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Purchases luxury camera, lenses, lighting, and editing software. Proceeds to film pussification proceedings on aging iPhone 14 selfie camera using a bedside lamp. Such is the way of the pussyboy. Pray for me… 😎👍🙏 🍆 Topped Toys 💧 X Lube Powder 🔒 KINK3D

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Deleterious

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31,452 просмотров • 1 месяц назад •via X (Twitter)

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Alright boys this is how you should be filming your nugs using the iPhone camera (without the macro camera for the mfs who don’t have it this is all on x1 zoom) Left video is how I see 99% of yall film the right is how you should. Never zoom in on the nug just bring the nug as close to your camera as possible and watch the magic happen.
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Alright boys this is how you should be filming your nugs using the iPhone camera (without the macro camera for the mfs who don’t have it this is all on x1 zoom) Left video is how I see 99% of yall film the right is how you should. Never zoom in on the nug just bring the nug as close to your camera as possible and watch the magic happen.

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The camera of the future. Vish Kumar 🇬🇧 shows it to me. It has a bigger imaging chip than your iPhone but uses the iPhone to make AI magic happen. $1,000. Camera Intelligence Caira Camera. I bought one. On this day when Om Malik was taken from us, it's worthy of remembering him as a great photographer. He's the kind of guy who would appreciate a great photo more than anybody, and he made many of them. I've been reading X for the last few minutes, and it's just post after post after post about what he meant to various people in the community. What a loss.
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The camera of the future. Vish Kumar 🇬🇧 shows it to me. It has a bigger imaging chip than your iPhone but uses the iPhone to make AI magic happen. $1,000. Camera Intelligence Caira Camera. I bought one. On this day when Om Malik was taken from us, it's worthy of remembering him as a great photographer. He's the kind of guy who would appreciate a great photo more than anybody, and he made many of them. I've been reading X for the last few minutes, and it's just post after post after post about what he meant to various people in the community. What a loss.

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The future of AI video is here, and it is completely mind-blowing. 🤯 OpenArt's new Smart Shot feature takes the "GPT-image 2 + Seedance 2.0" workflow and pushes it to the absolute extreme. The generated storyboard isn't just a simple sketch anymore. It is a highly detailed director's shooting guide, complete with precise camera lenses, framing, and lighting setups. One single prompt. A full multi-cut cinematic sequence. Zero editing required. Let me show you how to use this game-changer in the thread below 👇
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The future of AI video is here, and it is completely mind-blowing. 🤯 OpenArt's new Smart Shot feature takes the "GPT-image 2 + Seedance 2.0" workflow and pushes it to the absolute extreme. The generated storyboard isn't just a simple sketch anymore. It is a highly detailed director's shooting guide, complete with precise camera lenses, framing, and lighting setups. One single prompt. A full multi-cut cinematic sequence. Zero editing required. Let me show you how to use this game-changer in the thread below 👇

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Varinder Singh of Brampton is such a skilled trucker that he's able to film content on his new 360 camera while driving. He gets to both drive a deathtrap on wheels while creating footage for his YouTube channel. I feel so much safer on the roads knowing that Varinder is an astute multi-tasker. I think that Ontario Ministry of Transportation should give him a medal of honour for his ability to concentrate on the road AND on his camera at the same time!
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Varinder Singh of Brampton is such a skilled trucker that he's able to film content on his new 360 camera while driving. He gets to both drive a deathtrap on wheels while creating footage for his YouTube channel. I feel so much safer on the roads knowing that Varinder is an astute multi-tasker. I think that Ontario Ministry of Transportation should give him a medal of honour for his ability to concentrate on the road AND on his camera at the same time!

Curious George

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Sayo is doing really well with her advocacy for sickle cell warriors, but setting up a camera, mounting it, editing the video and then posting it is honestly insane to me. I keep wondering why there had to be a camera capturing such a deeply vulnerable moment. There’s something about the psychology of new-age people feeling the need to document and perform their pain for an audience. Because at some point, it stops feeling like a private moment and starts feeling like a performance of pain.
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Sayo is doing really well with her advocacy for sickle cell warriors, but setting up a camera, mounting it, editing the video and then posting it is honestly insane to me. I keep wondering why there had to be a camera capturing such a deeply vulnerable moment. There’s something about the psychology of new-age people feeling the need to document and perform their pain for an audience. Because at some point, it stops feeling like a private moment and starts feeling like a performance of pain.

