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Prompts aren’t enough when your shot needs precision. With Topview 3D Shot Composer, you can visually stage characters, props, and camera framing before generating your video. Less guessing. Fewer rerolls. More predictable shots. 🎬 Stop describing your shots. Start directing them. #TopviewAI #AIVideo #AIFilmmaking #AIStorytelling #3DShotComposer

TopviewAI

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1,287,177 次观看 • 1 个月前 •via X (Twitter)

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Tell me you're a serious AI filmmaker without telling me you're a serious AI filmmaker: 👇 You stage characters, props, and camera framing in 3D with Topview 3D Shot Composer before generating a single frame. That's the tweet. TopviewAI 🎥 #TopviewAI #AIVideo #AIFilmmaking #AIStorytelling #3DShotComposer

Tell me you're a serious AI filmmaker without telling me you're a serious AI filmmaker: 👇 You stage characters, props, and camera framing in 3D with Topview 3D Shot Composer before generating a single frame. That's the tweet. TopviewAI 🎥 #TopviewAI #AIVideo #AIFilmmaking #AIStorytelling #3DShotComposer

haytam

74,691 次观看 • 1 个月前

Seedance 2.0 and 2.0 Fast have arrived on Leonardo. Now you can take this tool and start directing every shot with more control. Here’s what creators are saying 2.0 is really good at: - Editing your videos using image and video references so you don’t have to prompt from scratch. - Controlling camera motion with precision. - Reproducing specific pans, zooms, tracking shots, etc. from video references. - Keep characters consistent from scene to scene. Any scene you can imagine is yours to create. Start creating.

Seedance 2.0 and 2.0 Fast have arrived on Leonardo. Now you can take this tool and start directing every shot with more control. Here’s what creators are saying 2.0 is really good at: - Editing your videos using image and video references so you don’t have to prompt from scratch. - Controlling camera motion with precision. - Reproducing specific pans, zooms, tracking shots, etc. from video references. - Keep characters consistent from scene to scene. Any scene you can imagine is yours to create. Start creating.

Leonardo.Ai

106,008 次观看 • 4 个月前

Still struggling to create cinematic camera movements? 🎥 No more writing complicated camera prompts. Just pick a shot you want, and OiiOii AI brings cinematic camera motions to life instantly. From dolly shots to dramatic zooms, create professional-looking videos with one click. Your cinematic shots, made simple.

Still struggling to create cinematic camera movements? 🎥 No more writing complicated camera prompts. Just pick a shot you want, and OiiOii AI brings cinematic camera motions to life instantly. From dolly shots to dramatic zooms, create professional-looking videos with one click. Your cinematic shots, made simple.

OiiOii AI

38,480 次观看 • 1 个月前

AI video has a control problem. Most AI tools generate in 2D. Filmmakers think, stage, and direct in 3D. Today we're introducing Flow Studio 3D Editor + Canvas. Build and direct your scene in 3D. Then use Canvas to render and refine the final look with leading AI models. Stay in 2D when speed matters. Move into 3D when you need precision. AI can build the scene. You still call the shots. Start directing:

AI video has a control problem. Most AI tools generate in 2D. Filmmakers think, stage, and direct in 3D. Today we're introducing Flow Studio 3D Editor + Canvas. Build and direct your scene in 3D. Then use Canvas to render and refine the final look with leading AI models. Stay in 2D when speed matters. Move into 3D when you need precision. AI can build the scene. You still call the shots. Start directing:

Autodesk Flow Studio

34,466 次观看 • 23 天前

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

OpenArt

7,302,249 次观看 • 5 个月前

Dwight Howard telling his favorite Kobe story “I like are little fight that we had, our little scuffle that we kind of had. We never had no like real tight beef before any of that. Like I remember calling Kobe right after we lost to them in the finals and asking him how could I get better and then he started talking about you should, you know your post game is good. You know you get down there that nobody can stop your jump hook. You know nobody can bang with you. You can dunk on everybody in the paint you know you just get that face up jump shot you know free throw line jump shot and you good. So I was like, how many shoots should I do. What you do when you shoot? He said, shoot, I make a thousand shots a day. So I said, Yes, I can do that. I can do that. So after that, I would do a thousand shots every day. Have to make a thousand shot. And that would be like I would go around 100 shots a spot. Bank shot on both sides, 100 hook shots, 100 left hand hooks like running hooks like all these different things. So, I started to develop like the shots were so easy because of that” (Via Rich Eisen Show)

