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vibe coding metahuman with threejs and codex: spitting FACS ok, i'll admit 3D modeling has a lot of depth, going from a cube to a full facial action coding system is.. a lot of work, but really it isn't all that hard to learn like some people want you...

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In his new concentration camp, Trump is befuddled by the word “detainees,” twice, and decides it must be about him. It is impossible to overstate how absurd it is that this horrifically unwell man is being allowed to destroy the country and the world like this. h/t Aaron Rupar REPORTER: Is there a specific time frame you expect the detainees to spend here days, weeks, months? And does that have anything to do with the immigration judges you just spoke about being trained and staffed here? TRUMP: When you say what was the first part of your question? REPORTER: Is there a specific timeframe you expect the detainees to spend here, days, weeks, months? TRUMP: In Florida? REPORTER: Yes, here in Alligator Alcatraz. TRUMP: Look this is my home state I love it. I love your government. These are all friends of mine. They know very well. I'm not surprised that they do so well. They're great people. Ron has been a friend of mine for a long time. I feel very comfortable in the state. I'll spend a lot of time here. I want to, for four years, I've got to be in Washington and I'm okay with it because I love the White House. I even fix up the little Oval Office. I make it, it's like a diamond. It's beautiful, it's so beautiful. It wasn't maintained properly, I will tell you that. But even when it wasn't, it was still the Oval Office, so it meant a lot. But I'll spend as much time as I can here. My vacation is generally here because it's convenient. I live in Palm Beach, it's my home. And I have a very nice little place, nice little cottage to stay at, right? But we have a lot of fun and I'm a big contributor to Florida. You don't pay a lot of tax and a lot of people move from New York. And I don't know what New York is going to do. A lot of people moved to Florida from New York and it was for a lot of reasons. But one of them was taxes. The taxes are so high in New York they're leaving. I don't know what New York is going to do about that because some of the biggest wealthiest people and some of the people that paid the most taxes of any people anywhere in the world for that matter, they're moving to Florida and other places. So we're going to have to help some of these states out I think. But thank you very much. I'll be here as much as I can. Very nice question.”
1:47

In his new concentration camp, Trump is befuddled by the word “detainees,” twice, and decides it must be about him. It is impossible to overstate how absurd it is that this horrifically unwell man is being allowed to destroy the country and the world like this. h/t Aaron Rupar REPORTER: Is there a specific time frame you expect the detainees to spend here days, weeks, months? And does that have anything to do with the immigration judges you just spoke about being trained and staffed here? TRUMP: When you say what was the first part of your question? REPORTER: Is there a specific timeframe you expect the detainees to spend here, days, weeks, months? TRUMP: In Florida? REPORTER: Yes, here in Alligator Alcatraz. TRUMP: Look this is my home state I love it. I love your government. These are all friends of mine. They know very well. I'm not surprised that they do so well. They're great people. Ron has been a friend of mine for a long time. I feel very comfortable in the state. I'll spend a lot of time here. I want to, for four years, I've got to be in Washington and I'm okay with it because I love the White House. I even fix up the little Oval Office. I make it, it's like a diamond. It's beautiful, it's so beautiful. It wasn't maintained properly, I will tell you that. But even when it wasn't, it was still the Oval Office, so it meant a lot. But I'll spend as much time as I can here. My vacation is generally here because it's convenient. I live in Palm Beach, it's my home. And I have a very nice little place, nice little cottage to stay at, right? But we have a lot of fun and I'm a big contributor to Florida. You don't pay a lot of tax and a lot of people move from New York. And I don't know what New York is going to do. A lot of people moved to Florida from New York and it was for a lot of reasons. But one of them was taxes. The taxes are so high in New York they're leaving. I don't know what New York is going to do about that because some of the biggest wealthiest people and some of the people that paid the most taxes of any people anywhere in the world for that matter, they're moving to Florida and other places. So we're going to have to help some of these states out I think. But thank you very much. I'll be here as much as I can. Very nice question.”

