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Perfect car tracking and active obstacle avoidance—even at night. With upgraded ActiveTrack 360°, DJI Mini 5 Pro keeps targets in frame in EI1600 low‑light mode for safer, more stable performance. 🎥: MeliorStudios #DJI #DJIMini5Pro #Drone #Filmmaking #contentcreator

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DJI

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11,252 Aufrufe • vor 7 Monaten •via X (Twitter)

#DJI#DJIMini5Pro#Drone#Filmmaking#contentcreator
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🇬🇧🇨🇳 Lotus presents the Emira 420 Sport! Lotus: “The lightest, most powerful Emira. With the best sound.” -> Lotus is now owned by the Chinese and is headquartered in Wuhan! Apparently China keeps western traditional brands alive better than the west itself. Just look at Ferrari. Details provided by Lotus: Engine: AMG 2.0-litre turbo paired with an eight-speed dual-clutch. Faster acceleration, stronger mid-range response, instant in-gear punch. The optional Lightweight Handling Pack adds two-way adjustable Multimatic dampers, titanium exhaust, lithium-ion battery and carbon fibre components with a -25kg weight reduction. Perfect for the road. Perfect for the track. The fastest 4-cylinder production car in the world today. Aero: Rebuilt from the ground up. New front splitter, revised vents, extended side sills, larger air intakes, louvred tailgate. 15% more airflow to the outboard radiators. 14% to the central radiator. 10% better brake cooling. 30% more exhaust valve airflow. And +25kg of downforce, all with no increase in drag. Chassis: Ride height down 5mm. Suspension tuned. Carbon fibre gearshift paddles and updated haptics to make shifts even more engaging, And for the first time on an Emira - a removable tinted glass roof panel for open air fun, inspired by the Esprit.

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Created with Seedance 2.0 on BudgetPixel AI Prompt: A dark, atmospheric outdoor setting at night in an abandoned open courtyard surrounded by ancient stone pillars. The air is still, and faint embers float in the wind. A powerful cinematic silence builds tension with low ambient sound and distant wind. The camera slowly pushes in on a young fire dancer standing in the center. She wears flowing, elegant performance attire with subtle reflective details that catch the faint glow of nearby embers. Her expression is calm, focused, and almost trance-like. At second 3–5, she begins to move slowly. Each hand gesture feels deliberate and controlled. As her fingers trace through the air, **small sparks ignite around her hands**, forming glowing orange trails. Suddenly, the music drops into a deep cinematic beat. She spins once — and a **ring of fire bursts outward** in perfect symmetry around her feet. The flames respond to her movement as if alive. Every motion she makes bends the fire: swirling, rising, and flowing like liquid light. The camera switches between: * Slow-motion close-ups of her hands controlling fire streams * Low-angle shots showing flames rising behind her like a crown * Wide cinematic orbit shots circling her as fire forms patterns in the air At second 10–13, she raises both hands upward — and the flames rise dramatically into the sky, forming a **giant spiraling fire vortex above her**. Final moment: she gently lowers her hands, and the fire collapses into glowing embers that float around her like fireflies. She stands still in the center, untouched, powerful, and calm. End with a cinematic freeze frame: her silhouette surrounded by drifting embers, warm orange glow against deep black night sky, ultra-dramatic fantasy realism.

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🚨 THIS HAS NEVER HAPPENED BEFORE 🚨 🚨NOBODY UNDERSTANDS WHAT THEY JUST TRIGGERED. 🚨 🚨 People always talk about Iranian oil in terms of barrels, but rarely about what’s actually inside them. That’s the key difference—and the reason Western refineries have quietly relied on back-channel networks through places like Dubai for years to keep getting it, even under sanctions. Crude oil isn’t all the same. It’s a mix of hydrocarbons with different molecular weights, and that mix determines how easily it can be turned into the fuels refineries actually sell—like gasoline, diesel, jet fuel, and heating oil. The main measure here is API gravity. Higher API means lighter crude that’s easier and cheaper to refine, and it produces more of those high-value fuels. Lower API means heavier crude that takes more energy, more processing, and more expensive equipment, while producing more low-value leftovers. Iranian Light crude sits right in a sweet spot, with an API gravity around 33–36 and moderate sulfur levels. It’s light enough to produce a lot of gasoline and middle distillates without high costs, but not so light that it limits what refineries can make. In industry terms, it’s close to an ideal blend. Now look at the alternatives. Venezuela’s Merey crude is much heavier, with very low API gravity and high sulfur. Refining it profitably requires specialized, expensive equipment like cokers and hydrocrackers. Some refineries are built for that—but it’s not interchangeable with Iranian crude. It’s a completely different type of input. On the other end, US West Texas Intermediate is very light and low in sulfur. Sounds perfect in theory, but in practice it’s almost too light. Many refineries—especially in Europe and Asia—are designed for medium-grade crude, so they can’t just switch to WTI. They often have to blend it with heavier oils to make it work. That’s where Iranian crude stands out. It fits right into the middle of the system. It doesn’t need the heavy-duty processing of Venezuelan oil or the blending adjustments required for ultra-light US shale. That balance is why it’s consistently in demand and often priced at a premium. It also explains why countries like India kept buying it despite sanctions, and why those complex trading networks through Dubai existed in the first place. The Strait of Hormuz isn’t just a route for oil—it’s a route for this specific kind of oil that global refineries are optimized to process. If that flow gets disrupted, it’s not just about losing supply. It’s about losing the type of crude the system runs most efficiently on, forcing refineries to adapt with less suitable alternatives. That’s what’s really baked into oil prices like $82—not just how much oil is available, but what kind it is.