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The largest pack in the Greater Voyageurs Ecosystem this past winter: the Blackstone Pack. Nice of them to give the camera a few nibbles on their way by! If you enjoy videos like this, we need your help because almost all of our trail camera work is supported by donors. This footage was literally captured because of donors. We simply need folks who enjoy such content to make a small donation ($10, $25, $50) to our project at the link below to help us cover the costs associated with keeping 350-400 trail cameras going year round. $30 purchases batteries for a camera, $200 purchases a new camera set-up. Think about it: most people regularly pay $10-20 per month for Netflix, Hulu, etc. so those companies can create endless content and make money. All we are asking for is $10-20 a year to help us cover our costs, and keep this work going so we can share it with everyone. Of course, the main point of the cameras is wolf research (and now, a little cougar research on the side) but cool footage of wildlife is a byproduct of having so many cameras out. So help us out and donate here:
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The largest pack in the Greater Voyageurs Ecosystem this past winter: the Blackstone Pack. Nice of them to give the camera a few nibbles on their way by! If you enjoy videos like this, we need your help because almost all of our trail camera work is supported by donors. This footage was literally captured because of donors. We simply need folks who enjoy such content to make a small donation ($10, $25, $50) to our project at the link below to help us cover the costs associated with keeping 350-400 trail cameras going year round. $30 purchases batteries for a camera, $200 purchases a new camera set-up. Think about it: most people regularly pay $10-20 per month for Netflix, Hulu, etc. so those companies can create endless content and make money. All we are asking for is $10-20 a year to help us cover our costs, and keep this work going so we can share it with everyone. Of course, the main point of the cameras is wolf research (and now, a little cougar research on the side) but cool footage of wildlife is a byproduct of having so many cameras out. So help us out and donate here:

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Calls are intensifying for authorities to arrest a 40 year-old married pastor who is ALLEGEDLY dating a high school learner after videos of her circulated on X formerly known as Twitter, where she is showing off her 4th year anniversary gift(IPHONE 15) on camera whilst seated in luxurious SUV. Allegedly she started dating the man when she was only 14 years old. Important figures such as BOSA leader Mmusi Maimane has called for the pastor to be arrested.
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Calls are intensifying for authorities to arrest a 40 year-old married pastor who is ALLEGEDLY dating a high school learner after videos of her circulated on X formerly known as Twitter, where she is showing off her 4th year anniversary gift(IPHONE 15) on camera whilst seated in luxurious SUV. Allegedly she started dating the man when she was only 14 years old. Important figures such as BOSA leader Mmusi Maimane has called for the pastor to be arrested.

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How to prompt hyper-realistic UGC avatars for your ads I've spent 3 weeks fine-tuning the prompts that power ads like these. Here is the 80/20: 1. Be specific about imperfections "His hair is thinning slightly on top with some gray at the sides, and his face shows a few natural wrinkles from years of sun exposure." 2. Specify the camera shot "A low-resolution, authentic selfie-style video recorded with an iPhone front camera." 3. Define imperfect lighting "The lighting is natural and slightly uneven, with a bit of grain to preserve an unpolished, realistic, everyday feel" For eComm operators who want to scale ad creative fast, this is a huge unlock. No more spending hundreds on UGC creators. No more shipping out endless product samples. But you have to understand the prompting. If it looks fake, it simply won't perform. If you want me to send you the full detailed prompts that generated these characters: Like & RT this post Comment "Prompts" Follow me (so the auto-dm can send) i'll dm you
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How to prompt hyper-realistic UGC avatars for your ads I've spent 3 weeks fine-tuning the prompts that power ads like these. Here is the 80/20: 1. Be specific about imperfections "His hair is thinning slightly on top with some gray at the sides, and his face shows a few natural wrinkles from years of sun exposure." 2. Specify the camera shot "A low-resolution, authentic selfie-style video recorded with an iPhone front camera." 3. Define imperfect lighting "The lighting is natural and slightly uneven, with a bit of grain to preserve an unpolished, realistic, everyday feel" For eComm operators who want to scale ad creative fast, this is a huge unlock. No more spending hundreds on UGC creators. No more shipping out endless product samples. But you have to understand the prompting. If it looks fake, it simply won't perform. If you want me to send you the full detailed prompts that generated these characters: Like & RT this post Comment "Prompts" Follow me (so the auto-dm can send) i'll dm you