Jim Stewartson, Antifascist 🇨🇦🇺🇦🏴‍☠️🇺🇸

122,603 görüntüleme • 1 yıl önce

Brad Pitt admits that after decades of fame he's still a little embarrassed by the public side of being a movie star "I go in and I go in hard, I work hard, and then I always need to disappear and step out. I just need to refill. I'm not that guy that can be out and about in public" "I've always enjoyed my solitude. Not my loneliness, not those periods, but the solitude. And I really need it" "I'm getting ready to start this big press gauntlet, and I don't feel like I'm very good at it. I've always been a little embarrassed by this side of it, and I still have that feeling each time. It takes a lot out of me, so then I need to step back and really disappear"
0:58

Brad Pitt admits that after decades of fame he's still a little embarrassed by the public side of being a movie star "I go in and I go in hard, I work hard, and then I always need to disappear and step out. I just need to refill. I'm not that guy that can be out and about in public" "I've always enjoyed my solitude. Not my loneliness, not those periods, but the solitude. And I really need it" "I'm getting ready to start this big press gauntlet, and I don't feel like I'm very good at it. I've always been a little embarrassed by this side of it, and I still have that feeling each time. It takes a lot out of me, so then I need to step back and really disappear"

sara

3,207,477 görüntüleme • 13 gün önce

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -
2:28

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -

sim

170,303 görüntüleme • 8 ay önce

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.
0:40

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,531 görüntüleme • 1 yıl önce

Genius combines to form a rouge voice against the system. The establishment and their far left shills are going to have a lot of angry Irish people to deal with very soon. "I'm a plumber. I'm not a public speaker. I go to work, I do my job, I go home. I play a bit of football as a pastime and that's probably the height of my life. "Some people would say it's a pathetic life but I love it. I have a good partner there, I have a good family and I have a good group of friends. I want it to continue like that. "But here I am on a Monday evening in the rain, standing outside a hotel in my hometown, trying to protect it, and trying not to have it given over to people willy-fucking-nilly so that a couple of fellas can make a lot of money." #BallinaSaysNo
5:11

Genius combines to form a rouge voice against the system. The establishment and their far left shills are going to have a lot of angry Irish people to deal with very soon. "I'm a plumber. I'm not a public speaker. I go to work, I do my job, I go home. I play a bit of football as a pastime and that's probably the height of my life. "Some people would say it's a pathetic life but I love it. I have a good partner there, I have a good family and I have a good group of friends. I want it to continue like that. "But here I am on a Monday evening in the rain, standing outside a hotel in my hometown, trying to protect it, and trying not to have it given over to people willy-fucking-nilly so that a couple of fellas can make a lot of money." #BallinaSaysNo

The Flare

1,339,184 görüntüleme • 2 yıl önce

Jacob talks about making deliberate choices with his shoots: ‘Another trick that I learned years ago is that I don't shoot very much, so nobody can cut my show the way I don't want them to cut it. There's no excess. "Is there a close up?" and I'm like, "No." And so, I do a lot of that, and it's very deliberate. I mean, the thing about the show when you talk about the money and the resources, the reason that it is stretched to a point, is that we shot, I think, 57 locations in 34 days? So to keep the scope of the show the way we wanted, we had to move fast, and we had to get things done. And so that means there's going to be some one-ers, there's going to be some things, and instead of you seeing that as a limitation, you have to view that as like, “This is a fun opportunity to do something interesting.” We shot that cottage in two days. We had two days to do it, and so it was like, “Okay, here we are doing it.” And we finished early. 🗣️ CSA Presents: Focal Point, May 31, 2026. ▶️ ✍🏼 transcription by Heated Rivalry News
0:55

Jacob talks about making deliberate choices with his shoots: ‘Another trick that I learned years ago is that I don't shoot very much, so nobody can cut my show the way I don't want them to cut it. There's no excess. "Is there a close up?" and I'm like, "No." And so, I do a lot of that, and it's very deliberate. I mean, the thing about the show when you talk about the money and the resources, the reason that it is stretched to a point, is that we shot, I think, 57 locations in 34 days? So to keep the scope of the show the way we wanted, we had to move fast, and we had to get things done. And so that means there's going to be some one-ers, there's going to be some things, and instead of you seeing that as a limitation, you have to view that as like, “This is a fun opportunity to do something interesting.” We shot that cottage in two days. We had two days to do it, and so it was like, “Okay, here we are doing it.” And we finished early. 🗣️ CSA Presents: Focal Point, May 31, 2026. ▶️ ✍🏼 transcription by Heated Rivalry News

