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Oooo tricky tricky guys 😏 #ThisIsHome | #TeamOverMe | Cameron “Terikk”Seldon

31,322 просмотров • 1 год назад •via X (Twitter)

Комментарии: 3

Фото профиля Doug Bowman
Doug Bowman1 год назад

@CameronSeldonT @CoachSBeamer you see this?

Фото профиля Solar Heavy
Solar Heavy1 год назад

- All I Knew

Фото профиля Maurice DeShazo
Maurice DeShazo1 год назад

@CameronSeldonT took you a whole 24 hours?!

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Heart, the band that has the best covers of Led Zeppelin, covering 'Black Dog' live at Alive in Seattle, in 2003. Here's a little bit information about this incredible song of Led Zeppelin. “It was tricky to play,” Jimmy Page once said of “Black Dog,” foreshadowing the frustration of so many classic-rock bar bands. The song opens Led Zeppelin’s untitled fourth LP with a hard-rock whiplash, constructed around a knotty, deceptively complex riff written by bassist John Paul Jones. It remains one of the band’s signature cuts, a true showcase for each member — but it took a Herculean effort to piece together that puzzle. “I wanted to try an electric blues with a rolling bass part. But it couldn’t be too simple,” Jones later recalled to journalist and filmmaker Cameron Crowe. “I wanted it to turn back on itself. I showed it to the guys, and we fell into it.” But the shifting time signatures were tough to pin down — especially, as Page told SiriusXM in 2014, “the bit where it goes into sort of triplets in one part and overlaps.” Drummer John Bonham had the toughest job: figuring out how to lay down a solid groove amid such musical trickery. “We struggled with the turnaround,” Jones added, “until Bonham figured out that you just four-time as if there’s no turnaround. That was the secret.” Credits for background information: Thank you for the awesome website. UltimateClassicRock

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Heart, the band that has the best covers of Led Zeppelin, covering 'Black Dog' live at Alive in Seattle, in 2003. Here's a little bit information about this incredible song of Led Zeppelin. “It was tricky to play,” Jimmy Page once said of “Black Dog,” foreshadowing the frustration of so many classic-rock bar bands. The song opens Led Zeppelin’s untitled fourth LP with a hard-rock whiplash, constructed around a knotty, deceptively complex riff written by bassist John Paul Jones. It remains one of the band’s signature cuts, a true showcase for each member — but it took a Herculean effort to piece together that puzzle. “I wanted to try an electric blues with a rolling bass part. But it couldn’t be too simple,” Jones later recalled to journalist and filmmaker Cameron Crowe. “I wanted it to turn back on itself. I showed it to the guys, and we fell into it.” But the shifting time signatures were tough to pin down — especially, as Page told SiriusXM in 2014, “the bit where it goes into sort of triplets in one part and overlaps.” Drummer John Bonham had the toughest job: figuring out how to lay down a solid groove amid such musical trickery. “We struggled with the turnaround,” Jones added, “until Bonham figured out that you just four-time as if there’s no turnaround. That was the secret.” Credits for background information: Thank you for the awesome website. UltimateClassicRock

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