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Red & White (Final version) ‼️🔊‼️ Models: Countess:Mavixtious Male:dev 1ce Sfx: OpenNSFW Download (3:55) (720p): (1080p, no watermark version on🅿️atreon.)

Baron Von Meowsberg

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205,020 views • 2 years ago •via X (Twitter)

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Did You Know⁉️ One of hip-hop’s most infamous late-’90s beefs—between LL Cool J and Canibus‼️started over a single line on the 1997 posse cut “4, 3, 2, 1” (featuring Method Man, Redman, DMX, and later Master P on the extended version)⁉️. If you dont, I gat you‼️ LL Cool J’s account‼️ LL has said (in interviews including the Joe Budden Podcast, Drink Champs, and others) that Canibus approached him outside the studio and mentioned wanting a tattoo just like the microphone on LL’s arm‼️. At the time, LL was “leading with my ego” and feeling territorial/immature, so he told Canibus to “get your own.”‼️ Then, when LL heard Canibus’s original verse—“Yo L, is that a mic on your arm? Let me borrow that”‼️he took it as a challenge or disrespect tied to that conversation, not a compliment‼️. He told Canibus the line had to go (or he’d be left off the record). Canibus changed it‼️. LL has later reflected that Canibus “really didn’t do nothing wrong,” that it was a compliment/admiration he misread due to his own mindset, and that the beef was more his fault‼️. He kept (or added) responsive lines on the final track that targeted the mic/tattoo reference‼️. Canibus’s account⁉️ Canibus has consistently said the line was pure respect and a term of endearment‼️not a diss‼️. In a recorded conversation with Mos Def, Big Pun, and DMX, he explained that the full original opening (“Yo Method Man, where the gods at? / Yo Redman, where the Squad at? / Yo L, is that a mic on your arm? Let me borrow that”) was him showing love and excitement at being included with veterans‼️. He has described asking about the tattoo idea as a salute (not biting), and stressed he wasn’t stupid enough to diss the host on his own record‼️. When LL called about 48 hours later accusing him of “playing” him, Canibus reportedly replied that he was arrogant and got busy when needed, “but I’m not stupid! I’m not gonna get on another ni**a’s record and [diss him].”‼️ He offered to re-record; LL indicated he’d adjust his own side too‼️. Canibus changed his verse (the released version starts more generally with lines about fighting for mics). He later felt betrayed when the final track dropped with LL’s responsive bars still in place (and Canibus was left out of the main video)‼️. That led him to drop “Second Round K.O.” (with Mike Tyson) in 1998‼️. Both sides agree on the core facts‼️: the original “mic on your arm / let me borrow that” line existed, LL objected and required a rewrite, Canibus complied, and LL’s final verse addressed the reference while Canibus’s did not‼️. The disagreement is intent and follow-through—LL initially heard a challenge (and has since owned his ego/immaturity); Canibus insists it was admiration and felt played when the response stayed in‼️. Redman (who was on the track and mentoring Canibus at the time) has backed Canibus’s view that it wasn’t aimed as disrespect‼️. The leaked original verse, phone call between the two, and later reflections from both have kept the story alive for decades‼️. They eventually appeared to squash it publicly years later, but the “4, 3, 2, 1” incident remains a classic example of how one ambiguous bar + egos + competitive culture can spark a full-blown rap war‼️💯. You're welcome‼️

Did You Know⁉️ One of hip-hop’s most infamous late-’90s beefs—between LL Cool J and Canibus‼️started over a single line on the 1997 posse cut “4, 3, 2, 1” (featuring Method Man, Redman, DMX, and later Master P on the extended version)⁉️. If you dont, I gat you‼️ LL Cool J’s account‼️ LL has said (in interviews including the Joe Budden Podcast, Drink Champs, and others) that Canibus approached him outside the studio and mentioned wanting a tattoo just like the microphone on LL’s arm‼️. At the time, LL was “leading with my ego” and feeling territorial/immature, so he told Canibus to “get your own.”‼️ Then, when LL heard Canibus’s original verse—“Yo L, is that a mic on your arm? Let me borrow that”‼️he took it as a challenge or disrespect tied to that conversation, not a compliment‼️. He told Canibus the line had to go (or he’d be left off the record). Canibus changed it‼️. LL has later reflected that Canibus “really didn’t do nothing wrong,” that it was a compliment/admiration he misread due to his own mindset, and that the beef was more his fault‼️. He kept (or added) responsive lines on the final track that targeted the mic/tattoo reference‼️. Canibus’s account⁉️ Canibus has consistently said the line was pure respect and a term of endearment‼️not a diss‼️. In a recorded conversation with Mos Def, Big Pun, and DMX, he explained that the full original opening (“Yo Method Man, where the gods at? / Yo Redman, where the Squad at? / Yo L, is that a mic on your arm? Let me borrow that”) was him showing love and excitement at being included with veterans‼️. He has described asking about the tattoo idea as a salute (not biting), and stressed he wasn’t stupid enough to diss the host on his own record‼️. When LL called about 48 hours later accusing him of “playing” him, Canibus reportedly replied that he was arrogant and got busy when needed, “but I’m not stupid! I’m not gonna get on another ni**a’s record and [diss him].”‼️ He offered to re-record; LL indicated he’d adjust his own side too‼️. Canibus changed his verse (the released version starts more generally with lines about fighting for mics). He later felt betrayed when the final track dropped with LL’s responsive bars still in place (and Canibus was left out of the main video)‼️. That led him to drop “Second Round K.O.” (with Mike Tyson) in 1998‼️. Both sides agree on the core facts‼️: the original “mic on your arm / let me borrow that” line existed, LL objected and required a rewrite, Canibus complied, and LL’s final verse addressed the reference while Canibus’s did not‼️. The disagreement is intent and follow-through—LL initially heard a challenge (and has since owned his ego/immaturity); Canibus insists it was admiration and felt played when the response stayed in‼️. Redman (who was on the track and mentoring Canibus at the time) has backed Canibus’s view that it wasn’t aimed as disrespect‼️. The leaked original verse, phone call between the two, and later reflections from both have kept the story alive for decades‼️. They eventually appeared to squash it publicly years later, but the “4, 3, 2, 1” incident remains a classic example of how one ambiguous bar + egos + competitive culture can spark a full-blown rap war‼️💯. You're welcome‼️