Dwight Howard telling his favorite Kobe story “I like are little fight that we had, our little scuffle that we kind of had. We never had no like real tight beef before any of that. Like I remember calling Kobe right after we lost to them in the finals and asking him how could I get better and then he started talking about you should, you know your post game is good. You know you get down there that nobody can stop your jump hook. You know nobody can bang with you. You can dunk on everybody in the paint you know you just get that face up jump shot you know free throw line jump shot and you good. So I was like, how many shoots should I do. What you do when you shoot? He said, shoot, I make a thousand shots a day. So I said, Yes, I can do that. I can do that. So after that, I would do a thousand shots every day. Have to make a thousand shot. And that would be like I would go around 100 shots a spot. Bank shot on both sides, 100 hook shots, 100 left hand hooks like running hooks like all these different things. So, I started to develop like the shots were so easy because of that” (Via Rich Eisen Show)

NBA Courtside

110,597 次观看 • 6 个月前

#1 Indicator of successful offense Social media is filled with sets, actions, offenses, tips, tricks, etc. Everyone wants to talk about WHAT they run. As I dive deeper in to successful offensive teams, it’s never been more apparent that Shot selection is the number 1 common denominator. Great offenses get easier and more valuable shots. The actions change, system changes, personnel changes, but the shot selection doesn’t. As always, having talented players help efficiency… but having talented players that can’t execute or aren’t good decision makers can kill your offense. What’s the point of this… if your team struggled offensively this year… MAKE SURE EVERYONE HAS CLARITY ON SHOT SELECTION and then build your offseason development to reinforce those shots and the decisions/reads that create them.

#1 Indicator of successful offense Social media is filled with sets, actions, offenses, tips, tricks, etc. Everyone wants to talk about WHAT they run. As I dive deeper in to successful offensive teams, it’s never been more apparent that Shot selection is the number 1 common denominator. Great offenses get easier and more valuable shots. The actions change, system changes, personnel changes, but the shot selection doesn’t. As always, having talented players help efficiency… but having talented players that can’t execute or aren’t good decision makers can kill your offense. What’s the point of this… if your team struggled offensively this year… MAKE SURE EVERYONE HAS CLARITY ON SHOT SELECTION and then build your offseason development to reinforce those shots and the decisions/reads that create them.

Steve Dagostino

10,363 次观看 • 1 年前

Seedance 2 is on Freepik (now Magnific) 🔥 Some observations: - Preparation is key. Make reference images for characters, props, environment before generating videos. - Use the reference images and refer to them in the prompt. - Go for multishot. You can basically do rough editing of the video at prompt level. - Generate multiple videos for each prompt and then chop it up in your video editor. Often these videos can be combined in many ways using the best shots from each. - Generate SFX, but avoid music. Add that manually later. Link to the Spaces workflow below.

Seedance 2 is on Freepik (now Magnific) 🔥 Some observations: - Preparation is key. Make reference images for characters, props, environment before generating videos. - Use the reference images and refer to them in the prompt. - Go for multishot. You can basically do rough editing of the video at prompt level. - Generate multiple videos for each prompt and then chop it up in your video editor. Often these videos can be combined in many ways using the best shots from each. - Generate SFX, but avoid music. Add that manually later. Link to the Spaces workflow below.

Martin LeBlanc

17,538 次观看 • 4 个月前

AI video is moving from random generation to real creative control. Seedance Enterprise 2.5 on BytePlus Lumina delivers ultra realistic, cinematic quality with lifelike physical lighting and textures. By combining Seedream visuals, SeedAudio references, and up to 50 multimodal inputs, you can create fully cohesive videos up to 30 seconds that look and feel like real footage. You can stage scenes, control camera movement, position characters, and build more consistent narratives with the 3D Director’s Desk. Less guessing. More directing. Directed by me. Powered by BytePlus Lumina. Seedance 2.5 API is about to launch on BytePlus, and now you can try it directly on Lumina.

AI video is moving from random generation to real creative control. Seedance Enterprise 2.5 on BytePlus Lumina delivers ultra realistic, cinematic quality with lifelike physical lighting and textures. By combining Seedream visuals, SeedAudio references, and up to 50 multimodal inputs, you can create fully cohesive videos up to 30 seconds that look and feel like real footage. You can stage scenes, control camera movement, position characters, and build more consistent narratives with the 3D Director’s Desk. Less guessing. More directing. Directed by me. Powered by BytePlus Lumina. Seedance 2.5 API is about to launch on BytePlus, and now you can try it directly on Lumina.

