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Painting shadows!!

Justin Donaldson

36,738 subscribers

16,869 Aufrufe • vor 9 Monaten •via X (Twitter)

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KIRI Engine - 3D Scanner App

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My first test with the new Gemini Deep Think 3 🔥🔥🔥 Build a complete Three.js scene in a single HTML file that renders a fully 3D interior room indistinguishable from a classical oil painting hanging in a museum. The Painterly Rendering System Write custom GLSL shaders that replace all standard rendering with oil paint simulation. Every pixel must feel painted by hand. The system needs these layers working together. Brushstroke normals. Generate a procedural brushstroke normal map using layered directional noise at varying scales. Large bold strokes for walls and floors following the plane direction. Small delicate strokes for fine details like metal and glass. Circular strokes for rounded objects. The brushstrokes must catch sidelight and cast tiny shadows into their grooves exactly like real impasto paint on canvas. Paint thickness. Use parallax occlusion mapping to give highlights genuine physical thickness. Where the original painter would load their brush with white or yellow to hit a bright highlight, the paint should visibly sit above the surface. In dark shadow areas, the paint should appear thinner, letting canvas weave show through slightly. Color palette. Restrict the entire scene to a historical oil palette. Titanium white, naples yellow, yellow ochre, raw sienna, burnt sienna, burnt umber, raw umber, ivory black, vermillion used sparingly, and a muted blue-grey. No modern saturated colors. All color mixing should feel subtractive and warm. Edge treatment. No hard edges anywhere in the scene. Object silhouettes must soften and blur slightly as if the painter's brush feathered where one form meets another. Implement this as a screen-space edge-detection pass that blurs based on depth discontinuity and overlays brushstroke texture at boundaries. Canvas texture. The entire final image must have a linen canvas weave overlay rendered with its own normal map that interacts with the scene lighting. As you orbit, the canvas tooth should glint differently. This sells the illusion more than anything else. Varnish layer. Apply a post-processing pass that simulates aged oil varnish. A warm amber tint that is slightly uneven, thicker in corners and thinner in center. A subtle gloss reflection that shifts as you move the camera. Very fine craquelure, hairline crack patterns, visible only when you zoom in close. The Scene. A Dutch Golden Age Study. Model everything procedurally with no external assets. A small intimate room with rough plastered walls in thick paint, warm grey-ochre. A single tall window on the left wall. Leaded glass with thick mullions letting in one dominant shaft of warm light. The window glass should have slight imperfections like bubbles and waviness visible in the paint treatment. A heavy dark wood table positioned center-left. On the table place a brass candlestick with a half-melted candle where the wax drips are modeled and painted with naples yellow impasto highlights. A pewter plate with a half-peeled lemon, the peel curling off the edge of the plate, the exposed fruit flesh a jewel of thick yellow paint catching light. A partially unfolded letter with a broken red wax seal. A small glass of dark wine catching a single highlight. A dark velvet cloth draped from the table edge falling in heavy folds to the floor. The velvet should have that characteristic oil painting treatment where shadows go almost black and the fabric catches light in soft broken highlights. The floor is wide dark wooden planks painted with long horizontal brushstrokes. Against the back wall, barely visible in shadow, a tall wooden cabinet with a few old leather-bound books leaning against each other. A single beam of light from the window cuts diagonally across the scene illuminating floating dust motes painted as soft tiny dots of naples yellow, not CG particles. The rest of the room falls into rich warm shadow. Lighting One dominant directional light from the left simulating window light. Warm, strong, with soft VSM shadows. A very subtle fill from the right in cool blue-grey at perhaps 5% intensity. No ambient light. The shadows should be genuinely dark and warm. This is Vermeer lighting. The contrast between the luminous light-struck areas and the deep velvety shadows is what makes the painting breathe. Post-Processing Chain Render pass. Painterly edge softening pass. Canvas texture overlay pass. Varnish and aging pass. Heavy vignette like a dark gallery frame encroaching. Very subtle bloom only on the brightest impasto highlights. Film grain that mimics canvas tooth texture rather than photographic noise. Interaction OrbitControls with very slow damping at 0.02 and limited orbit range so you can look around the painting but not flip it upside down. Slow zoom. The feeling should be like leaning closer to a painting in a museum and discovering more detail. The Standard When someone opens this file and takes a screenshot, people should genuinely argue whether it is a photograph of a real oil painting or a digital render.

