Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

Opus 4.6 No Skill used only the prompt and first try. Create an algorithmic art piece inspired by frost patterns on glass and snowflake crystallization. Use recursive branching structures that grow outward from a central point with radial symmetry. Each generation of branches should be thinner and more delicate... show more

Emily

42,844 subscribers

20,008 görüntüleme • 6 ay önce •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

I think one of the roles we play as mathematicians in society is to help people become acquainted with the underlying secret patterns. I have been working for several years on projects in crystallography, where we study crystal structures. But few people know that such periodic patterns come with severe constraints on their symmetry. In the plane, there are 17 different symmetry types, a fact well known even to the designers of the mesmerizing patterns of the Alhambra. Here you can find and experiment with such tilings in the plane, gaining insight into the intrinsic beauty of the so-called wallpaper groups, the crystal symmetries in dimension 2. The app interactively helps you design symmetric patterns with colors and shows how changes in the structure of the unit cell propagate via symmetry. In dimension 3, if you look into International Tables for Crystallography, Vol. 1, you will find a theorem due to Schoenflies and Fedorov stating that there are 230 such symmetry types, a cornerstone of modern chemistry. Beyond that, in dimensions 4 and higher, a count can be made, but it requires a proof of the general theorem due to Frobenius and Bieberbach. This was an answer to the first part of Hilbert’s famous eighteenth problem. One of the fun consequences of such a classification is that in dimensions 2 and 3, 5-fold symmetry is forbidden in regular periodic arrangements. Intrinsically, this fact is related to the existence of matrices with a fifth-root-of-unity eigenvalue. For integral matrices, this is possible only in dimensions 4 and higher. If you generalize the square and cube tilings to dimensions 4 and 5, obtaining hypercubic tilings, the 5-fold symmetry pattern emerges. Skew projections of the 5D hypercubic tiling onto a 2-dimensional plane give rise to a quasicrystalline tiling known as the Penrose tiling. You can find such patterns in front of the Andrew Wiles Building at the Oxford Mathematical Institute. In later posts this summer, I will take a deep dive into group homology, a modern tool for studying the geometry of crystals. There are still many open questions, for example, how many symmetry types exist exactly in dimensions beyond 6. This is still largely unknown; at present, we only have asymptotic lower bounds.

I think one of the roles we play as mathematicians in society is to help people become acquainted with the underlying secret patterns. I have been working for several years on projects in crystallography, where we study crystal structures. But few people know that such periodic patterns come with severe constraints on their symmetry. In the plane, there are 17 different symmetry types, a fact well known even to the designers of the mesmerizing patterns of the Alhambra. Here you can find and experiment with such tilings in the plane, gaining insight into the intrinsic beauty of the so-called wallpaper groups, the crystal symmetries in dimension 2. The app interactively helps you design symmetric patterns with colors and shows how changes in the structure of the unit cell propagate via symmetry. In dimension 3, if you look into International Tables for Crystallography, Vol. 1, you will find a theorem due to Schoenflies and Fedorov stating that there are 230 such symmetry types, a cornerstone of modern chemistry. Beyond that, in dimensions 4 and higher, a count can be made, but it requires a proof of the general theorem due to Frobenius and Bieberbach. This was an answer to the first part of Hilbert’s famous eighteenth problem. One of the fun consequences of such a classification is that in dimensions 2 and 3, 5-fold symmetry is forbidden in regular periodic arrangements. Intrinsically, this fact is related to the existence of matrices with a fifth-root-of-unity eigenvalue. For integral matrices, this is possible only in dimensions 4 and higher. If you generalize the square and cube tilings to dimensions 4 and 5, obtaining hypercubic tilings, the 5-fold symmetry pattern emerges. Skew projections of the 5D hypercubic tiling onto a 2-dimensional plane give rise to a quasicrystalline tiling known as the Penrose tiling. You can find such patterns in front of the Andrew Wiles Building at the Oxford Mathematical Institute. In later posts this summer, I will take a deep dive into group homology, a modern tool for studying the geometry of crystals. There are still many open questions, for example, how many symmetry types exist exactly in dimensions beyond 6. This is still largely unknown; at present, we only have asymptotic lower bounds.