Doreen

82,963 次观看 • 22 天前

First tool of its kind a fully agent powered Blender, built straight into Flick. Blender takes months to learn. This takes minutes. Describe your scene, and 3D Stage blocks it out, animates it, and lets you direct the camera Blender quality results, completely free to start. No 3D skills, no separate software anyone can do this. Then it goes straight into AI Video Canvas to finish the shot. Flick

First tool of its kind a fully agent powered Blender, built straight into Flick. Blender takes months to learn. This takes minutes. Describe your scene, and 3D Stage blocks it out, animates it, and lets you direct the camera Blender quality results, completely free to start. No 3D skills, no separate software anyone can do this. Then it goes straight into AI Video Canvas to finish the shot. Flick

Salt

11,190 次观看 • 1 个月前

A lot of you complaining about shooting in 2k25 dont understand how the shooting actually works and are just calling it bad so let me break it down real quick The shooting itself is pretty EASY, if you cant green your first few shots you're just mistiming and need to learn your timing or get better, for example you can green your first 2 jumpshots very easily. NOW LETS GET TO THE PROBLEM. But after say for example you make 2 shots in a row, MOST OF THE TIME 2k will give you NO GREEN WINDOW at all on the next shot, leaving it completely up to RNG (random) whether your next shot will go in (will most likely miss). So essentially 2k is punishing you for greening multiple shots in a row by forcing you to eventually miss your next shot most of the time. In this clip in a ranked 1v1 match, my opponent greens 2 shots in a row then i confidently leave him WIDE OPEN for the 3rd shot knowing that he will 100% MISS because of the algorithm and he does...then i do the exact same thing again after he makes 2 more shots in a row, i leave him WIDE OPEN for his 3rd shot knowing he will miss again and he does indeed miss... You should not be PUNISHED for timing your jumpshot correctly by being given no green window after you make a sequence of shots, THAT IS THE PROBLEM WITH THE SHOOTING...it is not hard to time your shot in general, the issue is after you make a few shots, you're given NO GREEN WINDOW, which is leaving it up to RNG which should not be a thing. And if there's any brainrot kids who can't understand me saying that the shooting is easy but then also saying that the way they made the algorithm to make you miss is bad, i am specifically talking about the times where it gives you no green window after making a few shots, which is not on every single shot... 2k needs to revert this because it should not be impossible to make specific jumpshots, especially after making a few shots you think you would be rewarded and it would be easier to make the next ones correct? Well they made it harder instead.

A lot of you complaining about shooting in 2k25 dont understand how the shooting actually works and are just calling it bad so let me break it down real quick The shooting itself is pretty EASY, if you cant green your first few shots you're just mistiming and need to learn your timing or get better, for example you can green your first 2 jumpshots very easily. NOW LETS GET TO THE PROBLEM. But after say for example you make 2 shots in a row, MOST OF THE TIME 2k will give you NO GREEN WINDOW at all on the next shot, leaving it completely up to RNG (random) whether your next shot will go in (will most likely miss). So essentially 2k is punishing you for greening multiple shots in a row by forcing you to eventually miss your next shot most of the time. In this clip in a ranked 1v1 match, my opponent greens 2 shots in a row then i confidently leave him WIDE OPEN for the 3rd shot knowing that he will 100% MISS because of the algorithm and he does...then i do the exact same thing again after he makes 2 more shots in a row, i leave him WIDE OPEN for his 3rd shot knowing he will miss again and he does indeed miss... You should not be PUNISHED for timing your jumpshot correctly by being given no green window after you make a sequence of shots, THAT IS THE PROBLEM WITH THE SHOOTING...it is not hard to time your shot in general, the issue is after you make a few shots, you're given NO GREEN WINDOW, which is leaving it up to RNG which should not be a thing. And if there's any brainrot kids who can't understand me saying that the shooting is easy but then also saying that the way they made the algorithm to make you miss is bad, i am specifically talking about the times where it gives you no green window after making a few shots, which is not on every single shot... 2k needs to revert this because it should not be impossible to make specific jumpshots, especially after making a few shots you think you would be rewarded and it would be easier to make the next ones correct? Well they made it harder instead.

