Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Perfect car tracking and active obstacle avoidance—even at night. With upgraded ActiveTrack 360°, DJI Mini 5 Pro keeps targets in frame in EI1600 low‑light mode for safer, more stable performance. 🎥: MeliorStudios #DJI #DJIMini5Pro #Drone #Filmmaking #contentcreator

DJIGlobal's profile picture

DJI

1,319,219 subscribers

11,252 Aufrufe • vor 8 Monaten •via X (Twitter)

#DJI#DJIMini5Pro#Drone#Filmmaking#contentcreator
LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

Catching up on the CES 2026 updates from Insta360, and the new Link 2 Pro and Link 2C Pro feel very aligned with how creators and professionals actually work today. What stood out to me is the focus on control without complexity. From cleaner image quality (even in low light) to smart tracking and auto-framing that doesn’t feel distracting, these webcams seem built for real-world hybrid setups. The Elgato Stream Deck integration, as highlighted by Louis Peeters at CES, is a nice touch too, being able to control camera modes and framing with a single tap makes a real difference during live sessions. Overall, it’s less about flashy features and more about making on camera work smoother and more intentional. Looking forward to seeing these in action when they roll out later this month. #CES2026 #Insta360 #CreatorTools #HybridWork #LiveStreaming
0:14

Catching up on the CES 2026 updates from Insta360, and the new Link 2 Pro and Link 2C Pro feel very aligned with how creators and professionals actually work today. What stood out to me is the focus on control without complexity. From cleaner image quality (even in low light) to smart tracking and auto-framing that doesn’t feel distracting, these webcams seem built for real-world hybrid setups. The Elgato Stream Deck integration, as highlighted by Louis Peeters at CES, is a nice touch too, being able to control camera modes and framing with a single tap makes a real difference during live sessions. Overall, it’s less about flashy features and more about making on camera work smoother and more intentional. Looking forward to seeing these in action when they roll out later this month. #CES2026 #Insta360 #CreatorTools #HybridWork #LiveStreaming

Parul Gautam

65,397 Aufrufe • vor 9 Monaten

THIS GUY VIBE CODED A BROWSER TOOL WITH CLAUDE CODE THAT DRAWS PROPERTY LINES ONTO DRONE FOOTAGE AND KEEPS THEM LOCKED TO THE GROUND AS THE DRONE MOVES real estate agents kept asking for those property boundary overlays on drone videos so buyers can see exactly where a lot ends. the only real option was after effects, which is a massive pro tool for one small repeatable job so he built a browser tool that does just that one thing > drop in a drone clip and draw the parcel outline once on the first frame > gpu motion tracking keeps that boundary stuck to the ground as the drone flies and the perspective shifts > if the line drifts anywhere, you drop a keyframe to correct it and it re-tracks the segments around it > style the line however you want, then export the finished video > free to use, you dont even need an account until you export he built one tool that solves one annoying job perfectly, for people who were never going to learn after effects anyway
0:13

THIS GUY VIBE CODED A BROWSER TOOL WITH CLAUDE CODE THAT DRAWS PROPERTY LINES ONTO DRONE FOOTAGE AND KEEPS THEM LOCKED TO THE GROUND AS THE DRONE MOVES real estate agents kept asking for those property boundary overlays on drone videos so buyers can see exactly where a lot ends. the only real option was after effects, which is a massive pro tool for one small repeatable job so he built a browser tool that does just that one thing > drop in a drone clip and draw the parcel outline once on the first frame > gpu motion tracking keeps that boundary stuck to the ground as the drone flies and the perspective shifts > if the line drifts anywhere, you drop a keyframe to correct it and it re-tracks the segments around it > style the line however you want, then export the finished video > free to use, you dont even need an account until you export he built one tool that solves one annoying job perfectly, for people who were never going to learn after effects anyway

Om Patel

404,227 Aufrufe • vor 2 Monaten

Ignition: Powered by Seamless Motion🔥 A cinematic journey from spark to speed. Smooth transitions and flawless motion bring the engine’s awakening to life, showcasing the incredible cinematic flow made possible with Kling. GPT Image 2.0 x Kling 3.0 on Yapper Prompt: Ultra-cinematic 10-second photorealistic sequence of a futuristic high-performance sports car being powered on and driving away. Smooth motion, dramatic storytelling, 24fps, HDR, shallow depth of field, film grain, anamorphic lens flare, volumetric fog, high contrast lighting, 4K. Mysterious driver wearing a modern black racing jacket and black gloves, face mostly hidden in shadow and rim lighting, confident calm movements, realistic human proportions and textures. Environment: dark industrial underground garage at night with concrete walls, metal pipes, subtle neon accent lights, wet reflective floor, volumetric fog and cinematic light rays. Garage exit leads to a modern city street at night with distant streetlights and soft bokeh. START FRAME: wide cinematic shot of sleek futuristic sports car parked in the foggy garage, driver standing beside the car holding a glowing smart key, headlights OFF, neon reflections on glossy paint, wet reflective floor, dramatic composition. SEQUENCE ACTION (continuous cinematic flow): The driver presses the glowing ignition button on the smart key. Camera slowly dollies toward the car as the vehicle awakens. Headlights power on gradually, glowing through the fog, subtle vibration ripples across the car body, reflections shimmer across the paint. Seamless cinematic cut into extreme macro view inside the engine. Highly detailed mechanical components in slow motion pistons firing, turbines spinning, electric energy flowing through cables like glowing currents, sparks igniting, heat waves and light pulses building power. Camera smoothly pushes and orbits through engine parts as the energy intensifies, orange and blue glow illuminating metal textures. Cinematic cut back to low front angle of the car. Engine revs aggressively, headlights flare bright, dust and smoke swirl around the tires. The car launches forward smoothly and powerfully toward the exit. Camera tracks low as the car speeds past and exits the garage into the night street, motion blur and light streaks trailing behind. END FRAME: rear three-quarter view of the sports car speeding away into the night city, glowing red taillights leaving light streaks, drifting smoke fading behind, cinematic fade to black. Style keywords: cinematic, photorealistic, smooth tracking shot, macro engine detail, futuristic technology, dramatic lighting, epic atmosphere, high dynamic range.
0:10

Ignition: Powered by Seamless Motion🔥 A cinematic journey from spark to speed. Smooth transitions and flawless motion bring the engine’s awakening to life, showcasing the incredible cinematic flow made possible with Kling. GPT Image 2.0 x Kling 3.0 on Yapper Prompt: Ultra-cinematic 10-second photorealistic sequence of a futuristic high-performance sports car being powered on and driving away. Smooth motion, dramatic storytelling, 24fps, HDR, shallow depth of field, film grain, anamorphic lens flare, volumetric fog, high contrast lighting, 4K. Mysterious driver wearing a modern black racing jacket and black gloves, face mostly hidden in shadow and rim lighting, confident calm movements, realistic human proportions and textures. Environment: dark industrial underground garage at night with concrete walls, metal pipes, subtle neon accent lights, wet reflective floor, volumetric fog and cinematic light rays. Garage exit leads to a modern city street at night with distant streetlights and soft bokeh. START FRAME: wide cinematic shot of sleek futuristic sports car parked in the foggy garage, driver standing beside the car holding a glowing smart key, headlights OFF, neon reflections on glossy paint, wet reflective floor, dramatic composition. SEQUENCE ACTION (continuous cinematic flow): The driver presses the glowing ignition button on the smart key. Camera slowly dollies toward the car as the vehicle awakens. Headlights power on gradually, glowing through the fog, subtle vibration ripples across the car body, reflections shimmer across the paint. Seamless cinematic cut into extreme macro view inside the engine. Highly detailed mechanical components in slow motion pistons firing, turbines spinning, electric energy flowing through cables like glowing currents, sparks igniting, heat waves and light pulses building power. Camera smoothly pushes and orbits through engine parts as the energy intensifies, orange and blue glow illuminating metal textures. Cinematic cut back to low front angle of the car. Engine revs aggressively, headlights flare bright, dust and smoke swirl around the tires. The car launches forward smoothly and powerfully toward the exit. Camera tracks low as the car speeds past and exits the garage into the night street, motion blur and light streaks trailing behind. END FRAME: rear three-quarter view of the sports car speeding away into the night city, glowing red taillights leaving light streaks, drifting smoke fading behind, cinematic fade to black. Style keywords: cinematic, photorealistic, smooth tracking shot, macro engine detail, futuristic technology, dramatic lighting, epic atmosphere, high dynamic range.

