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Reworked her face control panel: - Separated her mouth shapes into individual sliders - Added rudimentary facial expressions. - Added corrective shape keys to the blink controller. - Slitted eye slider. - Heart eyes. Standard Rigify face controls are still available too.

Miracle

29,398 subscribers

14,128 Aufrufe • vor 1 Jahr •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

5 Kommentare

Profilbild von Winter Wolf

Winter Wolfvor 1 Jahr

Really nice. Did you use an addon to build the sliders?

Profilbild von Miracle

Miraclevor 1 Jahr

Rigify has the option to link Action Constraints to custom bones in the Metarig, so it can build a rig with the sliders already laid out. It needs some extra tweaking after generation to link corrective shape keys to control bones but it works very well for most things.

Profilbild von Ghost Keyboards

Ghost Keyboardsvor 1 Jahr

You ever just look at your setup and think, 'It could be wilder?' Say no more, bros. Ghost x Pewds got you covered! This Aluminum Keyboard + Mouse is straight-up EPIC in all the right ways👊

Profilbild von pixy

pixyvor 1 Jahr

She's beautiful

Profilbild von Splynxy

Splynxyvor 1 Jahr

Oh my gosh I wanna play with it so badly that looks so CLEAN!

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Here are some of the face controls. I've always enjoyed Twilight's Avatar state, so I added a glow to her eyes.

alargewoodenbadger

29,753 Aufrufe • vor 1 Jahr

My face tracking addon for Mayo by Chocolate Rice is available now! Features: -Full UE face tracking using Adjerry's template -Eyes bounce when you blink! (Toggleable) -Tail wags when you smile! :D -Reactive ears that respond to your face tracking! Custom face expressions that are triggered by your face tracking! -Frown and Mayo will cry :( -Puff your cheeks like you're holding your breath and her face will slowly turn blue! (These can be disabled in the menu) #Mayo_3D

My face tracking addon for Mayo by Chocolate Rice is available now! Features: -Full UE face tracking using Adjerry's template -Eyes bounce when you blink! (Toggleable) -Tail wags when you smile! :D -Reactive ears that respond to your face tracking! Custom face expressions that are triggered by your face tracking! -Frown and Mayo will cry :( -Puff your cheeks like you're holding your breath and her face will slowly turn blue! (These can be disabled in the menu) #Mayo_3D

Threevee

127,984 Aufrufe • vor 6 Monaten

Dame Edna sat next to Helen Mirren and said she was offered the Queen first, then added, “This is a terrible thing to say and I mean it so nicely… I looked too young for the part.” She mentioned Helen’s name and the role just fell into her lap. That pause after “nicely” is the entire joke. Nobody else could insult an Oscar winner to her face, claim it was a compliment, and still have the room eating out of her hand.

Dame Edna sat next to Helen Mirren and said she was offered the Queen first, then added, “This is a terrible thing to say and I mean it so nicely… I looked too young for the part.” She mentioned Helen’s name and the role just fell into her lap. That pause after “nicely” is the entire joke. Nobody else could insult an Oscar winner to her face, claim it was a compliment, and still have the room eating out of her hand.

Talkwithsisib 🎬 | Love & Movies

485,359 Aufrufe • vor 13 Tagen

James Cameron is being sued after a resurfaced clip showed him discussing the use of a 14-year-old actress’s face for Neytiri without her consent. Actress Q'orianka Kilcher is suing James Cameron and the Walt Disney Company, alleging her facial features from a photograph taken when she was 14 years old were used without her consent to design the character Neytiri in the Avatar franchise. Her specific lower jaw, mouth shape, and facial structure were then used as the literal blueprints to build the CGI model for Neytiri. Instead of hiring Kilcher, he allegedly ordered his digital effects and design teams to "extract" her biometric facial features. Right after Avatar came out, Kilcher was invited to Cameron's production office. While Cameron wasn't there, she was left a signed sketch of Neytiri with a note from him reading, "Your beauty was my early inspiration for Neytiri. Too bad you were shooting another movie. Next time." The lawsuit was triggered when an interview clip of Cameron resurfaced online. In the video, Cameron points to an early Neytiri concept sketch and openly admits: "The actual source for this was a photo in the LA Times, a young actress named Q'orianka Kilcher. This is actually her… her lower face." Kilcher's legal team, led by attorney Arnold P. Peter, argues that using a minor's biometric data without compensation or consent crosses the line from creative inspiration into "digital identity theft."

Movies Scenes 🎫

13,296 Aufrufe • vor 3 Monaten

In 1975, developmental psychologist Dr. Edward Tronick sat a mother and her baby face to face and filmed what happened when the mother suddenly stopped responding. First the mother plays normally, smiling, talking, making eye contact. The baby mirrors everything, laughing, pointing, babbling back. Then the mother goes blank. No expression, no response, nothing. Within seconds the baby notices. She smiles harder. Points. Waves. Screeches. Uses every tool she has to get her mother back. When nothing works, she turns away, loses control of her posture, and collapses into herself with what Tronick described as “a withdrawn, hopeless facial expression.” The moment the mother re-engages, the baby recovers almost instantly. Three minutes of emotional absence from a parent did that to an infant. It became one of the most replicated findings in developmental psychology. This was 1975, before smartphones existed. Now look around any park, restaurant, or living room. How many babies are looking up at a parent who is scrolling instead of looking back?

In 1975, developmental psychologist Dr. Edward Tronick sat a mother and her baby face to face and filmed what happened when the mother suddenly stopped responding. First the mother plays normally, smiling, talking, making eye contact. The baby mirrors everything, laughing, pointing, babbling back. Then the mother goes blank. No expression, no response, nothing. Within seconds the baby notices. She smiles harder. Points. Waves. Screeches. Uses every tool she has to get her mother back. When nothing works, she turns away, loses control of her posture, and collapses into herself with what Tronick described as “a withdrawn, hopeless facial expression.” The moment the mother re-engages, the baby recovers almost instantly. Three minutes of emotional absence from a parent did that to an infant. It became one of the most replicated findings in developmental psychology. This was 1975, before smartphones existed. Now look around any park, restaurant, or living room. How many babies are looking up at a parent who is scrolling instead of looking back?