My first test with the new Gemini Deep Think 3 🔥🔥🔥 Build a complete Three.js scene in a single HTML file that renders a fully 3D interior room indistinguishable from a classical oil painting hanging in a museum. The Painterly Rendering System Write custom GLSL shaders that replace all standard rendering with oil paint simulation. Every pixel must feel painted by hand. The system needs these layers working together. Brushstroke normals. Generate a procedural brushstroke normal map using layered directional noise at varying scales. Large bold strokes for walls and floors following the plane direction. Small delicate strokes for fine details like metal and glass. Circular strokes for rounded objects. The brushstrokes must catch sidelight and cast tiny shadows into their grooves exactly like real impasto paint on canvas. Paint thickness. Use parallax occlusion mapping to give highlights genuine physical thickness. Where the original painter would load their brush with white or yellow to hit a bright highlight, the paint should visibly sit above the surface. In dark shadow areas, the paint should appear thinner, letting canvas weave show through slightly. Color palette. Restrict the entire scene to a historical oil palette. Titanium white, naples yellow, yellow ochre, raw sienna, burnt sienna, burnt umber, raw umber, ivory black, vermillion used sparingly, and a muted blue-grey. No modern saturated colors. All color mixing should feel subtractive and warm. Edge treatment. No hard edges anywhere in the scene. Object silhouettes must soften and blur slightly as if the painter's brush feathered where one form meets another. Implement this as a screen-space edge-detection pass that blurs based on depth discontinuity and overlays brushstroke texture at boundaries. Canvas texture. The entire final image must have a linen canvas weave overlay rendered with its own normal map that interacts with the scene lighting. As you orbit, the canvas tooth should glint differently. This sells the illusion more than anything else. Varnish layer. Apply a post-processing pass that simulates aged oil varnish. A warm amber tint that is slightly uneven, thicker in corners and thinner in center. A subtle gloss reflection that shifts as you move the camera. Very fine craquelure, hairline crack patterns, visible only when you zoom in close. The Scene. A Dutch Golden Age Study. Model everything procedurally with no external assets. A small intimate room with rough plastered walls in thick paint, warm grey-ochre. A single tall window on the left wall. Leaded glass with thick mullions letting in one dominant shaft of warm light. The window glass should have slight imperfections like bubbles and waviness visible in the paint treatment. A heavy dark wood table positioned center-left. On the table place a brass candlestick with a half-melted candle where the wax drips are modeled and painted with naples yellow impasto highlights. A pewter plate with a half-peeled lemon, the peel curling off the edge of the plate, the exposed fruit flesh a jewel of thick yellow paint catching light. A partially unfolded letter with a broken red wax seal. A small glass of dark wine catching a single highlight. A dark velvet cloth draped from the table edge falling in heavy folds to the floor. The velvet should have that characteristic oil painting treatment where shadows go almost black and the fabric catches light in soft broken highlights. The floor is wide dark wooden planks painted with long horizontal brushstrokes. Against the back wall, barely visible in shadow, a tall wooden cabinet with a few old leather-bound books leaning against each other. A single beam of light from the window cuts diagonally across the scene illuminating floating dust motes painted as soft tiny dots of naples yellow, not CG particles. The rest of the room falls into rich warm shadow. Lighting One dominant directional light from the left simulating window light. Warm, strong, with soft VSM shadows. A very subtle fill from the right in cool blue-grey at perhaps 5% intensity. No ambient light. The shadows should be genuinely dark and warm. This is Vermeer lighting. The contrast between the luminous light-struck areas and the deep velvety shadows is what makes the painting breathe. Post-Processing Chain Render pass. Painterly edge softening pass. Canvas texture overlay pass. Varnish and aging pass. Heavy vignette like a dark gallery frame encroaching. Very subtle bloom only on the brightest impasto highlights. Film grain that mimics canvas tooth texture rather than photographic noise. Interaction OrbitControls with very slow damping at 0.02 and limited orbit range so you can look around the painting but not flip it upside down. Slow zoom. The feeling should be like leaning closer to a painting in a museum and discovering more detail. The Standard When someone opens this file and takes a screenshot, people should genuinely argue whether it is a photograph of a real oil painting or a digital render.

