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Released as Babyshambles' major label breakthrough single, "Killamangiro" helped establish Pete Doherty's new band beyond the shadow of The Libertines. Their appearance on CD:UK in 2004 came during a period of intense attention around Doherty, with the song giving Babyshambles one of their first widely recognised moments.

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34,725 görüntüleme • 15 gün önce •via X (Twitter)

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Built around a soaring chorus and Richard Hawley's distinctive guitar work, "She Said" became Longpigs' breakthrough single and helped establish the band as one of the standout acts of the mid 1990s British indie scene. Their appearance on TFI Friday in 1996 came during the rise of The Sun Is Often Out, introducing a wider television audience to one of the era's most acclaimed debut albums.
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Built around a soaring chorus and Richard Hawley's distinctive guitar work, "She Said" became Longpigs' breakthrough single and helped establish the band as one of the standout acts of the mid 1990s British indie scene. Their appearance on TFI Friday in 1996 came during the rise of The Sun Is Often Out, introducing a wider television audience to one of the era's most acclaimed debut albums.

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Only a few years after the end of The Smiths, Morrissey performed “Suedehead” live in 1992 with the theatrical presence and sharp wit that defined his early solo career. Originally released in 1988 as his debut solo single, the song helped establish Morrissey beyond the shadow of his former band.
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Only a few years after the end of The Smiths, Morrissey performed “Suedehead” live in 1992 with the theatrical presence and sharp wit that defined his early solo career. Originally released in 1988 as his debut solo single, the song helped establish Morrissey beyond the shadow of his former band.

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More than a decade after it was first released, “What Katie Did” still carried the chemistry and chaos that defined The Libertines at their peak. Originally appearing on The Libertines in 2004, the song returned to Glastonbury in 2015 as part of the band's long awaited reunion, reconnecting them with a generation of fans.
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More than a decade after it was first released, “What Katie Did” still carried the chemistry and chaos that defined The Libertines at their peak. Originally appearing on The Libertines in 2004, the song returned to Glastonbury in 2015 as part of the band's long awaited reunion, reconnecting them with a generation of fans.

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Built around a hypnotic bassline and an atmosphere that became central to The Cure's identity, "A Forest" was the song that helped establish the band's darker musical direction. Their appearance at Belgium's Rock Werchter Festival in July 1981 came during the Faith era, with the group emerging as one of the most distinctive acts of the post punk generation.
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Built around a hypnotic bassline and an atmosphere that became central to The Cure's identity, "A Forest" was the song that helped establish the band's darker musical direction. Their appearance at Belgium's Rock Werchter Festival in July 1981 came during the Faith era, with the group emerging as one of the most distinctive acts of the post punk generation.

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Emerging from their early college radio years, R.E.M. introduced “Gardening At Night” as one of their first key tracks. It appeared on the Chronic Town EP, which came out in 1982, and helped establish their initial sound before their breakthrough albums.
3:39

Emerging from their early college radio years, R.E.M. introduced “Gardening At Night” as one of their first key tracks. It appeared on the Chronic Town EP, which came out in 1982, and helped establish their initial sound before their breakthrough albums.

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36,598 görüntüleme • 2 ay önce

Later… with Jools Holland in 2002 features The Libertines as they deliver “Boys in the Band”, released on Up the Bracket that same year. One of the defining tracks from their debut, it captured the raw energy of their early rise.
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Later… with Jools Holland in 2002 features The Libertines as they deliver “Boys in the Band”, released on Up the Bracket that same year. One of the defining tracks from their debut, it captured the raw energy of their early rise.

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259,430 görüntüleme • 3 ay önce

A debut era single by Stereophonics, “A Thousand Trees” appears on Word Gets Around, released August 1997. Performed here on Top of the Pops, the song helped establish their early reputation for gritty storytelling.
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A debut era single by Stereophonics, “A Thousand Trees” appears on Word Gets Around, released August 1997. Performed here on Top of the Pops, the song helped establish their early reputation for gritty storytelling.