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Julian Goldie SEO

36,898 views • 5 months ago

The Notorious B.I.G. left two children when he was killed in 1997‼️. Both are now adults building lives that honor the name without trying to be him‼️. T’yanna Dream Wallace (born August 1993) is Biggie’s daughter with high-school sweetheart Jan Jackson‼️. She was three when he died‼️. She does not rap. She builds businesses around the legacy instead‼️. She launched Notoriouss Clothing in Brooklyn years ago and still runs it‼️. In 2021 she co-founded Juicy Pizza in Los Angeles with Jam Master Jay’s daughter‼️. In 2024 she opened The Biggie Experience, a permanent immersive exhibit on Atlantic Avenue in Brooklyn with memorabilia, awards, clothing, and recreations of the world that shaped her father‼️. She has talked about using the space for community programs as well‼️. Her newest project is Big Poppa’s, a Caribbean-infused steakhouse in Midtown Manhattan named after one of his most famous tracks and after a restaurant idea he talked about before he died‼️. She held a private tasting on March 9, 2026 — the anniversary of his death with family, Lil’ Kim, Lil’ Cease, and Junior M.A.F.I.A. members in the room‼️. Grand opening is slated for later in 2026‼️. She is a mother‼️. Her daughter Thailah was born around 2021‼️. She has spoken about wanting the child to know who her grandfather was‼️. Reports have linked her to Tyshawn Baldwin‼️. She lives in the New York area and holds a contractual 25 percent share of distributions from Notorious B.I.G., LLC after the catalog deal with Primary Wave‼️. Christopher Jordan “CJ” Wallace Jr. (born October 29, 1996) is Biggie’s son with Faith Evans‼️. He was five months old when his father was murdered‼️. He played a young version of Biggie in the 2009 biopic Notorious, then took roles in films such as Kicks and the third season of Scream‼️. In 2023 he appeared on MTV’s Family Legacy with the Combs brothers‼️. His main lane now is entrepreneurship and advocacy‼️. With his stepfather Todd Russaw he co-founded Think BIG, a cannabis and hemp company that also pushes criminal-justice and cannabis-reform work‼️. The brand includes Frank White products, named after Biggie’s alter ego‼️. He has described the work as part of trying to understand his father as a man, not just a legend‼️. He also has a 25 percent distribution interest in the same LLC‼️. As of late August 2026 he is in court over his grandmother Voletta Wallace’s estate‼️. Voletta died February 21, 2025. CJ filed in Pennsylvania arguing that a codicil signed February 6, 2025 — 15 days before her death removed him and T’yanna from key inheritance and trustee roles and installed Wayne Barrow, Biggie’s former manager, as executor‼️. He says his grandmother was in declining health and on medication, and that the signatures look inconsistent‼️. Separate Delaware proceedings involve control of her trust and the company that holds the catalog‼️. The fight is active and unresolved‼️. He has also been pulled into other litigation: a 2025 lawsuit by producer Jonathan Hay alleging involvement with Sean Combs in an assault (both men deny it), followed by CJ’s own defamation countersuit‼️. Those cases are ongoing‼️. He has no publicly known children‼️. The two siblings have appeared together at openings and estate events and have described themselves as each other’s biggest supporters‼️. Neither chased a music career‼️. Both have stakes in the catalog business that now includes a major Primary Wave partnership‼️. The current chapter is part building (clothing, pizza, museum, restaurant, cannabis brand) and part fighting over how their grandmother’s final wishes and their father’s intellectual property are controlled‼️. That fight is the most public thing either of them is doing right now‼️.

(st_ides)

103,877 views • 11 days ago

Charlamagne tha God built his name on The Breakfast Club by being the guy who says the quiet part out loud‼️. He trolls interviews, hands out “Donkey of the Day,” and regularly goes at rappers whose music, attitude, or relationship to the culture he doesn’t respect‼️. It’s not random shade—it’s a consistent pattern‼️. When he doesn’t like someone, he doesn’t just critique the music. He questions their authenticity, their respect for hip-hop, and sometimes their place in it‼️. Post Malone became one of the clearest, longest-running examples of that style‼️. The first major clash happened in 2015 during Post’s early Breakfast Club appearance‼️. Charlamagne came in aggressive‼️. He mocked Post’s look (commenting that white people with cornrows look stupid), asked if he was a culture vulture, tried to bait him into saying the N-word, and hit him with “What are you doing for the Black Lives Matter movement⁉️” Post stayed calm and later called Charlamagne a troll whose job is to get a reaction‼️. The interview became infamous because Post didn’t fold, which only seemed to fuel Charlamagne more‼️. Things escalated in 2017 when Post told Rolling Stone that if people want lyrics, emotion, or something to think about, they shouldn’t listen to hip-hop—they should put on Bob Dylan‼️. Charlamagne immediately gave him Donkey of the Day, arguing that Post came up off hip-hop (“White Iverson”) and then dismissed the genre that launched him‼️. In the same Rolling Stone profile, Post went further: “He’s not a good person‼️. He hates me because I’m white and I’m different.”‼️ Charlamagne’s response was direct‼️. He said he doesn’t dislike people because they’re white—he disliked Post at the time because he thought he was “wack.”‼️ He added that he actually likes “Rockstar” and told Post to keep winning and give back to the Black community in some form‼️. That was his public defense: it wasn’t race, it was taste and perceived disrespect for the culture‼️. He kept it going‼️. In 2020 he told Wallo that if he could kick one person out of rap, it would be Post Malone, calling him a “fake Future.”‼️ He admitted he might just be hating and later walked it back a bit, saying he didn’t even despise him that much‼️. Then in 2022 on Impaulsive with Logan Paul, Charlamagne laid out the fuller version of his issue‼️. Post came from hip-hop, got on Breakfast Club, then made comments that treated rap like it had no depth or meaning‼️. Charlamagne saw that as hypocritical‼️. He argued hip-hop is nuanced—you can go from Future to Kendrick—and Post’s take felt like someone who only heard the party/lean side of the genre‼️. He even joked about “mayonnaise records.” That interview was him explaining the dislike without fully walking it back‼️. This is the pattern‼️. Charlamagne has checked plenty of rappers on air (Birdman walked out, Master P shut him down, etc.)‼️. With Post it became personal and prolonged because Post represented something Charlamagne has always been vocal about: artists who profit from the culture then talk about it like it’s lesser or disposable‼️. Whether you see it as gatekeeping, hating, or just him being himself, he rarely hides it‼️. He frames it as honesty and cultural protection‼️. Post framed it as a hater who couldn’t stop his success‼️. Both versions have lived in public for years, and Charlamagne has never really pretended he was just being nice‼️.

(st_ides)

25,143 views • 18 days ago

‼️PURE EVIL: A White teacher thought it was “funny” to sing a RACIST version of the birthday song to a Black 6-year-old student on his special day. 😱 In front of the class, she mocked him with: 🎶 “Happy Birthday to you… You look like a monkey, you live in a zoo.” This wasn’t a “joke.” It was targeted humiliation of a Black child on his birthday—teaching cruelty, not care. No Black child should EVER have to endure this.