Jayden™

15,409 Aufrufe • vor 5 Monaten

US Politicians now moving to ban DJI drones from the US market for “national security threats” 🤯 DJI is the #1 drone manufacturer in the world 🌎 but sadly politics could potentially ban any future drones from being imported and possibly grounding current drones inside the 🇺🇸 You can’t make up how ridiculous US politicians have become against China. These drones of course have zero threat to national security. We are NOT talking military drones here, but instead civilian level drones used for photography/videography 🎥 The US moves against China has become so irrational and petty. Just look at the name of the bill: “Countering CCP Drones Act” what an absolutely ridiculous name for a bill, it shows this is nothing more than a political stunt with once again the biggest losers of this bill being the average American consumer 🤦🏻‍♂️ As George Carlin once said: "Never underestimate the power of stupid people in large groups". Perfectly sums up the actions of the US Congress Full Article👇
0:10

US Politicians now moving to ban DJI drones from the US market for “national security threats” 🤯 DJI is the #1 drone manufacturer in the world 🌎 but sadly politics could potentially ban any future drones from being imported and possibly grounding current drones inside the 🇺🇸 You can’t make up how ridiculous US politicians have become against China. These drones of course have zero threat to national security. We are NOT talking military drones here, but instead civilian level drones used for photography/videography 🎥 The US moves against China has become so irrational and petty. Just look at the name of the bill: “Countering CCP Drones Act” what an absolutely ridiculous name for a bill, it shows this is nothing more than a political stunt with once again the biggest losers of this bill being the average American consumer 🤦🏻‍♂️ As George Carlin once said: "Never underestimate the power of stupid people in large groups". Perfectly sums up the actions of the US Congress Full Article👇

Cyrus Janssen

70,586 Aufrufe • vor 2 Jahren

Made with Gemini AI Introducing iPhone 17 Pro 🧡📱 A bold visual concept built around Pro performance, advanced cameras, and cinematic storytelling. Video Prompt 👇👇 Shot 1 Bold Opening Start with a powerful orange background and huge PRO typography. The iPhone 17 Pro enters the frame with a dramatic camera push-in. Shot 2 Lifestyle Hero Low-angle fashion shot of the model holding the iPhone 17 Pro toward the camera. Orange cap, modern streetwear, bold lighting, confident attitude. Shot 3 Camera Detail Extreme macro close-up of the iPhone 17 Pro camera system. Smooth rotation around the lenses with sharp reflections and premium product lighting. Shot 4 Performance Visual Show the phone surrounded by dynamic light trails and subtle motion graphics representing powerful performance. Keep the device crisp and centered. Shot 5 Pro Camera Experience Model captures cinematic footage with the iPhone. Transition from the phone screen to the real scene being filmed, highlighting a professional creator aesthetic. Shot 6 Cinematic Video Show a smooth sequence of the model walking through an urban environment while filming. Dynamic tracking camera, natural movement, premium smartphone-ad feel. Shot 7 Apple Intelligence Moment Close-up of the iPhone display showing an intelligent feature in action. Clean interface, subtle animations, modern orange environment. Shot 8 Final Product Reveal The iPhone 17 Pro floats against a vibrant orange background. Camera slowly circles the device before landing on the camera module. Shot 9 Final Frame Bold iPhone 17 Pro typography appears alongside the hero device, with a clean premium finish and dramatic lighting. Overall style: bold orange campaign, premium smartphone advertising, fashion + technology aesthetic, cinematic camera movements, realistic product details, glossy highlights, high-energy commercial visuals.
0:10

Made with Gemini AI Introducing iPhone 17 Pro 🧡📱 A bold visual concept built around Pro performance, advanced cameras, and cinematic storytelling. Video Prompt 👇👇 Shot 1 Bold Opening Start with a powerful orange background and huge PRO typography. The iPhone 17 Pro enters the frame with a dramatic camera push-in. Shot 2 Lifestyle Hero Low-angle fashion shot of the model holding the iPhone 17 Pro toward the camera. Orange cap, modern streetwear, bold lighting, confident attitude. Shot 3 Camera Detail Extreme macro close-up of the iPhone 17 Pro camera system. Smooth rotation around the lenses with sharp reflections and premium product lighting. Shot 4 Performance Visual Show the phone surrounded by dynamic light trails and subtle motion graphics representing powerful performance. Keep the device crisp and centered. Shot 5 Pro Camera Experience Model captures cinematic footage with the iPhone. Transition from the phone screen to the real scene being filmed, highlighting a professional creator aesthetic. Shot 6 Cinematic Video Show a smooth sequence of the model walking through an urban environment while filming. Dynamic tracking camera, natural movement, premium smartphone-ad feel. Shot 7 Apple Intelligence Moment Close-up of the iPhone display showing an intelligent feature in action. Clean interface, subtle animations, modern orange environment. Shot 8 Final Product Reveal The iPhone 17 Pro floats against a vibrant orange background. Camera slowly circles the device before landing on the camera module. Shot 9 Final Frame Bold iPhone 17 Pro typography appears alongside the hero device, with a clean premium finish and dramatic lighting. Overall style: bold orange campaign, premium smartphone advertising, fashion + technology aesthetic, cinematic camera movements, realistic product details, glossy highlights, high-energy commercial visuals.

𝐒𝐊_𝐀𝐈

119,558 Aufrufe • vor 1 Monat

🚨 SCIENTISTS JUST CREATED A WAY TO KILL ANTIBIOTIC-RESISTANT BACTERIA USING NOTHING BUT LIGHT. Researchers have developed graphene quantum dots that destroy over 99.9% of antibiotic-resistant S. aureus and E. coli when hit with low-intensity blue light without using any antibiotics at all. The dots work by generating reactive oxygen species that rip apart bacterial cells. After chemically modifying them, the team made the dots over 20 times more efficient, allowing them to work at very low concentrations. Because they’re made from graphene instead of toxic heavy metals, they’re also much safer for medical use. Why this matters: • Antibiotic resistance is one of the fastest-growing threats to global health • This offers a completely different weapon light instead of drugs • The dots could be used in wound dressings, creams, gels, and coatings for implants and catheters • Graphene is cheap, stable, and biocompatible The deeper implication: We’re running out of effective antibiotics, and bacteria are evolving faster than we can develop new drugs. This approach flips the script: instead of fighting bacteria with chemicals they can eventually resist, we use light to trigger a physical attack they can’t easily adapt to. If this scales, it could become a powerful new tool in the fight against superbugs especially for wound infections and medical devices, where resistant bacteria are hardest to treat. Sometimes the solution isn’t a better drug. It’s a better way to attack. Would you trust a light-activated treatment over traditional antibiotics if it worked this well? Follow for more frontier nanotechnology and breakthroughs in the fight against antibiotic resistance.
0:10

🚨 SCIENTISTS JUST CREATED A WAY TO KILL ANTIBIOTIC-RESISTANT BACTERIA USING NOTHING BUT LIGHT. Researchers have developed graphene quantum dots that destroy over 99.9% of antibiotic-resistant S. aureus and E. coli when hit with low-intensity blue light without using any antibiotics at all. The dots work by generating reactive oxygen species that rip apart bacterial cells. After chemically modifying them, the team made the dots over 20 times more efficient, allowing them to work at very low concentrations. Because they’re made from graphene instead of toxic heavy metals, they’re also much safer for medical use. Why this matters: • Antibiotic resistance is one of the fastest-growing threats to global health • This offers a completely different weapon light instead of drugs • The dots could be used in wound dressings, creams, gels, and coatings for implants and catheters • Graphene is cheap, stable, and biocompatible The deeper implication: We’re running out of effective antibiotics, and bacteria are evolving faster than we can develop new drugs. This approach flips the script: instead of fighting bacteria with chemicals they can eventually resist, we use light to trigger a physical attack they can’t easily adapt to. If this scales, it could become a powerful new tool in the fight against superbugs especially for wound infections and medical devices, where resistant bacteria are hardest to treat. Sometimes the solution isn’t a better drug. It’s a better way to attack. Would you trust a light-activated treatment over traditional antibiotics if it worked this well? Follow for more frontier nanotechnology and breakthroughs in the fight against antibiotic resistance.

