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Remarkable!!! Ben Shelton saves multiple match points before taking an epic second set 7-6(14) against Lehecka. BOSS OPEN | #BOSSOPEN

16,904 Aufrufe • vor 1 Monat •via X (Twitter)

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As the Connecticut Huskies attempt to win another national championship tonight against Michigan, Alabama Men’s Basketball fans still hear the echos of two years ago when the Crimson Tide finally crashed college basketball’s biggest event for the first time on April 6, 2024. Inside State Farm Stadium in Glendale, Ariz., the Crimson Tide’s breakthrough season reached its crescendo in its first Final Four appearance against the Huskies. As a No. 4 seed coming out of the West Region, the magical run ended with an 86-72 loss, but not before the Crimson Tide proved it belonged on the grandest stage. Mark Sears led the way with 24 points, five rebounds and three assists, continuing his March brilliance. Grant Nelson delivered a monster effort with 19 points and a season-best 15 rebounds for a double-double, while Aaron Estrada added 13 points as Alabama fought to keep within striking distance deep into the second half. Stephon Castle scored 21 points, Donovan Clingan had 18 and Tristen Newton controlled the game with 12 points and nine assists. When Alabama clawed back to tie it in the second half, UConn answered with a decisive run. “We got this program to its first Final Four, and I’m unbelievably proud of these guys,” Alabama head coach Nate Oats said. “We just went up against the best team in the country and they showed it.” Two years later, as Connecticut chases another title, that Saturday night in Glendale stands as more than a final score in Alabama history. It redefined the ceiling of a program and created an expectation to get back.

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Smooth E Official

44,298 Aufrufe • vor 5 Monaten

Watch this 17-second clip carefully. What you are about to see is not what it claims to be. For over 25 years I’ve worked as a specialist forensic analyst, both within the intelligence world as well as private security sector. So I’m going to show you how forensic analysis really works to uncover the truth about what we see put in front of us. TRT World, Turkish state media, released this video claiming it shows an Israeli airstrike on a residential building in Al Zaitoun, Gaza on January 5, 2025. The dramatic footage with emotional Arabic overlay text was designed to generate instant outrage. While obvious Pallywood often uses fake blood and staged injuries, this one is more sophisticated. It relies on perfect timing and internal preparation. Here is the second-by-second breakdown: Seconds 0 to 1: The camera is already perfectly framed on the building. White smoke begins venting from multiple windows simultaneously. At around the one-second mark, a bright red dot appears on an upper window for a fraction of a second right before the blast. This is the trigger light that lights up the instant before an explosive charge is detonated. It also acts as a marker for the cameraman. No incoming missile, no external impact flash. Seconds 1 to 2: A massive dark smoke plume erupts violently outward and upward. Debris is ejected. When a real missile strikes a building, you typically see large flames from the missile’s fuel and the force ripping apart major sections of concrete, producing large chunks of debris. Here, we see no significant flames and only small debris mixed with heavy dust, exactly what you would expect from a small internal explosive device designed mainly to blow out windows and create a dramatic smoke plume. The explosion originates from inside the building and expands symmetrically. Seconds 2 to 4: The smoke cloud balloons dramatically. The cameraman, already positioned and recording, smoothly tilts up to capture the most cinematic part of the plume. Seconds 4 to 6: The camera tilts down to street level. A girl in bright pink walks across the dusty area almost casually, not showing the expected panic. Seconds 6 to 9: Civilians appear relatively composed. Then the man in the red hoodie runs in, stops dramatically, and points upward while shouting in a theatrical manner. Seconds 9 to 17: People mill about with surprising calm as dust swirls. The camera work remains composed enough to capture the drama while TRT World adds the emotional propaganda text. This was not an airstrike. It was a carefully timed internal detonation, triggered from within (signaled by the red dot), filmed by someone who knew exactly when it would happen. The internal multi-window venting, perfect camera placement, and staged reactions all confirm it was manufactured for propaganda. If you value the truth and appreciate such detailed analyses, please share. Real tragedy does not need this level of staging. The information war continues.