‼️PURE EVIL: A White teacher thought it was “funny” to sing a RACIST version of the birthday song to a Black 6-year-old student on his special day. 😱 In front of the class, she mocked him with: 🎶 “Happy Birthday to you… You look like a monkey, you live in a zoo.” This wasn’t a “joke.” It was targeted humiliation of a Black child on his birthday—teaching cruelty, not care. No Black child should EVER have to endure this.

i Expose Violent Criminals

2,816,012 views • 11 months ago

The Ice Cube–Mack 10 fallout is a personal/family issue from around 2005 that ended Westside Connection‼️ Westside Connection (Ice Cube, Mack 10, and WC) was formed in the mid-1990s‼️. They first appeared together on tracks like “Westside Slaughterhouse” (Mack 10’s 1995 album) and “West Up!” before dropping the platinum *Bow Down* in 1996 and *Terrorist Threats* in 2003‼️. The group ended shortly after the second album‼️. What started it⁉️ Mack 10 has given the most detail (2010 AllHipHop interview that was later deleted, plus a 2020 VladTV sit-down)‼️. The conflict centered on Ice Cube’s brother-in-law (his wife Kim’s brother)‼️. Mack said the man was disrespectful and “fucked my money up.”‼️ He went to Cube four or five times asking him to handle it internally before it escalated‼️. It eventually did: reports say Mack’s people beat the brother-in-law‼️. There was also an argument that happened in front of Cube’s wife, which Mack believes made the situation worse‼️. Mack’s consistent line: “Basically, I didn’t do anything to him and he didn’t do anything to me.”‼️ He has said if Cube’s wife hadn’t been present during the argument, they might still be making records‼️. Cube has never given a detailed public version‼️. He has only called it “a violation that can’t be overlooked.”‼️ A secondary rumor (never confirmed by either) is that Mack was also upset Cube didn’t want a second tour behind *Terrorist Threats*‼️. Mack owns the Westside Connection trademark because the second album came out on his Hoo-Bangin’ label‼️. Why it has lasted this long⁉️ This is family business, not just two rappers falling out‼️. Cube treats it as something that crossed a line he won’t ignore‼️. Mack has said he tried to resolve it diplomatically multiple times before it blew up‼️. Neither side has made a public move that the other accepted‼️. Cube still works and performs with WC (they grew up around the corner from each other), but not with Mack‼️. Mack has said for years that he “fucks with who fucks with me” and hadn’t spoken to Cube in nearly 20 years as of 2023‼️. That’s now over two decades‼️. In a July 2023 Breakfast Club interview, Charlamagne asked Ice Cube about a Westside Connection reunion after seeing photos of him with WC‼️. Cube’s answer was direct: “Probably not.” “I don’t wanna do another Westside Connection.”‼️ When Charlamagne brought up Mack 10 having told his side of the story, Cube replied, “Of course he do… I don’t wanna talk about it to be honest, because he know what it is.”‼️ Reactions from both sides⁉️ **Mack 10** has talked about it more‼️. In 2023 he told Bootleg Kev he hadn’t seen or spoken to Cube in almost 20 years and wasn’t chasing a reunion‼️. In August 2026 at the Cali Love 3 festival he went further and more positive: he stopped his set to say he still has love for both Ice Cube and WC, calling himself “too blessed to be mad at anybody” and adding “fuck being mad about some 25-year-old shit.”‼️ He was responding to WC having addressed the situation at an earlier Cali Love show‼️. He even played Westside Connection material and invited the crowd to treat it like the group was there‼️. Ice Cube stays reserved‼️. He confirmed in 2023 (Breakfast Club and Cam’ron’s *It Is What It Is*) that there is a real problem with Mack that he considers a violation he cannot overlook, while emphasizing he has no issues with WC‼️. He has shown no public interest in a reunion and has moved on to other projects (Mount Westmore with Snoop, E-40, and Too $hort; Big3 basketball; films)‼️. *WC* has stayed with Cube‼️. He has described it as “real life behind the music” being different from the records‼️. Fans still want the group back and often call the situation petty after this many years, but Cube has not budged and Mack’s recent comments, while warmer, have not produced any joint appearance or statement from Cube’s side‼️. As of now there is no reconciliation‼️💯.

The Ice Cube–Mack 10 fallout is a personal/family issue from around 2005 that ended Westside Connection‼️ Westside Connection (Ice Cube, Mack 10, and WC) was formed in the mid-1990s‼️. They first appeared together on tracks like “Westside Slaughterhouse” (Mack 10’s 1995 album) and “West Up!” before dropping the platinum Bow Down in 1996 and Terrorist Threats in 2003‼️. The group ended shortly after the second album‼️. What started it⁉️ Mack 10 has given the most detail (2010 AllHipHop interview that was later deleted, plus a 2020 VladTV sit-down)‼️. The conflict centered on Ice Cube’s brother-in-law (his wife Kim’s brother)‼️. Mack said the man was disrespectful and “fucked my money up.”‼️ He went to Cube four or five times asking him to handle it internally before it escalated‼️. It eventually did: reports say Mack’s people beat the brother-in-law‼️. There was also an argument that happened in front of Cube’s wife, which Mack believes made the situation worse‼️. Mack’s consistent line: “Basically, I didn’t do anything to him and he didn’t do anything to me.”‼️ He has said if Cube’s wife hadn’t been present during the argument, they might still be making records‼️. Cube has never given a detailed public version‼️. He has only called it “a violation that can’t be overlooked.”‼️ A secondary rumor (never confirmed by either) is that Mack was also upset Cube didn’t want a second tour behind Terrorist Threats‼️. Mack owns the Westside Connection trademark because the second album came out on his Hoo-Bangin’ label‼️. Why it has lasted this long⁉️ This is family business, not just two rappers falling out‼️. Cube treats it as something that crossed a line he won’t ignore‼️. Mack has said he tried to resolve it diplomatically multiple times before it blew up‼️. Neither side has made a public move that the other accepted‼️. Cube still works and performs with WC (they grew up around the corner from each other), but not with Mack‼️. Mack has said for years that he “fucks with who fucks with me” and hadn’t spoken to Cube in nearly 20 years as of 2023‼️. That’s now over two decades‼️. In a July 2023 Breakfast Club interview, Charlamagne asked Ice Cube about a Westside Connection reunion after seeing photos of him with WC‼️. Cube’s answer was direct: “Probably not.” “I don’t wanna do another Westside Connection.”‼️ When Charlamagne brought up Mack 10 having told his side of the story, Cube replied, “Of course he do… I don’t wanna talk about it to be honest, because he know what it is.”‼️ Reactions from both sides⁉️ Mack 10 has talked about it more‼️. In 2023 he told Bootleg Kev he hadn’t seen or spoken to Cube in almost 20 years and wasn’t chasing a reunion‼️. In August 2026 at the Cali Love 3 festival he went further and more positive: he stopped his set to say he still has love for both Ice Cube and WC, calling himself “too blessed to be mad at anybody” and adding “fuck being mad about some 25-year-old shit.”‼️ He was responding to WC having addressed the situation at an earlier Cali Love show‼️. He even played Westside Connection material and invited the crowd to treat it like the group was there‼️. Ice Cube stays reserved‼️. He confirmed in 2023 (Breakfast Club and Cam’ron’s It Is What It Is) that there is a real problem with Mack that he considers a violation he cannot overlook, while emphasizing he has no issues with WC‼️. He has shown no public interest in a reunion and has moved on to other projects (Mount Westmore with Snoop, E-40, and Too $hort; Big3 basketball; films)‼️. WC has stayed with Cube‼️. He has described it as “real life behind the music” being different from the records‼️. Fans still want the group back and often call the situation petty after this many years, but Cube has not budged and Mack’s recent comments, while warmer, have not produced any joint appearance or statement from Cube’s side‼️. As of now there is no reconciliation‼️💯.