Emily

20,940 Aufrufe • vor 5 Monaten

🚨BOMBSHELL: Erika Kirk's Romanian Angels Charity: Heartwarming... Or Hiding Something Darker? Ties to Alleged MKAB Scandals Raise Eyebrows! 😱 In the shadows of Erika Kirk's "Romanian Angels" – her 2012–2013 charity partnering with U.S. Marines at Mihail Kogălniceanu Air Base (MKAB) for orphanage visits – lurk serious questions. Public records show direct shoutouts to Col. Otto Busher III (BSRF-13 commander) for support, and now we've uncovered Erika personally tagging Corporal Jaret W. Hubble (BSRF-12) in a 2014 Instagram post, linking him to her work. Hubble's 2012 deployment involved kid-focused events at the base, overlapping with charity activities. Busher? He's named in explosive 2020 Romanian reports alleging a prostitution ring at MKAB involving minors since 2011 – claims from a whistleblower translator that led to a NATO-SOFA case (U.S. jurisdiction, no charges filed). The stories detail "offers" for girls' services, painting a grim picture of exploitation under military cover. No one's proven wrongdoing by the charity or Erika – could be innocent outreach. But with her base partnerships and these allegations swirling... some wonder if there's more to the "angels" than meets the eye. Coincidence or concerning connections? Special Thanks to the amazing MIA for uncovering this connection. FOLLOW Her! Charlie's probe demands we ask: What REALLY happened in Romania? Share if this timeline gives YOU pause. Let's keep digging responsibly. 👇

🚨BOMBSHELL: Erika Kirk's Romanian Angels Charity: Heartwarming... Or Hiding Something Darker? Ties to Alleged MKAB Scandals Raise Eyebrows! 😱 In the shadows of Erika Kirk's "Romanian Angels" – her 2012–2013 charity partnering with U.S. Marines at Mihail Kogălniceanu Air Base (MKAB) for orphanage visits – lurk serious questions. Public records show direct shoutouts to Col. Otto Busher III (BSRF-13 commander) for support, and now we've uncovered Erika personally tagging Corporal Jaret W. Hubble (BSRF-12) in a 2014 Instagram post, linking him to her work. Hubble's 2012 deployment involved kid-focused events at the base, overlapping with charity activities. Busher? He's named in explosive 2020 Romanian reports alleging a prostitution ring at MKAB involving minors since 2011 – claims from a whistleblower translator that led to a NATO-SOFA case (U.S. jurisdiction, no charges filed). The stories detail "offers" for girls' services, painting a grim picture of exploitation under military cover. No one's proven wrongdoing by the charity or Erika – could be innocent outreach. But with her base partnerships and these allegations swirling... some wonder if there's more to the "angels" than meets the eye. Coincidence or concerning connections? Special Thanks to the amazing MIA for uncovering this connection. FOLLOW Her! Charlie's probe demands we ask: What REALLY happened in Romania? Share if this timeline gives YOU pause. Let's keep digging responsibly. 👇