Lemma the Optimist

3,058,820 Aufrufe • vor 7 Monaten

The College Lab Infection 🧟‍♀️ Seedance 2.5 on WaveSpeedAI Prompt: Create a photorealistic live-action zombie-horror sequence inside a modern university science laboratory during a normal college practical session. The central character is a young adult Korean female college student wearing a white laboratory coat over a simple shirt, blue jeans and white sneakers. Keep her face, hairstyle, clothing and body proportions identical throughout. Surround her with several college students, laboratory benches, microscopes, glass test tubes, chemical containers, computers and scientific equipment. Use realistic fluorescent lighting, practical effects, handheld camerawork and believable physics. The students are quietly working on an experiment when a sealed glass specimen container suddenly cracks. A dark infected substance escapes and attaches itself to the young woman near her shoulder and neck. She stumbles backward in fear as dark veins slowly spread beneath her skin, traveling across her neck and face. Her fingers begin twitching, her body develops violent tremors and her skin becomes pale and clammy. Her frightened expression gradually disappears. She raises her head and her eyes slowly transform into deep cloudy-black eyes. She suddenly turns toward a nearby classmate and charges. He desperately backs away behind a laboratory table while she repeatedly slams against it, moving with unnatural strength. The other students freeze before scrambling toward the laboratory exit. The infected woman suddenly becomes completely still, then slowly rotates her head toward them. Her dark veins pulse visibly across her face while her black eyes remain fixed on the students. Another glass specimen container cracks in the background. A second infected student suddenly collapses onto the floor, convulsing violently as dark veins spread across his neck and face and his eyes turn black. Panic erupts throughout the laboratory. Students grab backpacks, chairs and laboratory equipment while trying to escape. One student pulls another toward the emergency exit as the infected chase them through the narrow aisles. A heavy laboratory table is pushed against the door as a temporary barricade. The survivors finally reach the hallway and slam the laboratory door shut. Red emergency lights begin flashing as they catch their breath. Inside the laboratory, everything becomes silent. The camera slowly approaches the small observation window in the door. The infected female student stands motionless in the darkness, still wearing her white lab coat and jeans. Her pale face, prominent dark veins and completely black eyes are clearly visible. She slowly tilts her head toward the window. Then she suddenly smiles. Cut to black. AUDIO: Realistic laboratory ambience, fluorescent hum, glass cracking, equipment falling, footsteps, frightened breathing, screams, alarms, convulsions, impacts and distant banging. No music or exaggerated sound effects. STYLE: Ultra-realistic college laboratory horror, practical-effects infection, realistic skin texture, believable anatomy, natural handheld camera, grounded movement, realistic facial transformation, dark spreading veins, black/cloudy eyes, violent convulsions and unnatural infected movements, cold fluorescent lighting transitioning into red emergency lighting. NEGATIVE: Excessive gore, graphic dismemberment, graphic eye gore, anime, cartoon, illustration, plastic skin, fake CGI, duplicated students, face morphing, distorted anatomy, extra limbs, floating objects, impossible physics, changing clothes, inconsistent identities, subtitles, text, logos, watermark.

The College Lab Infection 🧟‍♀️ Seedance 2.5 on WaveSpeedAI Prompt: Create a photorealistic live-action zombie-horror sequence inside a modern university science laboratory during a normal college practical session. The central character is a young adult Korean female college student wearing a white laboratory coat over a simple shirt, blue jeans and white sneakers. Keep her face, hairstyle, clothing and body proportions identical throughout. Surround her with several college students, laboratory benches, microscopes, glass test tubes, chemical containers, computers and scientific equipment. Use realistic fluorescent lighting, practical effects, handheld camerawork and believable physics. The students are quietly working on an experiment when a sealed glass specimen container suddenly cracks. A dark infected substance escapes and attaches itself to the young woman near her shoulder and neck. She stumbles backward in fear as dark veins slowly spread beneath her skin, traveling across her neck and face. Her fingers begin twitching, her body develops violent tremors and her skin becomes pale and clammy. Her frightened expression gradually disappears. She raises her head and her eyes slowly transform into deep cloudy-black eyes. She suddenly turns toward a nearby classmate and charges. He desperately backs away behind a laboratory table while she repeatedly slams against it, moving with unnatural strength. The other students freeze before scrambling toward the laboratory exit. The infected woman suddenly becomes completely still, then slowly rotates her head toward them. Her dark veins pulse visibly across her face while her black eyes remain fixed on the students. Another glass specimen container cracks in the background. A second infected student suddenly collapses onto the floor, convulsing violently as dark veins spread across his neck and face and his eyes turn black. Panic erupts throughout the laboratory. Students grab backpacks, chairs and laboratory equipment while trying to escape. One student pulls another toward the emergency exit as the infected chase them through the narrow aisles. A heavy laboratory table is pushed against the door as a temporary barricade. The survivors finally reach the hallway and slam the laboratory door shut. Red emergency lights begin flashing as they catch their breath. Inside the laboratory, everything becomes silent. The camera slowly approaches the small observation window in the door. The infected female student stands motionless in the darkness, still wearing her white lab coat and jeans. Her pale face, prominent dark veins and completely black eyes are clearly visible. She slowly tilts her head toward the window. Then she suddenly smiles. Cut to black. AUDIO: Realistic laboratory ambience, fluorescent hum, glass cracking, equipment falling, footsteps, frightened breathing, screams, alarms, convulsions, impacts and distant banging. No music or exaggerated sound effects. STYLE: Ultra-realistic college laboratory horror, practical-effects infection, realistic skin texture, believable anatomy, natural handheld camera, grounded movement, realistic facial transformation, dark spreading veins, black/cloudy eyes, violent convulsions and unnatural infected movements, cold fluorescent lighting transitioning into red emergency lighting. NEGATIVE: Excessive gore, graphic dismemberment, graphic eye gore, anime, cartoon, illustration, plastic skin, fake CGI, duplicated students, face morphing, distorted anatomy, extra limbs, floating objects, impossible physics, changing clothes, inconsistent identities, subtitles, text, logos, watermark.

Synthia

140,135 Aufrufe • vor 1 Tag

#Jimin #WorldOnJimin #지민 *14년차 성형외과 의사의 BTS 얼굴 분석 (Jimin – Facial analysis by a plastic surgeon with 14 years of experience (BTS member breakdown) 👩🏻 It doesn’t really look like he has double eyelids, but his eyes are really big. His nose is so pretty, though. The nose bridge isn’t too thick, and the tip doesn’t have thick skin either. The skin quality, the way the lines fall—everything looks really sharp and clean. And it suits his face so well. 🎬 But usually, for men, isn’t the nose bridge a bit thicker? Right? 👩🏻 So instead of giving off a very masculine, rugged vibe, he feels more like a soft, refined kind of handsome by those details. 👩🏻 His midface isn’t long either, and his proportions are actually really good. His face is really small too, right? Honestly, there’s not a single flaw in his face shape. The cheekbones and jawline all flow down in a really soft, smooth line. Overall, his face gives off a very gentle impression. 🎬 If you were to give an overall assessment of his face? 👩🏻 Soft, delicate kind of handsome? 🎬 If you had to recommend any cosmetic procedure or surgery for him…? 👩🏻 There’s really nothing. There’s honestly nothing to fix. *I totally agree with her.😉 Nothing to fix on Jimin's face. [Full Video]

#Jimin #WorldOnJimin #지민 14년차 성형외과 의사의 BTS 얼굴 분석 (Jimin – Facial analysis by a plastic surgeon with 14 years of experience (BTS member breakdown) 👩🏻 It doesn’t really look like he has double eyelids, but his eyes are really big. His nose is so pretty, though. The nose bridge isn’t too thick, and the tip doesn’t have thick skin either. The skin quality, the way the lines fall—everything looks really sharp and clean. And it suits his face so well. 🎬 But usually, for men, isn’t the nose bridge a bit thicker? Right? 👩🏻 So instead of giving off a very masculine, rugged vibe, he feels more like a soft, refined kind of handsome by those details. 👩🏻 His midface isn’t long either, and his proportions are actually really good. His face is really small too, right? Honestly, there’s not a single flaw in his face shape. The cheekbones and jawline all flow down in a really soft, smooth line. Overall, his face gives off a very gentle impression. 🎬 If you were to give an overall assessment of his face? 👩🏻 Soft, delicate kind of handsome? 🎬 If you had to recommend any cosmetic procedure or surgery for him…? 👩🏻 There’s really nothing. There’s honestly nothing to fix. I totally agree with her.😉 Nothing to fix on Jimin's face. [Full Video]