(st_ides)

89,219 views • 16 days ago

𝗢𝗹𝗹𝗮𝗺𝗮 + 𝗖𝗹𝗮𝘂𝗱𝗲 𝗖𝗼𝗱𝗲 𝗷𝘂𝘀𝘁 𝗺𝗮𝗱𝗲 𝗔𝗜 𝗰𝗼𝗱𝗶𝗻𝗴 𝗳𝗿𝗲𝗲. 𝗔𝗻𝗱 𝗶𝘁 𝗿𝘂𝗻𝘀 𝗰𝗼𝗺𝗽𝗹𝗲𝘁𝗲𝗹𝘆 𝗹𝗼𝗰𝗮𝗹. No subscriptions. No limits. No data leaving your machine. Claude Code used to cost $3-$15 per million tokens. Now you can run it with free open-source models on your computer. January 16th, 2026: Ollama version 0.14.0 became compatible with Anthropic's messages API. That means Claude Code now works with any Ollama model. Zero ongoing costs. Your code never leaves your computer. Here's the setup: Download Ollama. Run `ollama pull qwen3-coder`. Install Claude Code. Set two environment variables to connect them. Then run: `claude --model qwen3-coder` Give it tasks in plain English: "Write a function to process images." "Debug why my API calls are failing." It reads your files. Makes changes. Tests the code. Shows you what it did. Top models: Qwen 3-Coder for everyday tasks. GPT-OSS 20B for complex projects. This is completely legal. Explicitly supported by both tools.

𝗢𝗹𝗹𝗮𝗺𝗮 + 𝗖𝗹𝗮𝘂𝗱𝗲 𝗖𝗼𝗱𝗲 𝗷𝘂𝘀𝘁 𝗺𝗮𝗱𝗲 𝗔𝗜 𝗰𝗼𝗱𝗶𝗻𝗴 𝗳𝗿𝗲𝗲. 𝗔𝗻𝗱 𝗶𝘁 𝗿𝘂𝗻𝘀 𝗰𝗼𝗺𝗽𝗹𝗲𝘁𝗲𝗹𝘆 𝗹𝗼𝗰𝗮𝗹. No subscriptions. No limits. No data leaving your machine. Claude Code used to cost $3-$15 per million tokens. Now you can run it with free open-source models on your computer. January 16th, 2026: Ollama version 0.14.0 became compatible with Anthropic's messages API. That means Claude Code now works with any Ollama model. Zero ongoing costs. Your code never leaves your computer. Here's the setup: Download Ollama. Run `ollama pull qwen3-coder`. Install Claude Code. Set two environment variables to connect them. Then run: `claude --model qwen3-coder` Give it tasks in plain English: "Write a function to process images." "Debug why my API calls are failing." It reads your files. Makes changes. Tests the code. Shows you what it did. Top models: Qwen 3-Coder for everyday tasks. GPT-OSS 20B for complex projects. This is completely legal. Explicitly supported by both tools.

Julian Goldie SEO

168,725 views • 7 months ago

How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯

How they got here⁉️ I gat you‼️ Nore and Vlad go back to the late 2000s. Nore did a pile of VladTV interviews. Even in 2009 he was calling Vlad an instigator; Vlad’s answer then is the same one he uses now — public comments are journalism, private gossip is instigating‼️. The first real public freeze was November 2020‼️. After Vlad’s comments about Louis Farrakhan, Nore asked him to pull every Nore clip off the channel. “He disrespected hip-hop… he didn’t say sorry.”‼️ They thawed it on camera in March 2024. Vlad sat on Drink Champs. Nore introduced him as a media pioneer‼️. Vlad’s version of the deal: I do your show, you do mine‼️. Nore later agreed to a VladTV sit-down, then stalled, then never showed‼️. That is the fuse‼️. What started this round⁉️ Vlad went on Akademiks in August 2026 and said it out loud‼️. He did the three-hour Drink Champs episode, then got the runaround when it was time for Nore to sit on VladTV‼️. “Nore is about Nore. His word don’t mean ish. He’s a snake.”‼️ He also said they argued, Nore told him “call me the n-word, I know you want to,” and Vlad answered that he has more Black kids than Nore does‼️. Nore’s reply⁉️ Nore did not deny the agreement. He claimed the flake‼️. “I don’t front everybody. I fronted on you.” Then the line that traveled: “I did to you what you do to our culture. I bent you over and I fucked you.” Grown man. Right to change his mind. “I don’t like you.”‼️ He stacked three extra charges: Vlad “tried to put Rick Ross in jail” (the 2008 civil suit after the Ozone Awards fight — a jury later awarded Vlad $300k); Vlad lives off “Black drama” and is “Jerry Springer now”; having Black kids does not get you into the cookout‼️. Closer: “I played the game that you been playing for years. Welcome to the party.”‼️ Vlad’s reply⁉️ First the X post after vacation: he’s back, “I’m about to fuck shit up. Starting with Nore’s bitch ass. Get your popcorn ready.”‼️ Then the August 31 response video with Charleston White‼️. His frame is professionalism, not culture war. Nore confirmed the flake on camera — that is the case‼️. A 2008 civil lawsuit is not snitching and does not put anyone in jail‼️. Nore’s 2026 interview is not a prize; Vlad says he wanted the word kept. He claims other guests got the same treatment: do Drink Champs, then get ghosted when they ask Nore to return the favor‼️. He treats the “I bent you over like you bent the culture” line as cover for a broken handshake‼️. In summary⁉️ This is Old tension + 2020 freeze + 2024 makeup episode with a swap that never happened + Vlad calling Nore a snake + Nore turning the no-show into a cultural payback speech + Vlad answering that the speech is cove‼️r. Still live. Vlad promised more‼️. Nore already said he is not doing the interview‼️. One to watch‼️💯