HankDaTank

538,428 次观看 • 1 年前

Last week, we shared a refresher on our favorite Flow features. Today, we're doing a deep dive into prompting with a few tips on how to craft the optimal prompt, create your dream video, and #FindYourFlow 🕺 Clearly identify your characters or objects and describe their movements 🎥 Frame your shot with compositional terms like "wide shot" or “close-up" and direct the camera with instructions like "tracking shot" or "aerial view" 💡The lighting and environment set the entire mood. Instead of "a room" use more descriptive terms like "a dusty attic filled with forgotten treasures, a single beam of afternoon light cutting through a grimy window" 🧸 Flow is not limited to realistic visuals. You can experiment with a wide array of animation styles like "stop motion" or "knitted animation" 🗣️ With Veo 3, you can include sound effects and dialogue in your prompt. Describe the ambient sounds happening throughout the scene and generate dialogue by including it in your prompt. For more Flow tips, see here ➡️ 🚨Pro tip: this is another great bookmark 😉

Last week, we shared a refresher on our favorite Flow features. Today, we're doing a deep dive into prompting with a few tips on how to craft the optimal prompt, create your dream video, and #FindYourFlow 🕺 Clearly identify your characters or objects and describe their movements 🎥 Frame your shot with compositional terms like "wide shot" or “close-up" and direct the camera with instructions like "tracking shot" or "aerial view" 💡The lighting and environment set the entire mood. Instead of "a room" use more descriptive terms like "a dusty attic filled with forgotten treasures, a single beam of afternoon light cutting through a grimy window" 🧸 Flow is not limited to realistic visuals. You can experiment with a wide array of animation styles like "stop motion" or "knitted animation" 🗣️ With Veo 3, you can include sound effects and dialogue in your prompt. Describe the ambient sounds happening throughout the scene and generate dialogue by including it in your prompt. For more Flow tips, see here ➡️ 🚨Pro tip: this is another great bookmark 😉

Google Labs

33,904 次观看 • 1 年前

Claymotion ads are crushing it on Meta right now. Built a free claude skill to make them 👇 If you've been scrolling Meta lately, you've seen them — stop-motion clay characters, tactile textures, weirdly satisfying to watch. CTRs are 2-3x the feed average. Almost nobody is running them. The problem: they look impossible to make unless you have a studio. They're not. You just need the right prompts. So I packaged the prompt system as a Claude Code skill. It's free. Here's what it does: Paste your product URL. Out comes a full claymotion ad plan: 1/ Shot-by-shot storyboard 5-7 shots with the narrative arc. Setup → product reveal → payoff → CTA. 2/ Image prompt per shot Exact prompt you paste into Midjourney, Nano Banana, or any image gen. Camera angle, lighting, clay texture specs, character details — dialed in for consistency across shots. 3/ Video prompt per shot The animation prompt you paste into Kling, Veo, Seedance, or Sora. Motion direction, pacing, transitions — so the shots actually flow. 4/ VO script per shot Voiceover copy written for rhythm. Timed to the shot length. Hook, body, CTA — all on brand. 5/ Music + sfx direction Tone notes for the track. Specific sfx cues per shot (squish, pop, whoosh) You take the outputs. Paste them into your image + video generators. Stitch the shots. Record the VO. A full claymotion ad in under an hour, at the cost of a few API credits. Instead of $3,000 and 3 weeks with an animation studio. Why claymotion works right now: → Pattern break — nothing else in the feed looks like it → Tactile feel — clay reads as "real" even when AI-generated → High dwell time — people watch the whole thing → Cheap to test — 5-10 variations per product is now feasible Comment "Clay" and I'll send you: → The Claude Code skill (free) → A starter prompt pack → 3 example storyboards so you can see the output (must be connected)

Ahad Shams

16,938 次观看 • 4 个月前

How to Create AI Videos with Google Flow Storyboard Studio. Creating AI videos becomes much easier when you can map out every scene before generating a single image. In this tutorial, you'll learn how to use Google Flow Storyboard Studio to turn an idea into a complete AI video workflow. I'll show you how to organize scenes, build consistent characters, generate backgrounds, structure your story, and prepare every shot before moving into video generation. Whether you're creating YouTube videos, short films, documentaries, or animated content, this workflow helps you build more organized, consistent, and higher quality AI videos from start to finish. If you found this helpful, Like, Retweet, and Bookmark it for later. Follow BIG CHRIS for more AI filmmaking and Google Flow tutorials. Video Credit: GenAI with Keera (