WorldOnJimin

20,593 Aufrufe • vor 5 Monaten

🗣️: Beautiful from every angle, and she still holds the title of ‘Queen of Chemistry. The doctor is talking about Freen Sarocha. And after meeting her in person at the press conference for the Duo One show, she was even more convinced that Freen is truly beautiful. 👩🏻‍⚕️: First, what makes Freen look amazing from every angle is the balance of her facial features, which we refer to as ‘Golden Visual.’ The Golden Ratio consists of several elements. For example, the width of the face compared to its length should be around a 1:1.6 ratio. The forehead, nose, and chin should also have certain proportions, and Freen’s are incredibly well-balanced. Second is the harmony of her features. Her eyes, nose, and lips don’t compete with one another for attention. No single feature stands out too much everything is perfectly balanced. And finally, we have to say that her nickname ‘Queen of Chemistry’ didn’t come from nowhere. It comes from her gaze and her inner aura, which shines through her eyes. In conclusion, Freen Sarocha’s facial structure is the kind you can keep looking at without ever getting tired of it. She is truly one of the most captivating and attractive faces of this generation. What do you guys think? Absolutely mesmerizing, right? ✨ #srchafreen‌ #FreenSarocha

🗣️: Beautiful from every angle, and she still holds the title of ‘Queen of Chemistry. The doctor is talking about Freen Sarocha. And after meeting her in person at the press conference for the Duo One show, she was even more convinced that Freen is truly beautiful. 👩🏻‍⚕️: First, what makes Freen look amazing from every angle is the balance of her facial features, which we refer to as ‘Golden Visual.’ The Golden Ratio consists of several elements. For example, the width of the face compared to its length should be around a 1:1.6 ratio. The forehead, nose, and chin should also have certain proportions, and Freen’s are incredibly well-balanced. Second is the harmony of her features. Her eyes, nose, and lips don’t compete with one another for attention. No single feature stands out too much everything is perfectly balanced. And finally, we have to say that her nickname ‘Queen of Chemistry’ didn’t come from nowhere. It comes from her gaze and her inner aura, which shines through her eyes. In conclusion, Freen Sarocha’s facial structure is the kind you can keep looking at without ever getting tired of it. She is truly one of the most captivating and attractive faces of this generation. What do you guys think? Absolutely mesmerizing, right? ✨ #srchafreen‌ #FreenSarocha

FreenBecky33 🇫🇷

21,381 Aufrufe • vor 1 Monat

vibe coding metahuman with threejs and codex: spitting FACS ok, i'll admit 3D modeling has a lot of depth, going from a cube to a full facial action coding system is.. a lot of work, but really it isn't all that hard to learn like some people want you to believe it took me about 10 evenings to go from scratch (no idea how to even model in blender beyond the famous donut) to a working rigged and shape keyed expression system the actual vibe coding parts are very manageable, i'm not even hitting any session limits the past week since codex is basically just reading the glb file and it writes the drivers to have a full animation system in a single turn after that i usually notice that some things don't look as professional as i like it to be, followed by codex sending my ass back to blender and telling me what i need to do to make it better so here we are, the expression system is still very very simplified, no micro expressions yet and i believe i will need probably 500+ shape keys to actual achieve realism, but why not? Doing the 52 ARKit expressions for this demo wasn't too hard either, just tedious and boring The final driver in the demo uses a mix of bone movements and blendshapes to smoothly animate the face I might mix up some terminology here but i usually do cause it's been like what, 10 days since i started? Guess next up i'll look into face deformation parameters and then we'll move to the fun part of skinning. Once the head/neck area works (hairs are also still missing), full body next and finally LOD systems and we can call it a day Demo (pls use a desktop i'm not optimizing the ui for mobile):

vibe coding metahuman with threejs and codex: spitting FACS ok, i'll admit 3D modeling has a lot of depth, going from a cube to a full facial action coding system is.. a lot of work, but really it isn't all that hard to learn like some people want you to believe it took me about 10 evenings to go from scratch (no idea how to even model in blender beyond the famous donut) to a working rigged and shape keyed expression system the actual vibe coding parts are very manageable, i'm not even hitting any session limits the past week since codex is basically just reading the glb file and it writes the drivers to have a full animation system in a single turn after that i usually notice that some things don't look as professional as i like it to be, followed by codex sending my ass back to blender and telling me what i need to do to make it better so here we are, the expression system is still very very simplified, no micro expressions yet and i believe i will need probably 500+ shape keys to actual achieve realism, but why not? Doing the 52 ARKit expressions for this demo wasn't too hard either, just tedious and boring The final driver in the demo uses a mix of bone movements and blendshapes to smoothly animate the face I might mix up some terminology here but i usually do cause it's been like what, 10 days since i started? Guess next up i'll look into face deformation parameters and then we'll move to the fun part of skinning. Once the head/neck area works (hairs are also still missing), full body next and finally LOD systems and we can call it a day Demo (pls use a desktop i'm not optimizing the ui for mobile):

robot

29,357 Aufrufe • vor 4 Monaten

Carrie Sakamoto was injured by the COVID-19 vaccine. This is her testimony at the Allison Inquiry. 1. Background Carrie was a healthy woman. She had received all her childhood vaccines and a flu shot years earlier. When COVID-19 vaccines became available, she chose AstraZeneca for her first dose in April 2021 because she was told it was closest to the flu vaccine. She received Pfizer for her second dose on June 18, 2021. 2. The onset She got sick right away, flu-like symptoms, same as her husband who received the same shot at the same time. She wasn't concerned at first. The news said side effects like rash and fever were normal. Her husband recovered. She got progressively worse. 3. The swelling and fever Her lymph nodes on the right side of her neck swelled up. She had a high fever. Because of COVID restrictions, her GP wouldn't see her in person, only a phone call. She was diagnosed over the phone with tonsil stones and prescribed antibiotics. 4. "Fire in my brain" The next morning, extreme pain began in her brain. She describes it as "fire in my brain", a burning sensation all over her head, so severe she was vomiting constantly. She still has this pain today and takes medication for it, which is causing memory loss. 5. Hospital visits and dismissal She went to the ER. They thought it was migraines, gave her migraine medication, IV fluids, and something for her stomach, then sent her home. As soon as the medications wore off, she was right back where she started. She lost a lot of weight from not eating and constant sickness. 6. Facial paralysis On the way back to the hospital, her face felt like it was swelling. Looking in the car's side mirror, she saw half her face had dropped. She thought she was having a stroke. At the hospital, they told her it was Bell's palsy and sent her home again, saying the hospital was full of COVID patients and only taking emergencies. They gave her steroids. 7. Losing function Again, as soon as the medications wore off, the burning in her brain returned, and now half her face was paralyzed. Her eye was paralyzed open, she had to patch it, constantly applying gel so it wouldn't dry out and she wouldn't lose the eye. She experienced hearing loss and balance issues. She had no strength. Numbness spread on the left side of her face. She worried it would reach her eye and she'd lose her vision. 8. Unable to swallow The paralysis came down her throat to her shoulder and back. She couldn't chew or swallow. She was put on feeding tubes and had to relearn how to eat. She was in the hospital for 17 days. 9. Ongoing conditions - Synkinesis - nerves healed back wrong, all connected incorrectly. Constant pulling and cramping in her face, very painful, worse the more she talks. Her eye droops. Blurry and double vision. - Memory loss - doctors believe it's medication-related. She was tested and scored as early-onset Alzheimer's. She can't go off the medication or she ends up "very sick" again. She describes it as "having a side effect from the side effects of the medication." - Two types of vertigo - Light sensitivity - she wears glasses for it - Ongoing eye problems - infections, redness, skin damage around the eye from constant patch removal 10. The program Her doctors told her this was a vaccine injury — she says she's had doctors on her side the whole time. She received a partial payout from the vaccine injury program — she's one of the 0.01%. But she's still in appeals. They approved her vaccine injury but denied all her medications, all her therapies, her hearing aid, and her glasses. Everything is out of pocket, including her psychologist. Therapies have stopped. She started a GoFundMe to keep her medicine going. 11. The toll on her family They had to sell everything and leave their "forever home." She had to explain to her children they couldn't stay. They moved into town. Her youngest never went back to school, they homeschool. He's in grade 11 now and suffers severe migraines. He also had Pfizer. Her mother got a booster, developed shingles, was diagnosed with turbo cancer, and died a year into Carrie's injury, before she ever saw her first oncologist. 12. Her words "I feel abandoned from the government that said they were going to be here for us. We were told that if we did this, things could go back to normal. We were told that we wouldn't be able to do things if we didn't get it." "The program has been awful. For people who are injured, they can't get the help they need. And we're just looking for medical help. We just want help with our health." "I hear people talking all the time about us being anti-vax when it couldn't be further from the truth." Where is our humanity if we don't have enough compassion to help people who believed the experts parroting "safe and effective" 24/7?