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Midjourney v7 plus Luma new Camera Motion Concepts is incredible. This is Mercs. I created this short last night, using my personalization settings in the new MJ v7 along with the new dynamic camera options in #Ray2 The camera moves you can get are next level. I used the new Actor Mode for voice and Dreamina AI for impressive lip sync. It's been incredible building a film studio with Promise. It forces me to stay on my AI filmmaker grind and try out the latest and greatest toolstack. Images upscaled in Magnific.ai and videos in Topaz Labs Edited in Adobe Premiere.

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I give a lot of love to Spielberg for his blocking, but here's some really nice evolving blocking and staging from Robert Eggers and Jarin Blaschke, who, from my understanding, work closely together to conceive of these shots in prep. I love the Spielbergian use of depth and foreground-versus-background groupings relative to the camera. The simplicity of the camera staging also reminds me a bit of some of the staging in Gone with the Wind. Lots of really nice shots like this in this film, but this one really stood out for me in the theater. Nosferatu - 2024 Kudos to-- Director: Robert Eggers Director of Photography: Jarin Blaschke "A" Camera Operator: Jan Cabalka First Assistant "A" Camera: Ashley Bond Second Assistant "A" Camera: Tomáš Kutlák Dolly & Grip Department Dolly Grip: Dan Chladek Key Grip: Robert Kodera Actors: Willem Dafoe Ralph Ineson Aaron Taylor Johnson Anna Harding GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MFS - Medium Full Shot FS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats STAGING: Arrangement and composition of visual elements within a frame, including actors, set design, props, lighting, and camera positioning If you liked this, check out my Spielberg ones! #filmmaking #cinematography #roberteggers
1:02

I give a lot of love to Spielberg for his blocking, but here's some really nice evolving blocking and staging from Robert Eggers and Jarin Blaschke, who, from my understanding, work closely together to conceive of these shots in prep. I love the Spielbergian use of depth and foreground-versus-background groupings relative to the camera. The simplicity of the camera staging also reminds me a bit of some of the staging in Gone with the Wind. Lots of really nice shots like this in this film, but this one really stood out for me in the theater. Nosferatu - 2024 Kudos to-- Director: Robert Eggers Director of Photography: Jarin Blaschke "A" Camera Operator: Jan Cabalka First Assistant "A" Camera: Ashley Bond Second Assistant "A" Camera: Tomáš Kutlák Dolly & Grip Department Dolly Grip: Dan Chladek Key Grip: Robert Kodera Actors: Willem Dafoe Ralph Ineson Aaron Taylor Johnson Anna Harding GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MFS - Medium Full Shot FS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats STAGING: Arrangement and composition of visual elements within a frame, including actors, set design, props, lighting, and camera positioning If you liked this, check out my Spielberg ones! #filmmaking #cinematography #roberteggers

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2:10

Cool footage of 2 bull moose sparring from just 2 weeks ago! And then toward the end of the sequence another small bull decides to join in the fun. All-in-all, some trail camera gold! We’ve only captured this on camera one other time so far. But this footage is much better than our other observation, in part, because the lighting was almost perfect in this video. Suffice it to say, we were pretty excited to capture this footage. In total, the moose were in front of the camera for 14 minutes but we condensed it down to the highlights here. A fair portion of the videos were the bulls just standing there staring at each other.