TheNewPhysics

35,112 Aufrufe • vor 3 Monaten

Russian Aerospace Forces (VKS) Mi-28N/NM and Ka-52/M attack helicopters are increasingly being used to intercept FP-1 and MICH-2000 drones, effectively serving as specialized drone hunters in rear areas alongside Tor-M2 and Pantsir-S1M air defense systems. The Mi-28 uses its 30mm Shipunov 2A42 cannon for close-range engagements, supported by the OPS-28M multispectral electro-optical system and N025 mast-mounted radar, which can detect low-RCS targets at ranges of up to 5 km. Its automated fire-control system calculates lead angles to improve hit probability and reduce ammunition expenditure. The Ka-52M has an advantage in poor weather, with its advanced Rezets active electronically scanned array (AESA) radar providing better resolution for detecting small drones against ground clutter than the Mi-28's N025 radar. For longer-range engagements, both platforms can employ 9M342 Igla-S missiles and 9A1472 Vikhr-1 laser-beam-riding missiles, allowing them to engage targets beyond the effective range of the cannon.
0:12

Russian Aerospace Forces (VKS) Mi-28N/NM and Ka-52/M attack helicopters are increasingly being used to intercept FP-1 and MICH-2000 drones, effectively serving as specialized drone hunters in rear areas alongside Tor-M2 and Pantsir-S1M air defense systems. The Mi-28 uses its 30mm Shipunov 2A42 cannon for close-range engagements, supported by the OPS-28M multispectral electro-optical system and N025 mast-mounted radar, which can detect low-RCS targets at ranges of up to 5 km. Its automated fire-control system calculates lead angles to improve hit probability and reduce ammunition expenditure. The Ka-52M has an advantage in poor weather, with its advanced Rezets active electronically scanned array (AESA) radar providing better resolution for detecting small drones against ground clutter than the Mi-28's N025 radar. For longer-range engagements, both platforms can employ 9M342 Igla-S missiles and 9A1472 Vikhr-1 laser-beam-riding missiles, allowing them to engage targets beyond the effective range of the cannon.

OSINTWarfare

16,937 Aufrufe • vor 1 Monat

WATCH THIS VIDEO CAREFULLY. FORENSIC ANALYSIS OF A VIDEO CURRENTLY BEING CIRCULATED AND SPREAD ON ARAB TELEGRAM CHANNELS (Mor Edge Insight in conjunction with GAZAWOOD - The Pallywood Saga - BACKUP - July 6) What you are about to see is raw footage of an active arrest operation and genuine footage. This clip is currently circulating on Palestinian Telegram channels and is being prepared for wider distribution on X. It follows a familiar pattern of real footage with heavy manipulation and inauthentic audio to create a perception and narrative that doesn’t exist and is not what the footage actually shows. Here is the step-by-step forensic breakdown. The audio track contains multiple sharp “gunshots.” However, frame-by-frame examination shows no muzzle flashes at any point, even in bright daylight where unsuppressed firearms would produce clear, visible bursts. There is also no visible recoil or weapon movement on the individuals holding rifles. The barrels show no suppressors, yet the sounds are relatively clean “pops” rather than the overwhelming cracks expected from unsuppressed fire at that range. The audio of the shots fired are more reminiscent of a children’s toy than a real gunshot. More critically, the visual action is happening at a clear distance across the road, at a distance of an estimated 60-100m away from the camera, yet the gunshots and shouting sound as if recorded right next to the camera. Real distant gunfire would be thinner, more muffled, and accompanied by environmental echoes. This audio was added in post-production. How distance was determined: The white car in the immediate foreground (partially visible on the left) is only 5–10 meters away. The road width and the position of the parked vehicles and people with guns put the core action clearly in the mid-ground, across the full width of the street and shoulder. Reference objects: Standard car lengths (4.5–5m), average adult height (1.7m), and the spacing of streetlights/power poles all support a distance in that 60–100 meter range for the shooters and the SUV. The black SUV drives a noticeable distance across the frame without appearing overly large or close, further confirming it’s not right next to the camera. This distance makes the audio mismatch even more obvious. Real gunfire at 60–100 meters would sound significantly more distant and muted, with clear delay and environmental filtering. The overlaid “cracks” sound like they were recorded (or synthesized) much closer. Summary 1. Real gunshots, especially in an open outdoor environment like this, produce a sharp initial crack (supersonic bullet) followed by a broader report/echo, with significant low-frequency rumble, reverberation off the ground/cars/objects, and environmental decay. These sound more like clean “pop/crack” samples layered on top. 2. They lack the natural variations in volume, timing, or distortion you’d expect from actual firearms in a real chaotic scene (muzzle blast, echoes, distance differences) even with silencers which from that distance you wouldn’t even hear. They feel “pasted in” during editing. 3. The overall audio mix (ambient road noise, car sounds, voices) doesn’t interact naturally with the “shots”, there is no proper masking, reverb bleed, or mic overload you’d get from real loud events captured on the same recording device. Always examine the audio against the visuals, check for continuity errors, and watch how people actually behave when they think no one is watching the performance. Share if you value this kind of detailed verification.
0:12

WATCH THIS VIDEO CAREFULLY. FORENSIC ANALYSIS OF A VIDEO CURRENTLY BEING CIRCULATED AND SPREAD ON ARAB TELEGRAM CHANNELS (Mor Edge Insight in conjunction with GAZAWOOD - The Pallywood Saga - BACKUP - July 6) What you are about to see is raw footage of an active arrest operation and genuine footage. This clip is currently circulating on Palestinian Telegram channels and is being prepared for wider distribution on X. It follows a familiar pattern of real footage with heavy manipulation and inauthentic audio to create a perception and narrative that doesn’t exist and is not what the footage actually shows. Here is the step-by-step forensic breakdown. The audio track contains multiple sharp “gunshots.” However, frame-by-frame examination shows no muzzle flashes at any point, even in bright daylight where unsuppressed firearms would produce clear, visible bursts. There is also no visible recoil or weapon movement on the individuals holding rifles. The barrels show no suppressors, yet the sounds are relatively clean “pops” rather than the overwhelming cracks expected from unsuppressed fire at that range. The audio of the shots fired are more reminiscent of a children’s toy than a real gunshot. More critically, the visual action is happening at a clear distance across the road, at a distance of an estimated 60-100m away from the camera, yet the gunshots and shouting sound as if recorded right next to the camera. Real distant gunfire would be thinner, more muffled, and accompanied by environmental echoes. This audio was added in post-production. How distance was determined: The white car in the immediate foreground (partially visible on the left) is only 5–10 meters away. The road width and the position of the parked vehicles and people with guns put the core action clearly in the mid-ground, across the full width of the street and shoulder. Reference objects: Standard car lengths (4.5–5m), average adult height (1.7m), and the spacing of streetlights/power poles all support a distance in that 60–100 meter range for the shooters and the SUV. The black SUV drives a noticeable distance across the frame without appearing overly large or close, further confirming it’s not right next to the camera. This distance makes the audio mismatch even more obvious. Real gunfire at 60–100 meters would sound significantly more distant and muted, with clear delay and environmental filtering. The overlaid “cracks” sound like they were recorded (or synthesized) much closer. Summary 1. Real gunshots, especially in an open outdoor environment like this, produce a sharp initial crack (supersonic bullet) followed by a broader report/echo, with significant low-frequency rumble, reverberation off the ground/cars/objects, and environmental decay. These sound more like clean “pop/crack” samples layered on top. 2. They lack the natural variations in volume, timing, or distortion you’d expect from actual firearms in a real chaotic scene (muzzle blast, echoes, distance differences) even with silencers which from that distance you wouldn’t even hear. They feel “pasted in” during editing. 3. The overall audio mix (ambient road noise, car sounds, voices) doesn’t interact naturally with the “shots”, there is no proper masking, reverb bleed, or mic overload you’d get from real loud events captured on the same recording device. Always examine the audio against the visuals, check for continuity errors, and watch how people actually behave when they think no one is watching the performance. Share if you value this kind of detailed verification.