How to Create AI Videos with Google Flow Storyboard Studio. Creating AI videos becomes much easier when you can map out every scene before generating a single image. In this tutorial, you'll learn how to use Google Flow Storyboard Studio to turn an idea into a complete AI video workflow. I'll show you how to organize scenes, build consistent characters, generate backgrounds, structure your story, and prepare every shot before moving into video generation. Whether you're creating YouTube videos, short films, documentaries, or animated content, this workflow helps you build more organized, consistent, and higher quality AI videos from start to finish. If you found this helpful, Like, Retweet, and Bookmark it for later. Follow BIG CHRIS for more AI filmmaking and Google Flow tutorials. Video Credit: GenAI with Keera (

BIG CHRIS

24,174 次观看 • 1 个月前

This custom GPT writes perfect Sora 2 prompts every time 🤯 Most people are wasting hours trying to get Sora 2 to generate decent UGC videos. The problem isn't Sora 2. It's you (and your prompts). Here's what I learned after generating 100+ UGC videos with Sora 2: Sora 2 needs hyper-specific prompts with shot composition, timing, camera movement, and scene details. Most people write: "Create a UGC video for my protein bar" What you get? Terrible results. What actually works: "9:16 vertical handheld shot, natural lighting, female creator in kitchen holding [brand] protein bar at eye level, excited testimonial energy, 0-3s hook showing bite and reaction, shallow depth of field, warm color grade" That's the difference between amateur & professional output. So I built a custom GPT that does this automatically: → Tell it your product (protein bar, skincare, SaaS tool, etc.) → It generates a detailed timeline-based Sora 2 prompt → Includes shot composition, camera angles, timing breakdowns → Optimized for 9:16 UGC TikTok/Reels format → Copy/paste directly into Sora 2 No more guessing. No more mediocre results. Just professional UGC prompts in 10 seconds. Want free access to the Sora 2 Prompt Generator GPT? > Comment "GPT" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

49,885 次观看 • 10 个月前

My ideas used to stay stuck at the script stage. Writing scenes was easy, but turning them into actual animated shots always felt heavy. Too many tools. Too much technical friction. The story would lose momentum halfway through. That changed when I spent time exploring CineV | 3D-Controlled AI Animation. What clicked for me was how it starts from a story, not a timeline or a blank canvas. You write first, then it builds a storyboard around that idea. From there, you can review shots, regenerate scenes, adjust expressions, tweak camera angles, and refine motion instead of accepting one random output. I found myself thinking more like a director than a prompt engineer. Choosing what shots worked, pacing scenes, and polishing moments without needing to animate everything from scratch. Less friction. Fewer compromises. More control over the final result. What stood out next was the flexibility. There’s a faster text to video flow when speed matters, and a more hands on storyboard and 3D edit mode when you care about camera work and continuity. You decide how deep you want to go. It still feels early and very creator focused, but the full workflow from script to export is already there. CineV feels less like a clip generator and more like a storytelling tool for anime style animation. Worth a look if you work with narrative ideas and want them to actually turn into finished scenes. Try it here:

My ideas used to stay stuck at the script stage. Writing scenes was easy, but turning them into actual animated shots always felt heavy. Too many tools. Too much technical friction. The story would lose momentum halfway through. That changed when I spent time exploring CineV | 3D-Controlled AI Animation. What clicked for me was how it starts from a story, not a timeline or a blank canvas. You write first, then it builds a storyboard around that idea. From there, you can review shots, regenerate scenes, adjust expressions, tweak camera angles, and refine motion instead of accepting one random output. I found myself thinking more like a director than a prompt engineer. Choosing what shots worked, pacing scenes, and polishing moments without needing to animate everything from scratch. Less friction. Fewer compromises. More control over the final result. What stood out next was the flexibility. There’s a faster text to video flow when speed matters, and a more hands on storyboard and 3D edit mode when you care about camera work and continuity. You decide how deep you want to go. It still feels early and very creator focused, but the full workflow from script to export is already there. CineV feels less like a clip generator and more like a storytelling tool for anime style animation. Worth a look if you work with narrative ideas and want them to actually turn into finished scenes. Try it here:

FELIX

122,203 次观看 • 7 个月前

.@CMDROpAtLargeCA Greg Bovino, stop lying to the public. The video Dana Bash puts right in front of your face, shows an agent in a gray jacket taking Pretti’s gun away before he’s shot and you pretend not to see it. Then you claim you want to investigate first? Did you investigate first before making these claims to public: -You said Alex Pretti “approached agents with a gun in hand.” The video shows him holding a phone, not a gun. -You said he wanted to “massacre law enforcement” and do “maximum damage.” There is zero evidence of that. No shots fired. No charge. No threat. Just a man recording. -You said being armed made him fair game. He had a legal permit to carry. That is not a crime in Minnesota. Full stop. An unarmed man was shot multiple times after being disarmed, and instead of owning the facts, you invented motives, exaggerate threats, and hope people are blind. After all the false claims then you claim you want to investigate? Video refutes your story to your face. Witnesses refute your story. Your own credibility refutes your story. And no amount of talking over the video will change what everyone can see with their own eyes. And I truly hope someday you are held accountable to the fullest extend of the law. #AlexJeffreyPretti #JusticeForAlexPretti

.@CMDROpAtLargeCA Greg Bovino, stop lying to the public. The video Dana Bash puts right in front of your face, shows an agent in a gray jacket taking Pretti’s gun away before he’s shot and you pretend not to see it. Then you claim you want to investigate first? Did you investigate first before making these claims to public: -You said Alex Pretti “approached agents with a gun in hand.” The video shows him holding a phone, not a gun. -You said he wanted to “massacre law enforcement” and do “maximum damage.” There is zero evidence of that. No shots fired. No charge. No threat. Just a man recording. -You said being armed made him fair game. He had a legal permit to carry. That is not a crime in Minnesota. Full stop. An unarmed man was shot multiple times after being disarmed, and instead of owning the facts, you invented motives, exaggerate threats, and hope people are blind. After all the false claims then you claim you want to investigate? Video refutes your story to your face. Witnesses refute your story. Your own credibility refutes your story. And no amount of talking over the video will change what everyone can see with their own eyes. And I truly hope someday you are held accountable to the fullest extend of the law. #AlexJeffreyPretti #JusticeForAlexPretti

Human☮🇺🇸🇺🇦🇺🇸🌊

27,779 次观看 • 7 个月前

No more Shots! No Flu shot before Thanks Giving! Enjoy sharing! Clay Clark: What would you say to somebody who says: You know, I'm thinking about getting a flu shot before Thanksgiving. Judy Mikovits, PhD: Know that every flu shot is a COVID shot, and has been since Trump signed into law, unwittingly, unknowingly, as we know, September 19, 2019 every flu shot is a COVID shot. Every shot since 2009 has been a COVID shot. They actually cause disease, as many know and are suffering. And so if you could simply wait. What did we have in the Brady Bunch? You know, have a COVID party. Have a flu party. You know, you're all family. Just lick, lick their cheek, and share glasses. And we all know Lee Merritt, you know, let's, let's just have some fun. And you know, just stop! It's only going to make you sick. Don't go near a hospital. Don't go near a CVS Pharmacy. You don't have to question shedding or spreading, if you stay home with your family. It doesn't happen that way, whether they were shot or not in the past. Just don't shoot them again, and certainly don't shoot yourself. It just doesn't end well! Boost your immune system with my daily protocol: Lee Merritt MD Donald J. Trump CVS Pharmacy #truth #health #news #sundayvibes #COVID #flu #vaccine #StoptheShots #faith #GodWins

No more Shots! No Flu shot before Thanks Giving! Enjoy sharing! Clay Clark: What would you say to somebody who says: You know, I'm thinking about getting a flu shot before Thanksgiving. Judy Mikovits, PhD: Know that every flu shot is a COVID shot, and has been since Trump signed into law, unwittingly, unknowingly, as we know, September 19, 2019 every flu shot is a COVID shot. Every shot since 2009 has been a COVID shot. They actually cause disease, as many know and are suffering. And so if you could simply wait. What did we have in the Brady Bunch? You know, have a COVID party. Have a flu party. You know, you're all family. Just lick, lick their cheek, and share glasses. And we all know Lee Merritt, you know, let's, let's just have some fun. And you know, just stop! It's only going to make you sick. Don't go near a hospital. Don't go near a CVS Pharmacy. You don't have to question shedding or spreading, if you stay home with your family. It doesn't happen that way, whether they were shot or not in the past. Just don't shoot them again, and certainly don't shoot yourself. It just doesn't end well! Boost your immune system with my daily protocol: Lee Merritt MD Donald J. Trump CVS Pharmacy #truth #health #news #sundayvibes #COVID #flu #vaccine #StoptheShots #faith #GodWins