Project Constitution

36,773 Aufrufe • vor 6 Monaten

The Eastern DR Congo 🇨🇩 sad reality. In Congo’s heart, where shadows fall, A tale untold, a whispered call. Children, innocent, in a land of strife, Bound to darkness, robbed of life. Beneath the earth, where gems do gleam, Tiny hands, like phantoms, dream. Forgotten laughter, replaced by toil, In the mines, where tears embroil. Oh, little souls, robbed of your mirth, In the cradle of despair, a heavy birth. Tiny fingers, once to play, Now bear the weight of night and day. The sunken eyes, reflections deep, Hold tales of sorrows, secrets to keep. Amidst the rocks, a playground lost, Innocence paid, an unthinkable cost. Muffled cries in the silent air, Injustice rampant, beyond compare. In the mines of despair, where echoes ring, A lullaby of pain, where dreams take wing. Yet, amid the dust, a resilient spark, A glimmer of hope in the endless dark. For in each child, a universe untold, A spirit indomitable, a heart of gold. Let our voices rise, a chorus strong, A plea for rights, where they belong. To free the hands that bear the chains, To break the shackles, release the pains. For every child, a chance to bloom, In fields of joy, not in the gloom. May their laughter echo, loud and clear, A melody of freedom, drawing near. In Congo’s heart, let justice rise, Like the sun, painting hopeful skies. For every child, a brighter dawn, In the tapestry of humanity, reborn. By Doubleoroos

The Eastern DR Congo 🇨🇩 sad reality. In Congo’s heart, where shadows fall, A tale untold, a whispered call. Children, innocent, in a land of strife, Bound to darkness, robbed of life. Beneath the earth, where gems do gleam, Tiny hands, like phantoms, dream. Forgotten laughter, replaced by toil, In the mines, where tears embroil. Oh, little souls, robbed of your mirth, In the cradle of despair, a heavy birth. Tiny fingers, once to play, Now bear the weight of night and day. The sunken eyes, reflections deep, Hold tales of sorrows, secrets to keep. Amidst the rocks, a playground lost, Innocence paid, an unthinkable cost. Muffled cries in the silent air, Injustice rampant, beyond compare. In the mines of despair, where echoes ring, A lullaby of pain, where dreams take wing. Yet, amid the dust, a resilient spark, A glimmer of hope in the endless dark. For in each child, a universe untold, A spirit indomitable, a heart of gold. Let our voices rise, a chorus strong, A plea for rights, where they belong. To free the hands that bear the chains, To break the shackles, release the pains. For every child, a chance to bloom, In fields of joy, not in the gloom. May their laughter echo, loud and clear, A melody of freedom, drawing near. In Congo’s heart, let justice rise, Like the sun, painting hopeful skies. For every child, a brighter dawn, In the tapestry of humanity, reborn. By Doubleoroos