Heated Rivalry News

33,607 görüntüleme • 1 ay önce

If a British person were to move to China and act like foreigners do when they move to the White countries... "I think we can all agree everything here is a little bit too Chinese. All the restaurants and cafes and that for a start, way too many noodles. I don't eat noodles. We're gonna need pie and mash, and chips. You need the cater to me, yeah?" "No? I don't think you understand. I'm not from here. Okay, I left the UK because I didn't like it. All right? So I need you to change everything to make it feel like it's the UK. Yeah? Still no, is it? Right, okay. Well, also I can't really work at the minute. Anxiety. Yeah. So when do I get my money? Obviously got a few kids at home and also they're gonna need to come here." "Why do you keep saying no? I've noticed as well, there's a lot of Chinese people here as well? So I was thinking we could get loads of me over here and we have our own little area and then you lot can just f**k off. Does that sound good?" "It doesn't. Well, no, hear me out, because I was thinking if we get loads of me over here, then we can vote in, you know, one of me to be in charge and then we can all start telling you lot how to live. And after that, I was going to organise some marches where we go through the streets chanting anti-Chinese sentiments. Obviously, you'll need to protect us while we do that." "That's a no as well, is it? eh And finally, I am here illegally. Yeah, didn't respect the rules on that one. So do I just choose any hotel?"
1:38

If a British person were to move to China and act like foreigners do when they move to the White countries... "I think we can all agree everything here is a little bit too Chinese. All the restaurants and cafes and that for a start, way too many noodles. I don't eat noodles. We're gonna need pie and mash, and chips. You need the cater to me, yeah?" "No? I don't think you understand. I'm not from here. Okay, I left the UK because I didn't like it. All right? So I need you to change everything to make it feel like it's the UK. Yeah? Still no, is it? Right, okay. Well, also I can't really work at the minute. Anxiety. Yeah. So when do I get my money? Obviously got a few kids at home and also they're gonna need to come here." "Why do you keep saying no? I've noticed as well, there's a lot of Chinese people here as well? So I was thinking we could get loads of me over here and we have our own little area and then you lot can just f**k off. Does that sound good?" "It doesn't. Well, no, hear me out, because I was thinking if we get loads of me over here, then we can vote in, you know, one of me to be in charge and then we can all start telling you lot how to live. And after that, I was going to organise some marches where we go through the streets chanting anti-Chinese sentiments. Obviously, you'll need to protect us while we do that." "That's a no as well, is it? eh And finally, I am here illegally. Yeah, didn't respect the rules on that one. So do I just choose any hotel?"

Wall Street Mav

51,326 görüntüleme • 4 ay önce

Therapist Trey Tucker came on Relatable to talk about anxiety. I asked him, "If you could define anxiety, how would you define it?" Tucker: "Fear of the future. Fear of the unknown. The verse, 'Be still and know that I am God' used to make me so angry. I'm like, God, what do you mean be still? Like, I got a real problem here. I'm in a storm. Why do you want me to just be still? And what I realized is that the word, and I believe it's "Rapha" in the Hebrew, it doesn’t mean just ‘don’t move.’ It means ‘release your grip.’ The idea that I thought that I had control, that was a lie anyway. If I can start to realize like, yes, the circumstances might happen that are negative or I might be in the middle of a battle right now, but if I can loosen my grip and stop white knuckling it, then I can realize that like oh—God is God, not me, and He’s going to take care of me no matter what happens. That really is the solution to anxiety. It’s not changing your circumstances or slapping meds on it.”
0:51

Therapist Trey Tucker came on Relatable to talk about anxiety. I asked him, "If you could define anxiety, how would you define it?" Tucker: "Fear of the future. Fear of the unknown. The verse, 'Be still and know that I am God' used to make me so angry. I'm like, God, what do you mean be still? Like, I got a real problem here. I'm in a storm. Why do you want me to just be still? And what I realized is that the word, and I believe it's "Rapha" in the Hebrew, it doesn’t mean just ‘don’t move.’ It means ‘release your grip.’ The idea that I thought that I had control, that was a lie anyway. If I can start to realize like, yes, the circumstances might happen that are negative or I might be in the middle of a battle right now, but if I can loosen my grip and stop white knuckling it, then I can realize that like oh—God is God, not me, and He’s going to take care of me no matter what happens. That really is the solution to anxiety. It’s not changing your circumstances or slapping meds on it.”