Bartosz Naskręcki

44,042 görüntüleme • 2 ay önce

Claude Chabrol on how he constructed 'Le Boucher' (1970): "The construction of 'Le Boucher' (1970) was based on two ideas: the depth, which was in the area, in the earth—bed—the grottos, because they were there — and the sun, the morning sun. From then on, it was very easy— I mixed the two with the characters and it came about all by itself. The only dramatic element in 'Le Boucher' is the cigarette lighter. It's from the lighter that things begin to . . .(1) The lighter is offered. (2) The lighter is found on the cliff-top. So, the conclusion: it's the said lighter. (3) No, it's not the one. (4) Yes, it is. So, it's very easy. I adore symmetry, I love symmetrical things . . . I think it's an interior need that balances . . . Internally, psychologically, I seek to maintain my equilibrium while my natural tendency is toward imbalance. So, the search for symmetry in things helps me in doing that. There's only Hercule Poirot who's like me — he adores symmetry too. But I'm not for simple symmetry. Symmetry doesn't mean putting one chandelier on the right and another on the left!" (Claude Chabrol's interview with Dan Yakir, 1979)

Claude Chabrol on how he constructed 'Le Boucher' (1970): "The construction of 'Le Boucher' (1970) was based on two ideas: the depth, which was in the area, in the earth—bed—the grottos, because they were there — and the sun, the morning sun. From then on, it was very easy— I mixed the two with the characters and it came about all by itself. The only dramatic element in 'Le Boucher' is the cigarette lighter. It's from the lighter that things begin to . . .(1) The lighter is offered. (2) The lighter is found on the cliff-top. So, the conclusion: it's the said lighter. (3) No, it's not the one. (4) Yes, it is. So, it's very easy. I adore symmetry, I love symmetrical things . . . I think it's an interior need that balances . . . Internally, psychologically, I seek to maintain my equilibrium while my natural tendency is toward imbalance. So, the search for symmetry in things helps me in doing that. There's only Hercule Poirot who's like me — he adores symmetry too. But I'm not for simple symmetry. Symmetry doesn't mean putting one chandelier on the right and another on the left!" (Claude Chabrol's interview with Dan Yakir, 1979)

DepressedBergman

32,864 görüntüleme • 3 ay önce

Yesterday, I stumbled upon one of the most engrossing threads I’ve seen in a while, one from Supercomposite, a musician and now, instantly infamous AI art generator who appeared to have conjured a demon from the digital realm. A demon named Loab. The viral thread currently making the rounds on Twitter, and no doubt headed to Instagram and TikTok soon, is Supercomposite describing how they were messing around with negative prompt weights in AI art generators, though I’m not precisely sure which program was being used in this instance. The saga of Loab started with an image created with the prompt “Brando::-1” where Supercomposite was attempting to make something that was the opposite of Marlon Brando. A negative prompt is where the AI will try to make something as far away from the prompt as possible. That created a weird looking little logo, and the experiment became would the opposite of that production be…Marlon Brando, in turn. So the prompt “DIGITA PNTICS skyline logo::-1” was used. The rest of the thread goes into how Loab, which Supercomposite has named this woman with red cheeks and decaying eyes, appeared in the negative prompt “vacuum,” and when she was used to create further images, the AI found the need to produce increasingly violent and disturbing images featuring Loab.

Victoria 🇺🇸⏳🗽🚔

47,698 görüntüleme • 5 ay önce

Albino & Preto teams up with KISS for a collection inspired by the larger-than-life energy of the iconic Destroyer era ⚡️ Drawing from the album’s unmistakable visual identity, the collaboration reimagines classic KISS imagery across a range of combat sports and lifestyle essentials, including jiu-jitsu gi and nogi kits, Muay Thai shorts, 16-ounce boxinggloves, and vintage-inspired graphic tees. Merging the intensity of '70s arena rock with A&P’s performance-driven design approach, the collection combines bold graphics with functional construction built for training,competition, and everyday wear. Distressed finishes, tour-inspired artwork, and signature Destroyer motifs appear throughout the collection, giving each piece the character of a well-worn vintage concert tee while maintaining the durability and performance expected from modern fight gear. The albinoandpreto x KISS collection is a celebration of individuality, intensity, and self-expression. It brings together two worlds connected by performance, discipline, and a commanding presence that refuses to go unnoticed. Explore the collection now on