Carrie Sakamoto was injured by the COVID-19 vaccine. This is her testimony at the Allison Inquiry. 1. Background Carrie was a healthy woman. She had received all her childhood vaccines and a flu shot years earlier. When COVID-19 vaccines became available, she chose AstraZeneca for her first dose in April 2021 because she was told it was closest to the flu vaccine. She received Pfizer for her second dose on June 18, 2021. 2. The onset She got sick right away, flu-like symptoms, same as her husband who received the same shot at the same time. She wasn't concerned at first. The news said side effects like rash and fever were normal. Her husband recovered. She got progressively worse. 3. The swelling and fever Her lymph nodes on the right side of her neck swelled up. She had a high fever. Because of COVID restrictions, her GP wouldn't see her in person, only a phone call. She was diagnosed over the phone with tonsil stones and prescribed antibiotics. 4. "Fire in my brain" The next morning, extreme pain began in her brain. She describes it as "fire in my brain", a burning sensation all over her head, so severe she was vomiting constantly. She still has this pain today and takes medication for it, which is causing memory loss. 5. Hospital visits and dismissal She went to the ER. They thought it was migraines, gave her migraine medication, IV fluids, and something for her stomach, then sent her home. As soon as the medications wore off, she was right back where she started. She lost a lot of weight from not eating and constant sickness. 6. Facial paralysis On the way back to the hospital, her face felt like it was swelling. Looking in the car's side mirror, she saw half her face had dropped. She thought she was having a stroke. At the hospital, they told her it was Bell's palsy and sent her home again, saying the hospital was full of COVID patients and only taking emergencies. They gave her steroids. 7. Losing function Again, as soon as the medications wore off, the burning in her brain returned, and now half her face was paralyzed. Her eye was paralyzed open, she had to patch it, constantly applying gel so it wouldn't dry out and she wouldn't lose the eye. She experienced hearing loss and balance issues. She had no strength. Numbness spread on the left side of her face. She worried it would reach her eye and she'd lose her vision. 8. Unable to swallow The paralysis came down her throat to her shoulder and back. She couldn't chew or swallow. She was put on feeding tubes and had to relearn how to eat. She was in the hospital for 17 days. 9. Ongoing conditions - Synkinesis - nerves healed back wrong, all connected incorrectly. Constant pulling and cramping in her face, very painful, worse the more she talks. Her eye droops. Blurry and double vision. - Memory loss - doctors believe it's medication-related. She was tested and scored as early-onset Alzheimer's. She can't go off the medication or she ends up "very sick" again. She describes it as "having a side effect from the side effects of the medication." - Two types of vertigo - Light sensitivity - she wears glasses for it - Ongoing eye problems - infections, redness, skin damage around the eye from constant patch removal 10. The program Her doctors told her this was a vaccine injury — she says she's had doctors on her side the whole time. She received a partial payout from the vaccine injury program — she's one of the 0.01%. But she's still in appeals. They approved her vaccine injury but denied all her medications, all her therapies, her hearing aid, and her glasses. Everything is out of pocket, including her psychologist. Therapies have stopped. She started a GoFundMe to keep her medicine going. 11. The toll on her family They had to sell everything and leave their "forever home." She had to explain to her children they couldn't stay. They moved into town. Her youngest never went back to school, they homeschool. He's in grade 11 now and suffers severe migraines. He also had Pfizer. Her mother got a booster, developed shingles, was diagnosed with turbo cancer, and died a year into Carrie's injury, before she ever saw her first oncologist. 12. Her words "I feel abandoned from the government that said they were going to be here for us. We were told that if we did this, things could go back to normal. We were told that we wouldn't be able to do things if we didn't get it." "The program has been awful. For people who are injured, they can't get the help they need. And we're just looking for medical help. We just want help with our health." "I hear people talking all the time about us being anti-vax when it couldn't be further from the truth." Where is our humanity if we don't have enough compassion to help people who believed the experts parroting "safe and effective" 24/7?

Camus

29,500 Aufrufe • vor 13 Tagen

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!

Girls Chase 🏃‍♀️💨

65,755 Aufrufe • vor 4 Monaten

This morning I stumbled on a story about a woman named mirabel who was ra*ed in her home…a man had approached her outside and she politely declined him, he then proceeded to track her down, break into her home …knock her out, tie her mouth, tear her vagina open with a blade because “she was too tight”, do what he did and then threaten her online… Of course it happened in Nigeria, as a Nigerian I’m well aware of the stereotypes my audience has on that country but please this isn’t the one for jokes Every year there’s outrage in this nation and obviously worldwide about the safety of women, I see women’s facial expressions in public transport when they have no choice but to sit next to men Especially after my Micheal Jordan tweet, already explained my misjudgment and changed my opinion…i believe it’s important my followers and mutuals know my stance If you stand for abuse and taking advantage of women please unfollow and block me, if you are an apologist for these actions please unfollow and block me if you are against it, please watch the people around you Protect your sisters, your mothers, your females friends As a man you are either the most dangerous person in their eyes or the one that stands up to the danger I usually just tweet about my interests here but i couldn’t not speak on this