Mor Edge Insight

23,394 Aufrufe • vor 3 Monaten

🇬🇧🇨🇳 Lotus presents the Emira 420 Sport! Lotus: “The lightest, most powerful Emira. With the best sound.” -> Lotus is now owned by the Chinese and is headquartered in Wuhan! Apparently China keeps western traditional brands alive better than the west itself. Just look at Ferrari. Details provided by Lotus: Engine: AMG 2.0-litre turbo paired with an eight-speed dual-clutch. Faster acceleration, stronger mid-range response, instant in-gear punch. The optional Lightweight Handling Pack adds two-way adjustable Multimatic dampers, titanium exhaust, lithium-ion battery and carbon fibre components with a -25kg weight reduction. Perfect for the road. Perfect for the track. The fastest 4-cylinder production car in the world today. Aero: Rebuilt from the ground up. New front splitter, revised vents, extended side sills, larger air intakes, louvred tailgate. 15% more airflow to the outboard radiators. 14% to the central radiator. 10% better brake cooling. 30% more exhaust valve airflow. And +25kg of downforce, all with no increase in drag. Chassis: Ride height down 5mm. Suspension tuned. Carbon fibre gearshift paddles and updated haptics to make shifts even more engaging, And for the first time on an Emira - a removable tinted glass roof panel for open air fun, inspired by the Esprit.
0:12

🇬🇧🇨🇳 Lotus presents the Emira 420 Sport! Lotus: “The lightest, most powerful Emira. With the best sound.” -> Lotus is now owned by the Chinese and is headquartered in Wuhan! Apparently China keeps western traditional brands alive better than the west itself. Just look at Ferrari. Details provided by Lotus: Engine: AMG 2.0-litre turbo paired with an eight-speed dual-clutch. Faster acceleration, stronger mid-range response, instant in-gear punch. The optional Lightweight Handling Pack adds two-way adjustable Multimatic dampers, titanium exhaust, lithium-ion battery and carbon fibre components with a -25kg weight reduction. Perfect for the road. Perfect for the track. The fastest 4-cylinder production car in the world today. Aero: Rebuilt from the ground up. New front splitter, revised vents, extended side sills, larger air intakes, louvred tailgate. 15% more airflow to the outboard radiators. 14% to the central radiator. 10% better brake cooling. 30% more exhaust valve airflow. And +25kg of downforce, all with no increase in drag. Chassis: Ride height down 5mm. Suspension tuned. Carbon fibre gearshift paddles and updated haptics to make shifts even more engaging, And for the first time on an Emira - a removable tinted glass roof panel for open air fun, inspired by the Esprit.

Lord Bebo

15,186 Aufrufe • vor 4 Monaten

Created with Seedance 2.0 on BudgetPixel AI Prompt: A dark, atmospheric outdoor setting at night in an abandoned open courtyard surrounded by ancient stone pillars. The air is still, and faint embers float in the wind. A powerful cinematic silence builds tension with low ambient sound and distant wind. The camera slowly pushes in on a young fire dancer standing in the center. She wears flowing, elegant performance attire with subtle reflective details that catch the faint glow of nearby embers. Her expression is calm, focused, and almost trance-like. At second 3–5, she begins to move slowly. Each hand gesture feels deliberate and controlled. As her fingers trace through the air, **small sparks ignite around her hands**, forming glowing orange trails. Suddenly, the music drops into a deep cinematic beat. She spins once — and a **ring of fire bursts outward** in perfect symmetry around her feet. The flames respond to her movement as if alive. Every motion she makes bends the fire: swirling, rising, and flowing like liquid light. The camera switches between: * Slow-motion close-ups of her hands controlling fire streams * Low-angle shots showing flames rising behind her like a crown * Wide cinematic orbit shots circling her as fire forms patterns in the air At second 10–13, she raises both hands upward — and the flames rise dramatically into the sky, forming a **giant spiraling fire vortex above her**. Final moment: she gently lowers her hands, and the fire collapses into glowing embers that float around her like fireflies. She stands still in the center, untouched, powerful, and calm. End with a cinematic freeze frame: her silhouette surrounded by drifting embers, warm orange glow against deep black night sky, ultra-dramatic fantasy realism.
0:15

Created with Seedance 2.0 on BudgetPixel AI Prompt: A dark, atmospheric outdoor setting at night in an abandoned open courtyard surrounded by ancient stone pillars. The air is still, and faint embers float in the wind. A powerful cinematic silence builds tension with low ambient sound and distant wind. The camera slowly pushes in on a young fire dancer standing in the center. She wears flowing, elegant performance attire with subtle reflective details that catch the faint glow of nearby embers. Her expression is calm, focused, and almost trance-like. At second 3–5, she begins to move slowly. Each hand gesture feels deliberate and controlled. As her fingers trace through the air, **small sparks ignite around her hands**, forming glowing orange trails. Suddenly, the music drops into a deep cinematic beat. She spins once — and a **ring of fire bursts outward** in perfect symmetry around her feet. The flames respond to her movement as if alive. Every motion she makes bends the fire: swirling, rising, and flowing like liquid light. The camera switches between: * Slow-motion close-ups of her hands controlling fire streams * Low-angle shots showing flames rising behind her like a crown * Wide cinematic orbit shots circling her as fire forms patterns in the air At second 10–13, she raises both hands upward — and the flames rise dramatically into the sky, forming a **giant spiraling fire vortex above her**. Final moment: she gently lowers her hands, and the fire collapses into glowing embers that float around her like fireflies. She stands still in the center, untouched, powerful, and calm. End with a cinematic freeze frame: her silhouette surrounded by drifting embers, warm orange glow against deep black night sky, ultra-dramatic fantasy realism.

Ai Doctor

11,767 Aufrufe • vor 4 Monaten

ok so now China is sending entire drone fleets to aid the Nepal-China mudslide disaster you’ve seen everywhere this week (at least 955 people have died and 4,800+ are still missing) and the way they’re using these drones is incredible: > the giant ones are DJI FC200 cargo drones, basically remotely piloted flying cranes that can lift up to 440 pounds > they hover above raging rivers and lower firefighters on long cables into places completely cut off from the ground > the pilot controls everything through a live camera feed, so the drone never needs anywhere to land > 4 FC200s can even synchronize and lift more than 1,300 pounds together > smaller drones build 3D maps and scan the mud for body heat > cargo drones keep food, raincoats, and rescue equipment moving after the roads disappear > Wing Loong drones circle overhead as flying cell towers > other drones hover as giant floodlights, plugged into generators below so they can stay up all night it’s basically a complete emergency-response system assembled in the sky
0:18

ok so now China is sending entire drone fleets to aid the Nepal-China mudslide disaster you’ve seen everywhere this week (at least 955 people have died and 4,800+ are still missing) and the way they’re using these drones is incredible: > the giant ones are DJI FC200 cargo drones, basically remotely piloted flying cranes that can lift up to 440 pounds > they hover above raging rivers and lower firefighters on long cables into places completely cut off from the ground > the pilot controls everything through a live camera feed, so the drone never needs anywhere to land > 4 FC200s can even synchronize and lift more than 1,300 pounds together > smaller drones build 3D maps and scan the mud for body heat > cargo drones keep food, raincoats, and rescue equipment moving after the roads disappear > Wing Loong drones circle overhead as flying cell towers > other drones hover as giant floodlights, plugged into generators below so they can stay up all night it’s basically a complete emergency-response system assembled in the sky