A K Mandhan

3,645,659 Aufrufe • vor 4 Monaten

Nano Banana Pro + Kling 2.6 on Social Sight: Video prompt: { "cinematic_video_request": { "meta": { "title": "Sadie Sink - Night Drive Portrait", "style_preset": "Cinematic Realism", "duration_seconds": 10, "resolution": "4K", "aspect_ratio": "16:9" }, "prompts": { "main_prompt": "Ultra-realistic cinematic animation of Sadie Sink sitting in the backseat of a luxury car at night. The city lights outside the window create soft motion blur with passing traffic and glowing streetlights. Subtle camera push-in shot from medium frame to close-up. Gentle movement in her hair as the car moves. She slowly shifts her gaze toward the window, blinking naturally, then looks back toward the camera with a calm, slightly mysterious expression.", "visual_modifiers": "4K cinematic quality, realistic skin texture, natural facial micro-expressions, smooth motion, dramatic nighttime mood, film-grade color grading, soft contrast, subtle handheld camera feel, shallow depth of field, bokeh city lights, detailed leather texture.", "lighting_prompt": "Soft ambient lighting from streetlights flickers across her face, creating dynamic shadows and warm highlights. Background traffic lights streak smoothly past the window." }, "scene_specifications": { "subject": { "name": "Sadie Sink", "action": "Sitting, gazing out window, turning head to camera, blinking", "expression": "Calm, mysterious, natural micro-expressions", "details": "Gentle hair movement, realistic skin texture" }, "environment": { "setting": "Backseat of luxury car", "time": "Night", "exterior": "City streets, passing traffic", "details": "Detailed leather interior, window reflections" }, "camera": { "movement": "Slow push-in (dolly forward)", "stabilization": "Slight handheld feel (organic motion)", "framing": "Medium shot to Close-up", "focus": "Shallow depth of field with background bokeh" }, "lighting": { "type": "Dynamic/Transient", "sources": "Passing streetlights, city glow", "characteristics": "Warm highlights, soft contrast, rhythmic flickering shadows" } } } } Image prompt: { "prompt": { "subject": { "description": "Sadie Sink with shoulder-length, blonde red hair and bangs. She has fair skin with light freckles, winged eyeliner. Her expression is sultry, with her index finger resting gently on her lower lip.", "clothing": "She is wearing a tight, long-sleeved black mini dress and sheer black pantyhose.", "pose": "She is seated in the back of a car with her legs crossed and pulled up towards her chest, displaying bare feet in sheer hose." }, "environment": { "location": "Interior of a luxury car, specifically the back seat.", "details": "Light grey leather seats with diamond stitching patterns visible on the side door panel. A 'B' logo (likely Bentley) is embroidered on the headrest.", "background": "Through the car window, a night cityscape is visible with blurred city lights, street lamps, and streaks of light from moving traffic on a highway." }, "lighting_and_quality": { "lighting": "Direct flash photography illuminating the subject against a darker background.", "resolution": "4K HD quality, highly detailed textures on the hair, skin, and leather seats.", "style": "Candid, urban night aesthetic, realistic photo." } } }
0:10

Nano Banana Pro + Kling 2.6 on Social Sight: Video prompt: { "cinematic_video_request": { "meta": { "title": "Sadie Sink - Night Drive Portrait", "style_preset": "Cinematic Realism", "duration_seconds": 10, "resolution": "4K", "aspect_ratio": "16:9" }, "prompts": { "main_prompt": "Ultra-realistic cinematic animation of Sadie Sink sitting in the backseat of a luxury car at night. The city lights outside the window create soft motion blur with passing traffic and glowing streetlights. Subtle camera push-in shot from medium frame to close-up. Gentle movement in her hair as the car moves. She slowly shifts her gaze toward the window, blinking naturally, then looks back toward the camera with a calm, slightly mysterious expression.", "visual_modifiers": "4K cinematic quality, realistic skin texture, natural facial micro-expressions, smooth motion, dramatic nighttime mood, film-grade color grading, soft contrast, subtle handheld camera feel, shallow depth of field, bokeh city lights, detailed leather texture.", "lighting_prompt": "Soft ambient lighting from streetlights flickers across her face, creating dynamic shadows and warm highlights. Background traffic lights streak smoothly past the window." }, "scene_specifications": { "subject": { "name": "Sadie Sink", "action": "Sitting, gazing out window, turning head to camera, blinking", "expression": "Calm, mysterious, natural micro-expressions", "details": "Gentle hair movement, realistic skin texture" }, "environment": { "setting": "Backseat of luxury car", "time": "Night", "exterior": "City streets, passing traffic", "details": "Detailed leather interior, window reflections" }, "camera": { "movement": "Slow push-in (dolly forward)", "stabilization": "Slight handheld feel (organic motion)", "framing": "Medium shot to Close-up", "focus": "Shallow depth of field with background bokeh" }, "lighting": { "type": "Dynamic/Transient", "sources": "Passing streetlights, city glow", "characteristics": "Warm highlights, soft contrast, rhythmic flickering shadows" } } } } Image prompt: { "prompt": { "subject": { "description": "Sadie Sink with shoulder-length, blonde red hair and bangs. She has fair skin with light freckles, winged eyeliner. Her expression is sultry, with her index finger resting gently on her lower lip.", "clothing": "She is wearing a tight, long-sleeved black mini dress and sheer black pantyhose.", "pose": "She is seated in the back of a car with her legs crossed and pulled up towards her chest, displaying bare feet in sheer hose." }, "environment": { "location": "Interior of a luxury car, specifically the back seat.", "details": "Light grey leather seats with diamond stitching patterns visible on the side door panel. A 'B' logo (likely Bentley) is embroidered on the headrest.", "background": "Through the car window, a night cityscape is visible with blurred city lights, street lamps, and streaks of light from moving traffic on a highway." }, "lighting_and_quality": { "lighting": "Direct flash photography illuminating the subject against a darker background.", "resolution": "4K HD quality, highly detailed textures on the hair, skin, and leather seats.", "style": "Candid, urban night aesthetic, realistic photo." } } }