Relatable with Allie Beth Stuckey

47,236 görüntüleme • 2 ay önce

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q
1:15

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

HSNews

179,234 görüntüleme • 3 ay önce

taegunv customize behind! 🧸 this is just a story but before i went to record the demo for customize, i actually asked taerae hyung to come with me. i felt like we needed taerae hyung for this demo to really bring out the right vibe. and the song is quite high too. so i asked him "i'm going to record a demo now can you come and do it with me?" and when taerae hyung asked "what will you give me?" i said "i'll buy you a meal" and he said "okay i'll be in touch," but he didn't contact me. so i went and did it by myself. that's why i ended up doing it alone.
1:08

taegunv customize behind! 🧸 this is just a story but before i went to record the demo for customize, i actually asked taerae hyung to come with me. i felt like we needed taerae hyung for this demo to really bring out the right vibe. and the song is quite high too. so i asked him "i'm going to record a demo now can you come and do it with me?" and when taerae hyung asked "what will you give me?" i said "i'll buy you a meal" and he said "okay i'll be in touch," but he didn't contact me. so i went and did it by myself. that's why i ended up doing it alone.

꾸 🍎

40,328 görüntüleme • 1 ay önce

jay talking about being a kpop idol 🐈‍⬛ if we have a lot of time to take a rest, that means it's getting less city we can go in the same time. 🐈‍⬛ so you all say like, “just take a break, just take a break” but i bet that you all are going to be really sad for that, to be honest. so don't worry. we're doing it because of we love this 🐈‍⬛ no we work hard, i know it's not easy deal for doing these kind of stuff but i'm actually feeling it through my body, through my skin and but yeah i feel good because i give a a lot of respect at my work what i'm doing the job and the company i'm into so i'm really proud of everything, i'm gonna do everything i'll achieve at the future and every other people's doing this like doing the same job with me so i'm just saying it's really hard being an idol. being a k-pop singer is a really hard deal but you know it worth it and always worth it because i don't know it feels hundred times better when you're doing hard things but the things that you like, it feels like hundred times better than you're doing something hard but you also hate, you don't like so yeah um i'm doing five years of this, not too long but not too short but i just feel like i'm getting used to it and and definitely love it. and probably gonna love it for the future also. JAY 🥹🤍
3:06

jay talking about being a kpop idol 🐈‍⬛ if we have a lot of time to take a rest, that means it's getting less city we can go in the same time. 🐈‍⬛ so you all say like, “just take a break, just take a break” but i bet that you all are going to be really sad for that, to be honest. so don't worry. we're doing it because of we love this 🐈‍⬛ no we work hard, i know it's not easy deal for doing these kind of stuff but i'm actually feeling it through my body, through my skin and but yeah i feel good because i give a a lot of respect at my work what i'm doing the job and the company i'm into so i'm really proud of everything, i'm gonna do everything i'll achieve at the future and every other people's doing this like doing the same job with me so i'm just saying it's really hard being an idol. being a k-pop singer is a really hard deal but you know it worth it and always worth it because i don't know it feels hundred times better when you're doing hard things but the things that you like, it feels like hundred times better than you're doing something hard but you also hate, you don't like so yeah um i'm doing five years of this, not too long but not too short but i just feel like i'm getting used to it and and definitely love it. and probably gonna love it for the future also. JAY 🥹🤍

ɪᴄɪᴇʟ. 🐚

193,046 görüntüleme • 10 ay önce

🎙️ : “carlos sainz had some lovely things to say about you [..] he said that you're the most open driver on the grid, but that in the modern world, sometimes people can use that against you. how important is it to you to be this open book that you are?” lando: “that's tricky. i don't know if it's about importance. it's not like i'm trying to be like this because i think it's important. i'm just being myself and i'd rather be myself than try to be something i'm not. i'd rather do what i enjoy in my life and feel like i've just done what i feel like i should have done in my life than try to pretend i'm someone else or try to pretend like i'm the racing driver that everyone thinks you need to be or should be. a lot of people like to set these stereotypes and some things are probably right and along better lines. for me, i just want to enjoy my time here. i work hard. i do everything i can to win races and try to be the best. but that's it. other than that, i'm here to enjoy my life, share it with others and try to stand on the top step and that's as simple as i try and keep it”
1:29