Sensitive content

This morning I stumbled on a story about a woman named mirabel who was ra*ed in her home…a man had approached her outside and she politely declined him, he then proceeded to track her down, break into her home …knock her out, tie her mouth, tear her vagina open with a blade because “she was too tight”, do what he did and then threaten her online… Of course it happened in Nigeria, as a Nigerian I’m well aware of the stereotypes my audience has on that country but please this isn’t the one for jokes Every year there’s outrage in this nation and obviously worldwide about the safety of women, I see women’s facial expressions in public transport when they have no choice but to sit next to men Especially after my Micheal Jordan tweet, already explained my misjudgment and changed my opinion…i believe it’s important my followers and mutuals know my stance If you stand for abuse and taking advantage of women please unfollow and block me, if you are an apologist for these actions please unfollow and block me if you are against it, please watch the people around you Protect your sisters, your mothers, your females friends As a man you are either the most dangerous person in their eyes or the one that stands up to the danger I usually just tweet about my interests here but i couldn’t not speak on this

zinzy°🐻

123,770 Aufrufe • vor 7 Monaten

Hi all! 0.1.0 is available on Patreon! Jumping up minor release number since there were more than just hotfixes in this version! Thanks again to everyone supporting, it's been a blast to see your reaction to my frontend and it's a bit surreal. It's also a blast to fix issues and add requested features so yeah, I'm very grateful! For people complaining about RetroArch not launching games, make sure to select the correct core as the emulator in the platform settings. (If there are still issues, let me know of course) Added - Controller layout setting (Nintendo / Xbox / PlayStation) under Settings > Tweaks swaps face-button icons and remaps A/B and X/Y to match your controller's actual layout. (First-run prompt asking which controller layout to use). - Per-game emulator override and launch argument override, for titles that need a different core or custom args than their platform's default. - Added a UI scale slider under Settings > Tweaks to make the UI bigger/smaller depending on what you prefer (the UI was pretty small on the Retroid Pocket Nova) - Duplicate filtering when scanning a platform: multi-disc dumps (e.g. "Game (Disc 1)", "Game (Disc 2)") now collapse to a single entry. - Discord username/Email field (optional) on the feedback form to be contacted (seems obvious enough but was forgotten 😅). - Expected file extensions are now shown when adding or editing a platform. - Joystick 3D model now rotates in its preview with right Joystick. Changed - Renamed Appearance to "Tweaks". - Removing a platform now also removes the scraped data. - Games are now sorted alphabetically. Fixed - Focus getting lost (or stuck on nothing) after closing a settings screen. - Wii U discs not displaying. - Rounded corners now are correctly rounded, no matter the aspect ratio of the screen. Same for the hole-punch transition.

Hi all! 0.1.0 is available on Patreon! Jumping up minor release number since there were more than just hotfixes in this version! Thanks again to everyone supporting, it's been a blast to see your reaction to my frontend and it's a bit surreal. It's also a blast to fix issues and add requested features so yeah, I'm very grateful! For people complaining about RetroArch not launching games, make sure to select the correct core as the emulator in the platform settings. (If there are still issues, let me know of course) Added - Controller layout setting (Nintendo / Xbox / PlayStation) under Settings > Tweaks swaps face-button icons and remaps A/B and X/Y to match your controller's actual layout. (First-run prompt asking which controller layout to use). - Per-game emulator override and launch argument override, for titles that need a different core or custom args than their platform's default. - Added a UI scale slider under Settings > Tweaks to make the UI bigger/smaller depending on what you prefer (the UI was pretty small on the Retroid Pocket Nova) - Duplicate filtering when scanning a platform: multi-disc dumps (e.g. "Game (Disc 1)", "Game (Disc 2)") now collapse to a single entry. - Discord username/Email field (optional) on the feedback form to be contacted (seems obvious enough but was forgotten 😅). - Expected file extensions are now shown when adding or editing a platform. - Joystick 3D model now rotates in its preview with right Joystick. Changed - Renamed Appearance to "Tweaks". - Removing a platform now also removes the scraped data. - Games are now sorted alphabetically. Fixed - Focus getting lost (or stuck on nothing) after closing a settings screen. - Wii U discs not displaying. - Rounded corners now are correctly rounded, no matter the aspect ratio of the screen. Same for the hole-punch transition.

depmots

16,219 Aufrufe • vor 2 Monaten

This beauty shows us everything that's so great about French girls. She's at an open window, and right off lights her ciggie. And just look how much she needed it; she powersmokes one deep drag after another, holding it deep inside her lungs for the nicotine to blast into her body, and relieving herself as she exhales massive plumes of smoke from her mouth and nostrils. She's so full of smoke; even when she's talking there's still smoke oozing from between her lips. Oh man, she's clearly unbelievably addicted, immediately needing to bring her ciggie back to her lips for the next drag. She's destroying her entire ciggie in three minutes flat, and you can see that this is her normal smoking pace. And she's so gorgeous with her beautiful face, cute mouth with puffy lips, and brown almond-shaped eyes which become so small and hazy as the nicotine rush takes complete control of her. Having her stylish chunky turtleneck sweater pushing against her chin throughout makes it even hotter. You can imagine just how strong the cigarette smell on that sweater must be. Like most French girls, she's been smoking heavily from a very early age, and has really perfected her smoking style. Let's be honest, who doesn't dream about dating such an incredible French smoker? They're quite simply irresistible. #smokingblonde #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #deepinhale #deepexhale #powersmoking #turtleneck #turtlenecksweater #turtleneckfetish #coolgirl #hotgirl #sexygirl #frenchgirl #frenchsmoker

This beauty shows us everything that's so great about French girls. She's at an open window, and right off lights her ciggie. And just look how much she needed it; she powersmokes one deep drag after another, holding it deep inside her lungs for the nicotine to blast into her body, and relieving herself as she exhales massive plumes of smoke from her mouth and nostrils. She's so full of smoke; even when she's talking there's still smoke oozing from between her lips. Oh man, she's clearly unbelievably addicted, immediately needing to bring her ciggie back to her lips for the next drag. She's destroying her entire ciggie in three minutes flat, and you can see that this is her normal smoking pace. And she's so gorgeous with her beautiful face, cute mouth with puffy lips, and brown almond-shaped eyes which become so small and hazy as the nicotine rush takes complete control of her. Having her stylish chunky turtleneck sweater pushing against her chin throughout makes it even hotter. You can imagine just how strong the cigarette smell on that sweater must be. Like most French girls, she's been smoking heavily from a very early age, and has really perfected her smoking style. Let's be honest, who doesn't dream about dating such an incredible French smoker? They're quite simply irresistible. #smokingblonde #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #deepinhale #deepexhale #powersmoking #turtleneck #turtlenecksweater #turtleneckfetish #coolgirl #hotgirl #sexygirl #frenchgirl #frenchsmoker