Mor Edge Insight

66,939 Aufrufe • vor 1 Monat

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Mario Nawfal

17,443,640 Aufrufe • vor 1 Jahr

We found a flaw in Polymarket that can’t be patched. Then we built the most powerful bot of the World Cup around it. Here’s the flaw: their orderbook will always be slower than the pitch. When a goal, red card, or penalty hits, pro feeds (Sportradar, Opta, ScoutingFeed) register it in 200-500ms. Polymarket takes 2 to 8 seconds to reprice. For those few seconds the book is quoting a score that no longer exists. No amount of engineering closes that gap the event happens in the physical world before any oracle can confirm it on-chain. The engine detects the event, recalculates fair value, and fires via Jito bundles before the book catches up. In at the old price, out at the new. The match outcome is irrelevant we don’t bet on who wins. We capture the lag every event creates. We’ve been building Polymarket bots since 2025. This is the most powerful machine we’ve shipped yet. Two months ago we posted the architecture for this. It hit 1M views one of our most popular posts ever on X. That told us everything: this was the engine to build. First 7 days, - Starting balance: $5,000 - 22 matches scanned, 19 captured - Total profit: +$1,946.86 - ROI: +38.94% in 7 days Why it prints harder than anything we’ve built: the World Cup is the deepest liquidity event prediction markets have ever seen. Tens of millions in volume per match. Dozens of probability-shifting events per game. And an orderbook that physically can’t keep pace with the pitch. How to plug in: 1.Sign up at PolyArbiter (link in bio) 2.Generate PolyArbiter RPC URL 3.Paste it into Jupiter Predict (Polymarket but native on Solana) 4.Set your parameters, activate the World Cup module It’s free to use. We take a share of the profit the engine makes for you. You never deposit anything with us everything runs from your wallet. One honest note: the $1,946 above is our engine at our size and settings. Your numbers depend on your capital, your parameters, and how many matches you’re live for. We’re not promising you’ll match it we’re showing you the machine works, and handing you the same one. These numbers are from the engine running solo. Closed test, just us, before any public access wanted to confirm the whole loop held up end to end before handing it to anyone. That changes the second this goes public. Edge per capture is going to compress. When an event fires the mispriced liquidity is thin and gone in a few seconds more wallets hitting the same window, less left for each. Nothing we can do about it, that’s just how latency arb works. So if the edge thins out past the point where it’s still worth running, we cap access. Hard ceiling on how many engines can hit the same liquidity before it’s gone. Not gonna promise the machine stays this sharp in a few days it might not. But right now it’s live and free. Enjoy 🪄

PolyArbiter

100,534 Aufrufe • vor 1 Monat

Exactly. While this is true, it’s also irrelevant in the grand scheme of things. Ross was at fault, period. Here’s why: First off, it’s against DHS policy & training for an officer to approach a vehicle from the front in this situation, and this “officer-induced jeopardy” negates the officers use of force claim and puts him at fault, period. There’s no debate on this as video evidence from multiple sources clearly show Ross stopping in front of her vehicle, and then taking the time to shift his phone from his right hand to his left so he can draw his weapon…BEFORE she even started moving. THIS is simply reality, and the conversation should end here. Second, it’s against DHS Use of Deadly Force policy (which is codified law) to fire at a moving vehicle that doesn’t pose imminent danger to officers, and even if they ARE in danger, it mandates deescalation before using deadly force, which EXPRESSLY states simply “moving out of the way” of a vehicle as a correct course of action before using deadly force (see attached doc below). Third, there is already well-established legal precedent governing these EXACT types of situations, and this officer would likely be found guilty by any jury in the U.S. For example: Adam’s vs. Speers (2020): “Once Speers was no longer in the path of the vehicle, the justification for the use of deadly force ended.” Orn vs. City of Tacoma (2019): “A reasonable jury could conclude that once Orn was no longer in the car’s trajectory, the threat of serious physical harm to him was eliminated.” Cordova vs Aragon (2009): “Where the officer had moved out of the way of the oncoming vehicle, the use of deadly force was not justified.” Villanueva vs. Cali (2021): “a reasonable jury could conclude that the Officers used excessive force, because they lacked an objectively reasonable basis to fear for their own safety, as they could simply have stepped back or to the side to avoid being injured.” Fifth, the videos/pics below CLEARLY show the officer was NOT in immediate danger, and the woman was moving away from him when he fired his FIRST shot when he was already clear to the left of the vehicle, and he fired the second & third shots point-blank into her face from the SIDE of the vehicle as she passed. That alone is enough to send him to prison, even if his first shot was somehow inexplicably deemed to be justified.