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WILL YOU JOIN ME AND PRAY FOR SOPHIE?🙏 On Apr 14, 2026, Sophie Cunningham was baptized at Christ's Church of the Valley, Peoria, AZ “I got baptized when I was little but I was feeling a tug on my heart to do it on my terms as an adult! Such a fun, amazing day. Thank you Jesus”
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WILL YOU JOIN ME AND PRAY FOR SOPHIE?🙏 On Apr 14, 2026, Sophie Cunningham was baptized at Christ's Church of the Valley, Peoria, AZ “I got baptized when I was little but I was feeling a tug on my heart to do it on my terms as an adult! Such a fun, amazing day. Thank you Jesus”

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Michelangelo Antonioni on the Final sequence of 'The Passenger' (1975): "Interviewer: How long did it take to do the final scene of The Passenger? Antonioni: 11 days. But that was not because of me but because of the wind. It was very windy weather and so difficult to keep the camera steady. Interviewer: One critic has said that the final seven-minute sequence is destined to become a classic of film history. Can you explain how you conceived it? Antonioni: I had the idea for the final sequence as soon as I started shooting. I knew, naturally, that my protagonist must die, but the idea of seeing him die bored me. So I thought of a window and what was outside, the afternoon sun. For a second, just for a fraction-Hemingway crossed my mind: "De@th in the Afternoon." And the arena. We found the arena and immediately realized this was the place. But I didn't yet know how to realize such a long shot. I had heard about the Canadian camera, but I had no first-hand knowledge of its possibilities. In London, I saw some film tests. I met with the English technicians responsible for the camera and we decided to try. There were many problems to solve. The biggest was that the camera was 16mm and I needed 35mm. To modify it would have involved modifying its whole equilibrium since the camera IS mounted on a series of gyroscopes. However. I succeeded in doing it. Interviewer: Did you use a zoom lens or a very slow dolly? Antonioni: A zoom was mounted on the camera. But it was only used when the camera was about to pass through the gate. Interviewer: It's interesting how the camera moves toward the man in the center against the wall but we never get to see him, the camera never focuses on him. Antonioni: Well, he is part of the landscape, that's all. And everything is in focus-everything. But not specifically on him. I didn't want to go closer to anybody. The surprise is the use of this long shot. You see the girl out side and you see her movements and you understand very well without going closer to her what she's doing, maybe what her thoughts are. You see, I am using this very long shot like closeups, the shot actually takes the place of closeups. Interviewer: Did you cover that shot in any other way or was this your sole commitment? Antonioni: I had this idea of doing it in one take at the beginning of the shooting and I kept working on it all during the shooting." [Filmmakers Newsletter, I975]
7:50

Michelangelo Antonioni on the Final sequence of 'The Passenger' (1975): "Interviewer: How long did it take to do the final scene of The Passenger? Antonioni: 11 days. But that was not because of me but because of the wind. It was very windy weather and so difficult to keep the camera steady. Interviewer: One critic has said that the final seven-minute sequence is destined to become a classic of film history. Can you explain how you conceived it? Antonioni: I had the idea for the final sequence as soon as I started shooting. I knew, naturally, that my protagonist must die, but the idea of seeing him die bored me. So I thought of a window and what was outside, the afternoon sun. For a second, just for a fraction-Hemingway crossed my mind: "De@th in the Afternoon." And the arena. We found the arena and immediately realized this was the place. But I didn't yet know how to realize such a long shot. I had heard about the Canadian camera, but I had no first-hand knowledge of its possibilities. In London, I saw some film tests. I met with the English technicians responsible for the camera and we decided to try. There were many problems to solve. The biggest was that the camera was 16mm and I needed 35mm. To modify it would have involved modifying its whole equilibrium since the camera IS mounted on a series of gyroscopes. However. I succeeded in doing it. Interviewer: Did you use a zoom lens or a very slow dolly? Antonioni: A zoom was mounted on the camera. But it was only used when the camera was about to pass through the gate. Interviewer: It's interesting how the camera moves toward the man in the center against the wall but we never get to see him, the camera never focuses on him. Antonioni: Well, he is part of the landscape, that's all. And everything is in focus-everything. But not specifically on him. I didn't want to go closer to anybody. The surprise is the use of this long shot. You see the girl out side and you see her movements and you understand very well without going closer to her what she's doing, maybe what her thoughts are. You see, I am using this very long shot like closeups, the shot actually takes the place of closeups. Interviewer: Did you cover that shot in any other way or was this your sole commitment? Antonioni: I had this idea of doing it in one take at the beginning of the shooting and I kept working on it all during the shooting." [Filmmakers Newsletter, I975]

