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PARTNERSHIP: Large music platforms often stifle creativity, undervalue artists, and alienate users with ads and poor revenue sharing. This is what got me excited about Suede Labs, a vibrant, community-centric alternative to big music labels where creators can thrive, fans are rewarded, and everyone shares in the success of...

66,756 просмотров • 1 год назад •via X (Twitter)

Комментарии: 11

Фото профиля Arye
Arye1 год назад

@AISUEDE i’m interested especially as a musician

Фото профиля American Stories Network
American Stories Network1 год назад

Want to reach your target audience with un-skippable advertising? 🌟 Integrate your brand into our compelling TV shows! Gain life-long visibility, brand prestige & more. Interested? Learn more today! #Marketing #BrandIntegration #Advertising

Фото профиля Bond Finance
Bond Finance1 год назад

@AISUEDE $SUEDE is revolutionizing the music industry! The team is constantly building and rolling out new features. Glad to be in this early!

Фото профиля Charles Ugochukwu
Charles Ugochukwu1 год назад

@AISUEDE $Suede + #AI_agent + #Music

Фото профиля Craig Chamberlin
Craig Chamberlin1 год назад

@AISUEDE I can only imagine how often the Big Tech companies play ideological favorites with music artists.

Фото профиля Aquino
Aquino1 год назад

Exciting to see how AI and decentralized platforms like @aisuede are reshaping the music industry! This could be a game-changer for artists looking to regain control and for fans wanting a more personal connection with their favorite musicians. Looking forward to the live show and seeing where this innovation leads!

Фото профиля Token Sherpa 🧱
Token Sherpa 🧱1 год назад

@AISUEDE Sounds promising. Empowering creators and valuing their art is always exciting!

Фото профиля Red Bullet 🍫
Red Bullet 🍫1 год назад

@AISUEDE #SUEDEAI is a project that provides utilities that make music creation easier and not only that holding their tokens give am opportunity to change the future 🚀🚀🚀 The ecosystem is yet to see what's unfolding 🔥🔥🔥🔥

Фото профиля Johnny SUEDE(will not DM)
Johnny SUEDE(will not DM)1 год назад

@AISUEDE @SuedeAgent

Фото профиля Obasi Uchechukwu Godfrey
Obasi Uchechukwu Godfrey1 год назад

@AISUEDE $SUEDE #Ai #MUSIC #AIAGENTS

Фото профиля JMung
JMung1 год назад

@AISUEDE Streaming has killed the music industry.