Ole Lehmann

274,954 Aufrufe • vor 1 Monat

🚨 THIS HAS NEVER HAPPENED BEFORE 🚨 🚨NOBODY UNDERSTANDS WHAT THEY JUST TRIGGERED. 🚨 🚨 People always talk about Iranian oil in terms of barrels, but rarely about what’s actually inside them. That’s the key difference—and the reason Western refineries have quietly relied on back-channel networks through places like Dubai for years to keep getting it, even under sanctions. Crude oil isn’t all the same. It’s a mix of hydrocarbons with different molecular weights, and that mix determines how easily it can be turned into the fuels refineries actually sell—like gasoline, diesel, jet fuel, and heating oil. The main measure here is API gravity. Higher API means lighter crude that’s easier and cheaper to refine, and it produces more of those high-value fuels. Lower API means heavier crude that takes more energy, more processing, and more expensive equipment, while producing more low-value leftovers. Iranian Light crude sits right in a sweet spot, with an API gravity around 33–36 and moderate sulfur levels. It’s light enough to produce a lot of gasoline and middle distillates without high costs, but not so light that it limits what refineries can make. In industry terms, it’s close to an ideal blend. Now look at the alternatives. Venezuela’s Merey crude is much heavier, with very low API gravity and high sulfur. Refining it profitably requires specialized, expensive equipment like cokers and hydrocrackers. Some refineries are built for that—but it’s not interchangeable with Iranian crude. It’s a completely different type of input. On the other end, US West Texas Intermediate is very light and low in sulfur. Sounds perfect in theory, but in practice it’s almost too light. Many refineries—especially in Europe and Asia—are designed for medium-grade crude, so they can’t just switch to WTI. They often have to blend it with heavier oils to make it work. That’s where Iranian crude stands out. It fits right into the middle of the system. It doesn’t need the heavy-duty processing of Venezuelan oil or the blending adjustments required for ultra-light US shale. That balance is why it’s consistently in demand and often priced at a premium. It also explains why countries like India kept buying it despite sanctions, and why those complex trading networks through Dubai existed in the first place. The Strait of Hormuz isn’t just a route for oil—it’s a route for this specific kind of oil that global refineries are optimized to process. If that flow gets disrupted, it’s not just about losing supply. It’s about losing the type of crude the system runs most efficiently on, forcing refineries to adapt with less suitable alternatives. That’s what’s really baked into oil prices like $82—not just how much oil is available, but what kind it is.
0:16

🚨 THIS HAS NEVER HAPPENED BEFORE 🚨 🚨NOBODY UNDERSTANDS WHAT THEY JUST TRIGGERED. 🚨 🚨 People always talk about Iranian oil in terms of barrels, but rarely about what’s actually inside them. That’s the key difference—and the reason Western refineries have quietly relied on back-channel networks through places like Dubai for years to keep getting it, even under sanctions. Crude oil isn’t all the same. It’s a mix of hydrocarbons with different molecular weights, and that mix determines how easily it can be turned into the fuels refineries actually sell—like gasoline, diesel, jet fuel, and heating oil. The main measure here is API gravity. Higher API means lighter crude that’s easier and cheaper to refine, and it produces more of those high-value fuels. Lower API means heavier crude that takes more energy, more processing, and more expensive equipment, while producing more low-value leftovers. Iranian Light crude sits right in a sweet spot, with an API gravity around 33–36 and moderate sulfur levels. It’s light enough to produce a lot of gasoline and middle distillates without high costs, but not so light that it limits what refineries can make. In industry terms, it’s close to an ideal blend. Now look at the alternatives. Venezuela’s Merey crude is much heavier, with very low API gravity and high sulfur. Refining it profitably requires specialized, expensive equipment like cokers and hydrocrackers. Some refineries are built for that—but it’s not interchangeable with Iranian crude. It’s a completely different type of input. On the other end, US West Texas Intermediate is very light and low in sulfur. Sounds perfect in theory, but in practice it’s almost too light. Many refineries—especially in Europe and Asia—are designed for medium-grade crude, so they can’t just switch to WTI. They often have to blend it with heavier oils to make it work. That’s where Iranian crude stands out. It fits right into the middle of the system. It doesn’t need the heavy-duty processing of Venezuelan oil or the blending adjustments required for ultra-light US shale. That balance is why it’s consistently in demand and often priced at a premium. It also explains why countries like India kept buying it despite sanctions, and why those complex trading networks through Dubai existed in the first place. The Strait of Hormuz isn’t just a route for oil—it’s a route for this specific kind of oil that global refineries are optimized to process. If that flow gets disrupted, it’s not just about losing supply. It’s about losing the type of crude the system runs most efficiently on, forcing refineries to adapt with less suitable alternatives. That’s what’s really baked into oil prices like $82—not just how much oil is available, but what kind it is.

A K Mandhan

3,645,659 Aufrufe • vor 6 Monaten

Grok imagine is evolving so fast Prompts below 👇 [STYLE + CAMERA + ATMOSPHERE] Gritty 16mm cinéma vérité, authentic documentary footage from a single continuous handheld take in a lived-in 1990s West Coast neighborhood. Organic film grain, soft golden-hour natural light, heavy shoulder-mounted handheld shake, no stabilization, soft focus falls, subtle light leaks, raw and elegant, lived-in realism. Continuous imperfect handheld observation. Completely photorealistic real photography — zero CGI. [TIMELINE SECOND BY SECOND] 0-2s: [Close Handheld Tracking] Black woman in her early 30s walks straight toward camera down the quiet residential street. Short textured undercut, dark lipstick, gold chains, black open oversized blazer over fitted tank, baggy black cargos, sneakers. Sunglasses on. Hands in pockets, powerful casual stride. Camera stays tight on her upper body and face, bouncing with every step. Palm trees and pastel low-rise apartments frame the background. 2-4s: [Unsteady Following] She continues without breaking pace. A young guy sitting on a low wall nods at her; she returns a short, knowing nod without slowing. Camera stays close and imperfect, drifting slightly to her side then back. Soft golden light hits the gold chains and the side of her face. 4-6s: [Raw Side Tracking] A woman in a red top approaches from the sidewalk. Brief exchange — the woman says something quiet, the dealer gives a small head tilt and keeps walking. Camera follows in continuous handheld, catching the natural street energy and distant people hanging out near a parked 90s car. 6-8s: [Close Imperfect Push] She slows just enough for a quick, low-key handoff with a guy in a white tee who steps up briefly. The exchange is fast, natural, almost invisible. Camera stays locked on her, micro-shake and all, never cutting. Her expression stays calm and unreadable behind the sunglasses. 8-10s: [Unsteady Following] She resumes full stride. Another local on a skateboard rolls past and gives her a quick chin-up recognition. She barely acknowledges it. Camera continues the same continuous take, breathing with her movement past more stucco apartments and palm shadows. 10-12s: [Raw Tracking] A small group of three hanging near a driveway watches her pass. One of them steps forward slightly; she gives a short verbal reply without stopping and keeps moving. Camera stays close behind and to the side, imperfect and alive. 12-15s: [Continuous Handheld] She walks deeper into the neighborhood as the take continues unresolved. Soft late-afternoon light, distant hills, power lines, the casual rhythm of the street. Camera never cuts, staying with her natural pace until the end of the shot. [STYLE & QUALITY BOOSTERS] Photorealistic real 16mm film emulation, heavy organic grain, authentic 1990s West Coast neighborhood details (palm trees, pastel stucco, period cars, skate culture, golden hour light), natural skin and fabric texture, imperfect continuous handheld physics, subtle film weave, coherent motion, pure cinéma vérité texture, zero CGI, 16:9 aspect ratio.
0:15