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16,831 görüntüleme • 3 ay önce

Released during the campaign for The It Girl, "Sale of the Century" showcased the sharp songwriting and witty observations that helped make Sleeper one of the leading bands of the Britpop era. Their appearance on TFI Friday in April 1996 came as the group were enjoying their biggest commercial success, bringing one of the album's standout singles to a national television audience.
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Released during the campaign for The It Girl, "Sale of the Century" showcased the sharp songwriting and witty observations that helped make Sleeper one of the leading bands of the Britpop era. Their appearance on TFI Friday in April 1996 came as the group were enjoying their biggest commercial success, bringing one of the album's standout singles to a national television audience.

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15,002 görüntüleme • 17 gün önce

Sandstorm by Cast was performed on The White Room in 1996 at a time when the band were firmly established in the Britpop landscape. Released from their debut album All Change, the song showcased their melodic style and became one of their signature tracks. The performance captured their live energy and helped reinforce their reputation as one of the standout British guitar bands of the mid nineties.
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Sandstorm by Cast was performed on The White Room in 1996 at a time when the band were firmly established in the Britpop landscape. Released from their debut album All Change, the song showcased their melodic style and became one of their signature tracks. The performance captured their live energy and helped reinforce their reputation as one of the standout British guitar bands of the mid nineties.

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22,206 görüntüleme • 7 ay önce

Recorded for the band’s debut album Bleach, “Love Buzz” was released in 1988 as Nirvana’s first single on the Sub Pop label. Written by Dutch band Shocking Blue, the track became an early calling card for Kurt Cobain’s raw vocals and the group’s heavy, sludgy sound before their mainstream breakthrough. Though it did not chart on release, the song later gained cult status as a snapshot of Nirvana’s pre-Nevermind era, capturing the band at their most abrasive and unpolished.
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Recorded for the band’s debut album Bleach, “Love Buzz” was released in 1988 as Nirvana’s first single on the Sub Pop label. Written by Dutch band Shocking Blue, the track became an early calling card for Kurt Cobain’s raw vocals and the group’s heavy, sludgy sound before their mainstream breakthrough. Though it did not chart on release, the song later gained cult status as a snapshot of Nirvana’s pre-Nevermind era, capturing the band at their most abrasive and unpolished.

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47,309 görüntüleme • 6 ay önce

"My Ever Changing Moods" became one of The Style Council's defining early singles, showing how far Paul Weller had moved from The Jam's guitar-driven sound. Issued in 1984, the hit single version brought together soul, pop and jazz influences with the band's sharp new image, while Café Bleu featured a much more stripped-back arrangement. This German TV appearance captures The Style Council in their breakthrough year, performing the version that helped make the song one of their signature moments.
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"My Ever Changing Moods" became one of The Style Council's defining early singles, showing how far Paul Weller had moved from The Jam's guitar-driven sound. Issued in 1984, the hit single version brought together soul, pop and jazz influences with the band's sharp new image, while Café Bleu featured a much more stripped-back arrangement. This German TV appearance captures The Style Council in their breakthrough year, performing the version that helped make the song one of their signature moments.

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Built around dark humour, heavy riffs and one of the most unexpected choruses of the 90s, Bloodhound Gang turned “Fire Water Burn” into the breakthrough track that pushed the band beyond underground cult status. Their appearance at Bizarre Festival in 1997 captured the chaotic mix of comedy and alternative rock that made the group stand out during the late 90s.
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Built around dark humour, heavy riffs and one of the most unexpected choruses of the 90s, Bloodhound Gang turned “Fire Water Burn” into the breakthrough track that pushed the band beyond underground cult status. Their appearance at Bizarre Festival in 1997 captured the chaotic mix of comedy and alternative rock that made the group stand out during the late 90s.

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Reading Festival in 1992 captured PJ Harvey at the beginning of her breakthrough rise, with “Sheela-Na-Gig” arriving as one of the most confrontational songs of the era. Built around jagged guitars and biting lyrics about sexuality and image, the track helped establish Harvey as one of the most uncompromising new voices in British alternative music.
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Reading Festival in 1992 captured PJ Harvey at the beginning of her breakthrough rise, with “Sheela-Na-Gig” arriving as one of the most confrontational songs of the era. Built around jagged guitars and biting lyrics about sexuality and image, the track helped establish Harvey as one of the most uncompromising new voices in British alternative music.