🎙️ : “carlos sainz had some lovely things to say about you [..] he said that you're the most open driver on the grid, but that in the modern world, sometimes people can use that against you. how important is it to you to be this open book that you are?” lando: “that's tricky. i don't know if it's about importance. it's not like i'm trying to be like this because i think it's important. i'm just being myself and i'd rather be myself than try to be something i'm not. i'd rather do what i enjoy in my life and feel like i've just done what i feel like i should have done in my life than try to pretend i'm someone else or try to pretend like i'm the racing driver that everyone thinks you need to be or should be. a lot of people like to set these stereotypes and some things are probably right and along better lines. for me, i just want to enjoy my time here. i work hard. i do everything i can to win races and try to be the best. but that's it. other than that, i'm here to enjoy my life, share it with others and try to stand on the top step and that's as simple as i try and keep it”

ray

148,886 görüntüleme • 11 ay önce

This happens all the time! This is why I feel like I'm not worth myself! This is why I feel like I cant grow! This is twitch actively nerfing my account every time I go live! The audience didn't leave they were still in the chat! When I asked twitch for help, I got an automated incomplete response that said "everything looks" . I am so tired of fighting this and have pleaded with twitch, Daniel Clancy and have told the VP FACE TO FACE about this issue and still nothing has been done! Why? I'm small potatoes no one cares and no one will even put an iota of time into solving this issue! This has been a constant every day for over 2 years and I cannot express how defeated I absolutely feel every time I press start to immediately have my audience ignored by twitch. I know some of you are going to say its not all about the numbers and if you enjoy it, it shouldn't matter. Unfortunately the ultimate truth is we are heavily judged on our CPM by everyone, potential partners, sponsors, collaborative opportunities and even by twitch themselves. So yes, it does matter. It matters a lot and worst part is no one, will take this issue seriously! I have literally 120 days of information from twitches 9th longest subathon (unrecognized of course as again small potatoes) that would absolutely show this being a consistent issue. I don't know what to do, I am at wits end here and I every time I see this happen to me I just want to curl up into a ball and let the world wash over me. I need help, i need someone to look at this, because I have dedicated my life to entertaining individuals and I do this full time, I dedicate 8 hours a day every day for the past 2 years to this company and the only thing I get is ignored. I know this is a lot and it looks like just some random person complaining, but I need some way to get this in the right hands and not the automated jarble that I've been getting. Its even been acknowledged in the past by a tech for twitch that something might be up. Again, I know I'm not big but were all working under the same logo and should all be taken care of equally! Twitch
0:36

This happens all the time! This is why I feel like I'm not worth myself! This is why I feel like I cant grow! This is twitch actively nerfing my account every time I go live! The audience didn't leave they were still in the chat! When I asked twitch for help, I got an automated incomplete response that said "everything looks" . I am so tired of fighting this and have pleaded with twitch, Daniel Clancy and have told the VP FACE TO FACE about this issue and still nothing has been done! Why? I'm small potatoes no one cares and no one will even put an iota of time into solving this issue! This has been a constant every day for over 2 years and I cannot express how defeated I absolutely feel every time I press start to immediately have my audience ignored by twitch. I know some of you are going to say its not all about the numbers and if you enjoy it, it shouldn't matter. Unfortunately the ultimate truth is we are heavily judged on our CPM by everyone, potential partners, sponsors, collaborative opportunities and even by twitch themselves. So yes, it does matter. It matters a lot and worst part is no one, will take this issue seriously! I have literally 120 days of information from twitches 9th longest subathon (unrecognized of course as again small potatoes) that would absolutely show this being a consistent issue. I don't know what to do, I am at wits end here and I every time I see this happen to me I just want to curl up into a ball and let the world wash over me. I need help, i need someone to look at this, because I have dedicated my life to entertaining individuals and I do this full time, I dedicate 8 hours a day every day for the past 2 years to this company and the only thing I get is ignored. I know this is a lot and it looks like just some random person complaining, but I need some way to get this in the right hands and not the automated jarble that I've been getting. Its even been acknowledged in the past by a tech for twitch that something might be up. Again, I know I'm not big but were all working under the same logo and should all be taken care of equally! Twitch

Frosted Fricks 💣🐦‍⬛

21,589 görüntüleme • 1 yıl önce

Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh… I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me… because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think… the state police would be capable of… very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why… movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.
10:03

Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh… I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me… because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think… the state police would be capable of… very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why… movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.