(st_ides)

310,760 views • 7 days ago

Nvidia has just announced Alpamayo 2 Super, an open 34 billion parameter reasoning vision-language-action model designed to accelerate the development of autonomous vehicles. This new model combines the NVIDIA Cosmos 3 Super reasoning model with a 2 billion parameter diffusion-based action expert model, and is post trained with reinforcement learning. The model can return multiple outputs: future trajectory plans, reasoning traces, grounded answers to questions about the scenes, and auto label generation. The model weights are now available for anyone to download on Hugging Face, and the inference code has been posted to GitHub. Distilled models can be deployed commercially without any further permission from Nvidia, and model outputs carry no license conditions. Automakers can distill down a compact version of this model that can run on the Nvidia computer in the car. Major kudos to Nvidia and Jensen Huang for advancing the state of the industry by releasing this as an open model with permissive licensing. Jensen isn't just paying lip service to the idea of open models, Nvidia is actually contributing to the ecosystem — and it's great for their business, because it helps sell more Thor computers that go in the car. Anyone can go download the model and play with it. If you do, let me know what you think. Personally I think it's so cool that we have open weights models that are this advanced, for anyone to download.

Nvidia has just announced Alpamayo 2 Super, an open 34 billion parameter reasoning vision-language-action model designed to accelerate the development of autonomous vehicles. This new model combines the NVIDIA Cosmos 3 Super reasoning model with a 2 billion parameter diffusion-based action expert model, and is post trained with reinforcement learning. The model can return multiple outputs: future trajectory plans, reasoning traces, grounded answers to questions about the scenes, and auto label generation. The model weights are now available for anyone to download on Hugging Face, and the inference code has been posted to GitHub. Distilled models can be deployed commercially without any further permission from Nvidia, and model outputs carry no license conditions. Automakers can distill down a compact version of this model that can run on the Nvidia computer in the car. Major kudos to Nvidia and Jensen Huang for advancing the state of the industry by releasing this as an open model with permissive licensing. Jensen isn't just paying lip service to the idea of open models, Nvidia is actually contributing to the ecosystem — and it's great for their business, because it helps sell more Thor computers that go in the car. Anyone can go download the model and play with it. If you do, let me know what you think. Personally I think it's so cool that we have open weights models that are this advanced, for anyone to download.

Whole Mars Catalog

45,595 views • 1 month ago

🎬Whimsical Reverie | Preview: White Night's Ballet >> Main Attribute: Cool 🩰Outfit Details [White Night's Ballet] can be evolved into the following outfits: [White Night's Ballet: Awakening] (Stage 1), [White Night's Ballet: Undercurrent] (Stage 2), and [White Night's Ballet: Flamewake] (Stage 3). Fully glow it up to obtain the [White Night's Ballet: First Glow] outfit. 🩰Outfit Ability [Spinning Reflections]: After using the ability, Nikki bursts through the shattered mirror and begins an elegant dance amid blooming shards of light, with her movement speed greatly increased. If approaching a wall, Nikki can slide over the wall's surface and continue moving seamlessly. Sliding continuously consumes energy. When energy is depleted, Nikki will exit the sliding state. Wall sliding consumes more energy. While sliding across a wall, Nikki can jump over obstacles. She can also enter the floating state to disengage from the wall. When using the ability during [Companion Journey], Nikki and her companion will have a special movement effect. After equipping the [Spinning Reflections] ability, Nikki can also summon the Lucent Mirror and Mirror Shadow and activate the Brightnight Mirror Realm. The Brightnight Mirror Realm can be placed on water, allowing Nikki to slide within it. Within the Brightnight Mirror Realm, select [Airy Dance] from the sidebar to switch movement posture. Approach and remain near a Mirror Shadow to light it up. Interact with the lit Mirror Shadow to change its outfit, check its styling, try on its outfit, or invite friends to try it on. Note: The ability [Spinning Reflections] cannot be used in uncleared dungeons. The Brightnight Mirror Realm cannot be placed in certain stages or in the Mira Crown Merit Arena. 🩰Resonance Rewards Based on your number of Resonance attempts in [Through Songbound Night], you can earn rewards such as [White Night's Ballet: Makeup], [Momo's Cloak: Night Dance], and [Ocean's Radiance Gift Box], which includes the item [Dance of Golden Days] and the dance move [Flourishing Steps]. The item [Dance of Golden Days] can be used to dance gracefully in the open world. The dance move [Flourishing Steps] can be used in Momo's Camera. 🩰Evolution Rewards Reaching Evolution Stage 1 unlocks the pose [Graceful Leap]. Reaching Evolution Stage 2 unlocks [Eternal Ballet] for Momo's Camera: Framed Moment, the item [Dance of Golden Days: Illusory Dance], and the dance move [Flourishing Steps: Illusory Dance]. The Illusory Dance version features new music, special effects, and spectacular moments. Reaching Evolution Stage 3 unlocks [The Final Dance: Makeup], a new idle animation, the poses [Lightfooted Dance], [Unfolding Elegance], and [Elegant Pirouette], plus enhanced special effects and alternative details for certain pieces. —— ➤ Infinity Nikki Version 2.8 Golden Dust launches globally on July 16 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #GoldenDust #GoldenCity

