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One image reference turning into a full action sequence is the part that caught me here. Kling AI’s Kling 4.0 keeps the lion-dance characters, costumes, and overall visual style recognizable even as the framing and poses change dramatically. That kind of reference control makes it much easier to turn...

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Liam | AI Tools & News

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20,946 просмотров • 2 дней назад •via X (Twitter)

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I wanted to see how well Kling 4.0 could handle a cinematic Wuxian action sequence, especially with all the fast movements and camera changes involved. What impressed me most was how naturally the action flowed. The character movements felt coordinated, the camera followed the action smoothly, and the overall scene had that cinematic martial arts film feeling I was going for. This is the kind of control I’ve been wanting from AI video generation. Instead of just producing beautiful frames, Kling AI 4.0 is making complex action storytelling feel much more achievable. Here’s how it turned out 👇
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I wanted to see how well Kling 4.0 could handle a cinematic Wuxian action sequence, especially with all the fast movements and camera changes involved. What impressed me most was how naturally the action flowed. The character movements felt coordinated, the camera followed the action smoothly, and the overall scene had that cinematic martial arts film feeling I was going for. This is the kind of control I’ve been wanting from AI video generation. Instead of just producing beautiful frames, Kling AI 4.0 is making complex action storytelling feel much more achievable. Here’s how it turned out 👇

AI with MERLIN

52,153 просмотров • 3 дней назад

This is just a reference collection of smaller shots. One thing to notice with video reference is that it’s just a road map. A lot of things can change as you dive deeper into the shot when it comes to performance.
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This is just a reference collection of smaller shots. One thing to notice with video reference is that it’s just a road map. A lot of things can change as you dive deeper into the shot when it comes to performance.

Eric De Carolis

461,268 просмотров • 1 год назад

What surprised me most wasn’t just the output. It was how the process changed. With Kling O1, I’m no longer rebuilding characters shot by shot. References carry forward naturally, and scenes connect without visual drift. Instead of fixing continuity, I’m shaping ideas as they happen. That shift alone saves time, budget, and a lot of creative energy.
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What surprised me most wasn’t just the output. It was how the process changed. With Kling O1, I’m no longer rebuilding characters shot by shot. References carry forward naturally, and scenes connect without visual drift. Instead of fixing continuity, I’m shaping ideas as they happen. That shift alone saves time, budget, and a lot of creative energy.

Shushant Lakhyani

23,906 просмотров • 9 месяцев назад

🚨 AI didn’t decide how this cinematic scene should look. I directed it in 3D first. 2 Characters. A stormy city rooftop. A helicopter overhead. One tense confrontation. Try 3D Director Studio 👉 Instead of asking AI to guess the composition, I used Pippitofficial 's 3D Director Studio to place both characters into the scene, position them across the helipad, and define their visual relationship with the helicopter and skyline. Then I brought the 3D setup into Story Studio Canvas as a visual reference and generated the final video with Seedance 2.5. 🎬 Plan every shot. Validate every idea. Shoot with confidence. #3DDirectorStudio #PippitAI #Seedance25 #PippitPartner
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🚨 AI didn’t decide how this cinematic scene should look. I directed it in 3D first. 2 Characters. A stormy city rooftop. A helicopter overhead. One tense confrontation. Try 3D Director Studio 👉 Instead of asking AI to guess the composition, I used Pippitofficial 's 3D Director Studio to place both characters into the scene, position them across the helipad, and define their visual relationship with the helicopter and skyline. Then I brought the 3D setup into Story Studio Canvas as a visual reference and generated the final video with Seedance 2.5. 🎬 Plan every shot. Validate every idea. Shoot with confidence. #3DDirectorStudio #PippitAI #Seedance25 #PippitPartner

