-Congress government, and it was a Communist one. The Communists launched sustained ideological attacks on the sacred religious beliefs of Hindus and began to desacralize or secularize all traditional institutions. Since Christians and Muslims had gained a demographic advantage due to forced conversions, they collaborated with the Communist state to undermine Hindu beliefs. For instance, the "land reforms" of the 1970s severely broke the stronghold of the traditional Hindu elite. Following historical patterns, they began to openly offend and humiliate Hindus in Malabar using cow slaughter and beef with full state support. A prime example of this is the portrayal of beef in Malayalam cinema. As long as the cinema was dominated by middle-class and upper-caste Hindus, beef was never shown, because it was simply not a part of their culture. However, as soon as Muxlim and X-tian producers, directors, and writers established a foothold after the year 2000, they turned the forced reality of ‘beef-parotta’ into a symbol of Kerala’s food culture. And as a result of this sustained propaganda around beef in 'popular culture' (cinema, theatre, media, etc.) by the Ixlamo-Marxist next, an average Malayali Hindu who consumes all this media started believing in the narrative of beef (cow meat) as part of Kerala's culture. This systematic and exaggerated propagandist portrayal on the reel started influencing reality to a significant extent. Although even today, the majority of Hindus in Kerala do not eat beef, it remains a largely political act. However, the normalisation of beef in Kerala is a clear-cut example of how Communist and Abrahamic ideologies can subvert any native culture in a very short span of time.

Prateek

575,980 次观看 • 7 个月前

Cho gives the finest slipper shot to DMK stooge and political fraud TVK Vijay! Cho explains anything that is not followed according to traditions is Anti-culture! Anti-tradition! Anti-faith! These should never be respected and recognized! This is in response to New Year wishes from political fraud Vijay on Pongal day. This was brought in by Karunanidhi, and political fraud is trying to revive a ‘Neo-Dravidian’ culture in the state! No wonder I have been saying that Vijay is a stooge of DMK! TVK = DMK BTW Happy Pongal to Everyone! அனைவருக்கும் பொங்கல் மற்றும் திராவிட புத்தாண்டு! #HappyPongal #HappySankranti

Cho gives the finest slipper shot to DMK stooge and political fraud TVK Vijay! Cho explains anything that is not followed according to traditions is Anti-culture! Anti-tradition! Anti-faith! These should never be respected and recognized! This is in response to New Year wishes from political fraud Vijay on Pongal day. This was brought in by Karunanidhi, and political fraud is trying to revive a ‘Neo-Dravidian’ culture in the state! No wonder I have been saying that Vijay is a stooge of DMK! TVK = DMK BTW Happy Pongal to Everyone! அனைவருக்கும் பொங்கல் மற்றும் திராவிட புத்தாண்டு! #HappyPongal #HappySankranti

Praveen

34,455 次观看 • 8 个月前

.BJP West Bengal unit is truly proving to be a puppet of BJP! Defacing the images of Raja Ram Mohan Roy and Mother Teresa is not merely an act of vandalism, it is a direct insult to the very soul, conscience, and cultural legacy of Bengal. It exposes the complete absence of respect for the towering icons who shaped our rich history with compassion and humanity. This growing culture of hatred and intolerance strikes at the heart of Bengal’s identity and values. This is NOT the Bengal that generations fought to build and protect. People will not forgive, people will not forget.

.BJP West Bengal unit is truly proving to be a puppet of BJP! Defacing the images of Raja Ram Mohan Roy and Mother Teresa is not merely an act of vandalism, it is a direct insult to the very soul, conscience, and cultural legacy of Bengal. It exposes the complete absence of respect for the towering icons who shaped our rich history with compassion and humanity. This growing culture of hatred and intolerance strikes at the heart of Bengal’s identity and values. This is NOT the Bengal that generations fought to build and protect. People will not forgive, people will not forget.

All India Trinamool Congress

181,797 次观看 • 4 个月前

Why is it Always the Hindu Girl Who Has to Change? Yaar, have you ever noticed a common pattern in these "love" stories? In this video from Kerala, we see a Hindu girl happily removing her bindi - the very symbol of her identity and culture only to replace it with a hijab for a Muslim boy. It’s always presented with such "sweet" music and a smile, but have you ever seen it happen the other way around? Why is "love" always a one-way street where the Hindu girl has to leave her roots, her traditions, and her identity behind? Is this real love, or is it a subtle way of erasing our culture one video at a time? It's time to wake up and see the reality behind these "trendy" transitions. Our identity is not a costume that we can just take off and throw away. Be proud of your roots! What’s your take on this? Is this "true love" or just another way to target our traditions?