Albino & Preto teams up with KISS for a collection inspired by the larger-than-life energy of the iconic Destroyer era ⚡️ Drawing from the album’s unmistakable visual identity, the collaboration reimagines classic KISS imagery across a range of combat sports and lifestyle essentials, including jiu-jitsu gi and nogi kits, Muay Thai shorts, 16-ounce boxinggloves, and vintage-inspired graphic tees. Merging the intensity of '70s arena rock with A&P’s performance-driven design approach, the collection combines bold graphics with functional construction built for training,competition, and everyday wear. Distressed finishes, tour-inspired artwork, and signature Destroyer motifs appear throughout the collection, giving each piece the character of a well-worn vintage concert tee while maintaining the durability and performance expected from modern fight gear. The albinoandpreto x KISS collection is a celebration of individuality, intensity, and self-expression. It brings together two worlds connected by performance, discipline, and a commanding presence that refuses to go unnoticed. Explore the collection now on

KISS

38,552 görüntüleme • 1 ay önce

"A generation of management teaching taught us CEOs should trust their people and get out of the way. But I don't think 'trust' and 'getting out of the way' are the same thing." Brian Chesky on how Founder Mode will become even more important with agentic AI: "Great leadership is presence, not absence." "Leadership is presence. You should actually be partnering with people. You should be on the field with them. If you're a calvalry general, you should be on a horse. You should be on the battlefield. You're not overseas just writing blueprints. You gotta be on the field with them, you gotta be leading by example." "Leadership is from the front, not the back." "I think AI is going to create the equivalent of an AI founder mode. Now you gotta be even more hands-on. I don't think in the era of AI, there should be any pure people managers. Because you're so close to the details and data. Everyone has the opportunity to be hands-on, and it's hard to imagine only managing people and not agents."

"A generation of management teaching taught us CEOs should trust their people and get out of the way. But I don't think 'trust' and 'getting out of the way' are the same thing." Brian Chesky on how Founder Mode will become even more important with agentic AI: "Great leadership is presence, not absence." "Leadership is presence. You should actually be partnering with people. You should be on the field with them. If you're a calvalry general, you should be on a horse. You should be on the battlefield. You're not overseas just writing blueprints. You gotta be on the field with them, you gotta be leading by example." "Leadership is from the front, not the back." "I think AI is going to create the equivalent of an AI founder mode. Now you gotta be even more hands-on. I don't think in the era of AI, there should be any pure people managers. Because you're so close to the details and data. Everyone has the opportunity to be hands-on, and it's hard to imagine only managing people and not agents."

TBPN

16,005 görüntüleme • 3 ay önce

🟧VIVID Gallery is launching ‘Looming Emotion’ by Shaderism | Arttu 🪞 A mesmerizing exploration of the overlooked aspects of our deepest emotions. 📅Save the Date: June 12th on Magic Eden on Bitcoin 🟧 Launchpad About the Artist 🧑‍🎨 Arttu Koskela is an algorithmic full-time artist, who uses web technologies to create real-time artwork, often incorporating aspects of audio-visuality, interactivity, and physics simulations, while exploring the themes of playfulness and self-reflection. Among his most notable works stands ‘Blinds Spots’, an Art Blocks collection curated. Through the looking-glass 🪞 Looming Emotion is an algorithmic art collection that depicts the conscious and unconscious habitual patterns distracting individuals from the unresolved emotions lurking behind them, which contribute to many of life's challenges. 🗺️ The collection style is inspired by wood carving artworks, glass distortion and Tom Patti’s sculptures. The variety of the 400-piece collection is created by the visual expression of colours in the glass and background, the noise patterns, tile configurations and different aspect ratios. Collector Benefits 💎 All Vivid Gallery and Shaderism | Arttu collectors can apply for a discounted private sale at 0.008 BTC. To participate in the private sale, complete the forms announced in our Discord Server (link in bio). In addition, every SATS holder is eligible for a free piece 🧡 Become a ‘Looming Emotion’ collector 🖼️ Around 100 pieces will be left after the private sale for a FCFS WL at 0.01 BTC. You can get a WL by filling out Vivid & Shaderism's collectors forms, engaging with our content, winning a collaboration raffle from our partner communities and participating in our upcoming spaces. Find all the info on our Discord (link in bio). Try to win a WL spot 🎁 If you'd like to take part in the WL, we're giving away 10 spots through the looking-glass. Participate in the raffle below ⬇️

