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Production Material vs Final Product | "Cosmic Ninjutsu Inscriptions — Havoc Exorcism: Lunar Vileslayer Scroll" | #HonkaiStarRail A rare glimpse into production materials for an animation produced inhouse at miHoYo. The scene follows a unique Panty & Stocking with Garterbelt aesthetic #Rappa #animation

HoYoverse Animation Info

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49,637 просмотров • 7 месяцев назад •via X (Twitter)

Наука и технологии #HonkaiStarRail

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my video-to-stopmotion-animation app is almost ready for beta testers here's a solitaire animation i made in a total of 2 minutes (scene creation - editing - final export) the app auto-selects keyframes and also uses roboflow RF-DETR to remove frames with your hands showing, turning a single video into a final animation without manual editing work send me a DM if you'd like an invite to test the beta version

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Compared to Gemini, I much prefer using ChatGPT. One of the key reasons is that Gemini’s app has a terrible launch experience , it almost has no transition animation at all. It just flashes onto the screen with no visual continuity, which feels awful. I honestly can’t understand how a company like Google would let such an obvious UX bug ship in a production product.

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Stop editing timelines. Start writing prompts. Replit Animation lets you create animated videos inside Replit using code. Replit ⠕ #replitanimation It generates TypeScript behind the scenes with modern animation libraries, turning your ideas into fully rendered mp4 videos. Plug in your existing design systems, typography, tokens, and production components to create videos that match your product perfectly. Video as code changes the workflow. Your components become reusable animation blocks. Update the code, regenerate the video, ship again. From automated changelog videos to polished feature releases, video creation becomes a scalable pipeline. Here is an example of a video I generated with Replit Animation. Export in your preferred resolution and frame rate or host it online with a shareable URL. Mention video in your first prompt or choose Animation under App mode to activate it. Start creating:

Stop editing timelines. Start writing prompts. Replit Animation lets you create animated videos inside Replit using code. Replit ⠕ #replitanimation It generates TypeScript behind the scenes with modern animation libraries, turning your ideas into fully rendered mp4 videos. Plug in your existing design systems, typography, tokens, and production components to create videos that match your product perfectly. Video as code changes the workflow. Your components become reusable animation blocks. Update the code, regenerate the video, ship again. From automated changelog videos to polished feature releases, video creation becomes a scalable pipeline. Here is an example of a video I generated with Replit Animation. Export in your preferred resolution and frame rate or host it online with a shareable URL. Mention video in your first prompt or choose Animation under App mode to activate it. Start creating:

MAPUNDA

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Blender just became a prompt box. Kimi K3 + Blender MCP can take a simple text prompt and build an entire 3D scene for you. terrain, buildings, lighting, materials, camera movement, animation, even the Python scripts holding everything together. but the crazy part isn’t just that it can build the scene. Kimi can inspect what it created, understand what looks wrong, then go back into Blender and fix the actual scene before rendering again. the camera can be clipping through a tree, the lighting can feel off, the city can look too artificial, and instead of starting over, Kimi can make the changes directly inside Blender. and because everything is happening in Blender, you’re not left with a locked AI-generated video. you get the actual 3D scene. every object, material, light, camera and keyframe stays editable. a few years ago, creating something like this could take weeks of modeling, scripting, lighting and animation. now you can describe the world, let Kimi build the first 90%, and spend your time making the final 10% actually look good. that’s what makes Kimi K3 + Blender MCP so interesting. it’s getting dangerously close to text-to-3D, except the result is a real Blender project you can keep editing.

MIKE

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if you want to land agency clients without a single call and make them feel stupid for saying no... do this: > go to facebook ad library. search a brand. filter by active ads. > find their longest running creative. that's the one working for now. > grab their product link. paste it into Marketing Studio on higgsfield. > seedance 2.0 generates 9 video ad formats. upload a face. locked across every scene. you now have a ugc ad, a product review, an unboxing, and a TV spot of their product. made in 30 minutes. $0.347 per video. send it over through email or socials. "here's a video ad for your product. test it against your current top performer. if it wins, i'll make you 50 more." the brand is currently paying an agency $5-10K/month or boosting static images and hoping for the best. you just showed up with finished work that looks like a production team made it. there's no pitch to reject. there's a video to test. that's a very different conversation.