Typical African

285,997 Aufrufe • vor 2 Jahren

UHURU KENYATTA: YOUR TIME IS OVER Uhuru Kenyatta, your desperate bid to claw your way back into Kenya’s spotlight is a futile exercise rooted in a delusional sense of entitlement. You seem to believe the presidency is your birthright, a throne owed to you by lineage rather than merit. Let us be clear: Kenya has moved on. There is no place for you in the new Kenya - a nation striving for progress, unity, and joy despite the scars you left behind. Your presidency, marked by economic stagnation, divisive politics, and a legacy of unfulfilled promises, was a dark chapter. You thrived on control, not leadership, sowing misery and isolation while masquerading as a unifier. Your ties to secretive, elitist networks - Masonic in nature - only deepen public distrust. Your actions spoke louder: a leader who seemed to resent the very people he swore to serve, envious of their resilience and joy. Now, you attempt a comeback, not through genuine remorse or vision, but through a calculated campaign of manipulation. You’ve enlisted a cadre of juvenile influencers - social media puppets with shallow reach and no substance - to prop up your fading relevance, X accounts known for peddling nostalgic revisionism, painting your tenure as a golden era while conveniently ignoring the economic hardship and social division you oversaw. Their posts, often laced with half-truths about “warnings” against William Ruto, are a transparent attempt to rewrite history. You didn’t warn us about Ruto; you enabled him, handing him the reins while retreating to the shadows. Let’s not forget your past tactics. You hijacked Kameme FM through fraud from Rose Kimotho, a station once revered by the Kikuyu community, and turned it into a tool for intellectual suppression. Its programming, stripped of historical or educational value, was designed to numb critical thinking and entrench your influence in Mount Kenya. That you lost this ideological grip is no surprise - Kenyans, especially in Mount Kenya woke up. They see through the propaganda, the paid influencers, and your hollow attempts to reclaim a ascended to the heavens, and they reject you. Your latest ploy - positioning yourself as a sage who “warned” against Ruto - is laughable. You created the conditions for his rise, and now you dare claim foresight? This is not leadership; it’s cowardice. The Catholic Church KENYA CONFERENCE OF CATHOLIC BISHOPS(KCCB) Archbishop Anthony Muheria , which inexplicably continues to offer you a platform to spew your depravity and mental-impotence, must answer for its role. We demand transparency: sever ties with the Kenyatta family and their associates. Any institution that props up your ego betrays the Kenyan people. Uhuru, hear this: Kenya is no longer your playground. The influencers you’ve hired - faceless X accounts and TikTok charlatans - cannot save you. The youth, the entrepreneurs, the dreamers of this nation are building a future you cannot comprehend. Your era of darkness, control, and division is over. Stay in the shadows where you belong. The new Kenya has no room for you. Now enjoy this video of Kenyan living their lives, a scene that drives you mad as you wish misery, darkness and death for every Kenyan due to your free mason orientation, itself a sect that operates in the shadows, to demonic to prosper in light.

UHURU KENYATTA: YOUR TIME IS OVER Uhuru Kenyatta, your desperate bid to claw your way back into Kenya’s spotlight is a futile exercise rooted in a delusional sense of entitlement. You seem to believe the presidency is your birthright, a throne owed to you by lineage rather than merit. Let us be clear: Kenya has moved on. There is no place for you in the new Kenya - a nation striving for progress, unity, and joy despite the scars you left behind. Your presidency, marked by economic stagnation, divisive politics, and a legacy of unfulfilled promises, was a dark chapter. You thrived on control, not leadership, sowing misery and isolation while masquerading as a unifier. Your ties to secretive, elitist networks - Masonic in nature - only deepen public distrust. Your actions spoke louder: a leader who seemed to resent the very people he swore to serve, envious of their resilience and joy. Now, you attempt a comeback, not through genuine remorse or vision, but through a calculated campaign of manipulation. You’ve enlisted a cadre of juvenile influencers - social media puppets with shallow reach and no substance - to prop up your fading relevance, X accounts known for peddling nostalgic revisionism, painting your tenure as a golden era while conveniently ignoring the economic hardship and social division you oversaw. Their posts, often laced with half-truths about “warnings” against William Ruto, are a transparent attempt to rewrite history. You didn’t warn us about Ruto; you enabled him, handing him the reins while retreating to the shadows. Let’s not forget your past tactics. You hijacked Kameme FM through fraud from Rose Kimotho, a station once revered by the Kikuyu community, and turned it into a tool for intellectual suppression. Its programming, stripped of historical or educational value, was designed to numb critical thinking and entrench your influence in Mount Kenya. That you lost this ideological grip is no surprise - Kenyans, especially in Mount Kenya woke up. They see through the propaganda, the paid influencers, and your hollow attempts to reclaim a ascended to the heavens, and they reject you. Your latest ploy - positioning yourself as a sage who “warned” against Ruto - is laughable. You created the conditions for his rise, and now you dare claim foresight? This is not leadership; it’s cowardice. The Catholic Church KENYA CONFERENCE OF CATHOLIC BISHOPS(KCCB) Archbishop Anthony Muheria , which inexplicably continues to offer you a platform to spew your depravity and mental-impotence, must answer for its role. We demand transparency: sever ties with the Kenyatta family and their associates. Any institution that props up your ego betrays the Kenyan people. Uhuru, hear this: Kenya is no longer your playground. The influencers you’ve hired - faceless X accounts and TikTok charlatans - cannot save you. The youth, the entrepreneurs, the dreamers of this nation are building a future you cannot comprehend. Your era of darkness, control, and division is over. Stay in the shadows where you belong. The new Kenya has no room for you. Now enjoy this video of Kenyan living their lives, a scene that drives you mad as you wish misery, darkness and death for every Kenyan due to your free mason orientation, itself a sect that operates in the shadows, to demonic to prosper in light.