Why is it Always the Hindu Girl Who Has to Change? Yaar, have you ever noticed a common pattern in these "love" stories? In this video from Kerala, we see a Hindu girl happily removing her bindi - the very symbol of her identity and culture only to replace it with a hijab for a Muslim boy. It’s always presented with such "sweet" music and a smile, but have you ever seen it happen the other way around? Why is "love" always a one-way street where the Hindu girl has to leave her roots, her traditions, and her identity behind? Is this real love, or is it a subtle way of erasing our culture one video at a time? It's time to wake up and see the reality behind these "trendy" transitions. Our identity is not a costume that we can just take off and throw away. Be proud of your roots! What’s your take on this? Is this "true love" or just another way to target our traditions?

Arpit

44,269 次观看 • 8 个月前

The elites have rewritten, denigrated, and attacked our past. We say enough. BRITAIN: A History to Be Proud Of. A civilisation that shaped Western civilisation and enriched the world. Our culture is deeply felt, forged through an extraordinary history, rooted in our land and our people, carried by pride, Christian belief, vision, sacrifice, and endeavour. This is our story. And it matters. Because a nation without memory cannot endure, and a culture without roots cannot survive. An Advance UK Government WILL fearlessly protect this inheritance, honour what was built, and secure it for future generations. A Culture Worth Defending. Join us on 7th February for the unveiling of our draft Culture and Immigration Policy.

The elites have rewritten, denigrated, and attacked our past. We say enough. BRITAIN: A History to Be Proud Of. A civilisation that shaped Western civilisation and enriched the world. Our culture is deeply felt, forged through an extraordinary history, rooted in our land and our people, carried by pride, Christian belief, vision, sacrifice, and endeavour. This is our story. And it matters. Because a nation without memory cannot endure, and a culture without roots cannot survive. An Advance UK Government WILL fearlessly protect this inheritance, honour what was built, and secure it for future generations. A Culture Worth Defending. Join us on 7th February for the unveiling of our draft Culture and Immigration Policy.

Great British PAC

237,122 次观看 • 7 个月前

Panchkula, Haryana: On the controversy over actress Nora Fatehi’s song, State Women's Commission Chairperson Renu Bhatia says, "Look, earlier we used to hear such things about Hollywood, but now our Bollywood is following the same path. Whether big stars or small stars, everyone wants to become rich overnight, earn money, and gain popularity. We do not regret earning or becoming popular, but it should not be done at the cost of destroying our culture..."

Panchkula, Haryana: On the controversy over actress Nora Fatehi’s song, State Women's Commission Chairperson Renu Bhatia says, "Look, earlier we used to hear such things about Hollywood, but now our Bollywood is following the same path. Whether big stars or small stars, everyone wants to become rich overnight, earn money, and gain popularity. We do not regret earning or becoming popular, but it should not be done at the cost of destroying our culture..."

IANS

33,208 次观看 • 6 个月前

In this video, Madam Maryam Nawaz Sharif is seen touching her father's feet in the style of Hindu culture. Now the problem is this practice is not permitted in Punjabi Hindu culture, as we Punjabis are primarily worshippers of the Goddess (Devi) and do not allow daughters to touch anyone's feet. Daughters-in-law may sometimes do so, but most in-laws discourage it and ask them not to repeat the gesture. #IranRevolution2026

In this video, Madam Maryam Nawaz Sharif is seen touching her father's feet in the style of Hindu culture. Now the problem is this practice is not permitted in Punjabi Hindu culture, as we Punjabis are primarily worshippers of the Goddess (Devi) and do not allow daughters to touch anyone's feet. Daughters-in-law may sometimes do so, but most in-laws discourage it and ask them not to repeat the gesture. #IranRevolution2026

Asli Punjabi

316,285 次观看 • 8 个月前

Europe and the US were founded on Judeo-Christian principles. That is our culture and heritage. Middle Eastern and Arabic culture does not align with these traditions—especially regarding women, individual liberty, and secular law. Walk the streets of Western Europe today and it no longer feels like home. Women must stay constantly vigilant as aggressive, predatory behavior becomes the new “normal.” Do we have to accept this erasure of our national identity?