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GPT Image 2 and Seedance 2.5 Prompt: Style: Cinematic live-action seamlessly blended with 2D hand-drawn line-art animation, using a playful rotoscoping-inspired transformation effect. Visual Direction: First-person POV throughout. A hand holding a blue pencil appears at the bottom of the frame, seemingly tracing over real-world objects. Wherever the pencil moves, the live-action environment gradually transforms into expressive 2D illustrations. Scene Transitions & Subjects: - Train: A white-and-green train travels across an elevated urban overpass. As the blue pencil traces along it, the train smoothly converts into clean black-and-white sketch line art, while retaining its movement and perspective. - Cat: An orange tabby cat casually walks along a paved sidewalk. The pencil follows its movement, transforming the cat into a white hand-drawn cartoon with stylized illustrated shadows. - Bus: A light-colored compact bus drives through the street. As it passes beneath the pencil’s tracing path, it morphs into a colorful pastel illustration with loose, artistic hand-drawn outlines. - Girl: A woman sits naturally on a bench in a narrow urban alley, looking at her phone. The pencil traces around her and the surroundings, seamlessly turning the scene into a stylized 2D color-block illustration. Tone & Atmosphere: Bright natural daylight, contemporary urban environment, playful and whimsical mood, fluid camera movement, dynamic transformations, and seamless transitions between realistic footage and hand-drawn animation. Overall Effect: The video should feel as though the blue pencil is literally drawing reality into an animated world, with each subject transforming organically rather than appearing as a sudden cut or visual effect.

GPT Image 2 and Seedance 2.5 Prompt: Style: Cinematic live-action seamlessly blended with 2D hand-drawn line-art animation, using a playful rotoscoping-inspired transformation effect. Visual Direction: First-person POV throughout. A hand holding a blue pencil appears at the bottom of the frame, seemingly tracing over real-world objects. Wherever the pencil moves, the live-action environment gradually transforms into expressive 2D illustrations. Scene Transitions & Subjects: - Train: A white-and-green train travels across an elevated urban overpass. As the blue pencil traces along it, the train smoothly converts into clean black-and-white sketch line art, while retaining its movement and perspective. - Cat: An orange tabby cat casually walks along a paved sidewalk. The pencil follows its movement, transforming the cat into a white hand-drawn cartoon with stylized illustrated shadows. - Bus: A light-colored compact bus drives through the street. As it passes beneath the pencil’s tracing path, it morphs into a colorful pastel illustration with loose, artistic hand-drawn outlines. - Girl: A woman sits naturally on a bench in a narrow urban alley, looking at her phone. The pencil traces around her and the surroundings, seamlessly turning the scene into a stylized 2D color-block illustration. Tone & Atmosphere: Bright natural daylight, contemporary urban environment, playful and whimsical mood, fluid camera movement, dynamic transformations, and seamless transitions between realistic footage and hand-drawn animation. Overall Effect: The video should feel as though the blue pencil is literally drawing reality into an animated world, with each subject transforming organically rather than appearing as a sudden cut or visual effect.