Francis Gaitho

146,953 Aufrufe • vor 1 Jahr

$Nano Banana Pro can generate 360-degree visuals, so I wanted to test it. I built a small mini-project using Antigravity to test full 360° visuals. Prompt ⤵️, check the video fofr thanks for the prompt super inspired. { "image_meta": { "type": "360-degree Equirectangular Panorama Screenshot", "source_aesthetic": "Google Street View Interface", "platform": "Desktop Browser", "projection": "Full spherical equirectangular", "aspect_ratio": "2:1", "resolution": "Ultra-high resolution panoramic capture" }, "interface_overlay": { "top_left_panel": { "type": "Black info card", "text_content": "Troy (Ilion), Anatolia", "sub_text": "Google Street View - Approx. 12th century BC", "icons": "Back arrow, Location pin, Kebab menu" }, "search_bar": { "position": "Top left floating", "content": "Search Google Maps", "icons": "Hamburger menu, Magnifying glass, Directions arrow" }, "bottom_left": { "element": "Map inset widget", "style": "Ancient parchment-style minimap", "labels": "Troy Citadel, Scaean Gate", "icons": "Landmark pins, yellow humanoid pegman" }, "bottom_right": { "controls": "Zoom (+/-) buttons, Compass widget, Street View navigation arrows" }, "top_right": "Share button and Close (X) button pills" }, "scene_composition": { "location": "City of Troy, moments after the Trojan Horse is pulled inside the city walls", "camera_position": "Fixed at the exact center of the street", "camera_height": "Google Street View vehicle-mounted height (anachronistic)", "field_of_view": "360° horizontal, 180° vertical", "projection_behavior": "Correct equirectangular distortion near poles", "weather": "Clear daylight, calm atmosphere", "depth_of_field": "Infinite focus (deep focus across entire panorama)" }, "visual_elements": { "foreground": { "surface": "Stone-paved Bronze Age street with dirt, wear, and uneven stones", "markings": "No modern road markings", "shadows": "Hard daylight shadows wrapping naturally around the full 360 panorama" }, "midground_subjects": { "central_object": "Massive wooden Trojan Horse, visible from multiple angles across the panorama, detailed wood grain and rope bindings", "pedestrians": [ { "description": "Trojan civilians and soldiers positioned all around the camera", "attire": "Bronze Age tunics, leather sandals, simple armor", "action": "Standing, celebrating, observing the horse", "privacy_effect": "Faces blurred with modern Google Street View-style gaussian blur" } ], "architecture": { "walls": "High stone fortification walls of Troy surrounding the viewer", "buildings": "Ancient stone and mudbrick houses with flat roofs visible in all directions" } }, "environment": { "details": "Discarded shields, spears, ropes, and celebration debris scattered around the street", "sky": "Clear blue sky occupying the upper hemisphere of the panorama", "ground": "Stone street and dirt occupying the lower hemisphere", "atmosphere": "Calm, historically unaware of impending destruction" } }, "rendering_style": { "lighting": "Harsh natural midday sunlight", "color_grading": "Muted earth tones, realistic daylight balance", "texture_quality": { "description": "Digital Street View photography aesthetic", "artifacts": "Slight JPEG compression, mild over-sharpening", "stitching": "Seamless 360-degree panorama stitching, no visible seams" } }, "constraints": { "must_keep": [ "Google Maps UI overlay", "Street View spherical perspective", "Privacy blur on faces", "Trojan Horse clearly visible across multiple angles" ], "avoid": [ "Cinematic lighting", "Fantasy aesthetics", "Modern objects", "Clean UI-less photography", "Single-frame composition" ] }, "negative_prompt": [ "cinematic lighting", "fantasy art", "illustration", "painting", "modern city", "cars", "asphalt", "hdr", "depth blur", "clean photograph", "no ui", "frame", "border", "cropped view", "broken panorama seams" ] }$