Anthara Fairooz

48,988 просмотров • 15 дней назад

Create a short film like this in just 1 minute with GPT Image 2.0 + Seedance 2.0. GPT Image 2.0 can naturally combine multiple photos into one single image, while Seedance 2.0 can use that image as a reference to automatically separate the scenes, generate a coherent video sequence, and add suitable background music. This workflow greatly improves the overall creative efficiency. When using this method, simply provide the merged image as a reference for Seedance 2.0 and briefly describe each scene with a simple prompt. This can significantly increase the success rate of the final video. All of the above was created on GPT Image Prompt: Seedance Prompt:
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Create a short film like this in just 1 minute with GPT Image 2.0 + Seedance 2.0. GPT Image 2.0 can naturally combine multiple photos into one single image, while Seedance 2.0 can use that image as a reference to automatically separate the scenes, generate a coherent video sequence, and add suitable background music. This workflow greatly improves the overall creative efficiency. When using this method, simply provide the merged image as a reference for Seedance 2.0 and briefly describe each scene with a simple prompt. This can significantly increase the success rate of the final video. All of the above was created on GPT Image Prompt: Seedance Prompt:

Midjourney Sref and prompt Library

40,572 просмотров • 5 месяцев назад

Turn one idea into a complete storyboard, then animate it in Seedance 2.0 using a reference image. This ComfyUI workflow uses LLMs to build storyboard scenes and prepare them for Seedance, making the jump from concept to animation much easier. Link below 👇
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Turn one idea into a complete storyboard, then animate it in Seedance 2.0 using a reference image. This ComfyUI workflow uses LLMs to build storyboard scenes and prepare them for Seedance, making the jump from concept to animation much easier. Link below 👇

ComfyUI

74,592 просмотров • 3 месяцев назад

This opens up a completely new workflow for artists when it comes to shooting music videos. Take one performance and place it into multiple locations from multiple angles. By combining Kling 2.6 Motion Control with our Multi-Angle Fashion Shoot agent, we generate multiple angles from a single reference image and use them to drive the performance. Full workflow + agent below 👇
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This opens up a completely new workflow for artists when it comes to shooting music videos. Take one performance and place it into multiple locations from multiple angles. By combining Kling 2.6 Motion Control with our Multi-Angle Fashion Shoot agent, we generate multiple angles from a single reference image and use them to drive the performance. Full workflow + agent below 👇

GLIF

58,538 просмотров • 9 месяцев назад

gemini omniflash is actually f*cking cracked. you can animate/edit any video with a text prompt. character swaps, object transforms, full environment changes without regenerating/rotoscoping. everyone using AI to to animate and edit videos right now hits the same wall. the clip comes out 90% right and you regenerate from scratch hoping the 10% fixes itself. it never does. the fix is using your video as the input. omniflash edits what's already there instead of rolling the dice again. here's what's in the system: > the two-layer premiere trick: generate the same shot twice (one with background removed), stack them, cut at one frame, instant scene change > character swap with a single reference image (plus the one line you need or the model keeps the original's features) > object transforms that leave the rest of the frame untouched: stone into glowing sphere, candles into flowers > style transfer from an image reference instead of text, way more accurate > why stacking edits in one prompt breaks everything and the exact step order that doesn't > the audio limitation nobody mentions and how to work around it i packaged every prompt, the edit sequence, and the premiere layering setup. RT + reply "OMNI" and i'll send it over.
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gemini omniflash is actually f*cking cracked. you can animate/edit any video with a text prompt. character swaps, object transforms, full environment changes without regenerating/rotoscoping. everyone using AI to to animate and edit videos right now hits the same wall. the clip comes out 90% right and you regenerate from scratch hoping the 10% fixes itself. it never does. the fix is using your video as the input. omniflash edits what's already there instead of rolling the dice again. here's what's in the system: > the two-layer premiere trick: generate the same shot twice (one with background removed), stack them, cut at one frame, instant scene change > character swap with a single reference image (plus the one line you need or the model keeps the original's features) > object transforms that leave the rest of the frame untouched: stone into glowing sphere, candles into flowers > style transfer from an image reference instead of text, way more accurate > why stacking edits in one prompt breaks everything and the exact step order that doesn't > the audio limitation nobody mentions and how to work around it i packaged every prompt, the edit sequence, and the premiere layering setup. RT + reply "OMNI" and i'll send it over.