🟧VIVID Gallery is launching ‘Looming Emotion’ by Shaderism | Arttu 🪞 A mesmerizing exploration of the overlooked aspects of our deepest emotions. 📅Save the Date: June 12th on Magic Eden on Bitcoin 🟧 Launchpad About the Artist 🧑‍🎨 Arttu Koskela is an algorithmic full-time artist, who uses web technologies to create real-time artwork, often incorporating aspects of audio-visuality, interactivity, and physics simulations, while exploring the themes of playfulness and self-reflection. Among his most notable works stands ‘Blinds Spots’, an Art Blocks collection curated. Through the looking-glass 🪞 Looming Emotion is an algorithmic art collection that depicts the conscious and unconscious habitual patterns distracting individuals from the unresolved emotions lurking behind them, which contribute to many of life's challenges. 🗺️ The collection style is inspired by wood carving artworks, glass distortion and Tom Patti’s sculptures. The variety of the 400-piece collection is created by the visual expression of colours in the glass and background, the noise patterns, tile configurations and different aspect ratios. Collector Benefits 💎 All Vivid Gallery and Shaderism | Arttu collectors can apply for a discounted private sale at 0.008 BTC. To participate in the private sale, complete the forms announced in our Discord Server (link in bio). In addition, every SATS holder is eligible for a free piece 🧡 Become a ‘Looming Emotion’ collector 🖼️ Around 100 pieces will be left after the private sale for a FCFS WL at 0.01 BTC. You can get a WL by filling out Vivid & Shaderism's collectors forms, engaging with our content, winning a collaboration raffle from our partner communities and participating in our upcoming spaces. Find all the info on our Discord (link in bio). Try to win a WL spot 🎁 If you'd like to take part in the WL, we're giving away 10 spots through the looking-glass. Participate in the raffle below ⬇️

Vivid Gallery

15,332 görüntüleme • 2 yıl önce

Sneako says that Nick Fuentes started going out more because he’s been inspired by watching Clavicular’s stream 😭 “He’s seen Clavicular at the club with one girl and her mom kissing both sides of his ears, both ears, each girl one generation of a family is on one ear and the other is on is on the other…” “He’s like… That could be me, on reta, on add*rall, and pregab, why am I doing this show? I should be at the CLUB!”

Sensitive content

Sneako says that Nick Fuentes started going out more because he’s been inspired by watching Clavicular’s stream 😭 “He’s seen Clavicular at the club with one girl and her mom kissing both sides of his ears, both ears, each girl one generation of a family is on one ear and the other is on is on the other…” “He’s like… That could be me, on reta, on add*rall, and pregab, why am I doing this show? I should be at the CLUB!”

Clavicular Updates

173,156 görüntüleme • 3 ay önce

🧱 #Live3D #Live2D #HandTracking 🧱 I spent some time refining the way I use Warp Deformers to create lateral physics-based swinging motion in Live2D. With a new production concept, I tried to achieve the highest possible level of mathematical precision. At the core are two fundamental swinging structures, which I can mix in different proportions to create different qualities of motion. The first is parallel swinging. Both sides of the Warp Deformer remain perfectly parallel throughout the motion, making it look somewhat like a sheet of paper or a tassel. The second is bending swinging. The angle between the two sides of the Warp Deformer changes as it moves, making it look more like a flexible tube or a tail. （0:12）Interestingly, when I layer the first and second structures together, the bottom forms an X-shaped pattern as it swings. It looks a little like a spine or some kind of mechanical structure. （0:23）The third structure is an equal blend of the first and second. Its characteristics are much more neutral, combining the qualities of both. （0:35）The fourth and fifth structures are created by smoothly blending the first structure into the center of the second, and the second into the center of the first, respectively. This makes them appear softer and more flexible, somewhat like a piece of fabric. （0:28）Interestingly, when I blend the fourth and fifth structures equally, the result is exactly identical to the third structure. This also demonstrates that, despite their apparent complexity, the two are actually perfect mirror images of each other. Every physics-based motion shown here uses a two-segment pendulum structure, with a swinging range of ±90°. In theory, when curled to its limit, it can bend upward into a perfect semicircle. To most people, this may look as boring as a brick. But to me, this is exactly where the romance of Live2D physics lies. Does anyone else feel the same way?