Grant Smith Ellis

13,184 görüntüleme • 6 ay önce

"You know, I don't, I have not changed. I really make the movies for myself. I really, really do." Q: "For no one else, or just sort of like what you ultimately want to see in them?" "Yeah, I think so." Q: "As a fan yourself, too? "What I want to see, yeah, like as a, like, you only have the benchmark of yourself. Like, if you ever try and make a movie for someone other than yourself... I feel like you're going to blow it. "Because you can't, you don't know how anyone else is going to feel. So like, you know, you go, 'okay, do I find that emotionally real? Do I find that interesting? Is that the Krypton I want to go to? Is that the Superman I want to see fight?' "You know, those are the questions you ask yourself constantly. And I think once you, if you're constantly answering yes to that, then you'll end up the more, the film will end up being more interesting to you. "And ultimately, the film being interesting to you allows you to make the movie better because you're interested. "If you make it for someone else over a two-year period, you're just going to not give a sh*t at some point because you're just like, 'I don't care. This is not my movie. I don't care about this movie because I made it for someone else.'" Q: "I imagine that's a very hard thing to do in Hollywood, though, is to keep your vision clear with so much collaboration, with so much going on, with so many other people in the mix." "It really depends on the project. For instance, it was hard on Guardians, you know, where I feel like what ended up happening on that movie was people, we did end up, they did end up asking me like, 'this is for kids, right?' "And I got to honestly say that I knew it was for kids, but I didn't want to make it for kids. You know what I mean? And I think that's what happened to that movie. It did get like second guessed at the end and turned more into a movie for kids. "My point of view is I can think like a child if I want. I have that enthusiasm for movies and what I think is cool. You, the collective you, don't need to try and second guess me and go, 'this is what we think a kid would like.' "And then it's like, 'oh, a song' or whatever. Then you're just like, 'okay, whatever.'"
2:14

"You know, I don't, I have not changed. I really make the movies for myself. I really, really do." Q: "For no one else, or just sort of like what you ultimately want to see in them?" "Yeah, I think so." Q: "As a fan yourself, too? "What I want to see, yeah, like as a, like, you only have the benchmark of yourself. Like, if you ever try and make a movie for someone other than yourself... I feel like you're going to blow it. "Because you can't, you don't know how anyone else is going to feel. So like, you know, you go, 'okay, do I find that emotionally real? Do I find that interesting? Is that the Krypton I want to go to? Is that the Superman I want to see fight?' "You know, those are the questions you ask yourself constantly. And I think once you, if you're constantly answering yes to that, then you'll end up the more, the film will end up being more interesting to you. "And ultimately, the film being interesting to you allows you to make the movie better because you're interested. "If you make it for someone else over a two-year period, you're just going to not give a sh*t at some point because you're just like, 'I don't care. This is not my movie. I don't care about this movie because I made it for someone else.'" Q: "I imagine that's a very hard thing to do in Hollywood, though, is to keep your vision clear with so much collaboration, with so much going on, with so many other people in the mix." "It really depends on the project. For instance, it was hard on Guardians, you know, where I feel like what ended up happening on that movie was people, we did end up, they did end up asking me like, 'this is for kids, right?' "And I got to honestly say that I knew it was for kids, but I didn't want to make it for kids. You know what I mean? And I think that's what happened to that movie. It did get like second guessed at the end and turned more into a movie for kids. "My point of view is I can think like a child if I want. I have that enthusiasm for movies and what I think is cool. You, the collective you, don't need to try and second guess me and go, 'this is what we think a kid would like.' "And then it's like, 'oh, a song' or whatever. Then you're just like, 'okay, whatever.'"