Smoking girl lover

17,011 Aufrufe • vor 1 Jahr

$“Are you still mad at me, Mercan?” he asked, his voice a low, vibrating hum that seemed to echo in her chest. Mercan stopped, her eyes flashing. “Yes,” she snapped, her voice tight, though her heart had begun to hammer against her ribs. “I am.” Ateş didn’t recoil. Instead, he moved with a sudden, fluid motion, grabbing her waist and pulling her flush against him. Mercan gasped, her breath hitching as her chest collided with the hard planes of his. He reached out, his hand sliding beneath the lapel of his coat and with a slow, deliberate movement, he brushed the stray locks of hair away from her shoulder, exposing the pale, sensitive skin of her neck. He leaned in, his lips hovering just a fraction of an inch from her ear, his warm breath sending a violent shiver down her spine. “Oh... that mad,” he whispered, a dark, knowing smirk playing on his lips. The proximity was overwhelming. Mercan felt her balance waver, her head swimming as the scent of his sandalwood cologne filled her senses, intoxicating and familiar. She pressed her palms against his chest to push him away, but her fingers involuntarily curled into the fabric of his shirt, gripping him instead of repelling him. “Stop,” she breathed, glancing frantically toward the lobby where employees were milling about. “Stop it. There are people near us.” Ateş didn’t let go. Instead, he tightened his grip on her waist, pulling her even closer until there wasn’t a sliver of air between them. He let out a low, humming chuckle against her skin. Mercan tilted her head back, trying to maintain her composure despite the heat radiating from him. “Careful, Ateş”,she whispered, her voice trembling with a mix of defiance and desire. “Don’t snuggle too much... you’ll get burned.” Ateş pulled back just enough to lock his dark, hungry eyes with hers. A slow, wicked smile spread across his face. “Too late,”he murmured, his voice dropping to a gravelly register. “I’m already burning in love.” Mercan’s breath hitched. The boldness of it, delivered with such raw intensity, made her stomach flip. She let out a soft, challenging huff, her gaze dropping to his lips before meeting his eyes again. “And what exactly am I supposed to do with all this fire?” Ateş leaned in, his lips brushing against hers in a ghost of a kiss, a promise of the chaos to come. “You,” he whispered, “are going to love it.” He didn’t wait for an answer. He gripped her hand, his fingers locking with hers in a firm, unyielding hold and led her toward his private cabin. The walk was an exercise in torture, every brush of their shoulders, every accidental touch of their hips, felt like a spark hitting gasoline. The silence between them was no longer cold, it was electric, thick with the unspoken promise of what was about to happen. The moment the heavy oak door swung shut behind them and the lock clicked, the facade of corporate professionalism vanished. Mercan turned to him, her anger returning in a surge. “You think you can just pull me into a hallway and..” He didn’t let her finish. Ateş slammed her back against the closed door, his mouth crashing onto hers in a kiss that wasn’t a request, it was a demand. It was a collision of teeth and tongue, tasting of frustration and long denied hunger. Mercan fought him for a second, her hands slapping against his shoulders, but the fight quickly morphed into a desperate need. She wrapped her arms around his neck, pulling him closer, her moan lost in his throat. “I’m still angry,” she whispered, though she wrapped her arms around his waist neck and pulled him back down for another kiss. Ateş chuckled, a dark, satisfied sound. “Good. We’ll just have to stay in this cabin until you’re not.”$

“Are you still mad at me, Mercan?” he asked, his voice a low, vibrating hum that seemed to echo in her chest. Mercan stopped, her eyes flashing. “Yes,” she snapped, her voice tight, though her heart had begun to hammer against her ribs. “I am.” Ateş didn’t recoil. Instead, he moved with a sudden, fluid motion, grabbing her waist and pulling her flush against him. Mercan gasped, her breath hitching as her chest collided with the hard planes of his. He reached out, his hand sliding beneath the lapel of his coat and with a slow, deliberate movement, he brushed the stray locks of hair away from her shoulder, exposing the pale, sensitive skin of her neck. He leaned in, his lips hovering just a fraction of an inch from her ear, his warm breath sending a violent shiver down her spine. “Oh... that mad,” he whispered, a dark, knowing smirk playing on his lips. The proximity was overwhelming. Mercan felt her balance waver, her head swimming as the scent of his sandalwood cologne filled her senses, intoxicating and familiar. She pressed her palms against his chest to push him away, but her fingers involuntarily curled into the fabric of his shirt, gripping him instead of repelling him. “Stop,” she breathed, glancing frantically toward the lobby where employees were milling about. “Stop it. There are people near us.” Ateş didn’t let go. Instead, he tightened his grip on her waist, pulling her even closer until there wasn’t a sliver of air between them. He let out a low, humming chuckle against her skin. Mercan tilted her head back, trying to maintain her composure despite the heat radiating from him. “Careful, Ateş”,she whispered, her voice trembling with a mix of defiance and desire. “Don’t snuggle too much... you’ll get burned.” Ateş pulled back just enough to lock his dark, hungry eyes with hers. A slow, wicked smile spread across his face. “Too late,”he murmured, his voice dropping to a gravelly register. “I’m already burning in love.” Mercan’s breath hitched. The boldness of it, delivered with such raw intensity, made her stomach flip. She let out a soft, challenging huff, her gaze dropping to his lips before meeting his eyes again. “And what exactly am I supposed to do with all this fire?” Ateş leaned in, his lips brushing against hers in a ghost of a kiss, a promise of the chaos to come. “You,” he whispered, “are going to love it.” He didn’t wait for an answer. He gripped her hand, his fingers locking with hers in a firm, unyielding hold and led her toward his private cabin. The walk was an exercise in torture, every brush of their shoulders, every accidental touch of their hips, felt like a spark hitting gasoline. The silence between them was no longer cold, it was electric, thick with the unspoken promise of what was about to happen. The moment the heavy oak door swung shut behind them and the lock clicked, the facade of corporate professionalism vanished. Mercan turned to him, her anger returning in a surge. “You think you can just pull me into a hallway and..” He didn’t let her finish. Ateş slammed her back against the closed door, his mouth crashing onto hers in a kiss that wasn’t a request, it was a demand. It was a collision of teeth and tongue, tasting of frustration and long denied hunger. Mercan fought him for a second, her hands slapping against his shoulders, but the fight quickly morphed into a desperate need. She wrapped her arms around his neck, pulling him closer, her moan lost in his throat. “I’m still angry,” she whispered, though she wrapped her arms around his waist neck and pulled him back down for another kiss. Ateş chuckled, a dark, satisfied sound. “Good. We’ll just have to stay in this cabin until you’re not.”

Ateş Karahan

27,177 Aufrufe • vor 1 Monat

$One lab. One infection. And suddenly, she wasn’t human anymore. 🧟‍♀️ Seedance 2.5 on WaveSpeedAI Prompt : Create a photorealistic zombie-horror sequence inside a high-security research laboratory. The central character is a young adult Korean female scientist dressed in a clean white lab coat over a simple light-colored shirt, blue straight-leg jeans, and practical white sneakers. She has natural dark hair, minimal makeup, realistic skin texture, and believable proportions. Her face, hairstyle, lab coat, jeans, shoes, and body proportions must remain consistent throughout the entire sequence. Build the environment with steel machinery, specimen tables, glass containment chambers, computer monitors, harsh fluorescent lighting, and realistic laboratory details. Use grounded practical effects and physically believable movement with tense handheld camerawork. While she works at a containment station, a glass specimen chamber suddenly develops fractures and explodes, scattering glass across the floor as a small dark parasite escapes and attaches itself around her shoulder and neck. She stumbles backward, frightened, while dark veins gradually appear beneath her skin and spread upward across her neck and face. Her skin becomes noticeably pale and clammy, her fingers twitch, and violent tremors run through her body. Her terrified expression gradually disappears into a blank, emotionless stare as her eyes transform into an unnaturally deep obsidian black. She abruptly turns toward a nearby colleague and charges, forcing him behind a glass partition. She repeatedly strikes the glass while staring directly at him, her completely black eyes and pulsing dark veins clearly visible. Two more scientists enter and freeze when she suddenly becomes perfectly still, then slowly rotates her head toward them. Around the laboratory, additional containment chambers begin cracking as warning lights activate. Another infected creature breaks free, sending the scientists scrambling for emergency equipment. They use a powerful emergency strobe and fire extinguisher to disorient the creatures before pushing a heavy steel cart across the corridor and retreating behind a security door. The surviving scientists reach an emergency corridor and catch their breath as red warning lights wash over their exhausted faces. The sealed laboratory door violently shakes behind them. The camera gradually approaches its small observation window, revealing the infected woman standing motionless in the darkness, still wearing her white lab coat and blue jeans. Her pale face, prominent dark veins, and completely black eyes are visible through the glass. She slowly tilts her head toward the camera as the emergency lights flicker across her face. Cut to black. Visual and audio direction: Ultra-realistic sci-fi zombie horror with detailed natural skin, convincing black eyes, subtle veins beneath the skin, realistic facial changes, practical creature effects, authentic anatomy, and believable environmental physics. Maintain cold clinical lighting before transitioning to red emergency illumination. Use handheld camera movement and natural diegetic sounds such as breaking glass, alarms, footsteps, breathing, impacts, convulsions, and distant screams. Avoid graphic gore or excessive blood. No anime, cartoon, illustration, artificial CGI appearance, plastic skin, duplicated characters, face morphing, distorted anatomy, floating objects, impossible movement, changing clothing, identity changes, subtitles, text overlays, logos, or watermark.$

