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Pixar founder Ed Catmull explains why George Lucas invented technology for his “competitors” “George Lucas had a very strong sense of wanting to contribute to the entire field.” “He wanted to affect the entire industry.” “It was a really exciting place to work because you're developing technology, and the...

19,908 Aufrufe • vor 1 Monat •via X (Twitter)

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Lawrence Kasdan on how George Lucas helped him to make "Body Heat" (1981) & the most important advice George Lucas gave Kasdan before his debut movie: "Interviewer: What was it like making the jump into directing? Kasdan: Part of it had to do with George, because Alan Ladd Jr. said "You have to get a sponsor," because that's what was happening then. So I went to George and he said "I can't put the Lucasfilm name on Body Heat because it's too dirty. But I will sponsor you." So he went to Laddie and said "I'll sponsor Larry to do 'Body Heat'. Here's a quarter of a million dollars, and if he goes over (budget), you can use that to cover his overages," which just astounding! George never came to the set, but when we were editing, George spent one day in the cutting room with me, which was very helpful. But making the jump was not hard, because I had been imagining directing for a long time (laughs). Every movie I had written, I had already directed in my head, so it turned out to be not that big a deal. I was so happy. People don't talk about that too much. We have a way of being cool about our careers. The truth is, I'm happy about it, that I get to (make movies). It was true 20 years ago, and it's true now. (...) Interviewer: Any advice for first-time directors? Kasdan: George Lucas said the most useful thing to me as I was about to do 'Body Heat'. I said "George, I don't know that much about the technical stuff." And keep in mind that George is Mr. Technology, right? He said "Making movies has nothing to do with the technical stuff. It has everything to do with what kind of person you are." It was the most important thing anyone ever said to me about directing. I had a lot of confidence in the sort of person I was. I knew the kind of stories I wanted to tell. I knew the kind of atmosphere I wanted to create on my set. I knew the kind of life I wanted to live and how I wanted my work to embody that life, so the fact that I didn't know anything technically didn't really matter. You can learn the technical stuff like that (snaps fingers). So the fact that it was George who told me this was very comforting. And it turned out to be absolutely true." (Lawrence Kasdan's interview with Alex Simon, Venice Magazine, 2001)

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YOKO ONO: ONOCHORD, VENICE, 2004 Yoko: The world is divided in two industries. One is the War Industry and the other is the Peace Industry. The people in the War Industry are totally together. They don't have to talk to each other, even. They know exactly what they want to do. They want to go out there, kill and make money. But the people in the Peace Industry, which are us - we are so idealistic that each one of us criticises the other Peace Person in the Peace Industry. And we are always just arguing and we are wasting our energies doing that. So let's just forgive each other and see that we are in the Peace Industry and that's all that counts. Even if you are not marching for peace, just be yourself, being a florist, being a merchant, being a talior, anything. That way you're contributing to the Peace Industry. People are just concentrating on fear, confusion and anger. And therefore just for a moment, I'd like us to think about Love. In a very magical, straight way, John and I met in London and from then on we stood for Peace and Love. And when I do this kind of event. Well it is... I was inspired to do it, but I still think that I'm still with John in spirit. John and I created the country called Nutopia. Not Utopia, because there was Utopia as a concept already. And we wanted to create a new concept, so we just added N on it - Nutopia - and as a country. Well, that is the concept of a country. And we all are citizens of that country. And in my apartment in the Dakota Building, we put a little plaque on the back door, the kitchen door. It says 'Nutopian Embassy' and even now we have that. (laughs). Nutopia exists in our minds. And because of that, some people want to rebel against it. The reason some want to rebel against it is a good proof that it exists. I think that it was a terrible thing that happened in Chechnya. But we have to still keep our hopes up. And instead of giving up, we have to keep on sending the message of Love to each other. You say that I am the Ambassador of Peace. We are all Ambassadors of Peace. You are too. Everybody in this room are Ambassadors of Peace. Just the fact that we are not participating in War. The fact that we are here, and we are what we are, means that we are in the Peace Industry. All of us. John and I used to say that our apartment in the Dakota is a conceptual monastry, just for the two of us. And when we go out of the Dakota, we get so many people communicating with us, so it's very important that we had silence and quietness. And my apartment is a very small space compared to the world. And I need that for my peace of mind. You should be kind to each other. You should come together, hug each other, love each other, express our love to each other and we should make it work. We should finally create a world that is a totally an Earth for Us. So let's do it. Yoko Ono, OpenAsia Press Conference, whilst exhibiting Onochord, 2004 by Yoko Ono (Nutopia) at the Venice Biennale: OpenAsia 2004, Lido Di Venezia, Venice, Italy, 9 September 2004.

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Jordan Peterson: "If you're competent and silent you will be ignored." "You might think well people should reward you because you're competent. And yes of course they should. But if you're competent and silent then you're just part of the background that's keeping everything functioning" On why you cannot negotiate from a position of weakness: "If you want to push your career forward you have to push it forward. You have to be competent and you have to be strategic" "To be strategic when you negotiate for a new position or a new salary you have to be able to say if you don't give me what I want then something you don't like will happen to you" "It's not a physical threat. It's that you have an option" "You have your CV in order. You're educated and competent and desirable to people outside of your immediate job. You're willing to instantly put yourself on the job market" "So that when you go talk to the person you're negotiating with you're credible" On the one thing most people completely miss about negotiation: "It's very seldom that you're talking to the person who's at the top of the pecking order. What you need to do is tell them a story that they can tell to their boss to make you not a problem" "A good story is look we really need this person because they're hyper competent and they have a better offer" "If you go in there with no power you're going to lose. Obviously" He concludes with the one thing every competent person needs to hear: "The first thing you need to know if you're going to negotiate is that you have to be able to say no. And what no means is that you're not going to do it"

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34,669 Aufrufe • vor 7 Tagen