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Regardless how technically flawed Deontay Wilder is even a 40 year old Wilder still hits much faster and harder than Prenga. Did you see Anthony Joshua’s last fight against Albanian Doorman Kristian Prenga? In Round 1 Prenga dropped Joshua 2x 🥊

71,369 Aufrufe • vor 10 Tagen •via X (Twitter)

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Anthony Joshua’s 𝘀𝗲𝘅 𝗮𝗽𝗽𝗲𝗮𝗹 has sent the American audience into a frenzy. AJ’s gained millions of followers in just 3 days, largely female & indiscriminate of race. Anthony Joshua is now the biggest heavyweight boxing star in America, after the 33 million Netflix viewers figures were released & the cultural knock-on effects of his win over Jake Paul. His reach has transcended far beyond the usual suspects in boxing, courtesy of Netflix & their degree of mainstream/pop culture penetration. In terms of relevance, platform & pop culture penetration, Joshua has now become the top of that pile ⭐️ This decade, Tyson Fury held the mantle of the biggest heavyweight boxing star in America. After knocking out Deontay Wilder twice & building his brand state-side towards the end of the 2010s after their first fight… Fury took America by storm. However, following his association with FBI-investigated individuals, he has been banned from entering the United States of America 🇺🇸 Limiting how much grip he can keep of his current standing there. Tyson crossed into the mainstream domain & his own Netflix documentary was the number 1 watched globally, at one point. However, the boxing world of entertainment (and showbiz more broadly) moves at pace. Relevance is the main metric. After having just knocked out Jake Paul in devastating fashion on the biggest digital platform available globally, Anthony Joshua is now a more talked about name in the mainstream American public domain than Deontay Wilder or Tyson Fury. He has gained millions of followers in 3 days 📱 #boxingnews #boxing #AnthonyJoshua #heavyweightboxing #JakePaul #JakeJoshua #TysonFury

Raf (elusive2.0)

9,229,536 Aufrufe • vor 8 Monaten

Billy Wilder explains how the commercial failure of "Ace in the Hole" (1951) changed his view about the audience: "Wilder: 'Ace in the Hole' (1951) was a very peculiar thing. I was very fond of the picture—I got wonderful, wonderful reactions to it from more serious people. But for some reason or other, people did not want to see that grim a picture, that boasted the guy in the hole there, and the reporter, Mr. Kirk Douglas. It was very somber. It was one of my most somber pictures. And they did not believe me that when somebody’s a newspaperman, they are capable of that behavior. Interviewer: Very much ahead of its time. Wilder: [Shrugs.] Yeah. Interviewer: In this current age of tabloid culture, 'Ace in the Hole' has never felt more up-to-the-minute. Is it amusing to you, how this film has held up? Wilder: Yeah, that’s very funny, I must say. It was a complete failure. It was just... I don’t know. I just changed my mind about the audience. I just think that if you do something very fine, that they will get to the core of the thing, what it’s about, what it’s really about. But they never, at the time, they never gave it a chance. Somebody in an editorial, I think, in Life magazine said that “Mr. Wilder should be deported.” I felt that I was not with it anymore. That I wrote against the audience, the people who paid, in those days, a dollar fifty, two dollars. They felt robbed. They wanted to be entertained, entertained in a serious way, but not too serious a way. I don’t know. Then again, they did go for 'Double Indemnity' (1944). You can never, never, never predict an audience’s reaction. You never know how it’s going to affect them. But I hear about 'Ace in the Hole' quite a bit these days." ("Conversations with Wilder", Cameron Crowe, 1999) P.S: On this day, 75 years ago, "Ace in the Hole" (1951) premiered in Albuquerque, New Mexico, USA.

DepressedBergman

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