🎬Whimsical Reverie | Preview: White Night's Ballet >> Main Attribute: Cool 🩰Outfit Details [White Night's Ballet] can be evolved into the following outfits: [White Night's Ballet: Awakening] (Stage 1), [White Night's Ballet: Undercurrent] (Stage 2), and [White Night's Ballet: Flamewake] (Stage 3). Fully glow it up to obtain the [White Night's Ballet: First Glow] outfit. 🩰Outfit Ability [Spinning Reflections]: After using the ability, Nikki bursts through the shattered mirror and begins an elegant dance amid blooming shards of light, with her movement speed greatly increased. If approaching a wall, Nikki can slide over the wall's surface and continue moving seamlessly. Sliding continuously consumes energy. When energy is depleted, Nikki will exit the sliding state. Wall sliding consumes more energy. While sliding across a wall, Nikki can jump over obstacles. She can also enter the floating state to disengage from the wall. When using the ability during [Companion Journey], Nikki and her companion will have a special movement effect. After equipping the [Spinning Reflections] ability, Nikki can also summon the Lucent Mirror and Mirror Shadow and activate the Brightnight Mirror Realm. The Brightnight Mirror Realm can be placed on water, allowing Nikki to slide within it. Within the Brightnight Mirror Realm, select [Airy Dance] from the sidebar to switch movement posture. Approach and remain near a Mirror Shadow to light it up. Interact with the lit Mirror Shadow to change its outfit, check its styling, try on its outfit, or invite friends to try it on. Note: The ability [Spinning Reflections] cannot be used in uncleared dungeons. The Brightnight Mirror Realm cannot be placed in certain stages or in the Mira Crown Merit Arena. 🩰Resonance Rewards Based on your number of Resonance attempts in [Through Songbound Night], you can earn rewards such as [White Night's Ballet: Makeup], [Momo's Cloak: Night Dance], and [Ocean's Radiance Gift Box], which includes the item [Dance of Golden Days] and the dance move [Flourishing Steps]. The item [Dance of Golden Days] can be used to dance gracefully in the open world. The dance move [Flourishing Steps] can be used in Momo's Camera. 🩰Evolution Rewards Reaching Evolution Stage 1 unlocks the pose [Graceful Leap]. Reaching Evolution Stage 2 unlocks [Eternal Ballet] for Momo's Camera: Framed Moment, the item [Dance of Golden Days: Illusory Dance], and the dance move [Flourishing Steps: Illusory Dance]. The Illusory Dance version features new music, special effects, and spectacular moments. Reaching Evolution Stage 3 unlocks [The Final Dance: Makeup], a new idle animation, the poses [Lightfooted Dance], [Unfolding Elegance], and [Elegant Pirouette], plus enhanced special effects and alternative details for certain pieces. —— ➤ Infinity Nikki Version 2.8 Golden Dust launches globally on July 16 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #GoldenDust #GoldenCity

Infinity Nikki

92,653 views • 1 month ago

‼️BOMBSHELL: French Biostatistician & 25-Year Pharma WHISTLEBLOWER Christine Cotton Comes Forward — Claims the Pfizer COVID Vaccine Given to the Public Was NEVER the One Tested in the Clinical Trials🤯 Christine Cotton — a biostatistician with 25 years of experience in clinical data management — posted what appears to be her final message before taking her own life. She worked extensively on Pfizer’s COVID vaccine documents since December 2020. Her conclusion is devastating: The vaccine that was rolled out to the public was not the same product used in the clinical trials that claimed 95% efficacy. According to her, the version people actually received had zero published data on either efficacy or safety. She filed a formal complaint against health authorities. Shortly afterward, she was struck with severe, unexplained pain that ran from her lower back down her legs, along with burning skin sensations. She saw dozens of specialists, tried every treatment imaginable, and found no relief. In her final message, she states she can no longer bear the pain and is ending her life. She asks for forgiveness and prayers for her soul. Whether you agree with her conclusions or not, this is a serious allegation coming from someone with deep professional experience in vaccine data analysis — and she paid the ultimate price for speaking out. Share this. Her final message deserves to be heard. 🔥 ⚠️My channel is under coordinated attack to bankrupt and silence this investigation. If you believe in independent journalism and want the truth to keep coming DonateHere : 👉🔗

‼️BOMBSHELL: French Biostatistician & 25-Year Pharma WHISTLEBLOWER Christine Cotton Comes Forward — Claims the Pfizer COVID Vaccine Given to the Public Was NEVER the One Tested in the Clinical Trials🤯 Christine Cotton — a biostatistician with 25 years of experience in clinical data management — posted what appears to be her final message before taking her own life. She worked extensively on Pfizer’s COVID vaccine documents since December 2020. Her conclusion is devastating: The vaccine that was rolled out to the public was not the same product used in the clinical trials that claimed 95% efficacy. According to her, the version people actually received had zero published data on either efficacy or safety. She filed a formal complaint against health authorities. Shortly afterward, she was struck with severe, unexplained pain that ran from her lower back down her legs, along with burning skin sensations. She saw dozens of specialists, tried every treatment imaginable, and found no relief. In her final message, she states she can no longer bear the pain and is ending her life. She asks for forgiveness and prayers for her soul. Whether you agree with her conclusions or not, this is a serious allegation coming from someone with deep professional experience in vaccine data analysis — and she paid the ultimate price for speaking out. Share this. Her final message deserves to be heard. 🔥 ⚠️My channel is under coordinated attack to bankrupt and silence this investigation. If you believe in independent journalism and want the truth to keep coming DonateHere : 👉🔗

Cartman Reacts

365,451 views • 3 months ago

🚨 52% of American Schools and Districts have begun rolling out a new program called Equitable Grading Equitable Grading means American students will have - Unlimited test retakes - No zeros for missing work - No homework, homework’s is excluded from final grades - No late penalties - No required participation “In short, everyone passes and more than half of US public schools have already adopted at least one of these policies and some districts have adopted all of them. Teachers themselves are calling it academic fraud. Meanwhile, the US already spends more per student than almost any other developed nation and our students are performing near the bottom. For example: - American 15 year olds placed 28th out of 37 countries in math and reading and math scores just hit their lowest levels in 20 years - In some districts, over 50% of middle school students are already three or more grade levels behind, yet they're still being pushed through the system. Apparently, schools are implementing this to raise test scores, improve graduation rates, and close achievement gaps tied to race and income — This is the classroom version of handing out participation trophies to every kid on the field and it's not just lowering the bar, it's destroying it.” - 52%: Schools/districts using at least one Equitable Grading policy (e.g., no zeros, retakes, or late-work leniency). - 34%: Using 2-3 Equitable Grading policies. - 6%: Using 4+ Equitable Grading policies (full “package” implementation). - Higher adoption of Equitable Grading in middle schools (e.g., 55% in majority-minority middle schools) and urban/district-wide settings.