Sulfur

36,799 просмотров • 3 месяцев назад

Seedance 2.0 has a fix for character drift almost nobody uses. Every new text description is a fresh interpretation of appearance. That's where the drift comes from: a slightly different face, a slightly different outfit, proportions that shift from scene to scene. The @ Image tag solves this directly — attach a photo once, and it becomes the fixed source of truth for face, outfit, and proportions across the entire multi-shot sequence. The @ Video tag works the same way for motion and camera — tag a reference instead of describing it, and the model copies that exact style instead of an approximation. You're not making the model remember. You're just stopping yourself from reminding it differently every single time.
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Seedance 2.0 has a fix for character drift almost nobody uses. Every new text description is a fresh interpretation of appearance. That's where the drift comes from: a slightly different face, a slightly different outfit, proportions that shift from scene to scene. The @ Image tag solves this directly — attach a photo once, and it becomes the fixed source of truth for face, outfit, and proportions across the entire multi-shot sequence. The @ Video tag works the same way for motion and camera — tag a reference instead of describing it, and the model copies that exact style instead of an approximation. You're not making the model remember. You're just stopping yourself from reminding it differently every single time.

Zentrix⌚️

88,931 просмотров • 2 месяцев назад

I honestly didn’t expect this part of the AI design workflow to work this smoothly. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started by creating a poster concept in Dreamina. The image looked finished, but I wanted to edit the individual elements instead of recreating everything. So I gave the poster to GPT-6 Astra and had it call Photoshop to separate the design into editable layers — background, text, objects, and visual elements all became independent pieces. This is the part that surprised me: AI doesn’t just help make the design anymore, it can help turn the final image back into a real design file. Dreamina makes exploring different poster concepts much easier with its competitive pricing, then Astra helps take them into the editing stage. #Dreamina #DreaminaPartner
0:10

I honestly didn’t expect this part of the AI design workflow to work this smoothly. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started by creating a poster concept in Dreamina. The image looked finished, but I wanted to edit the individual elements instead of recreating everything. So I gave the poster to GPT-6 Astra and had it call Photoshop to separate the design into editable layers — background, text, objects, and visual elements all became independent pieces. This is the part that surprised me: AI doesn’t just help make the design anymore, it can help turn the final image back into a real design file. Dreamina makes exploring different poster concepts much easier with its competitive pricing, then Astra helps take them into the editing stage. #Dreamina #DreaminaPartner

Vipin Gautam (Viipin I Gautam)

45,029 просмотров • 20 дней назад

Have you ever imagined your city turning into a Lego world? With Kling O1, that fantasy becomes real! Tools: Kling IMAGE O1, Kling Image to Video Use this image-generation prompt: Present a clear, 45° top-down isometric miniature Lego-style 3D cartoon scene of New York built entirely from plastic bricks. Recreate the city’s most iconic landmarks and architectural elements using distinctive Lego block geometry. Use clean, glossy brick textures with subtle PBR reflections and soft, playful lighting and shadows. Keep the composition minimalistic with a soft, solid-colored background. Feeling inspired? Just change the city name and watch a whole new Lego universe come to life!
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Have you ever imagined your city turning into a Lego world? With Kling O1, that fantasy becomes real! Tools: Kling IMAGE O1, Kling Image to Video Use this image-generation prompt: Present a clear, 45° top-down isometric miniature Lego-style 3D cartoon scene of New York built entirely from plastic bricks. Recreate the city’s most iconic landmarks and architectural elements using distinctive Lego block geometry. Use clean, glossy brick textures with subtle PBR reflections and soft, playful lighting and shadows. Keep the composition minimalistic with a soft, solid-colored background. Feeling inspired? Just change the city name and watch a whole new Lego universe come to life!