Zack Snyder Film

334,960 görüntüleme • 6 ay önce

Chelsea Green On her Money in the Bank fall: “Seriously, that ladder is high, it’s very high, because I think it was a 20-foot ladder — dear life as I’m going up it trying to look all like I’m a badass, and I’m like, Dear God, please let this be over. I want to go home. I need a glass of wine. But it was all worth it. I knew what that moment was going to be. I died on that hill getting that moment because the boys tried to take it away from me.” “The boys tried to have that exact same moment. So we bargained. We gave Chad Gable a spot, and I took my spot. Also, and this might not be that popular of a thing to say, but also, IYO was going to be on the ladder with me. I said no. I came up with the spot. I wanted the spot, and I didn’t think going through it a second time with somebody else was going to be as impactful....So I wanted the moment, and I fought for it to be just me, and I fought for it to be the very, very, very last spot before Tiffany won.” (Chris Van Vliet)
2:22

Chelsea Green On her Money in the Bank fall: “Seriously, that ladder is high, it’s very high, because I think it was a 20-foot ladder — dear life as I’m going up it trying to look all like I’m a badass, and I’m like, Dear God, please let this be over. I want to go home. I need a glass of wine. But it was all worth it. I knew what that moment was going to be. I died on that hill getting that moment because the boys tried to take it away from me.” “The boys tried to have that exact same moment. So we bargained. We gave Chad Gable a spot, and I took my spot. Also, and this might not be that popular of a thing to say, but also, IYO was going to be on the ladder with me. I said no. I came up with the spot. I wanted the spot, and I didn’t think going through it a second time with somebody else was going to be as impactful....So I wanted the moment, and I fought for it to be just me, and I fought for it to be the very, very, very last spot before Tiffany won.” (Chris Van Vliet)

J O H N

509,245 görüntüleme • 6 ay önce

🎙️: “i am very often looking to the body language and you seem a bit more focused on yourself, insulated to the outside world. why this approach? because it seems to work” lando: “it wasn't like i suddenly have to be like this or like that. it's just i needed to improve in many areas on the track and off the track. and i guess over time, maybe i changed. i don't know. i think i find it hard to notice everything myself. but if that's what you think, then good. but i'm not thinking of that. for once, i'm not thinking of the perspective from the outside. i'm just sticking to doing my own thing, focusing on myself and it's been working. so i will continue to do that. but of course, yeah if you're seeing things paying off and seeing differences, that's also i guess a good thing at times”
0:59

🎙️: “i am very often looking to the body language and you seem a bit more focused on yourself, insulated to the outside world. why this approach? because it seems to work” lando: “it wasn't like i suddenly have to be like this or like that. it's just i needed to improve in many areas on the track and off the track. and i guess over time, maybe i changed. i don't know. i think i find it hard to notice everything myself. but if that's what you think, then good. but i'm not thinking of that. for once, i'm not thinking of the perspective from the outside. i'm just sticking to doing my own thing, focusing on myself and it's been working. so i will continue to do that. but of course, yeah if you're seeing things paying off and seeing differences, that's also i guess a good thing at times”

ray

65,589 görüntüleme • 7 ay önce

lando asked whether his relationship with oscar changed: “it's still the same. and i think we both are happy that that's how it is. it's because we both have a lot of respect for one another and we both understand the position that we're in. and we both treat the world of driving versus just personally what we're like away from the track, quite differently. that's how i've always been. i feel like i've always gone on well with my teammates since go-karting. i've always wanted to because it just makes my life more fun, more enjoyable and that's also why i'm here. it's because i love what i do, so the more i can do that, the better. but we still just very much understand that we're here, we work for mclaren, we want the best for the team. we work very hard and as drivers always do, you try and maximize your own performance more than anything. but then when we step out of the car, we can still have a joke. we still have laughs in our debriefs, and we still enjoy everything away from the track. so, no i think it's still better than ever in many ways. i think we're still very different people. he's very just calm down to earth, very relaxed, always looks just cool, and that's something i also admire quite a bit, is how just plain sailing he is with a lot of things. it's a good attribute to have. always hard to read what mood he's in, but i think probably for me, you see more visually kind of the moods i'm in. but otherwise, it's not like we go play golf together and do things like i have done with carlos, daniel i didn't play golf with. but we're still different people, but in terms of relationship, we get along well. we still work together well and i think it's still better than it's ever been”
1:59