DepressedBergman

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Today I vibe-coded a small but incredibly useful macOS Electron app using Cursor + GPT-5.5. I use my Mac with a Samsung monitor that has a built-in webcam. Every time I used the camera, I noticed annoying light flickering. I always assumed it was my lighting. It turns out the culprit was the anti-flicker setting. The webcam was set to 60 Hz by default, while India's power frequency is 50 Hz. That mismatch causes visible flickering under indoor lighting. Samsung doesn't provide any way to change this on the monitor, and macOS doesn't have a built-in control for it either. So I asked Cursor to build a simple camera control app that lets me change the webcam's hardware settings, including the anti-flicker mode, along with zoom, brightness, contrast, and more. About 30 minutes and a few rounds of refinement later, I had a fully working Electron app. A tiny app, but it solved something that had been annoying me for months.
0:40

Today I vibe-coded a small but incredibly useful macOS Electron app using Cursor + GPT-5.5. I use my Mac with a Samsung monitor that has a built-in webcam. Every time I used the camera, I noticed annoying light flickering. I always assumed it was my lighting. It turns out the culprit was the anti-flicker setting. The webcam was set to 60 Hz by default, while India's power frequency is 50 Hz. That mismatch causes visible flickering under indoor lighting. Samsung doesn't provide any way to change this on the monitor, and macOS doesn't have a built-in control for it either. So I asked Cursor to build a simple camera control app that lets me change the webcam's hardware settings, including the anti-flicker mode, along with zoom, brightness, contrast, and more. About 30 minutes and a few rounds of refinement later, I had a fully working Electron app. A tiny app, but it solved something that had been annoying me for months.

AshutoshShrivastava

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Today’s #HudsonWilliamsFF short film is “Peaceful Protest Turned Heated Rivalry”! 🎥 Link to watch: IMO: This gave me a lot of nostalgia for the early YouTube days. I love the way the fight is filmed. The blocking and choreography are great and you can tell they put a lot of thought into how each hit would look on camera. I also love Hudson in the last scene. Share your favourite scene and your insights about it in the replies!
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Today’s #HudsonWilliamsFF short film is “Peaceful Protest Turned Heated Rivalry”! 🎥 Link to watch: IMO: This gave me a lot of nostalgia for the early YouTube days. I love the way the fight is filmed. The blocking and choreography are great and you can tell they put a lot of thought into how each hit would look on camera. I also love Hudson in the last scene. Share your favourite scene and your insights about it in the replies!

Hudson Williams Updates

120,972 просмотров • 6 месяцев назад

This is BLITZ 🏍️ starring myself. I've tested a workflow that combines two of the best AI image editing models right now, Nano Banana and Seedream 4. Using these together feels like a superpower. Seedream 4 for instance generates much more dynamic camera angles BUT Nano Banana does a better job with overall consistency, so utilizing both is super beneficial. I wanted to create a sequence where I'm riding a Cyberbike with an electric booster that overclocks the motor to deliver short, high-risk bursts of extreme speed. The location is a white sand desert. I decided to also test MiniMax Design (H3) start and end frame feature which in my opinion is one of the best since it understands so much about context and camera movement. Start and ends frames let you have much better control over camera movement but where Hailuo truly excels is that it understands speed and camera shake which are essential for any fast paced action sequences. The music was generated with Suno 4.5+ and some additional sound effects like the bike and wind in the desert were sourced from Artlist. Edited with Capcut. There's some more tips and tricks in the thread 👍👍
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This is BLITZ 🏍️ starring myself. I've tested a workflow that combines two of the best AI image editing models right now, Nano Banana and Seedream 4. Using these together feels like a superpower. Seedream 4 for instance generates much more dynamic camera angles BUT Nano Banana does a better job with overall consistency, so utilizing both is super beneficial. I wanted to create a sequence where I'm riding a Cyberbike with an electric booster that overclocks the motor to deliver short, high-risk bursts of extreme speed. The location is a white sand desert. I decided to also test MiniMax Design (H3) start and end frame feature which in my opinion is one of the best since it understands so much about context and camera movement. Start and ends frames let you have much better control over camera movement but where Hailuo truly excels is that it understands speed and camera shake which are essential for any fast paced action sequences. The music was generated with Suno 4.5+ and some additional sound effects like the bike and wind in the desert were sourced from Artlist. Edited with Capcut. There's some more tips and tricks in the thread 👍👍