One lab. One infection. And suddenly, she wasn’t human anymore. 🧟‍♀️ Seedance 2.5 on WaveSpeedAI Prompt : Create a photorealistic zombie-horror sequence inside a high-security research laboratory. The central character is a young adult Korean female scientist dressed in a clean white lab coat over a simple light-colored shirt, blue straight-leg jeans, and practical white sneakers. She has natural dark hair, minimal makeup, realistic skin texture, and believable proportions. Her face, hairstyle, lab coat, jeans, shoes, and body proportions must remain consistent throughout the entire sequence. Build the environment with steel machinery, specimen tables, glass containment chambers, computer monitors, harsh fluorescent lighting, and realistic laboratory details. Use grounded practical effects and physically believable movement with tense handheld camerawork. While she works at a containment station, a glass specimen chamber suddenly develops fractures and explodes, scattering glass across the floor as a small dark parasite escapes and attaches itself around her shoulder and neck. She stumbles backward, frightened, while dark veins gradually appear beneath her skin and spread upward across her neck and face. Her skin becomes noticeably pale and clammy, her fingers twitch, and violent tremors run through her body. Her terrified expression gradually disappears into a blank, emotionless stare as her eyes transform into an unnaturally deep obsidian black. She abruptly turns toward a nearby colleague and charges, forcing him behind a glass partition. She repeatedly strikes the glass while staring directly at him, her completely black eyes and pulsing dark veins clearly visible. Two more scientists enter and freeze when she suddenly becomes perfectly still, then slowly rotates her head toward them. Around the laboratory, additional containment chambers begin cracking as warning lights activate. Another infected creature breaks free, sending the scientists scrambling for emergency equipment. They use a powerful emergency strobe and fire extinguisher to disorient the creatures before pushing a heavy steel cart across the corridor and retreating behind a security door. The surviving scientists reach an emergency corridor and catch their breath as red warning lights wash over their exhausted faces. The sealed laboratory door violently shakes behind them. The camera gradually approaches its small observation window, revealing the infected woman standing motionless in the darkness, still wearing her white lab coat and blue jeans. Her pale face, prominent dark veins, and completely black eyes are visible through the glass. She slowly tilts her head toward the camera as the emergency lights flicker across her face. Cut to black. Visual and audio direction: Ultra-realistic sci-fi zombie horror with detailed natural skin, convincing black eyes, subtle veins beneath the skin, realistic facial changes, practical creature effects, authentic anatomy, and believable environmental physics. Maintain cold clinical lighting before transitioning to red emergency illumination. Use handheld camera movement and natural diegetic sounds such as breaking glass, alarms, footsteps, breathing, impacts, convulsions, and distant screams. Avoid graphic gore or excessive blood. No anime, cartoon, illustration, artificial CGI appearance, plastic skin, duplicated characters, face morphing, distorted anatomy, floating objects, impossible movement, changing clothing, identity changes, subtitles, text overlays, logos, or watermark.

Synthia

51,709 Aufrufe • vor 17 Tagen

To summarize the optimization experience of Molly S, over the past 6 months, I have repeatedly adjusted and transformed it until it completely matches my own face shape. The total areas that have been adjusted include: [ A ] Eyebrow trimming [ B ] Substantial thinning treatment from mouth, lips, brow bone to bridge of nose and tip of nose [ C ] Metal shape design, installation and adjustment of nose bridge and nose wing [ D ] Eye shape adjustment and boundary thinning treatment [ E ] Ear hole plastic surgery [ F ] Thinning and edge treatment of the head cover at the junction of the neck This improvement has greatly verified the mask structure strengthening theory of my pinned post. Most of the results are satisfactory, but there are still some shortcomings. A friends gave me feedback on the phenomenon that the lips look flat in appearance. indeed a problem of insufficient three-dimensionality caused by excessive thinning during the process of transforming the inside of the lips. This is not easy to modify for reverse engineering such as mask modification, and may require the use of technology that changes the tension of the silicone fabric. but it is still worth a try. I am also confident that I can complete the optimization of my lips in the future and look forward to wearing her again.

To summarize the optimization experience of Molly S, over the past 6 months, I have repeatedly adjusted and transformed it until it completely matches my own face shape. The total areas that have been adjusted include: [ A ] Eyebrow trimming [ B ] Substantial thinning treatment from mouth, lips, brow bone to bridge of nose and tip of nose [ C ] Metal shape design, installation and adjustment of nose bridge and nose wing [ D ] Eye shape adjustment and boundary thinning treatment [ E ] Ear hole plastic surgery [ F ] Thinning and edge treatment of the head cover at the junction of the neck This improvement has greatly verified the mask structure strengthening theory of my pinned post. Most of the results are satisfactory, but there are still some shortcomings. A friends gave me feedback on the phenomenon that the lips look flat in appearance. indeed a problem of insufficient three-dimensionality caused by excessive thinning during the process of transforming the inside of the lips. This is not easy to modify for reverse engineering such as mask modification, and may require the use of technology that changes the tension of the silicone fabric. but it is still worth a try. I am also confident that I can complete the optimization of my lips in the future and look forward to wearing her again.

Bella Paprika

104,649 Aufrufe • vor 2 Jahren

i really love this scene so much because it hurts in the most heart-wrenching way 😭💔 Peem is drunk, passed out on the sofa, unconsciously singing the same song she sang for Parn at the beach. Parn walks in smiling, takes care of her, helps her change, wipes her down… everything is so soft. so domestic. so tender. 😭 and then Peem’s mouth ruins it all over again. 🔫😡 the way Parn’s face falls when drunk Peem starts throwing those cruel words at her… and yet she still comes back to take care of her anyway. 🥺 “you’re kinda cute when you’re asleep.” PARN 😭🙂‍↔️ and then Peem suddenly whispers, eyes still closed, “why does it have to be you?” idk… that line feels like such a quiet plea to me. 🥺 especially knowing Peem is being pressured to close this huge deal, while Parn is the very person she needs for it… yet she can’t stand the thought of Parn being involved with another man. yeah. “why does it have to be you?” hurts DIFFERENT. 😭 deep down, Peem has already fallen HARD. maybe she just wants that version of them back — no Angel, no business deal, no clients, no other men, no chaos. just Peem and Parn, like at the beach. but they’re still nowhere near admitting any of this to each other, so awake Peem keeps hiding behind that vicious mouth and stubborn ego instead. 😭 EP2 WHY ARE YOU LIKE THIS 😭☹️ #PlsLoveรักได้ไหมEP2

i really love this scene so much because it hurts in the most heart-wrenching way 😭💔 Peem is drunk, passed out on the sofa, unconsciously singing the same song she sang for Parn at the beach. Parn walks in smiling, takes care of her, helps her change, wipes her down… everything is so soft. so domestic. so tender. 😭 and then Peem’s mouth ruins it all over again. 🔫😡 the way Parn’s face falls when drunk Peem starts throwing those cruel words at her… and yet she still comes back to take care of her anyway. 🥺 “you’re kinda cute when you’re asleep.” PARN 😭🙂‍↔️ and then Peem suddenly whispers, eyes still closed, “why does it have to be you?” idk… that line feels like such a quiet plea to me. 🥺 especially knowing Peem is being pressured to close this huge deal, while Parn is the very person she needs for it… yet she can’t stand the thought of Parn being involved with another man. yeah. “why does it have to be you?” hurts DIFFERENT. 😭 deep down, Peem has already fallen HARD. maybe she just wants that version of them back — no Angel, no business deal, no clients, no other men, no chaos. just Peem and Parn, like at the beach. but they’re still nowhere near admitting any of this to each other, so awake Peem keeps hiding behind that vicious mouth and stubborn ego instead. 😭 EP2 WHY ARE YOU LIKE THIS 😭☹️ #PlsLoveรักได้ไหมEP2

