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ProjectAlpha22 🏳️🌈 I hand animate it while referencing the clip, and for the camera, I have the clip for the shot in the scene camera, and I do a really silly thing where I place the blender cursor on a defined point in the image, and rotate the camera... show more
11,107 Aufrufe • vor 1 Jahr •via X (Twitter)
5 Kommentare
Your wish has been granted, farewell. #DragonBall
I’m so curious did you animate this by hand using the original as reference or is there some terrifying new mocap tool everyone has been using I’m uninformed about because I’ve seen a lot of this recently!
That's not silly at all! Actually, have you considered using an empty instead of the cursor and setting up a damped track or something? You could automate it that way and it might be less keyframing.
@ProjectAlpha22 thats actually super smart lol , i imagine it can save a good bit of time when you dont have to second guess everything your doing given you have the scene overlay-ed , i remember trying to do some basic modeling in blender years ago and tried basically doing the same to no avail
@ProjectAlpha22 Thank you for your efforts blessed one
![Michelangelo Antonioni on the Final sequence of 'The Passenger' (1975): "Interviewer: How long did it take to do the final scene of The Passenger? Antonioni: 11 days. But that was not because of me but because of the wind. It was very windy weather and so difficult to keep the camera steady. Interviewer: One critic has said that the final seven-minute sequence is destined to become a classic of film history. Can you explain how you conceived it? Antonioni: I had the idea for the final sequence as soon as I started shooting. I knew, naturally, that my protagonist must die, but the idea of seeing him die bored me. So I thought of a window and what was outside, the afternoon sun. For a second, just for a fraction-Hemingway crossed my mind: "De@th in the Afternoon." And the arena. We found the arena and immediately realized this was the place. But I didn't yet know how to realize such a long shot. I had heard about the Canadian camera, but I had no first-hand knowledge of its possibilities. In London, I saw some film tests. I met with the English technicians responsible for the camera and we decided to try. There were many problems to solve. The biggest was that the camera was 16mm and I needed 35mm. To modify it would have involved modifying its whole equilibrium since the camera IS mounted on a series of gyroscopes. However. I succeeded in doing it. Interviewer: Did you use a zoom lens or a very slow dolly? Antonioni: A zoom was mounted on the camera. But it was only used when the camera was about to pass through the gate. Interviewer: It's interesting how the camera moves toward the man in the center against the wall but we never get to see him, the camera never focuses on him. Antonioni: Well, he is part of the landscape, that's all. And everything is in focus-everything. But not specifically on him. I didn't want to go closer to anybody. The surprise is the use of this long shot. You see the girl out side and you see her movements and you understand very well without going closer to her what she's doing, maybe what her thoughts are. You see, I am using this very long shot like closeups, the shot actually takes the place of closeups. Interviewer: Did you cover that shot in any other way or was this your sole commitment? Antonioni: I had this idea of doing it in one take at the beginning of the shooting and I kept working on it all during the shooting." [Filmmakers Newsletter, I975]](https://image.24vids.com/tw-1865861156901986585/ext_tw_video_thumb/1865773675519102976/pu/img/nTl0huOsKO3WwKVu.jpg)
![James Wong Howe on how the ending of 'On the Waterfront' (1954) was filmed: "[I worked with Kazan] in 'On the Waterfront' (1954). Kazan said, “You know I got an ending to this picture, where Brando is fighting. I need more shots of fighting. Would you do that for me?” I said, “Yes.” The production manager asked me how many lights I wanted. I said, “No lights.” So we went down and shot, and it got later and later and it was getting darker and darker. Finally, I said, “Gee, Gadge [Kazan’s nickname], this is about it.” He said, “I need a shot of Brando. He’s been beaten up so he’s dizzy and he’s walking into the warehouse. The door opens there.” We used a handheld camera. It was an Eyemo that I gave to the operator. I put a piece of chalk down on the cement and said, “Now look through that camera and walk around that chalk mark.” He kept walking and walking, and said, “Gee, I’m getting a little dizzy.” I said, “Keep walking. Keep walking. Okay. Now point the camera at that door and hit the trigger and walk.” He couldn’t walk very steady, so it made a wonderful shot from Brando’s perspective. If I hadn’t spun the operator around and got him really dizzy, it wouldn’t have worked." (James Wong Howe, AFI, 1973)](https://image.24vids.com/tw-1988356811225792786/amplify_video_thumb/1988290011440312320/img/Kmt42Fbzs25mS3io.jpg)
![Gaspar Noé explains the reason he used Cocaine while filming "Irreversible" (2002): "Most of the movie, I was doing the camera, it was a handheld camera. And I’m not proud of this but — I’m not a cokehead, I get allergic — but there were some members of the crew that were doing coke and when the camera has to go up the stairs, down the stairs and turn around, at a point, my arms were hurting and my friends on the set were giving me coke. And you feel strong and you feel like a superhero, you run up the stairs and turn the camera. I was really happy that helped me achieve the scene. But after two days of shooting up the stairs and down the stairs and turning the camera, I’m not a strong man at all but the camera was very heavy. I had done such a muscular effort that the moment this spell of cocaine was over, the pain started and I could not even raise a glass of vodka.[laughs]" ("Why Gaspar Noé Directed on Cocaine, Masturbated in His Own Film and Shot a Live Birth", Tarek Shoukri, Indiewire, 2015) P.S: On this day, 24 years ago, "Irreversible" (2002) was released in France & India.](https://image.24vids.com/tw-2057915400277668273/amplify_video_thumb/2057906963833663488/img/eBwFk81Mpdv7YJVC.jpg)