lando asked whether his relationship with oscar changed: “it's still the same. and i think we both are happy that that's how it is. it's because we both have a lot of respect for one another and we both understand the position that we're in. and we both treat the world of driving versus just personally what we're like away from the track, quite differently. that's how i've always been. i feel like i've always gone on well with my teammates since go-karting. i've always wanted to because it just makes my life more fun, more enjoyable and that's also why i'm here. it's because i love what i do, so the more i can do that, the better. but we still just very much understand that we're here, we work for mclaren, we want the best for the team. we work very hard and as drivers always do, you try and maximize your own performance more than anything. but then when we step out of the car, we can still have a joke. we still have laughs in our debriefs, and we still enjoy everything away from the track. so, no i think it's still better than ever in many ways. i think we're still very different people. he's very just calm down to earth, very relaxed, always looks just cool, and that's something i also admire quite a bit, is how just plain sailing he is with a lot of things. it's a good attribute to have. always hard to read what mood he's in, but i think probably for me, you see more visually kind of the moods i'm in. but otherwise, it's not like we go play golf together and do things like i have done with carlos, daniel i didn't play golf with. but we're still different people, but in terms of relationship, we get along well. we still work together well and i think it's still better than it's ever been”

ray

129,217 görüntüleme • 7 ay önce

Marc Andreessen says he has visited Mar-a-Lago and that RFK Jr. is fully in control of the health agenda. “One of the things I learned is that RFK is really in charge of health for the country, and is working with the president.” “This whole MAHA thing he's very serious about and a lot of people, including a lot of the most qualified people I know in the field, are like, ‘yes it is long overdue that we look at the food system.’” “I'm actually very encouraged that this is now going to be a very big focus here and not just by the government, but I think also in the culture.”
1:22

Marc Andreessen says he has visited Mar-a-Lago and that RFK Jr. is fully in control of the health agenda. “One of the things I learned is that RFK is really in charge of health for the country, and is working with the president.” “This whole MAHA thing he's very serious about and a lot of people, including a lot of the most qualified people I know in the field, are like, ‘yes it is long overdue that we look at the food system.’” “I'm actually very encouraged that this is now going to be a very big focus here and not just by the government, but I think also in the culture.”

End Tribalism in Politics

330,349 görüntüleme • 1 yıl önce

"My feeling is this. I'm not pro-immigration. I'm not anti-immigration. What I want is for people who are not corrupt, who are well-informed about the issue, to figure out what the best level of immigration is and to set up a process that works. I don't want to see any illegals. I want to see people who come in legally. I want to see the number. Maybe it's a high number. Maybe it's a low number. I don't know, but I'd like to see the right number. I'd like us to at least aspire to it. And then most important of all, and I see this in both England and the US, somewhere along the line, we apparently decided it was impolite to ask people who wished to come to our countries, whether they liked us and aspired to be a part of our civilization. And my feeling is whatever the number is that we should be allowing in, I don't want any who don't aspire to be American. I want people who like it, who want to make the place better and want to participate in it because they see it as good. We should not be letting people in who want to destroy it. Obviously, I can't imagine that anyone has to say that out loud, but apparently it has to be said out loud because it's not obvious to a lot of people. And the point is, it is what I just said anti-immigrant? No, it's anti-people who hate us. And I have a right to be anti-people who hate us..." - Bret Weinstein on immigration, with Carl Benjamin 🏴󠁧󠁢󠁥󠁮󠁧󠁿
2:36

"My feeling is this. I'm not pro-immigration. I'm not anti-immigration. What I want is for people who are not corrupt, who are well-informed about the issue, to figure out what the best level of immigration is and to set up a process that works. I don't want to see any illegals. I want to see people who come in legally. I want to see the number. Maybe it's a high number. Maybe it's a low number. I don't know, but I'd like to see the right number. I'd like us to at least aspire to it. And then most important of all, and I see this in both England and the US, somewhere along the line, we apparently decided it was impolite to ask people who wished to come to our countries, whether they liked us and aspired to be a part of our civilization. And my feeling is whatever the number is that we should be allowing in, I don't want any who don't aspire to be American. I want people who like it, who want to make the place better and want to participate in it because they see it as good. We should not be letting people in who want to destroy it. Obviously, I can't imagine that anyone has to say that out loud, but apparently it has to be said out loud because it's not obvious to a lot of people. And the point is, it is what I just said anti-immigrant? No, it's anti-people who hate us. And I have a right to be anti-people who hate us..." - Bret Weinstein on immigration, with Carl Benjamin 🏴󠁧󠁢󠁥󠁮󠁧󠁿

The Darkhorse Podcast

152,191 görüntüleme • 6 ay önce