Notorious PJB

18,329 Aufrufe • vor 6 Monaten

Made this cinematic AI video in minutes using Getvivix Prompt used below 👇 STORYBOARD 1 "THE KNIGHT" PROJECT TYPE: 10-second cinematic fantasy storyboard CHARACTER LOCK: single consistent knight — original fictional STYLIZED fantasy warrior (not a real person). Full ornate plate armor, VISOR DOWN the entire sequence (face never visible — safe by design), tattered surcoat + banner, mounted on an armored warhorse. Identical armor/horse across all frames. STYLE: epic dark-fantasy, cinematic, painterly film stills PACING & FLOW: slow, weighty, EPIC — no rush. One continuous charge → clash → melee → hero arc. Gradual camera moves; the action carries unbroken from frame to frame (each beat is the next instant of the last). Transitions are match-on-motion — the horse's stride and the sword's arc bridge every cut, never a hard jump. FRAMES (8 shots, 0–10s) — angle | lens | motion | lighting | environment | → into next: 1 (0–1.5s): wide establishing | 24mm | knight reined at a hill crest, banner snapping, slow push-in | cold dawn backlight, mist | battlefield below → camera drifts down as the horse shifts weight 2 (1.5–3s): 3/4-rear tracking | 35mm | horse breaks into a canter down the slope | low sun raking | churned mud, distant ranks → match-on-stride into the gallop 3 (3–4.5s): side tracking | 50mm | full gallop toward the enemy line, dust plume | side rim light, haze | spears + banners ahead → he lowers the lance, carrying the motion 4 (4.5–6s): low-angle hero | 35mm | lance leveled mid-gallop, visor catching light | backlit dust glow | closing on the line → impact begins 5 (6–7s): impact wide | 50mm | lance strikes, enemy hurled back, splinters | harsh flash + sparks | clash of the lines → horse rears from the hit 6 (7–8s): low 3/4 | 35mm | warhorse rears amid the melee, sword drawn | embers, torchlight | swirling battle → the blade sweeps down 7 (8–9s): tracking the blade | 50mm | sweeping arc through foes, motion-blur trail | sparks on steel | bodies + banners → camera settles, pulls back 8 (9–10s): hero hold | 24mm | horse reared, sword raised, banner behind, silhouette | dramatic backlight, battle haze | the field beyond → freeze LAYOUT: film sheet — left: 3 dynamic mounted poses (charging 3/4, rearing, mid-swing — in-scene, visor down); center: 8-frame grid; right: director notes; bottom: 0–10s. VISUAL STYLE: cinematic dark-fantasy, painterly, volumetric dawn light, dust + embers + mist, shallow DOF, motion blur, anamorphic; stylized — NOT photorealistic, not real human skin; FACE NEVER SHOWN (visor down). Seedance on Getvivix lets you generate high-end cinematic visuals for around 1000 credits (~$1), making pro-level video creation cheap and scalable. Try it here:

Zoraiz Ai

10,748 Aufrufe • vor 1 Monat

Using GPT Image 2 as reference and Seedance Prompt : 15-Second Coca-Cola Commercial Storyboard Scene 1 (0–1s) Extreme macro shot of an ice-cold Coca-Cola glass bottle covered in condensation. A hand twists the cap open. Crisp fizz explosion, sparkling droplets flying through golden sunlight. Cinematic slow motion, shallow depth of field. Scene 2 (1–2s) Close-up of the Coca-Cola logo on the bottle. Water droplets glisten as sunlight reflects across the label. Tiny bubbles rise inside the bottle. Smooth push-in camera movement. Scene 3 (2–4s) Golden-hour rooftop party overlooking a city skyline. Diverse group of friends laugh, raise Coca-Cola bottles, and toast together. Warm sunlight, cinematic lens flares, energetic atmosphere. Scene 4 (4–5s) Slow-motion bottle clink. Coca-Cola splashes dramatically through the air. Macro droplets frozen in motion. Premium commercial look. Scene 5 (5–6s) Young skateboarder in a sunny urban park grabs a Coca-Cola from a cooler and takes a refreshing sip. Dynamic tracking shot. Scene 6 (6–7s) Happy family enjoying a beach picnic at sunset. They share a large Coca-Cola bottle while laughing together. Warm, emotional storytelling. Scene 7 (7–8s) Modern office team celebrates success. Coworkers cheer, high-five, and raise Coca-Cola cans. Bright natural lighting. Scene 8 (8–9s) Young couple on a tropical beach watching the sunset. They smile and sip Coca-Cola while waves roll behind them. Scene 9 (9–10s) Hero shot. Beautiful young woman holds a Coca-Cola bottle toward the camera with a confident smile. Golden sunlight creates a glowing rim light. Scene 10 (10–12s) 360-degree orbit around the woman as she takes a slow refreshing sip. Cooling mist, sparkling bubbles, and soft sunlight rays. Elegant text appears: "Taste the Feeling". Scene 11 (12–14s) Product beauty shot. Coca-Cola contour bottle rotates slowly against a rich red background. Floating ice cubes, rising bubbles, sparkling highlights. Scene 12 (14–15s) Final brand frame. Large Coca-Cola logo appears with subtle sparkle effects. Taglines fade in: "Open Happiness" and "Share a Coke". Premium commercial finish, uplifting music reaches its peak. Style: Ultra-realistic, photorealistic, 4K, 60fps, high-budget global advertising campaign, vibrant red-and-white branding, golden-hour lighting, dynamic camera movement, cinematic depth of field, realistic condensation, fizzy bubbles, premium color grading, masterpiece commercial quality.