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Kate Nash appears on Later with Jools Holland in 2007 with Foundations, the breakthrough single from her debut album Made of Bricks released the same year. The track reached number 2 on the UK Singles Chart and stood out for its conversational lyrics, piano-led arrangement and sharply observed take on modern relationships. Its success helped establish Nash as one of the defining new voices of the late-2000s indie scene, with Foundations remaining her signature song and a key moment of the era.
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Kate Nash appears on Later with Jools Holland in 2007 with Foundations, the breakthrough single from her debut album Made of Bricks released the same year. The track reached number 2 on the UK Singles Chart and stood out for its conversational lyrics, piano-led arrangement and sharply observed take on modern relationships. Its success helped establish Nash as one of the defining new voices of the late-2000s indie scene, with Foundations remaining her signature song and a key moment of the era.

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Don’t Go Away by Oasis was performed live in 1998 during the promotion of their album Be Here Now. Originally released as part of the album’s emotionally reflective side, the song became known for its quieter tone and Liam Gallagher’s restrained vocal delivery. The performance highlighted a more introspective aspect of the band and remains one of the standout moments from their late nineties live appearances.
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Don’t Go Away by Oasis was performed live in 1998 during the promotion of their album Be Here Now. Originally released as part of the album’s emotionally reflective side, the song became known for its quieter tone and Liam Gallagher’s restrained vocal delivery. The performance highlighted a more introspective aspect of the band and remains one of the standout moments from their late nineties live appearances.

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35,694 görüntüleme • 7 ay önce

Built around a hypnotic groove inspired by funk, dance music and rock, "Fools Gold" transformed The Stone Roses from rising indie favourites into one of the most influential British bands of their generation. Their appearance on Dutch television's Countdown in 1989 came as the Madchester movement was gaining momentum, with the song becoming a defining soundtrack of the era.
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Built around a hypnotic groove inspired by funk, dance music and rock, "Fools Gold" transformed The Stone Roses from rising indie favourites into one of the most influential British bands of their generation. Their appearance on Dutch television's Countdown in 1989 came as the Madchester movement was gaining momentum, with the song becoming a defining soundtrack of the era.

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31,549 görüntüleme • 15 gün önce

"I Ran (So Far Away)",also released as "I Ran", is a song by English new wave band A Flock of Seagulls. It was released on 5 March 1982 as their third single and it was the second single from their self-titled debut album. It topped the chart in Australia, and reached number seven in New Zealand and number nine in the United States.
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"I Ran (So Far Away)",also released as "I Ran", is a song by English new wave band A Flock of Seagulls. It was released on 5 March 1982 as their third single and it was the second single from their self-titled debut album. It topped the chart in Australia, and reached number seven in New Zealand and number nine in the United States.

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38,348 görüntüleme • 6 ay önce

Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.
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Captured at Pinkpop in 1994, Cannonball documents The Breeders at the height of their mainstream breakthrough. Released in 1993, the song appeared on Last Splash, the band’s second album, and became their biggest hit, reaching the UK Top 40 and dominating alternative radio worldwide. Written by Kim Deal and built around a distinctive bass intro and stop start dynamics, Cannonball helped push Last Splash to multi platinum success. Festival performances like this showed the band translating their off kilter studio sound into a powerful live setting during the peak of their 90s run.

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40,453 görüntüleme • 6 ay önce

"Heart-Shaped Box" was released in 1993 as the lead single from Nirvana's final studio album, In Utero. Written by Kurt Cobain, the song blends haunting lyrics and heavy, dissonant guitars, capturing the darker and more abrasive tone the band pursued after the massive success of Nevermind. Nirvana performed "Heart-Shaped Box" live on Saturday Night Live in September 1993, shortly after the album's release. The performance marked their return to SNL following their 1992 debut and showcased the band during one of their final major television appearances.
0:57

"Heart-Shaped Box" was released in 1993 as the lead single from Nirvana's final studio album, In Utero. Written by Kurt Cobain, the song blends haunting lyrics and heavy, dissonant guitars, capturing the darker and more abrasive tone the band pursued after the massive success of Nevermind. Nirvana performed "Heart-Shaped Box" live on Saturday Night Live in September 1993, shortly after the album's release. The performance marked their return to SNL following their 1992 debut and showcased the band during one of their final major television appearances.

💜Music is Love💜

23,864 görüntüleme • 6 ay önce