Iris

74,089 Aufrufe • vor 6 Monaten

seedance 2.0 prompt： 15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue. Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply. Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression. Background: one distant sloth clerk at a far desk only, never entering foreground. Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick’s small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors. Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable. 0:00–0:03 Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy’s ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground. 0:03–0:06 Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion. 0:06–0:09 Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible. 0:09–0:12 Frontal medium-close shot. The donut rolls toward camera. Nick’s paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly. 0:12–0:15 Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut centered in foreground, Judy serious and proud, Nick smirking beside her. Consistency rules: same donut throughout, no extra donuts, no costume changes, clipboard stays with Judy, background sloth remains distant, no extra foreground characters, no object popping in or out, final frame must clearly show the donut inside the evidence bag.
0:15

seedance 2.0 prompt： 15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue. Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply. Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression. Background: one distant sloth clerk at a far desk only, never entering foreground. Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick’s small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors. Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable. 0:00–0:03 Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy’s ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground. 0:03–0:06 Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion. 0:06–0:09 Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible. 0:09–0:12 Frontal medium-close shot. The donut rolls toward camera. Nick’s paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly. 0:12–0:15 Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut centered in foreground, Judy serious and proud, Nick smirking beside her. Consistency rules: same donut throughout, no extra donuts, no costume changes, clipboard stays with Judy, background sloth remains distant, no extra foreground characters, no object popping in or out, final frame must clearly show the donut inside the evidence bag.

Midjourney Sref and prompt Library

13,096 Aufrufe • vor 5 Monaten

Seedance 2.0 on Yapper Prompt: Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Tokyo neon dusk. Lens flares, motion blur. Dolby Vision HDR. 0.0s–2.5s: Extreme low-angle tracking shot — a hyper-focused street female food chef sprints at impossible speed through a neon-lit Tokyo alley, clutching a steaming bowl of ramen. Crisp apron flapping, sleeves rolled, sneakers splashing through puddles. Camera shakes aggressively behind them. Steam trails like smoke. Neon signs streak across frame. Their face — intense, locked-in, slightly unhinged determination. 2.6s–5.0s: Whip-pan — they shoulder-check a stack of plastic crates. TIME REMAP: slow-motion chaos — vegetables, bowls, and chopsticks explode into the air. Broth ripples in perfect cinematic detail without spilling. They tilt the bowl mid-run, saving every drop. Quick glance back, dead serious. Continue sprint. 5.1s–7.5s: Drone shot — they leap across narrow alley gaps between buildings. SLOW MOTION: steam spirals upward into neon light. A cat jumps out of the way. Laundry lines ripple. They casually garnish the ramen mid-air with one hand — flawless precision. 7.6s–10.0s: 360° orbital shot — they slide across the hood of a parked car, spin, land clean. One sandal nearly slips off but is caught mid-motion. They adjust grip on the bowl, completely composed. 10.1s–13.0s: First-person POV — a small ramen shop door rushes forward. SMASH CUT: door slams open. Steam floods the frame. They step in, perfectly calm now. Place the bowl gently on the counter. Slow push-in. Low-angle shot. They look at the customer: “Still hot.” Customer sits in stunned silence as steam rises dramatically.
0:15

Seedance 2.0 on Yapper Prompt: Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Tokyo neon dusk. Lens flares, motion blur. Dolby Vision HDR. 0.0s–2.5s: Extreme low-angle tracking shot — a hyper-focused street female food chef sprints at impossible speed through a neon-lit Tokyo alley, clutching a steaming bowl of ramen. Crisp apron flapping, sleeves rolled, sneakers splashing through puddles. Camera shakes aggressively behind them. Steam trails like smoke. Neon signs streak across frame. Their face — intense, locked-in, slightly unhinged determination. 2.6s–5.0s: Whip-pan — they shoulder-check a stack of plastic crates. TIME REMAP: slow-motion chaos — vegetables, bowls, and chopsticks explode into the air. Broth ripples in perfect cinematic detail without spilling. They tilt the bowl mid-run, saving every drop. Quick glance back, dead serious. Continue sprint. 5.1s–7.5s: Drone shot — they leap across narrow alley gaps between buildings. SLOW MOTION: steam spirals upward into neon light. A cat jumps out of the way. Laundry lines ripple. They casually garnish the ramen mid-air with one hand — flawless precision. 7.6s–10.0s: 360° orbital shot — they slide across the hood of a parked car, spin, land clean. One sandal nearly slips off but is caught mid-motion. They adjust grip on the bowl, completely composed. 10.1s–13.0s: First-person POV — a small ramen shop door rushes forward. SMASH CUT: door slams open. Steam floods the frame. They step in, perfectly calm now. Place the bowl gently on the counter. Slow push-in. Low-angle shot. They look at the customer: “Still hot.” Customer sits in stunned silence as steam rises dramatically.