🧱 #Live3D #Live2D #HandTracking 🧱 I spent some time refining the way I use Warp Deformers to create lateral physics-based swinging motion in Live2D. With a new production concept, I tried to achieve the highest possible level of mathematical precision. At the core are two fundamental swinging structures, which I can mix in different proportions to create different qualities of motion. The first is parallel swinging. Both sides of the Warp Deformer remain perfectly parallel throughout the motion, making it look somewhat like a sheet of paper or a tassel. The second is bending swinging. The angle between the two sides of the Warp Deformer changes as it moves, making it look more like a flexible tube or a tail. （0:12）Interestingly, when I layer the first and second structures together, the bottom forms an X-shaped pattern as it swings. It looks a little like a spine or some kind of mechanical structure. （0:23）The third structure is an equal blend of the first and second. Its characteristics are much more neutral, combining the qualities of both. （0:35）The fourth and fifth structures are created by smoothly blending the first structure into the center of the second, and the second into the center of the first, respectively. This makes them appear softer and more flexible, somewhat like a piece of fabric. （0:28）Interestingly, when I blend the fourth and fifth structures equally, the result is exactly identical to the third structure. This also demonstrates that, despite their apparent complexity, the two are actually perfect mirror images of each other. Every physics-based motion shown here uses a two-segment pendulum structure, with a swinging range of ±90°. In theory, when curled to its limit, it can bend upward into a perfect semicircle. To most people, this may look as boring as a brick. But to me, this is exactly where the romance of Live2D physics lies. Does anyone else feel the same way?

📐Hephaestus📏Live2D匠人魂

19,362 görüntüleme • 13 gün önce

Today I’d like to introduce you to one of China’s most extraordinary traditional skills: double-sided three-different embroidery. On a single piece of fabric, artisans use different stitches and threads from both sides to create two entirely distinct patterns that do not interfere with each other. For example, as you can see in the video, the front shows a golden snub-nosed monkey, while the back features a Pekingese dog, with completely different colors and shapes. This is where human hands create what seems beyond even nature's reach.👍👍👍

Today I’d like to introduce you to one of China’s most extraordinary traditional skills: double-sided three-different embroidery. On a single piece of fabric, artisans use different stitches and threads from both sides to create two entirely distinct patterns that do not interfere with each other. For example, as you can see in the video, the front shows a golden snub-nosed monkey, while the back features a Pekingese dog, with completely different colors and shapes. This is where human hands create what seems beyond even nature's reach.👍👍👍

AL-fira 🇨🇳

16,404 görüntüleme • 5 ay önce

Mamata Banerjee has always considered Madame Sonia Gandhi her high command. Now, with TMC facing an unprecedented crisis and reports suggesting that more than 60 MLAs have accepted Ritabrata Banerjee as the Leader of Opposition, the party appears to be at a breaking point. Instead of fighting a losing battle, she should consider merging TMC with Congress and taking up a central role in the party. Her experience, fighting spirit, mass appeal, and unmatched ability to take on BJP can significantly strengthen Congress at the national level🔥

Mamata Banerjee has always considered Madame Sonia Gandhi her high command. Now, with TMC facing an unprecedented crisis and reports suggesting that more than 60 MLAs have accepted Ritabrata Banerjee as the Leader of Opposition, the party appears to be at a breaking point. Instead of fighting a losing battle, she should consider merging TMC with Congress and taking up a central role in the party. Her experience, fighting spirit, mass appeal, and unmatched ability to take on BJP can significantly strengthen Congress at the national level🔥