Europe and the US were founded on Judeo-Christian principles. That is our culture and heritage. Middle Eastern and Arabic culture does not align with these traditions—especially regarding women, individual liberty, and secular law. Walk the streets of Western Europe today and it no longer feels like home. Women must stay constantly vigilant as aggressive, predatory behavior becomes the new “normal.” Do we have to accept this erasure of our national identity?

Weronika Rogowska

44,525 次观看 • 1 个月前

At this rate, don’t be surprised if, a few years from now, someone claims: “Aksharabhyasa actually originated in Jerusalem. Hindus stole it and made it part of their culture.” When history is repeatedly rewritten to fit narratives, even the most deeply rooted traditions can become targets of absurd claims. #Culture #Aksharabhyasa #CulturalThieves

At this rate, don’t be surprised if, a few years from now, someone claims: “Aksharabhyasa actually originated in Jerusalem. Hindus stole it and made it part of their culture.” When history is repeatedly rewritten to fit narratives, even the most deeply rooted traditions can become targets of absurd claims. #Culture #Aksharabhyasa #CulturalThieves

ಸನಾತನ (सनातन)

189,512 次观看 • 2 个月前

Lisa Ann spoke about what she sees as r6cism within the advlt entertainment industry, saying it has historically made interr6cial content more difficult for some performers to pursue. She explained that, in response, much of the content she now directs and produces is interr6cial, both as a personal preference and as a way to push against those barriers. “The industry is very r6cist, there’s no doubt about it. There’s a wh!te industry and there’s a very small culture for us to do interr6cial, and it’s not even enough of a culture for some performers to survive because there’s not enough companies doing interr6cial.”

Sensitive content

Lisa Ann spoke about what she sees as r6cism within the advlt entertainment industry, saying it has historically made interr6cial content more difficult for some performers to pursue. She explained that, in response, much of the content she now directs and produces is interr6cial, both as a personal preference and as a way to push against those barriers. “The industry is very r6cist, there’s no doubt about it. There’s a wh!te industry and there’s a very small culture for us to do interr6cial, and it’s not even enough of a culture for some performers to survive because there’s not enough companies doing interr6cial.”

ZAN

4,828,759 次观看 • 4 个月前

Mainstream culture in America is being radicalized. The cool, trendy behavior at music festivals and on college campuses now casually includes spreading hate against Jews. Last week at Coachella, a band that has an extensive history of glorifying terrorism went on stage to demonize Israel. They displayed a sign that said, "Israel is committing a genocide. F*** Israel and free Palestine." This is not a political opinion. This is a modern-day blood libel. Israel is fighting a war that it neither started nor asked for, but it is not a genocide. Not every single war is a genocide. And to portray Israel and the Jews as blood-thirsty war mongers is not true, and it's not new. This is the exact same propaganda that has been used to normalize Jew hatred in mainstream culture for centuries. In addition, at Cornell University, it was just announced that another antisemitic performer will be platformed on their campus. This is someone who has said that Zionists are all evil, Zionists are the scum of the earth, and they should all go to hell. She refused to condemn Hamas for the October 7th massacre and started her music video with the chant, "Long live the Intifada." An intifada is a violent attack against Jews. Thousands of Israelis were murdered in the first and second intifada in which Palestinian terrorists launched waves of suicide bombings, knife stabbings, and other violent attacks against Jews. And so, these uninformed music lovers think that this is the right way to be, this is the correct, cool way of thinking. For a while now, these slogans and ideas have been used as prerequisites to enter some spaces. Where in order to join a club or attend an event, all you need to do is just to support the intifada, accuse the Jews of committing a genocide. This thinly veiled Jew hatred became the expected virtue signaling in polite societies. This is how extremism and radicalization happens. Normalizing hate and violence becomes accepted as part of culture, and we have seen what this can cause for the Jewish community. Let me be clear, supporting Hamas should never be part of the culture. Spreading Jew hatred should never be part of the culture. And if that's where culture is at right now, then I'm proud to be part of the counterculture, where truth lives. Welcome, everybody. We are the counterculture.