🚨 52% of American Schools and Districts have begun rolling out a new program called Equitable Grading Equitable Grading means American students will have - Unlimited test retakes - No zeros for missing work - No homework, homework’s is excluded from final grades - No late penalties - No required participation “In short, everyone passes and more than half of US public schools have already adopted at least one of these policies and some districts have adopted all of them. Teachers themselves are calling it academic fraud. Meanwhile, the US already spends more per student than almost any other developed nation and our students are performing near the bottom. For example: - American 15 year olds placed 28th out of 37 countries in math and reading and math scores just hit their lowest levels in 20 years - In some districts, over 50% of middle school students are already three or more grade levels behind, yet they're still being pushed through the system. Apparently, schools are implementing this to raise test scores, improve graduation rates, and close achievement gaps tied to race and income — This is the classroom version of handing out participation trophies to every kid on the field and it's not just lowering the bar, it's destroying it.” - 52%: Schools/districts using at least one Equitable Grading policy (e.g., no zeros, retakes, or late-work leniency). - 34%: Using 2-3 Equitable Grading policies. - 6%: Using 4+ Equitable Grading policies (full “package” implementation). - Higher adoption of Equitable Grading in middle schools (e.g., 55% in majority-minority middle schools) and urban/district-wide settings.

Wall Street Apes

729,159 views • 11 months ago

‼️EXPOSED: US Marshals Were On Scene At UVU Directing People Out Of The Amphitheatre Within ~5 MINUTES Of Charlie Being Hit😱 This video shows U.S. Marshals arriving and immediately taking control of the area — clearing people out of the amphitheatre just minutes after the hit. That timeline is impossible under normal circumstances. The closest U.S. Marshals office is at the United States Courthouse in Salt Lake City — roughly 45 miles away. Under normal driving conditions that trip takes 45–55 minutes. There is no realistic way deputies from that office arrive in approximately 5 minutes unless they were already staged in the immediate area before the event started. When the response time doesn’t match the distance, it stops looking like a standard reaction and starts looking like prior positioning. Just like the FBI’s impossibly fast arrival, this raises the same unanswered question: why were federal personnel close enough to be on scene that quickly? Tag Candace Owens & RT this. Shoutout to KK for providing me with this never before seen video. FOLLOW Her. She is doing great research! P.S. What else do you notice in this video? i have also added a slowed down version. Drop your thoughts below.

‼️EXPOSED: US Marshals Were On Scene At UVU Directing People Out Of The Amphitheatre Within ~5 MINUTES Of Charlie Being Hit😱 This video shows U.S. Marshals arriving and immediately taking control of the area — clearing people out of the amphitheatre just minutes after the hit. That timeline is impossible under normal circumstances. The closest U.S. Marshals office is at the United States Courthouse in Salt Lake City — roughly 45 miles away. Under normal driving conditions that trip takes 45–55 minutes. There is no realistic way deputies from that office arrive in approximately 5 minutes unless they were already staged in the immediate area before the event started. When the response time doesn’t match the distance, it stops looking like a standard reaction and starts looking like prior positioning. Just like the FBI’s impossibly fast arrival, this raises the same unanswered question: why were federal personnel close enough to be on scene that quickly? Tag Candace Owens & RT this. Shoutout to KK for providing me with this never before seen video. FOLLOW Her. She is doing great research! P.S. What else do you notice in this video? i have also added a slowed down version. Drop your thoughts below.

Project Constitution

102,793 views • 1 month ago

Vegeta Flawless Victory vs Android 19 [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer Audio✅ (Good Version)✅(Not KAI)🤮‼️RE-UPLOAD‼️ 🚨 Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer.⚠️🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get the App'. If Spotify is Installed, 'Get the App' should automatically load both for you.) 📱 This links to "The Dragon Theme" 🐉🟠 #dragongasm 1:10-3:55 🎶🌊🐉🟠 ⚠️These [HD]💥1080Pee🔥 edits as they are presented are not available for Television currently.🚫📺 ⚠️This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 ⚠️Our version of 'DragonBall Z' that we grew up with has not existed for almost 20 years, we are forced to rely on old physical media and internet archives to watch it. 💿 Bruce Faulconer officially became canon in the Pee Universe on 08/08/2026. 💯 #notegoat🎵🐐 Faulconer 👑 is coming 🐦‍⬛ Bruce Faulconer 👑is the Legendary composer of the iconic American DragonBall Z Soundtrack. He was cast aside 25 years ago, and is actively recruiting "Pee Warriors" now to take down the Tyrannical Warmongerer known as Taylor Lannister (Swift).💰 He is the right heir to the throne of the Billboard Top 100. If you would like to support The One True King👑, 🎵🐐please give his Spotify a listen, or see Bruce's Goose's below about joining the Pee Warriors. 📋 See → #ShenrundayService🐉🟠⛪️ for edit posting schedule. See Pinned Post for "Pee Universe Explained by Pee"📌📁 👈 In the Pee Universe, #DBZ never peaked, it's still going strong in 2026 too!🏁 I'm just a fan like you are. 🫵 (🚫NO AFFILIATIONS🚫) 🛑I posted this on Wednesday night originally under BETTER AUDIO SYNC THAN ORIGINAL US BROADCAST and I had cut close to 3/4 a second of audio. It matched on my pc, but no other device that I tried. This was actually due to the fact I started using a bluetooth speaker within the past week. I have since corrected the issue, and no other false claims about being better than the US broadcast exist. I'll leave that for your interpretation.💯 I wanted to get this back up asap too for anybody who planned on watching it again. This is the DragonBall Z we grew up with.✅

Vegeta Flawless Victory vs Android 19 [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer Audio✅ (Good Version)✅(Not KAI)🤮‼️RE-UPLOAD‼️ 🚨 Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer.⚠️🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get the App'. If Spotify is Installed, 'Get the App' should automatically load both for you.) 📱 This links to "The Dragon Theme" 🐉🟠 #dragongasm 1:10-3:55 🎶🌊🐉🟠 ⚠️These [HD]💥1080Pee🔥 edits as they are presented are not available for Television currently.🚫📺 ⚠️This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 ⚠️Our version of 'DragonBall Z' that we grew up with has not existed for almost 20 years, we are forced to rely on old physical media and internet archives to watch it. 💿 Bruce Faulconer officially became canon in the Pee Universe on 08/08/2026. 💯 #notegoat🎵🐐 Faulconer 👑 is coming 🐦‍⬛ Bruce Faulconer 👑is the Legendary composer of the iconic American DragonBall Z Soundtrack. He was cast aside 25 years ago, and is actively recruiting "Pee Warriors" now to take down the Tyrannical Warmongerer known as Taylor Lannister (Swift).💰 He is the right heir to the throne of the Billboard Top 100. If you would like to support The One True King👑, 🎵🐐please give his Spotify a listen, or see Bruce's Goose's below about joining the Pee Warriors. 📋 See → #ShenrundayService🐉🟠⛪️ for edit posting schedule. See Pinned Post for "Pee Universe Explained by Pee"📌📁 👈 In the Pee Universe, #DBZ never peaked, it's still going strong in 2026 too!🏁 I'm just a fan like you are. 🫵 (🚫NO AFFILIATIONS🚫) 🛑I posted this on Wednesday night originally under BETTER AUDIO SYNC THAN ORIGINAL US BROADCAST and I had cut close to 3/4 a second of audio. It matched on my pc, but no other device that I tried. This was actually due to the fact I started using a bluetooth speaker within the past week. I have since corrected the issue, and no other false claims about being better than the US broadcast exist. I'll leave that for your interpretation.💯 I wanted to get this back up asap too for anybody who planned on watching it again. This is the DragonBall Z we grew up with.✅