Zara

18,228 Aufrufe • vor 4 Monaten

I created an energy drink ad by using this GPT Image 2 + Seedance 2.0 on Ima Studio Prompt Visual style & vibe: early 2000s skate video meets retro milkshake commercial energy. Raw, gritty, fast-paced. Fish-eye lenses, motion blur, high contrast, slightly faded nostalgic colors with warm pink-red strawberry tones. Use product image as the exact strawberry shake bottle/cup reference throughout every frame for perfect consistency. Create a 12-frame storyboard ad. Each frame should vary in shot type and together tell one cohesive story starring stylish western young adults. Frame ideas and energy: Fast skateboard push through a sunny suburban street while holding the strawberry shake. Close-up of condensation dripping from the cold shake in someone’s hand. Group of western friends laughing outside a diner parking lot at golden hour. Fish-eye low angle of a girl jumping off a skate ramp with the shake in frame. Messy whipped cream mustache moment inside a retro car. Slow-motion strawberry shake splash transition. Extreme close-up of strawberries blending into the shake. Friends passing the shake around at a late-night gas station stop. Motion blur running shot through a basketball court. Retro camcorder-style cheers shot with multiple shakes clinking together. Hero shot on asphalt with sunlight reflections and crushed ice around the product. Final cinematic freeze-frame of the main character drinking the strawberry shake while the group skates away in the background. Cinematic details: authentic western fashion, oversized hoodies, denim, skate shoes, crop tops, baggy jeans, silver jewelry, messy natural movement, candid expressions, imperfect camera framing, energetic youth culture atmosphere, commercial-quality realism.
0:14

I created an energy drink ad by using this GPT Image 2 + Seedance 2.0 on Ima Studio Prompt Visual style & vibe: early 2000s skate video meets retro milkshake commercial energy. Raw, gritty, fast-paced. Fish-eye lenses, motion blur, high contrast, slightly faded nostalgic colors with warm pink-red strawberry tones. Use product image as the exact strawberry shake bottle/cup reference throughout every frame for perfect consistency. Create a 12-frame storyboard ad. Each frame should vary in shot type and together tell one cohesive story starring stylish western young adults. Frame ideas and energy: Fast skateboard push through a sunny suburban street while holding the strawberry shake. Close-up of condensation dripping from the cold shake in someone’s hand. Group of western friends laughing outside a diner parking lot at golden hour. Fish-eye low angle of a girl jumping off a skate ramp with the shake in frame. Messy whipped cream mustache moment inside a retro car. Slow-motion strawberry shake splash transition. Extreme close-up of strawberries blending into the shake. Friends passing the shake around at a late-night gas station stop. Motion blur running shot through a basketball court. Retro camcorder-style cheers shot with multiple shakes clinking together. Hero shot on asphalt with sunlight reflections and crushed ice around the product. Final cinematic freeze-frame of the main character drinking the strawberry shake while the group skates away in the background. Cinematic details: authentic western fashion, oversized hoodies, denim, skate shoes, crop tops, baggy jeans, silver jewelry, messy natural movement, candid expressions, imperfect camera framing, energetic youth culture atmosphere, commercial-quality realism.

Sharon Riley

44,160 Aufrufe • vor 3 Monaten

🚨 SCIENTISTS JUST REPLACED EXPENSIVE PLATINUM CATALYSTS IN ZINC-AIR BATTERIES WITH CHEAP IRON AND IT WORKS BETTER. Zinc-air batteries are one of the most promising low-cost, high-energy-density alternatives to lithium-ion, but they’ve been held back by a slow and inefficient oxygen reduction reaction that usually requires precious metal catalysts. Researchers at Tohoku University engineered a simple iron oxide/samarium oxide interface that dramatically speeds up this reaction. The heterointerface changes how electrons behave at the surface, weakens excessive bonding with reaction intermediates, and delivers faster kinetics plus excellent durability all without any noble metals. The new catalyst performed strongly in both liquid and flexible solid-state zinc-air batteries, successfully powering LEDs and even charging a smartphone. Why this matters: • Zinc-air batteries use oxygen from the air, abundant zinc, and are much cheaper and safer than lithium-ion • Removing the need for platinum or other precious metals makes them far more scalable and affordable • The iron-based interface approach is simple, stable in alkaline conditions, and improves both performance and longevity • It was demonstrated in practical devices, not just lab tests The deeper implication: We’re getting closer to energy storage that doesn’t rely on scarce, expensive materials. Zinc-air technology has long been held back by catalyst limitations, but this work shows that clever interface engineering with cheap, abundant elements can unlock the performance needed for real-world applications from portable electronics to large-scale grid storage. It’s another step toward clean energy systems that are not only sustainable in operation, but also in the materials they use. The future of batteries may not depend on mining more rare metals… but on smarter chemistry with what we already have in abundance. How close do you think we are to zinc-air batteries becoming a mainstream alternative to lithium-ion? Follow for more frontier battery materials and clean energy storage research.
0:10