Travis Davids

60,830 просмотров • 11 месяцев назад

On one side we have camera hungry content creators like Abhishek Malhan who pretends to be a ideal guy who do social work/care about a society and work for social cause just in order to gather views on his channel. Who always try to act good on camera but carry different personality off camera. On the other side we have an influencer like Elvish Yadav who selflessly serves the needy and underprivileged ones! He has associated himself with many NGOs apart from his own foundation and he contributed his share for these organizations, many of which has never been caught on camera because not everything is meant to be filmed. That's why he is always regarded as an influencer and not a content creator. Along with this he inspires many to do something for the society! It is upto you to decide who positively influences you between these two. 🙏 For me it was, is and always will be Elvish!! #ElvishArmy #ElvishYadav
2:10

On one side we have camera hungry content creators like Abhishek Malhan who pretends to be a ideal guy who do social work/care about a society and work for social cause just in order to gather views on his channel. Who always try to act good on camera but carry different personality off camera. On the other side we have an influencer like Elvish Yadav who selflessly serves the needy and underprivileged ones! He has associated himself with many NGOs apart from his own foundation and he contributed his share for these organizations, many of which has never been caught on camera because not everything is meant to be filmed. That's why he is always regarded as an influencer and not a content creator. Along with this he inspires many to do something for the society! It is upto you to decide who positively influences you between these two. 🙏 For me it was, is and always will be Elvish!! #ElvishArmy #ElvishYadav

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87,900 просмотров • 2 лет назад

SOMEONE VIBE CODED AN APP THAT TURNS YOUR IPHONE INTO A FULL DUMBPHONE, THEN BUILT A 3D PRINTED CASE THAT MAKES IT AN ACTUAL CLICK WHEEL IPOD your iphone slides into a 3d printed shell that covers most of the screen and adds a real click wheel, so you scroll and press menu like an old ipod instead of touching the screen at all inside is a whole simplified phone system he built from scratch > 15 mini apps, music, books, camera, notes, voice memos, fitness, all of it > classic cover flow for apple music plus your own local files > a retro camera with film style luts, so you snap a photo without instantly editing and posting it > swappable themes, basic, y2k, toy, skeuo, flat, so it matches your style > the case physically blocks the rest of your screen, sealing off social apps and notifications he thinks focus is the most valuable thing we have left, so he built a way to make the most distracting device you own impossible to doom-scroll on
4:36

SOMEONE VIBE CODED AN APP THAT TURNS YOUR IPHONE INTO A FULL DUMBPHONE, THEN BUILT A 3D PRINTED CASE THAT MAKES IT AN ACTUAL CLICK WHEEL IPOD your iphone slides into a 3d printed shell that covers most of the screen and adds a real click wheel, so you scroll and press menu like an old ipod instead of touching the screen at all inside is a whole simplified phone system he built from scratch > 15 mini apps, music, books, camera, notes, voice memos, fitness, all of it > classic cover flow for apple music plus your own local files > a retro camera with film style luts, so you snap a photo without instantly editing and posting it > swappable themes, basic, y2k, toy, skeuo, flat, so it matches your style > the case physically blocks the rest of your screen, sealing off social apps and notifications he thinks focus is the most valuable thing we have left, so he built a way to make the most distracting device you own impossible to doom-scroll on

Om Patel

1,578,369 просмотров • 2 месяцев назад