Amock

33,060 görüntüleme • 2 ay önce

ᴀ ɴᴇᴡ ᴄʜᴀᴘᴛᴇʀ — ᴊᴏɪɴɪɴɢ ᴠᴇʀꜱᴇ Over the years, I’ve worn many hats in the art world: artist, non-profit director, curator, publisher, gallerist, and advisor to collectors and institutions. Though photography has been a throughline in much of that work, my interest in contemporary art more broadly reaches far and wide, continually pulling me toward practices that stretch perception and redefine possibility. While I’ve always been drawn to physical art – painting, mixed-media, artist books, etc. – my curiosity for digital art runs just as deep, and I've long been fascinated by the evolving ways we create and engage with art. Digital art has an unexpected tactility. Even when encountered on a screen or in ephemeral gallery installations, it often carries a material presence that’s hard to explain, yet deeply felt. That sense only intensified after 2020, when I became immersed in the world of web3, and blockchain’s implications for visual art really clicked (digital authenticity, ownership, provenance). New ways to make and to be a part of art also emerged during this time. Since then, I’ve been continually challenged and inspired by this new generation of artists, like witnessing a sort of on-chain Renaissance. Naturally, I started collecting and participating when and where I could, and my perspective and appreciation have only expanded and grown. As the space has evolved over this time, so too has a clear need: a dedicated, art-focused home for digital art, one that serves both seasoned collectors and the newly curious, cutting through noise with clarity and care. Most big platforms have drifted away from this vision, where the art itself can feel like an afterthought. verse has always stood out to me with a quiet confidence and a deep commitment to a more intentional, curated, artist and collector-centered approach that continues to resonate. Over the past year, I’ve naturally gravitated to using the platform more often – first, for discovering artists through gallery releases, and more recently through the thoughtful rollout of the beta secondary marketplace (the dedicated artist portfolios and organized gallery programs are a total game changer!). There is something here that not just works, but feels necessary. Which is why I’m thrilled to share that I will be joining verse to help to shape what comes next. I’ll be leading various secondary market efforts, including auctions and art advisory, as well as contributing ideas to help refine the product and collector experience as Verse grows into THE platform for digital art. The team is full of some of the hardest-working and most passionate people in the space, and there’s a commitment to preserving a focus on art while always buzzing with the possibility of what else can be built. It’s infectious. There are too many exciting things in the roadmap and I can’t spill those (yet). But, what’s coming? Chef’s kiss. One thing I can share today is that we’re kicking things off with something very special: an upcoming secondary market auction bringing together exceptional works from across the ecosystem. Some of you are already aware, or maybe heard about it on the Verse podcast. I’d love to hear from you (DMs are open), so please feel free to reach out if you’re thinking of parting with a piece or seeking something specific at the moment. This auction will be a celebration of where digital art is today and where it’s headed – with no eye-watering buyer’s premiums and collector-friendly terms that actually make more sense for web3. It’s truly by and for the community. Learn more below ↓

ᴀ ɴᴇᴡ ᴄʜᴀᴘᴛᴇʀ — ᴊᴏɪɴɪɴɢ ᴠᴇʀꜱᴇ Over the years, I’ve worn many hats in the art world: artist, non-profit director, curator, publisher, gallerist, and advisor to collectors and institutions. Though photography has been a throughline in much of that work, my interest in contemporary art more broadly reaches far and wide, continually pulling me toward practices that stretch perception and redefine possibility. While I’ve always been drawn to physical art – painting, mixed-media, artist books, etc. – my curiosity for digital art runs just as deep, and I've long been fascinated by the evolving ways we create and engage with art. Digital art has an unexpected tactility. Even when encountered on a screen or in ephemeral gallery installations, it often carries a material presence that’s hard to explain, yet deeply felt. That sense only intensified after 2020, when I became immersed in the world of web3, and blockchain’s implications for visual art really clicked (digital authenticity, ownership, provenance). New ways to make and to be a part of art also emerged during this time. Since then, I’ve been continually challenged and inspired by this new generation of artists, like witnessing a sort of on-chain Renaissance. Naturally, I started collecting and participating when and where I could, and my perspective and appreciation have only expanded and grown. As the space has evolved over this time, so too has a clear need: a dedicated, art-focused home for digital art, one that serves both seasoned collectors and the newly curious, cutting through noise with clarity and care. Most big platforms have drifted away from this vision, where the art itself can feel like an afterthought. verse has always stood out to me with a quiet confidence and a deep commitment to a more intentional, curated, artist and collector-centered approach that continues to resonate. Over the past year, I’ve naturally gravitated to using the platform more often – first, for discovering artists through gallery releases, and more recently through the thoughtful rollout of the beta secondary marketplace (the dedicated artist portfolios and organized gallery programs are a total game changer!). There is something here that not just works, but feels necessary. Which is why I’m thrilled to share that I will be joining verse to help to shape what comes next. I’ll be leading various secondary market efforts, including auctions and art advisory, as well as contributing ideas to help refine the product and collector experience as Verse grows into THE platform for digital art. The team is full of some of the hardest-working and most passionate people in the space, and there’s a commitment to preserving a focus on art while always buzzing with the possibility of what else can be built. It’s infectious. There are too many exciting things in the roadmap and I can’t spill those (yet). But, what’s coming? Chef’s kiss. One thing I can share today is that we’re kicking things off with something very special: an upcoming secondary market auction bringing together exceptional works from across the ecosystem. Some of you are already aware, or maybe heard about it on the Verse podcast. I’d love to hear from you (DMs are open), so please feel free to reach out if you’re thinking of parting with a piece or seeking something specific at the moment. This auction will be a celebration of where digital art is today and where it’s headed – with no eye-watering buyer’s premiums and collector-friendly terms that actually make more sense for web3. It’s truly by and for the community. Learn more below ↓