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Suno's mission is to make it possible for everyone to make music. We imagine a future where music is a bigger, more valuable, and more meaningful part of people's lives than it even is today. Technology enables a future where the whole world can explore, create, and be active participants in an art form most have only ever consumed. From professional musicians seeking inspiration to friends and family writing songs for each other, we are exploring new ways to create, listen to, and experience music. So far, more than 12 million people are engaging with music in new ways that wouldn't be possible without Suno. We see this as early but promising progress. Major record labels see this vision as a threat to their business. Each and every time there's been innovation in music — from the earliest forms of recorded music, to sampling, to drum machines, to remixing, MP3s, and streaming music — the record labels have attempted to limit progress. They have spent decades attempting to control the terms of how we create and enjoy music, and this time is no different. So, it is perhaps not a surprise that on June 24th, members of the Recording Industry Association of America, which represents the major record labels, filed a lawsuit against Suno, alleging that the data used in training our music generation technologies infringed on the copyrights of the major record labels that they represent. This lawsuit is fundamentally flawed on both the facts and the law, and is nothing more than yet another instance where they chose litigation over innovation. For starters, the major record labels clearly hold misconceptions about how our technology works. Suno helps people create music through a similar process to one humans have used forever: by learning styles, patterns, and forms (in essence, the "grammar" or music), and then inventing new music around them. The major record labels are trying to argue that neural networks are mere parrots — copying and repeating — when in reality model training looks a lot more like a kid learning to write new rock songs by listening religiously to rock music. Like that kid, Suno gets better the more our AI learns. We train our models on medium- and high-quality music we can find on the open internet — just as Google's Gemini, Microsoft's Copilot, Anthropic's Claude, OpenAI's ChatGPT, and even Apple's new Apple Intelligence train their models on the open internet. Much of the open internet indeed contains copyrighted materials, and some of it is owned by major record labels. But, just like the kid writing their own rock songs after listening to the genre — or a teacher or a journalist reviewing existing materials to draw new insights — learning is not infringing. It never has been, and it is not now. The timing of this lawsuit was somewhat surprising. When this lawsuit landed, Suno was, in fact, having productive discussions with a number of the RIAA's major record label members to find ways of expanding the pie for music together. We did so not because we had to, but because we believe that the music industry could help us lead this expansion of opportunity for everyone, rather than resisting it. Whether this lawsuit is the result of over-eager lawyers throwing their weight around, or a conscious strategy to gain leverage in our commercial discussions, we believe that this lawsuit is an unnecessary impediment to a larger and more valuable future for music. This is particularly the case because Suno is a new kind of musical instrument, one that enables a new kind of creative process for everyone and opens new business opportunities for the industry. Suno is designed for original music, and we prize originality, both in how we build our product and in how people use it. People who use Suno are using the product to create their own, original music. They are not trying to recreate an existing song that can be heard somewhere else on the internet for free. But, even if they were trying to copy existing music, we have myriad controls in place to encourage originality and prevent duplicative use cases. We do so more aggressively than any other company in the industry, including other startups. Some of our originality-guarding features include checking for and preventing copyrighted content in audio uploads, and disallowing artist-based descriptions in requests to generate music. Why do we work to encourage originality? We do this because it makes for a more fun and engaging experience to create entirely original compositions on Suno. We do it because we think it makes Suno incredibly valuable to be a place where new musical talent can shine. AI allows anyone to realize the songs in their head, regardless of the money, equipment, or connections that they have. The future is an explosion of new artists that are creating music in new ways, building fan bases, finding new reasons to smile, and getting famous. We hope that the major record labels realize that we can build a stronger foundation for the music industry of tomorrow, together. With or without them, we will continue pursuing our mission on behalf of the many millions of music fans already creating with Suno, and all those who will in the coming months. We are excited and humbled to support this next generation of musicians and the music they create. --- 🎥: shing86 jams with Suno

Suno

46,808 просмотров • 1 год назад

I find it fascinating how Opulous is using AI to quietly reshape how music is created, marketed, and monetized. It’s not just one tool , it’s an ecosystem where each layer compounds the next. Take Wippit AI, for example. Instead of artists guessing what to post or how to grow, Wippit analyzes past content, audience behavior, and engagement patterns to guide smarter promotion decisions. That adaptability is a huge shift from static marketing tools that don’t learn or evolve. Then there’s Opulous music-first DeFi layer. By connecting on-chain infrastructure to real-world streaming data, Opulous enables transparent royalty tracking and automated payouts. This bridge between static music rights and live performance data is what makes the model sustainable, not speculative. On the creator side, MFTs (Music Fungible Tokens) unlock a new financing model entirely. Artists can raise capital without labels or debt, while fans gain exposure to real revenue streams. It’s a system designed around alignment , creators grow, supporters earn, and the platform scales organically. What really stands out is how AI, DeFi, and music IP converge into a single workflow: • AI helps artists grow • DeFi helps artists fund • Blockchain ensures trust and transparency Each component alone is powerful. Together, they’re disruptive. Of course, building systems like this isn’t trivial. It requires deep understanding of music rights, data pipelines, AI modeling, and financial infrastructure. That’s why Opulous isn’t moving fast for hype , it’s moving deliberately for longevity. And the real-world impact is already visible. Artists gain control. Fans gain access. Royalties become programmable, not opaque. Whether you’re an artist looking for independence, a fan seeking real utility, or someone exploring how AI can power real-world assets, Opulous offers a blueprint that goes beyond theory. This is what happens when technology is built for creators, not platforms. And we’re still early. $OPUL #opulous

Deejah_abk

14,275 просмотров • 5 месяцев назад