Smiling Khan

12,198 Aufrufe • vor 1 Monat

Wait for the dragon's entrance... 🤯 Nano Banana 2 + Seedance 2.0 on DomoAI official prompt A dramatic cinematic fantasy sequence in a snowy pine forest at twilight, illuminated by cold blue and purple dusk tones with a glowing pink sunset on the horizon. Snow falls gently through the air while dense pine trees, frozen rocks, and deep snowdrifts create an epic winter landscape. Volumetric fog drifts between the trees, adding mystery and scale. A beautiful Western woman in her mid-20s with long, voluminous wavy blonde hair, striking blue eyes, and fair skin runs desperately through the deep snow. She wears an elegant flowing white dress beneath a luxurious off-white fur-lined winter cloak with leather belts and silver clasps, tall winter boots, and leather gloves. Her golden hair streams dramatically behind her as she repeatedly glances over her shoulder with a terrified expression while a pack of fierce dark gray wolves races after her through the snow. Snow sprays beneath her feet as the camera tracks her movement in fast, cinematic motion. Suddenly, a colossal majestic white ice dragon descends from the darkening sky. The dragon possesses shimmering crystalline white scales, razor-sharp icy spikes along its head, neck, and spine, glowing sapphire-blue eyes, enormous translucent ice-like wings, and an imposing regal presence. It crashes into the snow directly in front of the woman, sending a massive explosion of snow and ice into the air. The ground trembles beneath its weight. The woman stops abruptly, breathing heavily as fear transforms into astonishment. She slowly looks up at the towering dragon, her wavy blonde hair blowing in the icy wind while the dragon turns its glowing eyes toward her protectively. Around them, the wolves circle cautiously, snarling and searching for an opening. The dragon rises onto its hind legs, spreads its enormous wings to their full span, and unleashes a devastating torrent of brilliant orange and golden fire across the snowy forest toward the wolves. The blazing flames illuminate the frozen landscape with warm golden light, creating a striking contrast against the cold blue twilight. Snow sparkles like diamonds as the fire reflects across the icy terrain, and the wolves retreat into the darkness. The sequence concludes with the Western woman standing safely beside the colossal white ice dragon, gazing upward with admiration and wonder as the dragon stands protectively before her, wings partially extended against the glowing sunset. Snow continues to fall peacefully as the forest returns to silence. Epic cinematic wide shots, dramatic low-angle perspectives emphasizing the dragon's immense scale, smooth tracking shots, intimate close-ups capturing the woman's emotional transition from terror to awe, detailed close-ups of the dragon's glowing blue eyes and crystalline features, ultra-realistic fantasy visuals inspired by Game of Thrones and House of the Dragon, cinematic lighting, volumetric fog, realistic snow physics, film-quality color grading, 4K HDR, highly detailed textures, masterpiece quality, 14-second duration. #Domoai #DomoaiCPP

Sharon Riley

30,115 Aufrufe • vor 7 Tagen

Timeline: 12/23/23: MMTLP open letter is signed and sent to FINRA and the SEC (Deadline for response: 1/31/24). FINRA responded by the deadline; SEC responded 6 days late. 2/2/24: Dennis Kneale interviews Ralph Norman and asks about (MMTLP open letter response) subpoenas and hearings. (On subpoenas) Norman: "That has to come from a chair of a committee, James Comer is chair of oversight. He signed our letter." (On hearings) Norman: "Yes, and we're going to lead the way on that because at the HFSC, that's our job!" 7/10/24: No subpoenas, no hearing (even thought Norman says "We've had hearings on this." (In his interview with Dan Ball) "It's in the SEC's hands." As if to hang his hat on the charges against the former CEOs which still to this day haven't be ruled on or dropped and it seemed as if Norman was wiping his hands clean of getting us answers. 5/26/25: 479 days since his interview with Dennis Kneale, Charles V Payne had Norman on his show again and asks for an update. More lip service from Congressman Norman. Still no hearings, still no subpoenas. ?/??/25: James Comer says on TV, "In order for a subpoena to be honored in a court ruling, you have to make every sincere effort to invite people to come, then you follow up with a subpoena." COMER SIGNED THE LETTER! Why hasn't he taken the initiative here? Still waiting... still tumbleweeds and crickets, even with evidence of collusion between regulators and industry members before, during and after the halt being completely made public. 👻 The word egregious doesn't even come close to describing how unconstitutional the lack of transparency and justice we have received so far has been. We're sick of the run around! FORENSIC AUDIT NOW!