Nano Banana Pro can generate 360-degree visuals, so I wanted to test it. I built a small mini-project using Antigravity to test full 360° visuals. Prompt ⤵️, check the video fofr thanks for the prompt super inspired. { "image_meta": { "type": "360-degree Equirectangular Panorama Screenshot", "source_aesthetic": "Google Street View Interface", "platform": "Desktop Browser", "projection": "Full spherical equirectangular", "aspect_ratio": "2:1", "resolution": "Ultra-high resolution panoramic capture" }, "interface_overlay": { "top_left_panel": { "type": "Black info card", "text_content": "Troy (Ilion), Anatolia", "sub_text": "Google Street View - Approx. 12th century BC", "icons": "Back arrow, Location pin, Kebab menu" }, "search_bar": { "position": "Top left floating", "content": "Search Google Maps", "icons": "Hamburger menu, Magnifying glass, Directions arrow" }, "bottom_left": { "element": "Map inset widget", "style": "Ancient parchment-style minimap", "labels": "Troy Citadel, Scaean Gate", "icons": "Landmark pins, yellow humanoid pegman" }, "bottom_right": { "controls": "Zoom (+/-) buttons, Compass widget, Street View navigation arrows" }, "top_right": "Share button and Close (X) button pills" }, "scene_composition": { "location": "City of Troy, moments after the Trojan Horse is pulled inside the city walls", "camera_position": "Fixed at the exact center of the street", "camera_height": "Google Street View vehicle-mounted height (anachronistic)", "field_of_view": "360° horizontal, 180° vertical", "projection_behavior": "Correct equirectangular distortion near poles", "weather": "Clear daylight, calm atmosphere", "depth_of_field": "Infinite focus (deep focus across entire panorama)" }, "visual_elements": { "foreground": { "surface": "Stone-paved Bronze Age street with dirt, wear, and uneven stones", "markings": "No modern road markings", "shadows": "Hard daylight shadows wrapping naturally around the full 360 panorama" }, "midground_subjects": { "central_object": "Massive wooden Trojan Horse, visible from multiple angles across the panorama, detailed wood grain and rope bindings", "pedestrians": [ { "description": "Trojan civilians and soldiers positioned all around the camera", "attire": "Bronze Age tunics, leather sandals, simple armor", "action": "Standing, celebrating, observing the horse", "privacy_effect": "Faces blurred with modern Google Street View-style gaussian blur" } ], "architecture": { "walls": "High stone fortification walls of Troy surrounding the viewer", "buildings": "Ancient stone and mudbrick houses with flat roofs visible in all directions" } }, "environment": { "details": "Discarded shields, spears, ropes, and celebration debris scattered around the street", "sky": "Clear blue sky occupying the upper hemisphere of the panorama", "ground": "Stone street and dirt occupying the lower hemisphere", "atmosphere": "Calm, historically unaware of impending destruction" } }, "rendering_style": { "lighting": "Harsh natural midday sunlight", "color_grading": "Muted earth tones, realistic daylight balance", "texture_quality": { "description": "Digital Street View photography aesthetic", "artifacts": "Slight JPEG compression, mild over-sharpening", "stitching": "Seamless 360-degree panorama stitching, no visible seams" } }, "constraints": { "must_keep": [ "Google Maps UI overlay", "Street View spherical perspective", "Privacy blur on faces", "Trojan Horse clearly visible across multiple angles" ], "avoid": [ "Cinematic lighting", "Fantasy aesthetics", "Modern objects", "Clean UI-less photography", "Single-frame composition" ] }, "negative_prompt": [ "cinematic lighting", "fantasy art", "illustration", "painting", "modern city", "cars", "asphalt", "hdr", "depth blur", "clean photograph", "no ui", "frame", "border", "cropped view", "broken panorama seams" ] }