Kling AI

38,391 просмотров • 9 месяцев назад

Kling Tip: Beyond "Smile": How to Control Any Character Expression in Kling AI Want to control every micro-expression of your AI characters in Kling? The real magic isn't just what they do, but how they feel! The "Sequential Emotional Prompting" technique is perfect for this. Instead of just telling Kling to "make them laugh," you describe the physical sequence of the emotion, frame by frame, starting from a neutral expression. This gives you incredible control and avoids those "jumpy," unnatural AI expressions. Here are 4 ways to control a character's expressions, from simple joy to emotional hysteria, complete with detailed prompts and templates! ⬇️
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Kling Tip: Beyond "Smile": How to Control Any Character Expression in Kling AI Want to control every micro-expression of your AI characters in Kling? The real magic isn't just what they do, but how they feel! The "Sequential Emotional Prompting" technique is perfect for this. Instead of just telling Kling to "make them laugh," you describe the physical sequence of the emotion, frame by frame, starting from a neutral expression. This gives you incredible control and avoids those "jumpy," unnatural AI expressions. Here are 4 ways to control a character's expressions, from simple joy to emotional hysteria, complete with detailed prompts and templates! ⬇️

Marco "Shikoba"

27,495 просмотров • 10 месяцев назад

What does all this mean for culture? If you are watching my AI Influencer list here on X you'll see a ton of people posting various videos generated by AI, like this one that Justine posted last week, done with Kling AI Tonight I had some fun. My wife shot a video of me crawling on the floor being a goofball. Kling turned me into an evil 1X robot in a few minutes. Ahh, the kids and I are gonna have some fun with this one! Done with kling 2.6 motion control.
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What does all this mean for culture? If you are watching my AI Influencer list here on X you'll see a ton of people posting various videos generated by AI, like this one that Justine posted last week, done with Kling AI Tonight I had some fun. My wife shot a video of me crawling on the floor being a goofball. Kling turned me into an evil 1X robot in a few minutes. Ahh, the kids and I are gonna have some fun with this one! Done with kling 2.6 motion control.

Robert Scoble

21,335 просмотров • 8 месяцев назад

wan 2.2 makes lighting feel programmable you start with one normal clip drop a single reference frame and the model rebuilds the scene same framing, same motion, same timing but now you can swap mood change light direction and create cinematic variants without reshooting brands are using this to turn one talking-head ad into multiple high-end looks from the same source video i broke down the exact workflow rt + comment “wan” and i’ll send it (follow for dm)
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wan 2.2 makes lighting feel programmable you start with one normal clip drop a single reference frame and the model rebuilds the scene same framing, same motion, same timing but now you can swap mood change light direction and create cinematic variants without reshooting brands are using this to turn one talking-head ad into multiple high-end looks from the same source video i broke down the exact workflow rt + comment “wan” and i’ll send it (follow for dm)

Daffy

24,979 просмотров • 9 месяцев назад

Another view of the Sword of Six Sages (And some reference in case you hadnt recognized it yet) This is my attempt at taking the design and making it into a wieldable and, construction-wise feasible sword. Surprisingly I didn't even need to change that much for it to, imho, work
0:13

Another view of the Sword of Six Sages (And some reference in case you hadnt recognized it yet) This is my attempt at taking the design and making it into a wieldable and, construction-wise feasible sword. Surprisingly I didn't even need to change that much for it to, imho, work

Arann Reichhardt Swordsmith

37,416 просмотров • 5 месяцев назад

I made a second version of the transformation video. This time I moved the character into a real environment instead of using a plain white background. I also changed the opening and showed the final transformation result first. The overall flow feels much stronger now. Full workflow + prompts: The interesting part is that this type of video is much easier to make than it looks. You only need a base image, then generate the next keyframe through simple edits or outfit changes on the canvas. The entire transformation sequence is built from those keyframes.
0:18

I made a second version of the transformation video. This time I moved the character into a real environment instead of using a plain white background. I also changed the opening and showed the final transformation result first. The overall flow feels much stronger now. Full workflow + prompts: The interesting part is that this type of video is much easier to make than it looks. You only need a base image, then generate the next keyframe through simple edits or outfit changes on the canvas. The entire transformation sequence is built from those keyframes.

underwood

315,219 просмотров • 3 месяцев назад