Grok imagine is evolving so fast Prompts below 👇 [STYLE + CAMERA + ATMOSPHERE] Gritty 16mm cinéma vérité, authentic documentary footage from a single continuous handheld take in a lived-in 1990s West Coast neighborhood. Organic film grain, soft golden-hour natural light, heavy shoulder-mounted handheld shake, no stabilization, soft focus falls, subtle light leaks, raw and elegant, lived-in realism. Continuous imperfect handheld observation. Completely photorealistic real photography — zero CGI. [TIMELINE SECOND BY SECOND] 0-2s: [Close Handheld Tracking] Black woman in her early 30s walks straight toward camera down the quiet residential street. Short textured undercut, dark lipstick, gold chains, black open oversized blazer over fitted tank, baggy black cargos, sneakers. Sunglasses on. Hands in pockets, powerful casual stride. Camera stays tight on her upper body and face, bouncing with every step. Palm trees and pastel low-rise apartments frame the background. 2-4s: [Unsteady Following] She continues without breaking pace. A young guy sitting on a low wall nods at her; she returns a short, knowing nod without slowing. Camera stays close and imperfect, drifting slightly to her side then back. Soft golden light hits the gold chains and the side of her face. 4-6s: [Raw Side Tracking] A woman in a red top approaches from the sidewalk. Brief exchange — the woman says something quiet, the dealer gives a small head tilt and keeps walking. Camera follows in continuous handheld, catching the natural street energy and distant people hanging out near a parked 90s car. 6-8s: [Close Imperfect Push] She slows just enough for a quick, low-key handoff with a guy in a white tee who steps up briefly. The exchange is fast, natural, almost invisible. Camera stays locked on her, micro-shake and all, never cutting. Her expression stays calm and unreadable behind the sunglasses. 8-10s: [Unsteady Following] She resumes full stride. Another local on a skateboard rolls past and gives her a quick chin-up recognition. She barely acknowledges it. Camera continues the same continuous take, breathing with her movement past more stucco apartments and palm shadows. 10-12s: [Raw Tracking] A small group of three hanging near a driveway watches her pass. One of them steps forward slightly; she gives a short verbal reply without stopping and keeps moving. Camera stays close behind and to the side, imperfect and alive. 12-15s: [Continuous Handheld] She walks deeper into the neighborhood as the take continues unresolved. Soft late-afternoon light, distant hills, power lines, the casual rhythm of the street. Camera never cuts, staying with her natural pace until the end of the shot. [STYLE & QUALITY BOOSTERS] Photorealistic real 16mm film emulation, heavy organic grain, authentic 1990s West Coast neighborhood details (palm trees, pastel stucco, period cars, skate culture, golden hour light), natural skin and fabric texture, imperfect continuous handheld physics, subtle film weave, coherent motion, pure cinéma vérité texture, zero CGI, 16:9 aspect ratio.

TechHalla

29,356 Aufrufe • vor 2 Monaten

Nano Banana Pro + Kling 2.6 on Social Sight: Video prompt: { "cinematic_video_request": { "meta": { "title": "Sadie Sink - Night Drive Portrait", "style_preset": "Cinematic Realism", "duration_seconds": 10, "resolution": "4K", "aspect_ratio": "16:9" }, "prompts": { "main_prompt": "Ultra-realistic cinematic animation of Sadie Sink sitting in the backseat of a luxury car at night. The city lights outside the window create soft motion blur with passing traffic and glowing streetlights. Subtle camera push-in shot from medium frame to close-up. Gentle movement in her hair as the car moves. She slowly shifts her gaze toward the window, blinking naturally, then looks back toward the camera with a calm, slightly mysterious expression.", "visual_modifiers": "4K cinematic quality, realistic skin texture, natural facial micro-expressions, smooth motion, dramatic nighttime mood, film-grade color grading, soft contrast, subtle handheld camera feel, shallow depth of field, bokeh city lights, detailed leather texture.", "lighting_prompt": "Soft ambient lighting from streetlights flickers across her face, creating dynamic shadows and warm highlights. Background traffic lights streak smoothly past the window." }, "scene_specifications": { "subject": { "name": "Sadie Sink", "action": "Sitting, gazing out window, turning head to camera, blinking", "expression": "Calm, mysterious, natural micro-expressions", "details": "Gentle hair movement, realistic skin texture" }, "environment": { "setting": "Backseat of luxury car", "time": "Night", "exterior": "City streets, passing traffic", "details": "Detailed leather interior, window reflections" }, "camera": { "movement": "Slow push-in (dolly forward)", "stabilization": "Slight handheld feel (organic motion)", "framing": "Medium shot to Close-up", "focus": "Shallow depth of field with background bokeh" }, "lighting": { "type": "Dynamic/Transient", "sources": "Passing streetlights, city glow", "characteristics": "Warm highlights, soft contrast, rhythmic flickering shadows" } } } } Image prompt: { "prompt": { "subject": { "description": "Sadie Sink with shoulder-length, blonde red hair and bangs. She has fair skin with light freckles, winged eyeliner. Her expression is sultry, with her index finger resting gently on her lower lip.", "clothing": "She is wearing a tight, long-sleeved black mini dress and sheer black pantyhose.", "pose": "She is seated in the back of a car with her legs crossed and pulled up towards her chest, displaying bare feet in sheer hose." }, "environment": { "location": "Interior of a luxury car, specifically the back seat.", "details": "Light grey leather seats with diamond stitching patterns visible on the side door panel. A 'B' logo (likely Bentley) is embroidered on the headrest.", "background": "Through the car window, a night cityscape is visible with blurred city lights, street lamps, and streaks of light from moving traffic on a highway." }, "lighting_and_quality": { "lighting": "Direct flash photography illuminating the subject against a darker background.", "resolution": "4K HD quality, highly detailed textures on the hair, skin, and leather seats.", "style": "Candid, urban night aesthetic, realistic photo." } } }
0:10

Nano Banana Pro + Kling 2.6 on Social Sight: Video prompt: { "cinematic_video_request": { "meta": { "title": "Sadie Sink - Night Drive Portrait", "style_preset": "Cinematic Realism", "duration_seconds": 10, "resolution": "4K", "aspect_ratio": "16:9" }, "prompts": { "main_prompt": "Ultra-realistic cinematic animation of Sadie Sink sitting in the backseat of a luxury car at night. The city lights outside the window create soft motion blur with passing traffic and glowing streetlights. Subtle camera push-in shot from medium frame to close-up. Gentle movement in her hair as the car moves. She slowly shifts her gaze toward the window, blinking naturally, then looks back toward the camera with a calm, slightly mysterious expression.", "visual_modifiers": "4K cinematic quality, realistic skin texture, natural facial micro-expressions, smooth motion, dramatic nighttime mood, film-grade color grading, soft contrast, subtle handheld camera feel, shallow depth of field, bokeh city lights, detailed leather texture.", "lighting_prompt": "Soft ambient lighting from streetlights flickers across her face, creating dynamic shadows and warm highlights. Background traffic lights streak smoothly past the window." }, "scene_specifications": { "subject": { "name": "Sadie Sink", "action": "Sitting, gazing out window, turning head to camera, blinking", "expression": "Calm, mysterious, natural micro-expressions", "details": "Gentle hair movement, realistic skin texture" }, "environment": { "setting": "Backseat of luxury car", "time": "Night", "exterior": "City streets, passing traffic", "details": "Detailed leather interior, window reflections" }, "camera": { "movement": "Slow push-in (dolly forward)", "stabilization": "Slight handheld feel (organic motion)", "framing": "Medium shot to Close-up", "focus": "Shallow depth of field with background bokeh" }, "lighting": { "type": "Dynamic/Transient", "sources": "Passing streetlights, city glow", "characteristics": "Warm highlights, soft contrast, rhythmic flickering shadows" } } } } Image prompt: { "prompt": { "subject": { "description": "Sadie Sink with shoulder-length, blonde red hair and bangs. She has fair skin with light freckles, winged eyeliner. Her expression is sultry, with her index finger resting gently on her lower lip.", "clothing": "She is wearing a tight, long-sleeved black mini dress and sheer black pantyhose.", "pose": "She is seated in the back of a car with her legs crossed and pulled up towards her chest, displaying bare feet in sheer hose." }, "environment": { "location": "Interior of a luxury car, specifically the back seat.", "details": "Light grey leather seats with diamond stitching patterns visible on the side door panel. A 'B' logo (likely Bentley) is embroidered on the headrest.", "background": "Through the car window, a night cityscape is visible with blurred city lights, street lamps, and streaks of light from moving traffic on a highway." }, "lighting_and_quality": { "lighting": "Direct flash photography illuminating the subject against a darker background.", "resolution": "4K HD quality, highly detailed textures on the hair, skin, and leather seats.", "style": "Candid, urban night aesthetic, realistic photo." } } }