MARDÜK the SMASH Panda💛

13,865 Aufrufe • vor 5 Monaten

#Patriots Voluntary OTA Notes [Non-Padded] (6/2): 𝗢𝗳𝗳𝗲𝗻𝘀𝗲 • QB Drake Maye connected with WR Kayshon Boutte for the play of the day — Maye perfectly placed the ball deep along the left side of the field and Boutte made a fingertip catch. • QB Drake Maye had no turnovers today and he had his best day of open OTAs by far — Maye completed 9 straight passes at one point. • Full QB Stats: Maye 14/16 Dobbs 11/13 Wooldridge 4/8, INT • WRs DeMario Douglas, Kayshon Boutte, Kyle Williams and Efton Chism spent the most time working with QB Drake Maye today. • WR Efton Chism III had 7 receptions on 7 targets and looked to always be open — the undrafted rookie took several snaps with QB Drake Maye and the top offensive unit. • RB Rhamondre Stevenson made an extremely impressive finger-tip grab for a 25-yard gain on a dot from QB Drake Maye. • OL Cole Strange and Wes Schweitzer were the two primary left guards today — that spot on the offensive line is truly a competition. • TE Jaheim Bell had a rough day — the former seventh-round pick had 2 bad drops. • It was a bit of a quiet day for rookie WR Kyle Williams who caught 1 of his 2 targets. • WR Stefon Diggs was limited today working with WR Ja’Lynn Polk off to the side at times — Diggs closely observed the offense towards the end of practice as they practiced plays. • Rookie TE CJ Dippre caught a nice pass thrown by QB Ben Wooldridge up the seam. • Veteran OT Morgan Moses once again stayed after practice to help and give advice to the young offensive lineman. • RG Mike Onwenu says he feels good getting back to an offense he is familiar with — Onwenu adds that he is rehabbing from a hand injury. • RB Rhamondre Stevenson says RBs coach Tony Dews flew to visit him in Las Vegas while Stevenson was dealing with his father’s passing. • Limited: WR Stefon Diggs WR Ja'Lynn Polk OL Mike Onwenu OL Jared Wilson OT Vederian Lowe TE Austin Hooper • Absent: WR Mack Hollins (Present But DNP) WR Kendrick Bourne (Unknown) RB Trayveon Williams (Unknown) OL Tyrese Robinson (Unknown) 𝗗𝗲𝗳𝗲𝗻𝘀𝗲 • DE Keion White was disruptive today — White sacked both QB Drake Maye and QB Josh Dobbs during team drills. • Rookie S Josh Minkins intercepted QB Ben Wooldridge during 11-on—11s • CB Christian Gonzalez, S Jaylinn Hawkins, and LB Monty Rice each had a pass break up. • DT Joshua Farmer batted another pass down during team drills — Farmer has been able to bat passes down consistently during OTAs. • CB Christian Gonzalez gave up a catch to WR Efton Chism — Chism got open after running an impressive dig route. • LB Jahlani Tavai went down during team period and was grabbing his left knee — the veteran had to be helped off the field after staying down for a couple minutes. • CBs Alex Austin and Marcellas Dial spent time in the slot — Austin has consistently taken reps in the slot since the start of OTAs. • The defensive line continues to disrupt the offense. • Limited: DL Jaquelin Roy DL Wilfried Pene • Absent: CB Carlton Davis (Unknown) CB Marcus Jones (Unknown) ED Anfernee Jennings (Unknown) 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗧𝗲𝗮𝗺𝘀 • Field Goals (33-50 Yards) Andy Borregales: 4/4 John Parker Romo: 2/4, missed wide right Borregales has yet to miss during open OTAs. #NEPats

Carlos A. Lopez

60,241 Aufrufe • vor 1 Jahr