Mainstream culture in America is being radicalized. The cool, trendy behavior at music festivals and on college campuses now casually includes spreading hate against Jews. Last week at Coachella, a band that has an extensive history of glorifying terrorism went on stage to demonize Israel. They displayed a sign that said, "Israel is committing a genocide. F*** Israel and free Palestine." This is not a political opinion. This is a modern-day blood libel. Israel is fighting a war that it neither started nor asked for, but it is not a genocide. Not every single war is a genocide. And to portray Israel and the Jews as blood-thirsty war mongers is not true, and it's not new. This is the exact same propaganda that has been used to normalize Jew hatred in mainstream culture for centuries. In addition, at Cornell University, it was just announced that another antisemitic performer will be platformed on their campus. This is someone who has said that Zionists are all evil, Zionists are the scum of the earth, and they should all go to hell. She refused to condemn Hamas for the October 7th massacre and started her music video with the chant, "Long live the Intifada." An intifada is a violent attack against Jews. Thousands of Israelis were murdered in the first and second intifada in which Palestinian terrorists launched waves of suicide bombings, knife stabbings, and other violent attacks against Jews. And so, these uninformed music lovers think that this is the right way to be, this is the correct, cool way of thinking. For a while now, these slogans and ideas have been used as prerequisites to enter some spaces. Where in order to join a club or attend an event, all you need to do is just to support the intifada, accuse the Jews of committing a genocide. This thinly veiled Jew hatred became the expected virtue signaling in polite societies. This is how extremism and radicalization happens. Normalizing hate and violence becomes accepted as part of culture, and we have seen what this can cause for the Jewish community. Let me be clear, supporting Hamas should never be part of the culture. Spreading Jew hatred should never be part of the culture. And if that's where culture is at right now, then I'm proud to be part of the counterculture, where truth lives. Welcome, everybody. We are the counterculture.

Noa Tishby

75,827 次观看 • 1 年前

Culture so goated that even people who hate you copy it 🔥 This is a scene from a Pakistani wedding, Now they're doing 'aarti' Pakistan was created through !slamic separation, explicitly rejecting Hindu civilizational identity, yet today there is a growing contradiction in how culture is claimed and presented. Practices rooted in Hindu culture rituals, aesthetics, music, clothing, jewellery, even ceremonies like aarti-are increasingly adopted, while the same voices insist that India and Pakistan are fundamentally different and deny India's historical continuity. When questioned, this borrowing is suddenly reframed as "South Asian" or "shared" culture, a label that conveniently erases Hindu origins while allowing ave selective use of what was once rejected, of innocent This hypocrisy becomes sharper when cultural appropriation coexists with online hostility toward India. On one hand, there is open amplification of anti-India rhetoric; on the other, a steady dependence on Hindu cultural symbols for visibility, relevance, and legitimacy. Calling it "South Asian" does not change its root. It only blurs accountability. You can not separate on thent basis of Islam, deny Hindu identity, and then freely absorb Hindu culture while dismissing its origin. Cultural honesty requires acknowledging roots, not rewriting them when convenient.

Culture so goated that even people who hate you copy it 🔥 This is a scene from a Pakistani wedding, Now they're doing 'aarti' Pakistan was created through !slamic separation, explicitly rejecting Hindu civilizational identity, yet today there is a growing contradiction in how culture is claimed and presented. Practices rooted in Hindu culture rituals, aesthetics, music, clothing, jewellery, even ceremonies like aarti-are increasingly adopted, while the same voices insist that India and Pakistan are fundamentally different and deny India's historical continuity. When questioned, this borrowing is suddenly reframed as "South Asian" or "shared" culture, a label that conveniently erases Hindu origins while allowing ave selective use of what was once rejected, of innocent This hypocrisy becomes sharper when cultural appropriation coexists with online hostility toward India. On one hand, there is open amplification of anti-India rhetoric; on the other, a steady dependence on Hindu cultural symbols for visibility, relevance, and legitimacy. Calling it "South Asian" does not change its root. It only blurs accountability. You can not separate on thent basis of Islam, deny Hindu identity, and then freely absorb Hindu culture while dismissing its origin. Cultural honesty requires acknowledging roots, not rewriting them when convenient.

Chota Don

104,807 次观看 • 7 个月前