Shane Lavalette

10,406 görüntüleme • 1 yıl önce

Everyone complains that Claude gives bad answers. Anthropic just showed that the model usually isn't the problem. In this 24-minute Prompting 101 workshop, Hannah Morgan and Christian Ryan take a weak prompt and rebuild it step by step: → weak prompt → richer context → sharper instructions → much better output With Opus 4.8, prompt quality matters more than ever. Most people still type one vague sentence and then blame the AI for what comes back. This workshop shows you how to talk to Claude the way it was actually built to be used. Watch it and save yourself hours of trial and error on your next prompt.

Everyone complains that Claude gives bad answers. Anthropic just showed that the model usually isn't the problem. In this 24-minute Prompting 101 workshop, Hannah Morgan and Christian Ryan take a weak prompt and rebuild it step by step: → weak prompt → richer context → sharper instructions → much better output With Opus 4.8, prompt quality matters more than ever. Most people still type one vague sentence and then blame the AI for what comes back. This workshop shows you how to talk to Claude the way it was actually built to be used. Watch it and save yourself hours of trial and error on your next prompt.

mireia.

67,827 görüntüleme • 11 gün önce

The one thing we absolutely know with certainty about the Richat Structure is that there was an incredible amount of human activity here from the dawn of toolmaking and tool use itself. The Acheulean Hand Axe is the second tool that humans ever made and this technology spread throughout Africa, Europe and Asia while no definitive evidence exists that this technology ever made it to the Americas. I think this is evidence that this technology was shared and disseminated intentionally, that neighboring humans didn’t come up with this independently on their own but this was a legacy, an institution, a skill and an industry that was shared and taught. It is perhaps the earliest evidence we have of widespread cultural diffusion throughout Africa, Europe and Asia. And yes, it’s right there at the Richat Structure which leads me to question the role that the Richat played to humans half a million years ago. It seems like that’s where we have to start with the Richat.

The one thing we absolutely know with certainty about the Richat Structure is that there was an incredible amount of human activity here from the dawn of toolmaking and tool use itself. The Acheulean Hand Axe is the second tool that humans ever made and this technology spread throughout Africa, Europe and Asia while no definitive evidence exists that this technology ever made it to the Americas. I think this is evidence that this technology was shared and disseminated intentionally, that neighboring humans didn’t come up with this independently on their own but this was a legacy, an institution, a skill and an industry that was shared and taught. It is perhaps the earliest evidence we have of widespread cultural diffusion throughout Africa, Europe and Asia. And yes, it’s right there at the Richat Structure which leads me to question the role that the Richat played to humans half a million years ago. It seems like that’s where we have to start with the Richat.

Archaic Lens

35,584 görüntüleme • 9 ay önce

I love that the problem everyone has with the tush push this week, has absolutely nothing to do with the actually pushing portion. Like banning the tush push doesn’t even stop what they have an issue with from the play this last week. The Eagles still could have done exactly what they did last week with it being a regular QB sneak. Officials being more stringent on players aligning in the neutral zone and false starts is the only way to stop what everyone has an issue with. And I get it, there were at last a couple from the game that were too early, and should be called false starts. It is an extremely hard thing to officiate, and good players on both sides of the ball jump the snap and use the neutral zone to their advantage on multiple downs and plays throughout the game. Getting rid of the tush push will not stop the issue everyone is riled up about.

I love that the problem everyone has with the tush push this week, has absolutely nothing to do with the actually pushing portion. Like banning the tush push doesn’t even stop what they have an issue with from the play this last week. The Eagles still could have done exactly what they did last week with it being a regular QB sneak. Officials being more stringent on players aligning in the neutral zone and false starts is the only way to stop what everyone has an issue with. And I get it, there were at last a couple from the game that were too early, and should be called false starts. It is an extremely hard thing to officiate, and good players on both sides of the ball jump the snap and use the neutral zone to their advantage on multiple downs and plays throughout the game. Getting rid of the tush push will not stop the issue everyone is riled up about.

