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Robocop 2 (1990) This scene always cracks me up man. Both used stop-motion animation by Craig Davies. The jerky movements add to the unnatural, creepy vibe. (Footage: MGM Studios)

145,661 views • 3 months ago •via X (Twitter)

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𝙂𝙞𝙜𝙖 𝘽𝙖𝙚𝙡𝙯 | 𝙃𝙤𝙡𝙤𝙡𝙞𝙫𝙚 𝙂𝙞𝙖𝙣𝙩𝙚𝙨𝙨 𝘼𝙣𝙞𝙢𝙖𝙩𝙞𝙤𝙣 ---------------------------------------------------- After months working this animation from June to September, and a lot of delays. The animation is finally here, with some better upgrades and making a better animation with some details I decided to give. Plus, there's a greenscreen scene that I wanted to experiment but someday I'll explain the whole thing what is wrong that I feel like... bad for it. But, I hope this is worth it to experiment with this animation, and the greenscreen. Which someday in the future, I'll be making better of greenscreen so, stay tune for this. And thank you guys, for your patience and supporting me to make this animation as possible. Also, support me on P-site, to see my whole works that I do of renders I post in there. ---------------------------------------------------- CREDITS AND STUFF Animation Directed by: ChibuProduction3D. Storyboard by: ChibuProduction3D. Audio Composed by: ChibuProduction3D. Assets and Sounds SFX used from GTS Pack by: @/RensGts Animation made with Blender 4.4.3 LTS. ChibuProduction as myself (for the IRL Scene). Music Used on the Ending: Tifa's Theme - FINAL FANTASY VII (Composed by Nobuo Uematsu). Greenscreen Camera Assistant Recording and Filmed by: BlukDen ---------------------------------------------------- #SizeTwitter #giantess #巨女

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15,048 views • 9 months ago

After reading the script of "Robocop 2" (1990), Peter Weller didn't like it and he criticised it. He told the producers, Irvin Kirshner and Frank Miller up front that the movie needed a better third act. The producers felt that "the monster is going to be enough.” Weller felt it needed a moral angle. Weller thought the script of "Robocop 2" did not have the code, the spine, or the soul of 'Robocop" (1987). Here is what Peter Weller said: "Interviewer: Does 'RoboCop 2' have anything to do with your general feelings on sequels being inferior? Weller: Yeah. 'RoboCop 2' didn’t have a third act. I told the producers and Irv Kirshner up front, and Frank Miller. I told them all. I said, “Where’s the third act here, man? So I beat up a big monster. In the third act, you have to have your Dan O’Herlihy. Somebody’s got to be the third act.” “No, no, the monster’s going to be enough.” “Look, it’s not enough!” When you have a movie like the first 'RoboCop', where the bad guys are never the bad guys and it’s always the morality of the thing. You know, like the idea that progress in the name of progress can steal a man’s identity. Look, the first RoboCop’s got deregulated trickle-down social economic politics in it, way before Bush and Romney and the debates with Obama and Senator Clinton. It’s got a morality to it. If you don’t have that, man, you’ve got no flick, and I said that so much. But, look, I don’t need to be right about 'RoboCop 2'. I had a good time making 'Robocop 2'. I was breaking up with a girlfriend at the time, so I can’t say I really had a great time, but I had a good time with Irv Kirshner, God bless him, and being in Houston, running around with Billy Gibbons of ZZ Top, who’s an old friend. But the script did not have the code, the spine, or the soul of the first one." ("Peter Weller on feminism, sequels, and more", Will Harris, The AV Club, 2013)

DepressedBergman

219,233 views • 2 months ago