Kaan

134,448 Aufrufe • vor 6 Monaten

$"LA IS ON THE RIGHT TRACK AND NEEDS TO STAY THE COURSE" STAY THE COURSE - Adrian E. Alvarez, Esq. Copyright 2026, All Rights Reserved. (Verse 1) Look around, tell me what you really see Beyond the Hollywood signs and the dying palm trees They painting pictures of a paradise, pristine and clean But step onto the pavement, it’s a different scene Recall 2025, the Palisades turned to ash Hillsides burning up while they counting up their cash Skies choked with smoke, devastation in the wake But they smile for the cameras, tell us everything is great Yeah, that’s the little narrative they try to spin While we losing the city from the outside in Shadows on the boulevard, ashes in the breeze They telling us we're thriving while we're falling to our knees. (Verse 2) Crime ticking up, sirens singing every night Tell us not to worry, tell us everything's alright Got to lock the doors, watch your back when stepping out Is this the golden state they always boasting about? Look at the sidewalks, tents stretching down the block People left behind while the politicians talk Got encampments right beside the schools where the kids play But the suits in the high-rises look the other way They pointing at the charts, trying to massage the math Gaslighting the public on this so-called "right track" Telling us it's rain when they spitting in our face Running victory laps while they're ruining the place. (Verse 3) It’s an illusion, a broadcasted fantasy A teleprompter speech versus our reality They say we healing, but the wounds are wide open The system is fractured, the promises broken Living in the smog of a political machine Selling us a script, but we tearing up the screen We see the scorched earth, we see the broken streets We hear the daily struggle bumping heavy to the beat Don't tell me it's fine when the evidence is clear We ain't on the right track, we derailed over here So keep the commercials and the hollow little lies We looking at the city with our own two eyes.$

"LA IS ON THE RIGHT TRACK AND NEEDS TO STAY THE COURSE" STAY THE COURSE - Adrian E. Alvarez, Esq. Copyright 2026, All Rights Reserved. (Verse 1) Look around, tell me what you really see Beyond the Hollywood signs and the dying palm trees They painting pictures of a paradise, pristine and clean But step onto the pavement, it’s a different scene Recall 2025, the Palisades turned to ash Hillsides burning up while they counting up their cash Skies choked with smoke, devastation in the wake But they smile for the cameras, tell us everything is great Yeah, that’s the little narrative they try to spin While we losing the city from the outside in Shadows on the boulevard, ashes in the breeze They telling us we're thriving while we're falling to our knees. (Verse 2) Crime ticking up, sirens singing every night Tell us not to worry, tell us everything's alright Got to lock the doors, watch your back when stepping out Is this the golden state they always boasting about? Look at the sidewalks, tents stretching down the block People left behind while the politicians talk Got encampments right beside the schools where the kids play But the suits in the high-rises look the other way They pointing at the charts, trying to massage the math Gaslighting the public on this so-called "right track" Telling us it's rain when they spitting in our face Running victory laps while they're ruining the place. (Verse 3) It’s an illusion, a broadcasted fantasy A teleprompter speech versus our reality They say we healing, but the wounds are wide open The system is fractured, the promises broken Living in the smog of a political machine Selling us a script, but we tearing up the screen We see the scorched earth, we see the broken streets We hear the daily struggle bumping heavy to the beat Don't tell me it's fine when the evidence is clear We ain't on the right track, we derailed over here So keep the commercials and the hollow little lies We looking at the city with our own two eyes.

LPP - Latinos Por Poder

15,191 Aufrufe • vor 2 Monaten