🚨 SCIENTISTS JUST REPLACED EXPENSIVE PLATINUM CATALYSTS IN ZINC-AIR BATTERIES WITH CHEAP IRON AND IT WORKS BETTER. Zinc-air batteries are one of the most promising low-cost, high-energy-density alternatives to lithium-ion, but they’ve been held back by a slow and inefficient oxygen reduction reaction that usually requires precious metal catalysts. Researchers at Tohoku University engineered a simple iron oxide/samarium oxide interface that dramatically speeds up this reaction. The heterointerface changes how electrons behave at the surface, weakens excessive bonding with reaction intermediates, and delivers faster kinetics plus excellent durability all without any noble metals. The new catalyst performed strongly in both liquid and flexible solid-state zinc-air batteries, successfully powering LEDs and even charging a smartphone. Why this matters: • Zinc-air batteries use oxygen from the air, abundant zinc, and are much cheaper and safer than lithium-ion • Removing the need for platinum or other precious metals makes them far more scalable and affordable • The iron-based interface approach is simple, stable in alkaline conditions, and improves both performance and longevity • It was demonstrated in practical devices, not just lab tests The deeper implication: We’re getting closer to energy storage that doesn’t rely on scarce, expensive materials. Zinc-air technology has long been held back by catalyst limitations, but this work shows that clever interface engineering with cheap, abundant elements can unlock the performance needed for real-world applications from portable electronics to large-scale grid storage. It’s another step toward clean energy systems that are not only sustainable in operation, but also in the materials they use. The future of batteries may not depend on mining more rare metals… but on smarter chemistry with what we already have in abundance. How close do you think we are to zinc-air batteries becoming a mainstream alternative to lithium-ion? Follow for more frontier battery materials and clean energy storage research.

TheNewPhysics

36,798 Aufrufe • vor 2 Monaten

The Sei ecosystem is thriving, and this week was no exception. From ATHs in daily users to major integrations and exciting community events, the ecosystem keeps leveling up. Here’s what you might have missed 👇 🔴 ATH in Daily Users - Sei sets a new record for daily active users showcasing consistent ecosystem growth. 🔴 @CryptoBint 'Wen?' - How a single tweet led to Sei NFTs on Magic Eden. 🔴 Sei Eco at Basel - Gaming, community, and hoops collide in Miami. Full details: 🔴 Magic Eden 🪄 - Sei NFTs launch on Web3's biggest NFT marketplace. 🔴 Sei Dapps - #1, #3, #4, #5, and #9 fastest-growing apps in crypto—all Sei native. 🔴 Sei Tenkaichi - The tournament continues. $25K up for grabs across 5 games. 🔴 Relay - Bringing to Sei now live on Relay. 🔴 World of Dypians - Explore a dynamic metaverse with treasure hunts and battles—all powered by Sei. 🔴 Drift Zone - 600K players and counting! A huge milestone for one of the standout games on Sei. 🔴 Chirpley🐦 - Now integrating with Sei to enhance user experience and become the influencer hub for the Sei ecosystem. 🔴 Dad's Attic - Shadow Mysteries, a survival Telegram Mini App game including quests, and mysteries—all powered by Sei. 🔴 @MokokoStudioOFL - Mini-games like @MajyoGame and CandyDreams are now live on Sei, bringing fresh gaming experiences to the ecosystem. Another incredible week for the Sei ecosystem. From major milestones to exciting integrations and gaming activations, Sei continues to thrive. The momentum is real, and it’s only the beginning. Sei Less, Build More.
0:10

The Sei ecosystem is thriving, and this week was no exception. From ATHs in daily users to major integrations and exciting community events, the ecosystem keeps leveling up. Here’s what you might have missed 👇 🔴 ATH in Daily Users - Sei sets a new record for daily active users showcasing consistent ecosystem growth. 🔴 @CryptoBint 'Wen?' - How a single tweet led to Sei NFTs on Magic Eden. 🔴 Sei Eco at Basel - Gaming, community, and hoops collide in Miami. Full details: 🔴 Magic Eden 🪄 - Sei NFTs launch on Web3's biggest NFT marketplace. 🔴 Sei Dapps - #1, #3, #4, #5, and #9 fastest-growing apps in crypto—all Sei native. 🔴 Sei Tenkaichi - The tournament continues. $25K up for grabs across 5 games. 🔴 Relay - Bringing to Sei now live on Relay. 🔴 World of Dypians - Explore a dynamic metaverse with treasure hunts and battles—all powered by Sei. 🔴 Drift Zone - 600K players and counting! A huge milestone for one of the standout games on Sei. 🔴 Chirpley🐦 - Now integrating with Sei to enhance user experience and become the influencer hub for the Sei ecosystem. 🔴 Dad's Attic - Shadow Mysteries, a survival Telegram Mini App game including quests, and mysteries—all powered by Sei. 🔴 @MokokoStudioOFL - Mini-games like @MajyoGame and CandyDreams are now live on Sei, bringing fresh gaming experiences to the ecosystem. Another incredible week for the Sei ecosystem. From major milestones to exciting integrations and gaming activations, Sei continues to thrive. The momentum is real, and it’s only the beginning. Sei Less, Build More.