Sairah

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$CTVFF | $CTV.V THE MATERIAL BEHIND THE MACHINES CleanTech $CTV is the future. Fluorspar is one of the most overlooked materials shaping modern society. It plays an important role in: 🔹 Semiconductor manufacturing 🔹 Nuclear fuel processing 🔹 Batteries and advanced chemicals 🔹 Aluminum and steel production 🔹 Refrigerants, glass and cement AI may appear to run on software, but its foundation is physical. Advanced chips, data centers, power grids and nuclear energy all depend on critical materials and fluorspar connects directly to several of those systems. The U.S. remains heavily dependent on foreign fluorspar supply, while CleanTech is working to advance a potential domestic source in the historic Illinois-Kentucky Fluorspar District. Its plans include: 🔹 A proposed underground mining operation 🔹 Onsite production of acid-grade fluorspar 🔹 Drilling to confirm historical data 🔹 Permit submissions targeted for late 2026 🔹 Additional rare-earth potential near Hicks Dome This remains an early-stage story with real permitting, financing and execution risks. But the larger theme is undeniable: The digital economy still begins with the materials pulled from the earth. Keep $CTVFF $CTV.V close on your radar. Communicated - Disclaimer: Reference: CleanTech CTV (TSX-V: CTV.V | OTCQB: CTVFF) Sector Peers: $ARSMF $MP $UUUU $USAR $NB $UAMY $TMRC $REEMF $AVLNF $CRML $LYSCF $TMC

JCOOP

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Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

Rina

264,903 просмотров • 2 месяцев назад

Claude Code + Nano Banana 2 is f*cking cracked for advertorials 🤯 One prompt → a complete presell page with editorial copy, AI product photography, testimonials, and pricing — ready to paste into Shopify. Built 100% in Claude Code. Perfect for DTC brands and agencies running advertorials on Meta who need 5-10 different pages per month but can't keep paying $1,500 each. If you're briefing copywriters, waiting days for a draft, giving notes, waiting again, and still only getting one or two new pages per month... This system eliminates the entire loop: → Enter your brand, product, target customer, and unique mechanism → Pick a style preset (clinical editorial, news exposé, lifestyle magazine, warm and trustworthy) → Claude writes the full page — urgency banner to guarantee to final CTA → Nano Banana 2 generates product images and mechanism diagrams inline → Get back a complete HTML page following the same DR structure that's already scaling on Meta No copywriter back-and-forth. No designing from scratch. No starting from a blank page every time. What you get: → A production-ready HTML advertorial page you paste into Shopify → DR copy structure extracted from real pages scaling on Meta right now → AI-generated product photography and diagrams matched to your brand → 4 style presets that shift tone, colors, and authority framing per niche → A fully customizable system prompt — swap in your own templates and it follows those instead I built 3 complete advertorial pages for 3 different brands in under 5 minutes. Skincare, supplements, and pet products. All different styles, all production-ready. I put together a full playbook with the exact system prompt so you can get this running yourself. Want access for free? > Like this post > Comment "CLAUDE" And I'll send it over (must be following so I can DM)

Mike Futia

34,398 просмотров • 6 месяцев назад

The United States has begun receiving shipments of tungsten, a critical rare-earth mineral, straight from Rwanda for the first time. This is a major milestone for the Trump White House in their push to dismantle China's power over America's mineral supply chain. “It is an honor to see our material from Rwanda here at one of the largest tungsten processors in the world being converted into products that will help make America safer, stronger, more prosperous... In turn, the nearly 7,000 employees of Trinity Metals and the government of Rwanda will benefit from such market access and the deepening of strategic ties between the two countries,” - Trinity Metals Chairman Shawn McCormick. China dominates the critical mineral industry, especially tungsten production, where it produces 80% of the global supply. Rwanda is also a big producer, and the partnership with the United States will help defeat China's mineral monopoly.

The United States has begun receiving shipments of tungsten, a critical rare-earth mineral, straight from Rwanda for the first time. This is a major milestone for the Trump White House in their push to dismantle China's power over America's mineral supply chain. “It is an honor to see our material from Rwanda here at one of the largest tungsten processors in the world being converted into products that will help make America safer, stronger, more prosperous... In turn, the nearly 7,000 employees of Trinity Metals and the government of Rwanda will benefit from such market access and the deepening of strategic ties between the two countries,” - Trinity Metals Chairman Shawn McCormick. China dominates the critical mineral industry, especially tungsten production, where it produces 80% of the global supply. Rwanda is also a big producer, and the partnership with the United States will help defeat China's mineral monopoly.

George

556,863 просмотров • 11 месяцев назад