Judy A. Mikovits PhD

48,875 次观看 • 1 年前

This Google Veo 3 "frames to video" feature is pure genius 💡 If you're creating video ads, this Veo 3 technique gives you surgical control over every scene element. This frames-to-video feature will take any static product shot... And turn it into cinematic reels with precise camera movements & timing. Perfect for creative strategists, agencies, and DTC operators running video campaigns. But instead of hoping AI generates what you hope for... Just upload your reference image and get exact scene control in minutes. The game-changer? Your static assets become dynamic video gold → organized by camera moves, action sequences, & precise timing control. Here's what frames-to-video gives you: → upload any product reference image → add numbered annotations for camera movements → structure scene directions (I use JSON for precision) → set duration, fps, lighting specs → get frame-perfect video execution → no video shooting or expensive production needed Now you've got director-level control from single images. These HexClad reels were generated from two static product shots + a JSON prompt for each. When your campaign needs cinematic quality but you only have product photos? This frames-to-video workflow changes everything. And it's only getting better Want my full annotation setup guide, including the JSON prompts? Comment "FRAMES" + follow and I'll send it over (must be following/connected so I can DM)

This Google Veo 3 "frames to video" feature is pure genius 💡 If you're creating video ads, this Veo 3 technique gives you surgical control over every scene element. This frames-to-video feature will take any static product shot... And turn it into cinematic reels with precise camera movements & timing. Perfect for creative strategists, agencies, and DTC operators running video campaigns. But instead of hoping AI generates what you hope for... Just upload your reference image and get exact scene control in minutes. The game-changer? Your static assets become dynamic video gold → organized by camera moves, action sequences, & precise timing control. Here's what frames-to-video gives you: → upload any product reference image → add numbered annotations for camera movements → structure scene directions (I use JSON for precision) → set duration, fps, lighting specs → get frame-perfect video execution → no video shooting or expensive production needed Now you've got director-level control from single images. These HexClad reels were generated from two static product shots + a JSON prompt for each. When your campaign needs cinematic quality but you only have product photos? This frames-to-video workflow changes everything. And it's only getting better Want my full annotation setup guide, including the JSON prompts? Comment "FRAMES" + follow and I'll send it over (must be following/connected so I can DM)

Mike Futia

39,872 次观看 • 1 年前

I shot 62 — 10 under par — playing a modified scramble called a FIGJAM. The rules are simple: if you like your first shot, play it. If it’s so-so, hit another. You can hit up to 3 shots total, but once you choose to move on, that’s your ball. Padraig Harrington has said he’d play this format as often as he could, and Luke Donald used it on his way to becoming #1 in the world. What surprised me wasn’t the 62. It was what the format did to my confidence. I was playing a new course but instead of getting defensive after a mediocre shot, I had the freedom to try again. Pretty soon I was seeing shots more clearly, committing to them and expecting good results. And here’s the interesting part: a lot of my first shots were perfectly good. Sometimes you need to experience what great golf feels like before you can learn to expect it. My next free compression webinar is Wednesday, August 26th at 7pm CT. If you’re ready learn how to smash a golf ball every time, the link is in the next post!

I shot 62 — 10 under par — playing a modified scramble called a FIGJAM. The rules are simple: if you like your first shot, play it. If it’s so-so, hit another. You can hit up to 3 shots total, but once you choose to move on, that’s your ball. Padraig Harrington has said he’d play this format as often as he could, and Luke Donald used it on his way to becoming #1 in the world. What surprised me wasn’t the 62. It was what the format did to my confidence. I was playing a new course but instead of getting defensive after a mediocre shot, I had the freedom to try again. Pretty soon I was seeing shots more clearly, committing to them and expecting good results. And here’s the interesting part: a lot of my first shots were perfectly good. Sometimes you need to experience what great golf feels like before you can learn to expect it. My next free compression webinar is Wednesday, August 26th at 7pm CT. If you’re ready learn how to smash a golf ball every time, the link is in the next post!

ChristoGarciaGolf

298,822 次观看 • 6 天前