ᵖˡˢGF ଘ(੭ˊᵕˋ)੭

83,660 Aufrufe • vor 17 Tagen

The drama continued and the tension kept rising Seedance 2.5 Prompt 👇 Create a 30-second, 1080p ultra-realistic emotional live-action scene about a young woman confronting another woman who is involved with her boyfriend. Focus on authentic human emotion, escalating tension, realistic facial expressions and believable body language. No melodrama or theatrical acting. MAIN CHARACTER Young Korean woman in her early 20s, naturally beautiful, realistic skin texture, minimal makeup, long black hair loosely styled, wearing a fitted pastel-pink top, casual denim shorts and simple sneakers. Maintain exact facial identity, hairstyle, outfit and proportions throughout. LOCATION A quiet modern café during a rainy evening. Warm interior lighting, rain-covered windows, wooden tables, soft background conversations and a few customers. SCENE She enters the café and immediately notices her boyfriend sitting closely with another young woman near the window. She stops. Her expression changes from confusion to disbelief. She walks toward them slowly, trying to control her emotions. She looks directly at the other woman and says firmly: “Please leave him alone. He's my boyfriend.” The other woman looks uncomfortable and tries to respond. The girlfriend becomes more emotional and raises her voice: “You knew he was with me. Why are you doing this?” She points toward the café entrance and says through anger and hurt: “Just leave. Please.” Her boyfriend tries to interrupt and calm her down. She turns toward him briefly, then looks back at the other woman. Her anger suddenly begins turning into sadness. Her voice starts trembling. “I don't even understand why you would do this to me…” She tries to hold herself together, takes a shaky breath, and suddenly bursts into tears. Show the emotional breaking point naturally: trembling lips, tears streaming down her cheeks, shaky breathing and her trying unsuccessfully to wipe them away. She quietly says: “I trusted him… and I trusted you.” She looks down, covers her face for a moment and cries uncontrollably. The café becomes noticeably quiet around her. She takes a breath, wipes her tears, turns around and walks toward the door while still crying. The camera stays behind as she leaves the café. CAMERA / VISUAL STYLE Handheld cinematic live-action camera, subtle natural movement. Medium shots during the confrontation, gradually moving into intimate close-ups as her emotions intensify. Realistic eyes, tears, trembling lips, skin pores and natural facial movement. Rain reflections through the windows, shallow depth of field, realistic motion blur, 24fps, photorealistic. EMOTIONAL DIRECTION Suspicion → realization → confrontation → anger → shouting → emotional exhaustion → tears → heartbreak. The shouting should feel spontaneous rather than scripted. Her anger gradually collapses into genuine sadness. The final crying should feel raw, uncomfortable and completely human—not beautiful or glamorous. AUDIO Rain against windows, café ambience, footsteps, cups and quiet conversations. No background music. No narration. Natural dialogue with interruptions, pauses, shaky breathing and changing vocal intensity. CONTINUITY / REALISM Maintain exact character identity, clothing, hairstyle and café layout. Tears remain physically consistent once they appear. No disappearing people or objects, no duplicated characters, no sudden emotional changes. NEGATIVE: plastic skin, fake tears, exaggerated acting, cartoon expressions, melodrama, unrealistic shouting, physical violence, distorted faces, extra fingers, identity drift, outfit changes, CGI look, subtitles, watermark.

The drama continued and the tension kept rising Seedance 2.5 Prompt 👇 Create a 30-second, 1080p ultra-realistic emotional live-action scene about a young woman confronting another woman who is involved with her boyfriend. Focus on authentic human emotion, escalating tension, realistic facial expressions and believable body language. No melodrama or theatrical acting. MAIN CHARACTER Young Korean woman in her early 20s, naturally beautiful, realistic skin texture, minimal makeup, long black hair loosely styled, wearing a fitted pastel-pink top, casual denim shorts and simple sneakers. Maintain exact facial identity, hairstyle, outfit and proportions throughout. LOCATION A quiet modern café during a rainy evening. Warm interior lighting, rain-covered windows, wooden tables, soft background conversations and a few customers. SCENE She enters the café and immediately notices her boyfriend sitting closely with another young woman near the window. She stops. Her expression changes from confusion to disbelief. She walks toward them slowly, trying to control her emotions. She looks directly at the other woman and says firmly: “Please leave him alone. He's my boyfriend.” The other woman looks uncomfortable and tries to respond. The girlfriend becomes more emotional and raises her voice: “You knew he was with me. Why are you doing this?” She points toward the café entrance and says through anger and hurt: “Just leave. Please.” Her boyfriend tries to interrupt and calm her down. She turns toward him briefly, then looks back at the other woman. Her anger suddenly begins turning into sadness. Her voice starts trembling. “I don't even understand why you would do this to me…” She tries to hold herself together, takes a shaky breath, and suddenly bursts into tears. Show the emotional breaking point naturally: trembling lips, tears streaming down her cheeks, shaky breathing and her trying unsuccessfully to wipe them away. She quietly says: “I trusted him… and I trusted you.” She looks down, covers her face for a moment and cries uncontrollably. The café becomes noticeably quiet around her. She takes a breath, wipes her tears, turns around and walks toward the door while still crying. The camera stays behind as she leaves the café. CAMERA / VISUAL STYLE Handheld cinematic live-action camera, subtle natural movement. Medium shots during the confrontation, gradually moving into intimate close-ups as her emotions intensify. Realistic eyes, tears, trembling lips, skin pores and natural facial movement. Rain reflections through the windows, shallow depth of field, realistic motion blur, 24fps, photorealistic. EMOTIONAL DIRECTION Suspicion → realization → confrontation → anger → shouting → emotional exhaustion → tears → heartbreak. The shouting should feel spontaneous rather than scripted. Her anger gradually collapses into genuine sadness. The final crying should feel raw, uncomfortable and completely human—not beautiful or glamorous. AUDIO Rain against windows, café ambience, footsteps, cups and quiet conversations. No background music. No narration. Natural dialogue with interruptions, pauses, shaky breathing and changing vocal intensity. CONTINUITY / REALISM Maintain exact character identity, clothing, hairstyle and café layout. Tears remain physically consistent once they appear. No disappearing people or objects, no duplicated characters, no sudden emotional changes. NEGATIVE: plastic skin, fake tears, exaggerated acting, cartoon expressions, melodrama, unrealistic shouting, physical violence, distorted faces, extra fingers, identity drift, outfit changes, CGI look, subtitles, watermark.

Synthia

12,372 Aufrufe • vor 29 Tagen