Iris

74,089 Aufrufe • vor 8 Monaten

seedance 2.0 prompt： 15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue. Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply. Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression. Background: one distant sloth clerk at a far desk only, never entering foreground. Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick’s small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors. Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable. 0:00–0:03 Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy’s ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground. 0:03–0:06 Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion. 0:06–0:09 Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible. 0:09–0:12 Frontal medium-close shot. The donut rolls toward camera. Nick’s paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly. 0:12–0:15 Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut centered in foreground, Judy serious and proud, Nick smirking beside her. Consistency rules: same donut throughout, no extra donuts, no costume changes, clipboard stays with Judy, background sloth remains distant, no extra foreground characters, no object popping in or out, final frame must clearly show the donut inside the evidence bag.
0:15

seedance 2.0 prompt： 15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue. Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply. Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression. Background: one distant sloth clerk at a far desk only, never entering foreground. Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick’s small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors. Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable. 0:00–0:03 Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy’s ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground. 0:03–0:06 Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion. 0:06–0:09 Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible. 0:09–0:12 Frontal medium-close shot. The donut rolls toward camera. Nick’s paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly. 0:12–0:15 Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut centered in foreground, Judy serious and proud, Nick smirking beside her. Consistency rules: same donut throughout, no extra donuts, no costume changes, clipboard stays with Judy, background sloth remains distant, no extra foreground characters, no object popping in or out, final frame must clearly show the donut inside the evidence bag.

Midjourney Sref and prompt Library

13,096 Aufrufe • vor 6 Monaten

Seedance 2.0 on Yapper Prompt: Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Tokyo neon dusk. Lens flares, motion blur. Dolby Vision HDR. 0.0s–2.5s: Extreme low-angle tracking shot — a hyper-focused street female food chef sprints at impossible speed through a neon-lit Tokyo alley, clutching a steaming bowl of ramen. Crisp apron flapping, sleeves rolled, sneakers splashing through puddles. Camera shakes aggressively behind them. Steam trails like smoke. Neon signs streak across frame. Their face — intense, locked-in, slightly unhinged determination. 2.6s–5.0s: Whip-pan — they shoulder-check a stack of plastic crates. TIME REMAP: slow-motion chaos — vegetables, bowls, and chopsticks explode into the air. Broth ripples in perfect cinematic detail without spilling. They tilt the bowl mid-run, saving every drop. Quick glance back, dead serious. Continue sprint. 5.1s–7.5s: Drone shot — they leap across narrow alley gaps between buildings. SLOW MOTION: steam spirals upward into neon light. A cat jumps out of the way. Laundry lines ripple. They casually garnish the ramen mid-air with one hand — flawless precision. 7.6s–10.0s: 360° orbital shot — they slide across the hood of a parked car, spin, land clean. One sandal nearly slips off but is caught mid-motion. They adjust grip on the bowl, completely composed. 10.1s–13.0s: First-person POV — a small ramen shop door rushes forward. SMASH CUT: door slams open. Steam floods the frame. They step in, perfectly calm now. Place the bowl gently on the counter. Slow push-in. Low-angle shot. They look at the customer: “Still hot.” Customer sits in stunned silence as steam rises dramatically.
0:15

Seedance 2.0 on Yapper Prompt: Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Tokyo neon dusk. Lens flares, motion blur. Dolby Vision HDR. 0.0s–2.5s: Extreme low-angle tracking shot — a hyper-focused street female food chef sprints at impossible speed through a neon-lit Tokyo alley, clutching a steaming bowl of ramen. Crisp apron flapping, sleeves rolled, sneakers splashing through puddles. Camera shakes aggressively behind them. Steam trails like smoke. Neon signs streak across frame. Their face — intense, locked-in, slightly unhinged determination. 2.6s–5.0s: Whip-pan — they shoulder-check a stack of plastic crates. TIME REMAP: slow-motion chaos — vegetables, bowls, and chopsticks explode into the air. Broth ripples in perfect cinematic detail without spilling. They tilt the bowl mid-run, saving every drop. Quick glance back, dead serious. Continue sprint. 5.1s–7.5s: Drone shot — they leap across narrow alley gaps between buildings. SLOW MOTION: steam spirals upward into neon light. A cat jumps out of the way. Laundry lines ripple. They casually garnish the ramen mid-air with one hand — flawless precision. 7.6s–10.0s: 360° orbital shot — they slide across the hood of a parked car, spin, land clean. One sandal nearly slips off but is caught mid-motion. They adjust grip on the bowl, completely composed. 10.1s–13.0s: First-person POV — a small ramen shop door rushes forward. SMASH CUT: door slams open. Steam floods the frame. They step in, perfectly calm now. Place the bowl gently on the counter. Slow push-in. Low-angle shot. They look at the customer: “Still hot.” Customer sits in stunned silence as steam rises dramatically.

Zara

18,228 Aufrufe • vor 6 Monaten

🚨 SCIENTISTS JUST REPLACED EXPENSIVE PLATINUM CATALYSTS IN ZINC-AIR BATTERIES WITH CHEAP IRON AND IT WORKS BETTER. Zinc-air batteries are one of the most promising low-cost, high-energy-density alternatives to lithium-ion, but they’ve been held back by a slow and inefficient oxygen reduction reaction that usually requires precious metal catalysts. Researchers at Tohoku University engineered a simple iron oxide/samarium oxide interface that dramatically speeds up this reaction. The heterointerface changes how electrons behave at the surface, weakens excessive bonding with reaction intermediates, and delivers faster kinetics plus excellent durability all without any noble metals. The new catalyst performed strongly in both liquid and flexible solid-state zinc-air batteries, successfully powering LEDs and even charging a smartphone. Why this matters: • Zinc-air batteries use oxygen from the air, abundant zinc, and are much cheaper and safer than lithium-ion • Removing the need for platinum or other precious metals makes them far more scalable and affordable • The iron-based interface approach is simple, stable in alkaline conditions, and improves both performance and longevity • It was demonstrated in practical devices, not just lab tests The deeper implication: We’re getting closer to energy storage that doesn’t rely on scarce, expensive materials. Zinc-air technology has long been held back by catalyst limitations, but this work shows that clever interface engineering with cheap, abundant elements can unlock the performance needed for real-world applications from portable electronics to large-scale grid storage. It’s another step toward clean energy systems that are not only sustainable in operation, but also in the materials they use. The future of batteries may not depend on mining more rare metals… but on smarter chemistry with what we already have in abundance. How close do you think we are to zinc-air batteries becoming a mainstream alternative to lithium-ion? Follow for more frontier battery materials and clean energy storage research.
0:10

