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Playing around with dynamic strokes in Substance Painter. Here is a crack brush that works with Paint Along Path. #substancepainter

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Wes McDermott

20,413 subscribers

91,614 просмотров • 1 год назад •via X (Twitter)

ИскусствоНаука и технологии#substancepainter
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Here is Pamela Anderson, with the hairstyle I had in the early 80s. My mother would blow dry my hair with a round brush so that I looked like a mushroom.
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Here is Pamela Anderson, with the hairstyle I had in the early 80s. My mother would blow dry my hair with a round brush so that I looked like a mushroom.

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Quick look here at Michael Podstreleny (‘24, CA) of GBG. 2H day and a caught stealing👇. Simple trigger with minimal movement in his load. Connected swing that works on a clean path. #UBCWest

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Why leave Blender? 🛑 Bring the power of Substance Painter directly into your viewport with Matplus! ✨ Full Paint Layer System ✨ Advanced PBR Materials ✨ Seamless Texture Baking Transform your texturing workflow today. Grab the add-on while the sale is live! 🔥🔗
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Playing around with a loading (thinking) animation. All in SVG
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Hello artists, I have a problem! I'm looking for a way to fix this issue in Clip Studio Paint: As you can see in the video, my shadow layer is clipped to my base color layer, but it's still stretching the color to the edges of the base color. I've tried looking for an option or something to fix this, but haven't found anything. I've changed my brush settings, created a new brush, etc., but nothing works. I went back to Paint Tool SAI and saw that when I make a selection, it doesn't do this in Paint Tool SAI. So I tried it in Clip Studio Paint, and unfortunately, the problem persists. It spreads the color to the selection edges where Paint Tool SAI doesn't. If anyone has a solution, a better-programmed brush, an add-on, or anything that can fix this problem, I would be very grateful!

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Created with Seedance 2.0 Prompt: A cinematic, high-contrast action video in a stark minimalist white gallery space. A character wearing a traditional black samurai kimono, long flowing white hair, and a white Oni demon mask wields a massive, oversized Japanese calligraphy brush. The character dynamically spins and slashes the brush, leaving thick, fluid, three-dimensional black sumi-e ink strokes suspended in mid-air. The ink magically materializes into a ferocious, hyper-realistic tiger and twin massive Chinese dragons that swirl majestically around the character. Photorealistic 3D CGI, Unreal Engine 5 realism, ultra-sharp details, Unreal Engine 5 render, dramatic contrast between deep black ink and the brilliant white background. Slow-motion sweeps, dynamic tracking shots following the brush strokes, fluid particle simulation, studio lighting, 8K resolution.

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leeknow has a leebit keyring in his bag 🐰: it's a friend that i work with. this friend works really hard when i'm not around!

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very day6 dynamic no one protest when wonpil playing with the birds toy all along. and when sungjin finished distributing the ramyun, wonpil was there ready to prepare chopsticks for sungjin and watching sungjin until he took his first bite with that smile 🥹

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It's finally here. A reusable, dynamic template with built-in variables for faster customization. Check it below ↓
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It's finally here. A reusable, dynamic template with built-in variables for faster customization. Check it below ↓

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