Jason Kelce

1,743,663 görüntüleme • 11 ay önce

A good design workflow should create more clarity, not more tabs. That is why OptimAI Claw is useful. One prompt can now help automate parts of your workflow on Figma and Stitch -- from research and structure to faster execution inside the tools you already use. “Turn this idea into a clean landing page concept. Draft the layout in Figma. Generate a matching flow in Stitch.” Less switching. Less friction. More room to think. That is what agentic AI should feel like: quiet, useful, and already inside the workflow. OptimAI Claw is built for that. --- 💡Launch OptimAI Claw with Core Node v2:

A good design workflow should create more clarity, not more tabs. That is why OptimAI Claw is useful. One prompt can now help automate parts of your workflow on Figma and Stitch -- from research and structure to faster execution inside the tools you already use. “Turn this idea into a clean landing page concept. Draft the layout in Figma. Generate a matching flow in Stitch.” Less switching. Less friction. More room to think. That is what agentic AI should feel like: quiet, useful, and already inside the workflow. OptimAI Claw is built for that. --- 💡Launch OptimAI Claw with Core Node v2:

OptimAI Network

199,520 görüntüleme • 3 ay önce

"This is how GPT-4 sees and hears consciousness" I used GPT-4 to describe consciousness. Then I used its description to generate an image, a video based on this image, and a soundtrack. Tools I used: GPT-4, Midjourney, Kaiber AI, Mubert, RunwayML This is the description I used that GPT-4 had of consciousness as a prompt to text-to-image, image-to-video, and text-to-music. I put the video and sound together in RunwayML: "Consciousness could be visually represented as a complex, multi-dimensional web of interconnected neurons. Imagine a vast, shimmering network of glowing points of light, with each point representing a neuron. These neurons are connected by delicate, pulsating strands of energy, representing the synapses through which information and thoughts flow. This neural network would be constantly evolving and changing, with new connections forming and old ones dissolving, reflecting the dynamic nature of consciousness. The colors of the points and connections could shift through a rich spectrum, symbolizing different emotions, experiences, and cognitive processes. Surrounding this intricate web, there could be a swirling, luminous mist of vibrant colors, representing the ineffable and mysterious nature of consciousness. The mist would ebb and flow, occasionally coalescing into recognizable patterns and forms, hinting at the emergence of thoughts and ideas"

"This is how GPT-4 sees and hears consciousness" I used GPT-4 to describe consciousness. Then I used its description to generate an image, a video based on this image, and a soundtrack. Tools I used: GPT-4, Midjourney, Kaiber AI, Mubert, RunwayML This is the description I used that GPT-4 had of consciousness as a prompt to text-to-image, image-to-video, and text-to-music. I put the video and sound together in RunwayML: "Consciousness could be visually represented as a complex, multi-dimensional web of interconnected neurons. Imagine a vast, shimmering network of glowing points of light, with each point representing a neuron. These neurons are connected by delicate, pulsating strands of energy, representing the synapses through which information and thoughts flow. This neural network would be constantly evolving and changing, with new connections forming and old ones dissolving, reflecting the dynamic nature of consciousness. The colors of the points and connections could shift through a rich spectrum, symbolizing different emotions, experiences, and cognitive processes. Surrounding this intricate web, there could be a swirling, luminous mist of vibrant colors, representing the ineffable and mysterious nature of consciousness. The mist would ebb and flow, occasionally coalescing into recognizable patterns and forms, hinting at the emergence of thoughts and ideas"

Kris Kashtanova

423,380 görüntüleme • 3 yıl önce

Auchincloss: "When you have a badge and a gun and you are interacting with a US citizen who has committed no crime, the onus of responsibility is on you to exercise good judgment and to use that weapon only as an absolute last resort. Nobody watching that video will buy the argument from that ICE agent that he had no other resort other than to shoot her in the face three times."

Auchincloss: "When you have a badge and a gun and you are interacting with a US citizen who has committed no crime, the onus of responsibility is on you to exercise good judgment and to use that weapon only as an absolute last resort. Nobody watching that video will buy the argument from that ICE agent that he had no other resort other than to shoot her in the face three times."

Aaron Rupar

148,535 görüntüleme • 7 ay önce