🚨 SCIENTISTS JUST REPLACED EXPENSIVE PLATINUM CATALYSTS IN ZINC-AIR BATTERIES WITH CHEAP IRON AND IT WORKS BETTER. Zinc-air batteries are one of the most promising low-cost, high-energy-density alternatives to lithium-ion, but they’ve been held back by a slow and inefficient oxygen reduction reaction that usually requires precious metal catalysts. Researchers at Tohoku University engineered a simple iron oxide/samarium oxide interface that dramatically speeds up this reaction. The heterointerface changes how electrons behave at the surface, weakens excessive bonding with reaction intermediates, and delivers faster kinetics plus excellent durability all without any noble metals. The new catalyst performed strongly in both liquid and flexible solid-state zinc-air batteries, successfully powering LEDs and even charging a smartphone. Why this matters: • Zinc-air batteries use oxygen from the air, abundant zinc, and are much cheaper and safer than lithium-ion • Removing the need for platinum or other precious metals makes them far more scalable and affordable • The iron-based interface approach is simple, stable in alkaline conditions, and improves both performance and longevity • It was demonstrated in practical devices, not just lab tests The deeper implication: We’re getting closer to energy storage that doesn’t rely on scarce, expensive materials. Zinc-air technology has long been held back by catalyst limitations, but this work shows that clever interface engineering with cheap, abundant elements can unlock the performance needed for real-world applications from portable electronics to large-scale grid storage. It’s another step toward clean energy systems that are not only sustainable in operation, but also in the materials they use. The future of batteries may not depend on mining more rare metals… but on smarter chemistry with what we already have in abundance. How close do you think we are to zinc-air batteries becoming a mainstream alternative to lithium-ion? Follow for more frontier battery materials and clean energy storage research.

TheNewPhysics

36,798 Aufrufe • vor 4 Monaten

I created an energy drink ad by using this GPT Image 2 + Seedance 2.0 on Ima Studio Prompt Visual style & vibe: early 2000s skate video meets retro milkshake commercial energy. Raw, gritty, fast-paced. Fish-eye lenses, motion blur, high contrast, slightly faded nostalgic colors with warm pink-red strawberry tones. Use product image as the exact strawberry shake bottle/cup reference throughout every frame for perfect consistency. Create a 12-frame storyboard ad. Each frame should vary in shot type and together tell one cohesive story starring stylish western young adults. Frame ideas and energy: Fast skateboard push through a sunny suburban street while holding the strawberry shake. Close-up of condensation dripping from the cold shake in someone’s hand. Group of western friends laughing outside a diner parking lot at golden hour. Fish-eye low angle of a girl jumping off a skate ramp with the shake in frame. Messy whipped cream mustache moment inside a retro car. Slow-motion strawberry shake splash transition. Extreme close-up of strawberries blending into the shake. Friends passing the shake around at a late-night gas station stop. Motion blur running shot through a basketball court. Retro camcorder-style cheers shot with multiple shakes clinking together. Hero shot on asphalt with sunlight reflections and crushed ice around the product. Final cinematic freeze-frame of the main character drinking the strawberry shake while the group skates away in the background. Cinematic details: authentic western fashion, oversized hoodies, denim, skate shoes, crop tops, baggy jeans, silver jewelry, messy natural movement, candid expressions, imperfect camera framing, energetic youth culture atmosphere, commercial-quality realism.
0:14

I created an energy drink ad by using this GPT Image 2 + Seedance 2.0 on Ima Studio Prompt Visual style & vibe: early 2000s skate video meets retro milkshake commercial energy. Raw, gritty, fast-paced. Fish-eye lenses, motion blur, high contrast, slightly faded nostalgic colors with warm pink-red strawberry tones. Use product image as the exact strawberry shake bottle/cup reference throughout every frame for perfect consistency. Create a 12-frame storyboard ad. Each frame should vary in shot type and together tell one cohesive story starring stylish western young adults. Frame ideas and energy: Fast skateboard push through a sunny suburban street while holding the strawberry shake. Close-up of condensation dripping from the cold shake in someone’s hand. Group of western friends laughing outside a diner parking lot at golden hour. Fish-eye low angle of a girl jumping off a skate ramp with the shake in frame. Messy whipped cream mustache moment inside a retro car. Slow-motion strawberry shake splash transition. Extreme close-up of strawberries blending into the shake. Friends passing the shake around at a late-night gas station stop. Motion blur running shot through a basketball court. Retro camcorder-style cheers shot with multiple shakes clinking together. Hero shot on asphalt with sunlight reflections and crushed ice around the product. Final cinematic freeze-frame of the main character drinking the strawberry shake while the group skates away in the background. Cinematic details: authentic western fashion, oversized hoodies, denim, skate shoes, crop tops, baggy jeans, silver jewelry, messy natural movement, candid expressions, imperfect camera framing, energetic youth culture atmosphere, commercial-quality realism.

Sharon Riley

44,283 Aufrufe • vor 5 Monaten

The Sei ecosystem is thriving, and this week was no exception. From ATHs in daily users to major integrations and exciting community events, the ecosystem keeps leveling up. Here’s what you might have missed 👇 🔴 ATH in Daily Users - Sei sets a new record for daily active users showcasing consistent ecosystem growth. 🔴 @CryptoBint 'Wen?' - How a single tweet led to Sei NFTs on Magic Eden. 🔴 Sei Eco at Basel - Gaming, community, and hoops collide in Miami. Full details: 🔴 Magic Eden 🪄 - Sei NFTs launch on Web3's biggest NFT marketplace. 🔴 Sei Dapps - #1, #3, #4, #5, and #9 fastest-growing apps in crypto—all Sei native. 🔴 Sei Tenkaichi - The tournament continues. $25K up for grabs across 5 games. 🔴 Relay - Bringing to Sei now live on Relay. 🔴 World of Dypians - Explore a dynamic metaverse with treasure hunts and battles—all powered by Sei. 🔴 Drift Zone - 600K players and counting! A huge milestone for one of the standout games on Sei. 🔴 Chirpley🐦 - Now integrating with Sei to enhance user experience and become the influencer hub for the Sei ecosystem. 🔴 Dad's Attic - Shadow Mysteries, a survival Telegram Mini App game including quests, and mysteries—all powered by Sei. 🔴 @MokokoStudioOFL - Mini-games like @MajyoGame and CandyDreams are now live on Sei, bringing fresh gaming experiences to the ecosystem. Another incredible week for the Sei ecosystem. From major milestones to exciting integrations and gaming activations, Sei continues to thrive. The momentum is real, and it’s only the beginning. Sei Less, Build More.
0:10

The Sei ecosystem is thriving, and this week was no exception. From ATHs in daily users to major integrations and exciting community events, the ecosystem keeps leveling up. Here’s what you might have missed 👇 🔴 ATH in Daily Users - Sei sets a new record for daily active users showcasing consistent ecosystem growth. 🔴 @CryptoBint 'Wen?' - How a single tweet led to Sei NFTs on Magic Eden. 🔴 Sei Eco at Basel - Gaming, community, and hoops collide in Miami. Full details: 🔴 Magic Eden 🪄 - Sei NFTs launch on Web3's biggest NFT marketplace. 🔴 Sei Dapps - #1, #3, #4, #5, and #9 fastest-growing apps in crypto—all Sei native. 🔴 Sei Tenkaichi - The tournament continues. $25K up for grabs across 5 games. 🔴 Relay - Bringing to Sei now live on Relay. 🔴 World of Dypians - Explore a dynamic metaverse with treasure hunts and battles—all powered by Sei. 🔴 Drift Zone - 600K players and counting! A huge milestone for one of the standout games on Sei. 🔴 Chirpley🐦 - Now integrating with Sei to enhance user experience and become the influencer hub for the Sei ecosystem. 🔴 Dad's Attic - Shadow Mysteries, a survival Telegram Mini App game including quests, and mysteries—all powered by Sei. 🔴 @MokokoStudioOFL - Mini-games like @MajyoGame and CandyDreams are now live on Sei, bringing fresh gaming experiences to the ecosystem. Another incredible week for the Sei ecosystem. From major milestones to exciting integrations and gaming activations, Sei continues to thrive. The momentum is real, and it’s only the beginning. Sei Less, Build More.

Sei

110,575 Aufrufe • vor 1 Jahr