Sei

110,575 Aufrufe • vor 1 Jahr

I’m livid‼️‼️‼️ Still shaking as I type this ‼️‼️‼️‼️ A BRT bus crushed the front of my vehicle at about 6:40pm this evening on my way from work. Everything is broken. The bumper shattered, the lights destroyed, the bonnet cover removed 💔💔💔 It happened at Obalende with several eye witnesses. Even with the traffic light which was green for our lane to pass, there was also a civilian at the junction controlling traffic, yet this driver crushed our car 💔 After waiting in turn for the vehicles at the other side of the road to pass, the other lane(where the BRT was) was stopped and our lane was passed… …as soon as we moved an inch, a BRT bus with plate number EKY564XY (driver’s face in frame 3) drove in full speed and collided into our car, destroying car parts worth hundreds of thousands💔💔💔 In shock, we (I and the person driving) came down to assess the damage, and to make videos and capture the plates before he runs, but to our surprise and that of everyone around, including the civilian passing traffic, the BRT driver claimed to not have seen us and that he had right to speed and ram into our vehicle the way he did. He asked for the usefulness of the video I was making and I told him I’ll show him the power of social media‼️‼️ It is unfair for me to go to work for 40 working days of two months , toiling day and night only to pour the money into the repair of a car collision caused by the wild animals Lagos state government employs as driver 💔💔 After calling me names, he ended up saying there is a scratch on his bus too so we should both move on. A scratch compared to the damage this wicked human caused. I want to beg everyone to help me retweet massively tagging The Lagos State Govt and Babajide Sanwo-Olu to see how their driver endangers the lives and properties of the same citizens he is set to protect. Lest I forget, despite eye witness claims he adamantly insisted he was in the right and finally entered his vehicle and zoomed off leaving us at the scene. Lagos state and the driver must repair every single damage made to this car‼️‼️ I cannot be working so hard and pouring my salary into repairing damages caused by wicked and unruly drivers of Lagos State Govt. and Lagos Metropolitan Area Transport Authority LAMATA I am ready to come to their office to substantiate every claim written in this tweet. Babajide Sanwo-Olu where do I see money to repair this damage your driver caused to this car?💔💔💔 I am a mere salary earner trying to fend for myself. Frame 1: shows the damage, Frame 2: raining insults, Frame 3: passenger apologizing on his behalf(driver in navy blue), Frame 4: him driving off
0:07

I’m livid‼️‼️‼️ Still shaking as I type this ‼️‼️‼️‼️ A BRT bus crushed the front of my vehicle at about 6:40pm this evening on my way from work. Everything is broken. The bumper shattered, the lights destroyed, the bonnet cover removed 💔💔💔 It happened at Obalende with several eye witnesses. Even with the traffic light which was green for our lane to pass, there was also a civilian at the junction controlling traffic, yet this driver crushed our car 💔 After waiting in turn for the vehicles at the other side of the road to pass, the other lane(where the BRT was) was stopped and our lane was passed… …as soon as we moved an inch, a BRT bus with plate number EKY564XY (driver’s face in frame 3) drove in full speed and collided into our car, destroying car parts worth hundreds of thousands💔💔💔 In shock, we (I and the person driving) came down to assess the damage, and to make videos and capture the plates before he runs, but to our surprise and that of everyone around, including the civilian passing traffic, the BRT driver claimed to not have seen us and that he had right to speed and ram into our vehicle the way he did. He asked for the usefulness of the video I was making and I told him I’ll show him the power of social media‼️‼️ It is unfair for me to go to work for 40 working days of two months , toiling day and night only to pour the money into the repair of a car collision caused by the wild animals Lagos state government employs as driver 💔💔 After calling me names, he ended up saying there is a scratch on his bus too so we should both move on. A scratch compared to the damage this wicked human caused. I want to beg everyone to help me retweet massively tagging The Lagos State Govt and Babajide Sanwo-Olu to see how their driver endangers the lives and properties of the same citizens he is set to protect. Lest I forget, despite eye witness claims he adamantly insisted he was in the right and finally entered his vehicle and zoomed off leaving us at the scene. Lagos state and the driver must repair every single damage made to this car‼️‼️ I cannot be working so hard and pouring my salary into repairing damages caused by wicked and unruly drivers of Lagos State Govt. and Lagos Metropolitan Area Transport Authority LAMATA I am ready to come to their office to substantiate every claim written in this tweet. Babajide Sanwo-Olu where do I see money to repair this damage your driver caused to this car?💔💔💔 I am a mere salary earner trying to fend for myself. Frame 1: shows the damage, Frame 2: raining insults, Frame 3: passenger apologizing on his behalf(driver in navy blue), Frame 4: him driving off