DragonBallPee

33,928 views • 18 days ago

Made with Seedance 2.5 30-second cinematic video, 16:9, ultra-photorealistic live-action. Use Image only as the character identity reference. Preserve her recognizable face, facial proportions, skin tone and body proportions. Completely redesign her clothing and hairstyle. CHARACTER: She wears an elegant contemporary Korean hanbok: ivory silk jeogori with delicate floral embroidery and subtle gold accents, paired with a flowing pale lavender and soft jade-green chima. Luxurious realistic silk texture and natural fabric movement. Her hair is styled in a polished traditional Korean updo with soft loose strands framing her face and a refined binyeo hairpin. LOCATION: Gyeongbokgung Palace, Seoul, South Korea, during golden hour. Traditional red wooden buildings, dark tiled roofs, dancheong details, stone courtyard and palace walls. A subtle Seoul skyline is visible in the distance. CONCEPT: Her finger movements can transform parts of the real world into detailed black-and-white manga. There is no physical portal. Her fingers simply define an invisible boundary. Inside the boundary becomes monochrome hand-drawn manga. Outside remains full-color photorealistic live action. The manga version always represents the exact same woman and environment. 00:00–00:05 Medium shot. She stands in the palace courtyard and traces a small shape in the air with her fingers. The area inside the shape instantly becomes detailed black-and-white manga, including part of her face and the palace behind her. 00:05–00:09 She slowly moves her hands apart, expanding the manga region across more of her face and hanbok. She moves her hands sideways and the transformation follows her fingertips naturally. 00:09–00:13 She draws a smooth circle with one finger. Everything inside the circle becomes intricate monochrome manga while the surrounding scene remains realistic and colorful. 00:13–00:18 She sweeps both hands outward. A curved manga transformation travels across her flowing skirt and part of the palace. As the effect moves away, the affected areas return smoothly to full color. 00:18–00:23 She separates both hands, creating an invisible vertical boundary. One side of the scene becomes black-and-white manga while the other remains photorealistic. She slowly brings her hands together and the entire scene returns to reality. 00:23–00:27 She extends one hand toward the camera. With a subtle finger gesture, the palace background behind her transforms completely into detailed black-and-white manga while she remains photorealistic. 00:27–00:30 She gently flicks her fingers. The manga background smoothly returns to full-color Seoul. She lowers her hand, looks into the camera and gives a subtle smile. STYLE: Premium Korean historical-drama cinematography, elegant fashion-film aesthetic, realistic skin, detailed silk fabric, natural wind, warm golden-hour lighting, realistic manga inkwork and smooth visual transitions. CAMERA: Cinematic tracking, slow push-ins, subtle camera movement, close-ups and wide shots with natural depth of field. AUDIO: Soft cinematic music, gentle wind, distant city ambience and subtle transformation sound effects. NEGATIVE: No physical portal, no glowing frame, no floating objects, no teleportation, no face changes, no hairstyle changes, no outfit changes, no identity drift, no duplicated character, no distorted hands, no extra fingers, no fantasy costume, no excessive VFX, no subtitles, no logos, no watermark.

Made with Seedance 2.5 30-second cinematic video, 16:9, ultra-photorealistic live-action. Use Image only as the character identity reference. Preserve her recognizable face, facial proportions, skin tone and body proportions. Completely redesign her clothing and hairstyle. CHARACTER: She wears an elegant contemporary Korean hanbok: ivory silk jeogori with delicate floral embroidery and subtle gold accents, paired with a flowing pale lavender and soft jade-green chima. Luxurious realistic silk texture and natural fabric movement. Her hair is styled in a polished traditional Korean updo with soft loose strands framing her face and a refined binyeo hairpin. LOCATION: Gyeongbokgung Palace, Seoul, South Korea, during golden hour. Traditional red wooden buildings, dark tiled roofs, dancheong details, stone courtyard and palace walls. A subtle Seoul skyline is visible in the distance. CONCEPT: Her finger movements can transform parts of the real world into detailed black-and-white manga. There is no physical portal. Her fingers simply define an invisible boundary. Inside the boundary becomes monochrome hand-drawn manga. Outside remains full-color photorealistic live action. The manga version always represents the exact same woman and environment. 00:00–00:05 Medium shot. She stands in the palace courtyard and traces a small shape in the air with her fingers. The area inside the shape instantly becomes detailed black-and-white manga, including part of her face and the palace behind her. 00:05–00:09 She slowly moves her hands apart, expanding the manga region across more of her face and hanbok. She moves her hands sideways and the transformation follows her fingertips naturally. 00:09–00:13 She draws a smooth circle with one finger. Everything inside the circle becomes intricate monochrome manga while the surrounding scene remains realistic and colorful. 00:13–00:18 She sweeps both hands outward. A curved manga transformation travels across her flowing skirt and part of the palace. As the effect moves away, the affected areas return smoothly to full color. 00:18–00:23 She separates both hands, creating an invisible vertical boundary. One side of the scene becomes black-and-white manga while the other remains photorealistic. She slowly brings her hands together and the entire scene returns to reality. 00:23–00:27 She extends one hand toward the camera. With a subtle finger gesture, the palace background behind her transforms completely into detailed black-and-white manga while she remains photorealistic. 00:27–00:30 She gently flicks her fingers. The manga background smoothly returns to full-color Seoul. She lowers her hand, looks into the camera and gives a subtle smile. STYLE: Premium Korean historical-drama cinematography, elegant fashion-film aesthetic, realistic skin, detailed silk fabric, natural wind, warm golden-hour lighting, realistic manga inkwork and smooth visual transitions. CAMERA: Cinematic tracking, slow push-ins, subtle camera movement, close-ups and wide shots with natural depth of field. AUDIO: Soft cinematic music, gentle wind, distant city ambience and subtle transformation sound effects. NEGATIVE: No physical portal, no glowing frame, no floating objects, no teleportation, no face changes, no hairstyle changes, no outfit changes, no identity drift, no duplicated character, no distorted hands, no extra fingers, no fantasy costume, no excessive VFX, no subtitles, no logos, no watermark.

Anissa

16,643 views • 23 days ago