Big Sis🦄💜✨

498,927 Aufrufe • vor 1 Jahr

💬 We get asked Is it worth trading when the market is just moving sideways with no big trends? ❕ Answer from a GT App Trader: Actually, "boring" markets are where I make some of my most consistent gains. When the price is stuck in a range, I switch my focus to Grid or Scalping strategies. 🔸 Profiting from the "Ziz-Zag" While everyone is waiting for a massive pump, my strategies take advantage of small price fluctuations. They buy at the local bottom of the range and sell at the local top, over and over again. These small wins really add up. 🔸 High Frequency, Low Stress In a flat market, you don't need to catch a 10% move. Setting up a strategy to grab 0.5% – 1% multiple times a day works perfectly. It keeps my capital working instead of just sitting idle in the wallet. 🔸 Precision Settings I usually adjust my filters to be more sensitive during these periods. Using the Strategy Builder, I can set tight entry and exit points so the strategy stays active even in a narrow price corridor. Don't wait for the moon — trade the range!
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💬 We get asked Is it worth trading when the market is just moving sideways with no big trends? ❕ Answer from a GT App Trader: Actually, "boring" markets are where I make some of my most consistent gains. When the price is stuck in a range, I switch my focus to Grid or Scalping strategies. 🔸 Profiting from the "Ziz-Zag" While everyone is waiting for a massive pump, my strategies take advantage of small price fluctuations. They buy at the local bottom of the range and sell at the local top, over and over again. These small wins really add up. 🔸 High Frequency, Low Stress In a flat market, you don't need to catch a 10% move. Setting up a strategy to grab 0.5% – 1% multiple times a day works perfectly. It keeps my capital working instead of just sitting idle in the wallet. 🔸 Precision Settings I usually adjust my filters to be more sensitive during these periods. Using the Strategy Builder, I can set tight entry and exit points so the strategy stays active even in a narrow price corridor. Don't wait for the moon — trade the range!

GT Protocol

36,613 Aufrufe • vor 3 Monaten

It is getting cold, blustery and wet out there! 📡🥶 If you were watching the National Weather Service (NWS) radar data out of NWS Tampa Bay this afternoon, you would have noticed what appeared to be a sharp increase in the coverage of showers from one frame to the next over the Tampa Bay region. 📡 ☔️ In reality, the precipitation was not increasing. The trained NWS meteorologist and radar operator shifted the radar scanning strategy to better detect lighter, lower-level precipitation. Notice the change at the top of this radar animation with the “VCP”, or volume coverage pattern. Watch it change from VCP 215 to VCP 34. What does this mean? 🤔 The National Weather Service Doppler radar volume coverage pattern (VCP) modes determine how radar beams are emitted and the angle at which they scan the atmosphere. VCP Mode 215: This mode provides higher vertical resolution due to more elevation angles being processed. It typically includes more volume scans, focusing on detecting severe weather phenomena such as thunderstorms and tornadoes effectively. VCP Mode 34: This mode offers lower vertical resolution with fewer elevation angles. It is designed for less demanding weather situations, providing broader coverage and is often used during more stable weather conditions. As these sprinkles and light showers continue to develop and move ashore from the Gulf within a blustery northwest wind, much colder (and drier) air will overspread the area through tonight into Sunday morning when the potential exists for isolated flurries or frozen rain drops (i.e., sleet or ice pellets). VCP 34 typically features more lower elevation scanning angles compared to VCP 215. 📡Things to remember📡: Lower radar elevation angles sampled by VCP 34 are designed to scan the atmosphere closer to the ground. This design is beneficial for detecting broader weather patterns and identifying precipitation types that occur near the surface. Stay warm! #FLwx #Gasparilla City of Tampa Hillsborough County
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It is getting cold, blustery and wet out there! 📡🥶 If you were watching the National Weather Service (NWS) radar data out of NWS Tampa Bay this afternoon, you would have noticed what appeared to be a sharp increase in the coverage of showers from one frame to the next over the Tampa Bay region. 📡 ☔️ In reality, the precipitation was not increasing. The trained NWS meteorologist and radar operator shifted the radar scanning strategy to better detect lighter, lower-level precipitation. Notice the change at the top of this radar animation with the “VCP”, or volume coverage pattern. Watch it change from VCP 215 to VCP 34. What does this mean? 🤔 The National Weather Service Doppler radar volume coverage pattern (VCP) modes determine how radar beams are emitted and the angle at which they scan the atmosphere. VCP Mode 215: This mode provides higher vertical resolution due to more elevation angles being processed. It typically includes more volume scans, focusing on detecting severe weather phenomena such as thunderstorms and tornadoes effectively. VCP Mode 34: This mode offers lower vertical resolution with fewer elevation angles. It is designed for less demanding weather situations, providing broader coverage and is often used during more stable weather conditions. As these sprinkles and light showers continue to develop and move ashore from the Gulf within a blustery northwest wind, much colder (and drier) air will overspread the area through tonight into Sunday morning when the potential exists for isolated flurries or frozen rain drops (i.e., sleet or ice pellets). VCP 34 typically features more lower elevation scanning angles compared to VCP 215. 📡Things to remember📡: Lower radar elevation angles sampled by VCP 34 are designed to scan the atmosphere closer to the ground. This design is beneficial for detecting broader weather patterns and identifying precipitation types that occur near the surface. Stay warm! #FLwx #Gasparilla City of Tampa Hillsborough County

Brian LaMarre

12,222 Aufrufe • vor 6 Monaten

Every touch unlocks a new masterpiece. PROMPT ⬇ Use my uploaded character sheet as the ONLY reference for the character. Preserve the exact facial features, hairstyle, body proportions, skin tone, age, outfit, and identity throughout the entire video. Do NOT change the character in any way—only the vehicle changes. Create a 15-second ultra-luxury automotive commercial inside a futuristic luxury showroom with polished marble floors, floor-to-ceiling glass walls, cinematic architectural lighting, premium reflections, and an exclusive VIP atmosphere. The character confidently walks through the showroom while interacting with a series of luxury cars. The camera uses smooth cinematic tracking shots with premium commercial-quality movement. Vehicle Transformation Sequence: • Car 1: Luxury sports coupe. The character gently places a hand on the hood. As the hand glides across the paint, the entire vehicle seamlessly transforms into Car 2. • Car 2: Premium executive luxury sedan. The character opens the driver's door and slowly closes it. As the door shuts, the car transforms into Car 3. • Car 3: High-performance supercar. The character walks around the front of the vehicle, lightly tracing a finger along the headlight. During the movement, the car morphs into Car 4. • Car 4: Ultra-luxury SUV. The character presses the key fob to lock the vehicle. The flashing lights trigger a seamless transformation into Car 5. • Car 5: Luxury electric performance car. The character slides a hand across the roofline while walking beside the vehicle. The bodywork smoothly transforms into Car 6. • Car 6: Exotic hypercar. The character opens the butterfly/scissor door, sits briefly, then steps back out. As the door closes, the vehicle transforms into Car 7. • Car 7: Limited-edition flagship luxury vehicle (Hero Car). The character stands confidently beside the final car as the camera performs a dramatic cinematic orbit, highlighting the vehicle from every angle before ending on a premium hero shot. Every transformation is triggered by a realistic interaction with the vehicle—touching the hood, opening a door, pressing the key, or walking alongside it. The transformations feature seamless body-panel morphing, realistic reflections, premium paint finishes, and flawless cinematic transitions. The character's face, body, hairstyle, outfit, accessories, and identity remain completely unchanged. Only the vehicle transforms. Camera: Smooth cinematic tracking, low-angle hero shots, elegant orbit shots, 50mm and 85mm lenses, shallow depth of field, premium automotive cinematography. Lighting: Luxury showroom lighting with realistic reflections, soft volumetric light, polished marble reflections, and dramatic rim lighting. Style: Ferrari, Lamborghini, Rolls-Royce, Bentley, Porsche, Mercedes-Maybach, McLaren campaign aesthetic, ultra-realistic, 8K HDR, award-winning automotive commercial, premium color grading, flawless reflections, no glitches, no identity changes, no text, no watermark.
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Every touch unlocks a new masterpiece. PROMPT ⬇ Use my uploaded character sheet as the ONLY reference for the character. Preserve the exact facial features, hairstyle, body proportions, skin tone, age, outfit, and identity throughout the entire video. Do NOT change the character in any way—only the vehicle changes. Create a 15-second ultra-luxury automotive commercial inside a futuristic luxury showroom with polished marble floors, floor-to-ceiling glass walls, cinematic architectural lighting, premium reflections, and an exclusive VIP atmosphere. The character confidently walks through the showroom while interacting with a series of luxury cars. The camera uses smooth cinematic tracking shots with premium commercial-quality movement. Vehicle Transformation Sequence: • Car 1: Luxury sports coupe. The character gently places a hand on the hood. As the hand glides across the paint, the entire vehicle seamlessly transforms into Car 2. • Car 2: Premium executive luxury sedan. The character opens the driver's door and slowly closes it. As the door shuts, the car transforms into Car 3. • Car 3: High-performance supercar. The character walks around the front of the vehicle, lightly tracing a finger along the headlight. During the movement, the car morphs into Car 4. • Car 4: Ultra-luxury SUV. The character presses the key fob to lock the vehicle. The flashing lights trigger a seamless transformation into Car 5. • Car 5: Luxury electric performance car. The character slides a hand across the roofline while walking beside the vehicle. The bodywork smoothly transforms into Car 6. • Car 6: Exotic hypercar. The character opens the butterfly/scissor door, sits briefly, then steps back out. As the door closes, the vehicle transforms into Car 7. • Car 7: Limited-edition flagship luxury vehicle (Hero Car). The character stands confidently beside the final car as the camera performs a dramatic cinematic orbit, highlighting the vehicle from every angle before ending on a premium hero shot. Every transformation is triggered by a realistic interaction with the vehicle—touching the hood, opening a door, pressing the key, or walking alongside it. The transformations feature seamless body-panel morphing, realistic reflections, premium paint finishes, and flawless cinematic transitions. The character's face, body, hairstyle, outfit, accessories, and identity remain completely unchanged. Only the vehicle transforms. Camera: Smooth cinematic tracking, low-angle hero shots, elegant orbit shots, 50mm and 85mm lenses, shallow depth of field, premium automotive cinematography. Lighting: Luxury showroom lighting with realistic reflections, soft volumetric light, polished marble reflections, and dramatic rim lighting. Style: Ferrari, Lamborghini, Rolls-Royce, Bentley, Porsche, Mercedes-Maybach, McLaren campaign aesthetic, ultra-realistic, 8K HDR, award-winning automotive commercial, premium color grading, flawless reflections, no glitches, no identity changes, no text, no watermark.

Zephyra Leigh

17,504 Aufrufe • vor 1 Monat